Urban Flooding Mitigation in Bergen

Total Page:16

File Type:pdf, Size:1020Kb

Urban Flooding Mitigation in Bergen EXCURSION GUIDE URBAN FLOODING MITIGATION IN BERGEN Date: May 13th INTRODUCTION SCHEDULE 07:30 Meet at Bergen Bryggen hotel The cable car Fløibanen will take us to the viewpoint Fløyen, where the Municipality of Bergen and the 08:00-08:30 Cable car to Fløyen Chief of Emergency Management will give a lecture. Focus will be on risk and emergency management 08:30-09:30 Lecture on Fløyen connected to surface water in the city of Bergen. 09:30-11:30 Walk: Starefossen & Svartediket From Fløyen we will walk to Starefossen. This is a location where a small river runs into the settlement. 11:30-13:30 Lunch at Troldhaugen The river causes trouble during all heavy rain 14:00-15:30 Guided walk Bryggen in Bergen periods. From Starefossen we will walk to Svartediket, the drinking water reservoir of Bergen, where we will talk about a Forest protection project. We will have lunch at Troldhaugen, the home of the famous Norwegian composer Edvard Grieg. The Directorate for Cultural Heritage will give a guided walk, concerning safeguarding the world heritage site of Bryggen in Bergen. 14th Congress INTERPRAEVENT 2020 2 / 10 Location 1: Fløyen FLØIBANEN Fløibanen is a cable car that runs from the center of Bergen to the viewpoint Fløyen (figure 1). There are two carriages attached to a cable, which are driven by two large drive wheels located in the engine room at Fløibanen's upper station. The flow paths run on electricity and are led by the carriage driver. Fløibanen opened in 1918. It is Bergen's most visited tourist attraction. In addition, the Fløibanen is the natural means of transport for the residents along the mountain side and the kindergartens on Fløyen. Figure 2. Master Plan for Storm Water Figure 1. Restaurant on Fløyen (Municipality (Municipality of Bergen). of Bergen). “RISK AND EMERGENCY MANAGEMENT IN THE CITY OF BERGEN” The chief of emergency management / Municipality of Bergen will give a lecture about Bergen’s risk and emergency management. Bergen Water and Sewerage department will give an introduction to the municipality’s Master plan for Storm Water (figure 2). Starefossen is given as an example of how Bergen municipality work with issues connected to surface water management. 14th Congress INTERPRAEVENT 2020 3 / 10 Location 2: Starefossen AN EXAMPLE OF RUN-OFF MANAGEMENT IN BERGEN Starefossen is a smaller watercourse that runs through older city areas (figure 3). During heavy rainfall, the watercourse regularly goes over its banks, finding new paths and causing damage – to the inhabitants' great frustration. Figure 3. Starefossen (Municipality of Bergen). The situation is not new: Because the responsibility and ownerships along the watercourse is divided between many different institutions/people, little has been done to improve. The City of Bergen will now take the overall responsibility for the watercourse. Figure 4. Walking route. This means figuring out possible measures, giving orders to private and public actors, and implementing measures under municipal auspices cannot place responsibility on others. 14th Congress INTERPRAEVENT 2020 4 / 10 Location 3: Svartediket AVALANCHE AND FOREST Just after the Second World War Norwegian spruce, and to some extent Sitka spruce and other foreign tree species, where planted with high enthusiasm. With plenty of available space, huge subsidies, but limited knowledge the forest administration motivated the landowners to plant. Some of these forests were planted in steep slopes without infrastructure. This forest does today set the agenda for much of the debate about mitigation forest in Norway. Many municipalities in western Norway see the need for to use the forest to mitigate natural disasters. Figure 6. Forest around Svartediket (NVE). Still, the logging volume has been rising the latest years and the clear cuts have increased in size. The Agency for Water and Sewerage Works in Bergen municipalities are facing many questions; choice of municipality see nature based solutions as a tree species after logging, how to convert a possible way of solving important public obligations. monoculture forest into a more varied and stabile They aim to test natural solutions that are cost forest (figure 5). Another issue is how to establish efficient compared to traditional technical mitigation new forest roads without causing trouble. measures. Forest management, tree species mixture and logging types can both improve or reduce the forest’s function as protection. Forest management, natural regeneration or banning large clear cuts would not prevent the forest owners from making a profit, but would call for more forest competence. Until today, there has been little focus on integrating natural resource management in communal planning. Particularly in western Norway, the aim of the forest industry production of the biggest volume per hectare productive forest area. This shifts the activity towards the planted spruce areas, while the remaining area of fir and leaf woods see little activity. Figure 5. Monoculture (a) vs a more varied and stable forest (b) (Norwegian Water Resources A holistic area planning and ecosystem based and Energy Directorate, NVE). management can reinforce the ecosystem’s services. Forest as a natural ecosystem work as a A clear legislation, smart delineation of important buffer against floods, reduce runoff, depletion of areas and good examples of forest management are nutrients and prevents 500-600 mm rainfall reaching missing in areas where forests are important for ground yearly (by interception), binding earth mitigating natural hazards. particles and clean air and water, particularly in urban areas. Bergen city has chosen to be a pilot municipality in looking for practical solutions in some areas. The Svartediket valley, water supply source for the City of Bergen, is one of these areas (figure 6). 14th Congress INTERPRAEVENT 2020 5 / 10 PROJECT GOALS The aim of the project is to make an overview of possible mitigating measures, and find necessary solutions to reduce natural hazards in areas where forests have considerable importance in protection. The project will also aim to put forests in a financial context, increase risk knowledge, and show synergies related to forest management. And, at last, investigate the need for changes in forest management methods. ACTIVITIES - Multidisciplinary discussions in field - Expert exchange with forest management services from Bavaria and Switzerland - Cost/benefit analysis in collaboration with Norwegian Institute of Bioeconomy Research (NIBIO). - The Bergen forest and tree planting company, in collaboration with the County Governor of Vestland, wrote a note for the company board and Bergen municipality. - Planning logging with cable crane in a demo stand. Primarily to prevent clear cuts, but also to facilitate natural regeneration and stabilizing tree species. - Conduct logging in winter of 2019/2020. 14th Congress INTERPRAEVENT 2020 6 / 10 Lunch: Troldhaugen Troldhaugen was the home of Nina and Edvard Grieg. Edvard Grieg, from Bergen, was a famous Norwegian composer and pianist. One of Edvard Griegs most known works is “I Dovregubben’s hall” (“In hall of the Mountain King”) from the play “Peer Gynt”, made by Henrik Ibsen. He used and developed Norwegian folk music in his own way, and thereby brought the music of Norway to the world, and also developed a national identity for Norwegians. The Villa Troldhaugen was built in 1885, beautifully situated by Nordås Lake. From 1928 Troldhaugen has been a museum. The concert hall Troldhaugen Figure 7. Troldhaugen (Svein-Magne Tunli). is used for extended concert activities with its excellent acoustics. Griegs own piano from 1892 is often used. Reed more about Troldhaugen and Edvard Grieg at http://griegmuseum.no/en. 14th Congress INTERPRAEVENT 2020 7 / 10 Location 4: Bryggen SAFEGUARDING THE WORLD HERITAGE SITE OF BRYGGEN IN BERGEN The Directorate for Cultural Heritage will give a guided walk along Bryggen in Bergen and give an overview of an ongoing monitoring project as well as general history about the old buildings (figure 7). The standing buildings, which were built after the fire in 1702, rest on archaeological deposits up to 10 meters thick materials, rich in organic content. The deposits consist of the remains of previous settlements and the people who lived and worked there from the 11th century. Surveying of the buildings at Bryggen showed that Figure 7. Bryggen in Bergen (Municipality of there was considerable subsidence damage. Bergen). The rate of settling was so high that there was a need to find the reason for this. The purpose was to initiate mitigation measures to reduce the subsidence. Groundwater and surface water is a prerequisite for ensuring that the rich organic cultural layers can be safeguarded and provide stable ground conditions for the buildings above. Sinking groundwater allows free access to air and microbes, and the organic deposits decay. A surface-water infiltration system has been established to ensure sufficient groundwater levels in the cultural deposits. In addition to perforated pipes in trenches, the system consists of rainwater gardens and swales in the park at the rear of Bryggen (figure 8). Figure 8. Rain Garden behind Bryggen in Bergen (Municipality of Bergen). 14th Congress INTERPRAEVENT 2020 8 / 10 Authors Hanne Merete Moldung (The Directorate for Cultural Heritage) Hogne Hjelle (Municipality of Bergen) Odd Are Jensen (NVE) Simon Wolff (Municipality of Bjørnafjorden) Front: High sea level at Bryggen in Bergen, Arthur Gebuys/Alamy Stock Photo. 14th Congress INTERPRAEVENT 2020 9 / 10 Notes 14th Congress INTERPRAEVENT 2020 10 / 10 .
Recommended publications
  • Edvard Grieg (1843-1907) – Norwegian and European
    Edvard Grieg (1843-1907) – Norwegian and European. A critical review By Berit Holth National Library of Norway Edvard Grieg, ca. 1858 Photo: Marcus Selmer Owner: Bergen Public Library. Edvard Grieg Archives The Music Conservatory of Leipzig, Leipzig ca. 1850 Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg graduated from The Music Conservatory of Leipzig, 1862 Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg, 11 year old Alexander Grieg (1806-1875)(father) Gesine Hagerup Grieg (1814-1875)(mother) Cutout of a daguerreotype group. Responsible: Karl Anderson Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg, ca. 1870 Photo: Hansen & Weller Owner: Bergen Public Library. Edvard Grieg Archives. Original in National Library of Norway Ole Bull (1810-1880) Henrik Ibsen (1828-1906) Bjørnstjerne Bjørnson (1832-1910) Wedding photo of Edvard & Nina Grieg (1845-1935), Copenhagen 1867 Owner: Bergen Public Library. Edvard Grieg Archives Edvard & Nina Grieg with friends in Copenhagen Owner: http://griegmuseum.no/en/about-grieg Capital of Norway from 1814: Kristiania name changed to Oslo Edvard Grieg, ca. 1870 Photo: Hansen & Weller Owner: Bergen Public Library. Edvard Grieg Archives. Original in National Library of Norway From Kvam, Hordaland Photo: Reidun Tveito Owner: National Library of Norway Owner: National Library of Norway Julius Röntgen (1855-1932), Frants Beyer (1851-1918) & Edvard Grieg at Løvstakken, June 1902 Owner: Bergen Public Library. Edvard Grieg Archives From Gudvangen, Sogn og Fjordane Photo: Berit Holth Gjendine’s lullaby by Edvard Grieg after Gjendine Slaalien (1871-1972) Owner: National Library of Norway Max Abraham (1831-1900), Oscar Meyer, Nina & Edvard Grieg, Leipzig 1889 Owner: Bergen Public Library.
    [Show full text]
  • Christianialiv
    Christianialiv Works from Norway’s Golden Age of wind music Christianialiv The Staff Band of the Norwegian Armed Forces The second half of the 19th century is often called the “Golden Age” of Norwegian music. The reason lies partly in the international reputations established by Johan Svendsen and Edvard Grieg, but it also lies in the fact that musical life in Norway, at a time of population growth and economic expansion, enjoyed a period of huge vitality and creativity, responding to a growing demand for music in every genre. The Staff Band of the Norwegian Armed Forces (to use its modern name) played a key role in this burgeoning musical life not just by performing music for all sections of society, but also by discovering and fostering musical talent in performers and composers. Johan Svendsen, Adolf Hansen, Ole Olsen and Alfred Evensen, whose music we hear on this album, can therefore be called part of the band’s history. Siste del av 1800-tallet er ofte blitt kalt «gullalderen» i norsk musikk. Det skyldes ikke bare Svendsens og Griegs internasjonale posisjon, men også det faktum at musikklivet i takt med befolkningsøkning og økonomiske oppgangstider gikk inn i en glansperiode med et sterkt behov for musikk i alle sjangre. I denne utviklingen spilte Forsvarets stabsmusikkorps en sentral rolle, ikke bare som formidler av musikkopplevelser til alle lag av befolkningen, men også som talentskole for utøvere og komponister. Johan Svendsen, Adolf Hansen, Ole Olsen og Alfred Evensen er derfor en del av korpsets egen musikkhistorie. The Staff Band of the Norwegian Armed Forces / Ole Kristian Ruud Recorded in DXD 24bit/352.8kHz 5.1 DTS HD MA 24/192kHz 2.0 LPCM 24/192kHz + MP3 and FLAC EAN13: 7041888519027 q e 101 2L-101-SABD made in Norway 20©14 Lindberg Lyd AS 7 041888 519027 Johan Svendsen (1840-1911) Symfoni nr.
    [Show full text]
  • GRIEG, Edvard Hagerup (1843-1907)
    BIS-CD-637STEREO DDD".l Total playing timer 69'22 GRIEG,Edvard Hagerup(1843-1907) SeksDigte,Op,4 rwn l1'08 tr I. Die Waise(Text: Adelbert uon Chatnisso) 2',28 E II. Morgenthat (Text:Adelbert uon Chamisso) l'21 tr IIL Abschied.(Text: Heinrich Heine) ,.,r.4 E IV. Jiigerlied.(Text: J. Ludwig Uhland) 0'41 tr V. Das alte Lied (Text:Heinrich Heine) 2',17 tr VI. Wo sind sie hin? (Text:Heinrich Heine) r'32 Hjertets Melodie4 Op,EOexts: Hans Christian And.ersen) Nn) 5'53 tr I. Tobrune Ojne 1'05 E II. Du fatter ej Bglgernesevige Gang 7',41 tr III. Jegelsker dig r'34 @ IV. Min Tankeer et mregtigFjeld r'17 Sex Digte af Ibsen, Op.25 (Texts:Henrik lbsen) (wH) l1'40 E I. Spillemend 2'07 @ II. En Svane 2'00 tr III. Stambogsrim r'32 tr IV. Meden Vandlilje 1'52 tr V.Borte! I'28 @ VI. En Fuglevise 2',14 2 Barnlige Sange. Fra Nordahl Rolfsens"Lrcsebog", Op.6l 13'15 tr I. Havet (Text:J. NordahlRolfsen) eet",') l'02 @ IL Sangtil Juletreet (Text:J. Krohn) NorehMusikforlag) 2',26 E iIL Lok (Text:Bjgrnstjerne Bjgrnson) eetersl 0'46 @ IV. Fiskevise(Text: P. Dass) rchristiania.Brddrere Hals's Musihforlag) 1'07 E V. Kveld-Sangfor Blakken 2',34 (Text:J. Nordahl Rolfsen) Ghristiania,Brdilrene Hals's Musihforlng) @ VL De norskeFjelde }',29 (Text:J. NordahlRoLfsen) rchristiania. Brdilrene Hak's MusihforW) tr VII. Faedrelands-Salme r'26 (Text:J. NordahlRolfsen, after Johan Luduig Runeberg) Norsh Musihfortns) Haugtussa, Op.67 (Text:Arne Garborg) rwn) 25',47 tr I.
    [Show full text]
  • Edvard Grieg: Between Two Worlds Edvard Grieg: Between Two Worlds
    EDVARD GRIEG: BETWEEN TWO WORLDS EDVARD GRIEG: BETWEEN TWO WORLDS By REBEKAH JORDAN A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Rebekah Jordan, April, 2003 MASTER OF ARTS (2003) 1vIc1vlaster University (1vIllSic <=riticisIll) HaIllilton, Ontario Title: Edvard Grieg: Between Two Worlds Author: Rebekah Jordan, B. 1vIus (EastIllan School of 1vIllSic) Sllpervisor: Dr. Hllgh Hartwell NUIllber of pages: v, 129 11 ABSTRACT Although Edvard Grieg is recognized primarily as a nationalist composer among a plethora of other nationalist composers, he is much more than that. While the inspiration for much of his music rests in the hills and fjords, the folk tales and legends, and the pastoral settings of his native Norway and his melodic lines and unique harmonies bring to the mind of the listener pictures of that land, to restrict Grieg's music to the realm of nationalism requires one to ignore its international character. In tracing the various transitions in the development of Grieg's compositional style, one can discern the influences of his early training in Bergen, his four years at the Leipzig Conservatory, and his friendship with Norwegian nationalists - all intricately blended with his own harmonic inventiveness -- to produce music which is uniquely Griegian. Though his music and his performances were received with acclaim in the major concert venues of Europe, Grieg continued to pursue international recognition to repudiate the criticism that he was only a composer of Norwegian music. In conclusion, this thesis demonstrates that the international influence of this so-called Norwegian maestro had a profound influence on many other composers and was instrumental in the development of Impressionist harmonies.
    [Show full text]
  • Konsert Med Arve Tellefsen, Knut Buen Og Geir Botnen
    NO I ENG SUMMER 2016 KOMPONISTHJEMMENE THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN OLE BULL MUSEUM LYSØEN HARALD SÆVERUD MUSEUM SILJUSTØL Troldhaugen, Lysøen og Siljustøl er en Innhold / Contents del av KODE – Kunstmuseene i Bergen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 12 Program Siljustøl 14 Program Lysøen 24 Program Troldhaugen 44 The International Edvard Grieg Piano Competition 46 Lyttekurs Musikalske landskap Musical landscapes Etter at Edvard Grieg døde i 1907 fortsatte Nina Ved alle de tre komponisthjemmene fortaper After Edvard Grieg died in 1907, his wife Nina Nina and Edvard Grieg å bo på Troldhaugen i sommerhalvåret, slik de musikkhistorien seg i naturen. På Lysøen le- continued living at Troldhaugen during the to hadde gjort i alle år. Nina hadde et hjerte der kilometervis med stier deg direkte inn i Ole summer months, just as she and her husband their rootedness in stories that live on, in the for alt det stedet hadde betydd for dem mens Bulls romantiske verden. Det er et møte med had always done. Nina cherished the memory of music that is still being played, and in a nature Edvard levde, og hun var opptatt av hva Trold- den vestnorske naturen Bull fremdeles har re- what Troldhaugen had meant to them, and she that changes from day to day. haugen skulle bli når hun selv ikke lenger kunne gien på. På Siljustøl venter et annet stort natur- was concerned about what would become of it ta vare på det.
    [Show full text]
  • Program No / Eng Sommer / Summer 2014 Komponisthjemmene / the Composers’ Homes
    PROGRAM NO / ENG SOMMER / SUMMER 2014 KOMPONISTHJEMMENE / THE COMPOSERS’ HOMES LYSØEN OLE BULL MUSEUM TROLDHAUGEN EDVARD GRIEG MUSEUM SILJUSTØL HARALD SÆVERUD MUSEUM Innhold Velkommen 3 Velkommen / Velcome Troldhaugen, Lysøen og Siljustøl er Norges mest betydningsfulle musikkhistoriske kulturminner. De er også noen av Vestlandets 4 Lysøen Ole Bull Museum mest naturskjønne og inspirerende eiendommer. Ole Bull, Edvard 6 Troldhaugen Edvard Grieg Museum Grieg og Harald Sæverud skapte hjem der kunsten, naturen og fantasien kunne møtes. I dag representerer Lysøen, Troldhaugen 8 Siljustøl Harald Sæverud Museum og Siljustøl et unikt musikalsk landskap med til sammen nesten 10 Program Lysøen sommer /summer 2014 1000 mål norsk natur, fascinerende arkitektur og minner om musikerne som erobret verden. 14 Fødselsdagskonsert og hagefest / Birtday concert and garden party at Troldhaugen 16 Konserter på Troldhaugen 2014 / Concerts at Troldhaugen 2014 Velkommen! 18 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts Sigurd Sandmo 20 Program Troldhaugen: Ukens pianist / Pianist of the week Direktør 33 Grieg in a nutshell – Talks on Grieg Welcome Troldhaugen, Lysøen and Siljustøl are the most significant cultu- ral heritage sites in the history of Norwegian music. They are also perhaps Western Norway’s most scenic and inspirational esta- tes. Ole Bull, Edvard Grieg and Harald Sæverud created homes where art, nature and fantasy came together. Today, Troldhaugen, Lysøen and Siljustøl represent a unique musical landscape with a grand total
    [Show full text]
  • Program Conference 2007
    THE INTERNATIONAL GRIEG SOCIETY – IGS CONFERENCE Bergen, Norway 30 May - 2 June 2007 Theme: ”BEYOND GRIEG – Edvard Grieg and his Diverse Influences on Music of the 20th and 21st Centuries”. PROGRAM Wednesday 30 May: Bergen Art Museum - Lysverket, ”Tårnsalen”, Rasmus Meyers Allé 9 12.00 -14.00: Registration 14.00: Opening of the Conference with the Mayor of Bergen and the Leader of IGS 14.10: Opening speech by President of the IGS, Arvid Vollsnes (Norway) 14.30: Keynote speakers: Malcolm Gillies and David Pear (Australia): ”Percy Grainger: Grieg’s Interpreter and Propagator” 15.15 – 15.30: Coffee/tea/snacks 15.30: Grieg’s Contemporary Relations and Influences Jorma Daniel Lünenbürger (Germany): “Grieg as the ‘Father of Finnish Music’? Notes on Grieg and Sibelius with Special Attention to the F major Violin Sonatas” Ohran Noh (Canada): “Edvard Grieg’s Influence on American Music: The Case of the Piano Concertos in A minor from the Pen of Edvard Grieg and Edward MacDowell” Helena Kopchick (USA): “Coding the Supernatural ‘other’ in Three Musical Settings of Henrik Ibsen’s Spillemænd” Asbjørn Ø. Eriksen (Norway): ”Griegian Fingerprints in the Music of Frederick Delius (1862-1934)” Yvonne Wasserloos (Germany): “Hearing through Eyes, Seeing through Ears". Music, Nation and Landscapes within the Works of Niels W.Gade, Edvard Grieg and Carl Nielsen” 17.30: Presentation of Grieg 07 17.45: End of Session 9.30: Bergen International Festival arranges a Grieg-galla in the Grieg Hall. Tickets are reserved for the conference participants. Thursday 31 May: The Grieg Academy, University of Bergen, Gunnar Sævigs Sal, Nina Griegs Allé.
    [Show full text]
  • Program Summer 2015 the Composers’ Homes
    NO / ENG PROGRAM SUMMER 2015 THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN HARALD SÆVERUD MUSEUM SILJUSTØL OLE BULL MUSEUM LYSØEN Index 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 14 Program Lysøen 16 Fødselsdagskonsert og hagefest / Birthday concert and garden party at Troldhaugen 18 Konserter / Concerts Troldhaugen 20 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts 22 Program Troldhaugen 37 My favorite Grieg Troldhaugen, Lysøen og Siljustøl er en del av KODE – Kunstmuseene i Bergen Lysøen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen Sigurd Sandmo Siljustøl Museum Velkommen Welcome Bergen er en by full av musikkhistorie, og kunstnerhjemmene til Edvard Grieg, Ole Bull og Bergen is a city steeped in music history, and the homes of the composers Edvard Grieg, Harald Sæverud er en viktig del av byens kunst- og kulturliv. De er også historiske monumenter Ole Bull and Harald Sæverud are a vital part of the city’s artistic and cultural scenes. They are med fascinerende arkitektur og natur. Hagene og skogsområdene har historiske dimensjoner also historical monuments with their fascinating architecture and nature. The gardens and og byr på rike opplevelser for alle som tar seg tid. surrounding woods have historical dimensions that offer a wealth of nature experiences for those who take the time to explore them. I mai gjenåpnet vi Troldsalen, konsertsalen på Troldhaugen, etter en storstilt oppgradering. Beliggenheten, lyset og nærheten til Griegs eget landskap får mange til å mene at Troldsalen er In May we reopened Troldsalen, the concert hall at Troldhaugen, after comprehensive reno- verdens vakreste kammermusikksal.
    [Show full text]
  • Edvard Grieg (1843 - 1907)
    EDVARD GRIEG (1843 - 1907) When Edvard Grieg grew up, Bergen was a small and busy European town. All through its past as a Hanseatic city, Bergen had established a net of connections that made it the only continental Norwegian city. The main business was the trade with fish and other products typical for the coast. There was a close contact with the rest of Europe, a fact that is easily retraceable in the origin of the bergener. Most of the families within the city limits had ancestors in Denmark, Germany, Scotland, England, the Netherlands and other European nations. Bergen was also a meltingpot for the population along the Norwegian coast. Edvard Griegøs family was a typical Bergen- family: His great grandfather Alexander Greig (later changed to Grieg) came to the city from Cairnbulg close to Aberdeen in Scotland in the 1770s. He founded the family business, which was trade with dried fish and lobster across the North sea. The raising of a child in a bourgeois family in the 19th century Norway often included teaching of music or other forms of art. Edvard Grieg´s grandparents were active in the society of music "Musikkselskapet Harmonien", one of the worlds oldest orchestras, founded in 1765. Edvard Grieg was also so lucky to have the best piano teacher in Bergen as a mother. Gesine Hagerup had studied at the musicconservatory in Hamburg, Germany, an education that usually was offered only to men. She played with "Harmonien" and at chamber music concerts in Bergen. CHILDHOOD AND YOUTH Edvard Grieg was born in Bergen 15th of June 1843, in the family´s house in Strandgaten 152.
    [Show full text]
  • Copyright by Cheryl Ann Christensen 2003
    Copyright by Cheryl Ann Christensen 2003 The Dissertation Committee for Cheryl Ann Christensen certifies that this is the approved version of the following dissertation: Music and Text: Interpretation, Melodic Motive, and the Narrative Path in Edvard Grieg’s Haugtussa, Op. 67 Committee: ____________________________________ David Neumeyer, Supervisor ____________________________________ John Weinstock, Co-Supervisor ____________________________________ Byron Almén ____________________________________ Stefan Kostka ____________________________________ Edward Pearsall Music and Text: Interpretation, Melodic Motive, and the Narrative Path in Edvard Grieg’s Haugtussa, Op. 67 by Cheryl Ann Christensen, B.Mus., M.Mus. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2003 Acknowledgements I would like, first and foremost, to express my gratitude to Dr. David Neumeyer, who has spent countless hours advising me, directing my research and writing, and helping me to bring this project to completion. I express appreciation also to Dr. John Weinstock, who has worked closely with me on this dissertation and provided valuable assistance, particularly with my translations of the Norwegian texts. Thanks also to the other members of my dissertation committee, Dr. Byron Almén, Dr. Stefan Kostka, and Dr. Edward Pearsall, for their input. Many thanks to Karen Falch Johannessen of the Edvard Grieg Archive in Bergen, Norway, who assisted me in my research with professionalism and enthusiasm, and who has become a valued friend. Above all, I want to thank my parents, Darol and Marjorie Christensen for unwavering support. They have encouraged and cheered me at every stage of this long project.
    [Show full text]
  • Grieg: Piano Works
    griEg: PianO WOrKS Grieg’s composing hut fOrEWOrd from the Piano concerto and the Lyric Pieces , his piano repertoire is rarely heard on the concert platforms outside Scandinavia. On this album, i have sought to present the more familiar Lyric Pieces alongside the less well-known works: the Sonata, the Ballade (his most substantial solo piano work and a favourite of Brahms), and a selection of the wonderfully intriguing Slåtter . The Slåtter , grieg’s arrangements of Hardanger fiddle melodies, are for me the most interesting works of all. Written relatively late, they show grieg experimenting with bold harmonic clashes that foreshadow Bartók’s language. i am delighted to be able to conclude the album with an epilogue, a Lyric Piece by the acclaimed composer cheryl frances-Hoad. This is the first of a set of four Lyric Pieces cheryl will write for me, each inspired by a composer i feel a close connection to: grieg, Janáček, Schubert and ravel. We are grateful to the rvW Trust for their support of this commission. in preparation for this recording, i decided to visit norway again. i had the invaluable experience of hearing the Slåtter melodies in their original setting, as i was able to listen to and perform to the leading norwegian Hardanger fiddlers Knut Hamre and frank rolland. i am grateful to Eilif Løtveit for his historical insights on grieg and to the Troldhaugen Museum. none of this would have been possible without Laila nordø. The idea for this cd came after an invitation to give a recital in the concert hall next to grieg’s home, Troldhaugen, in Bergen two years ago.
    [Show full text]
  • Griegs Villa
    FESTSPILLENEFESTSPILLENE I BERGEN 1 2015 I BERGEN Griegs villa BERGEN 27. MAI — 10. JUNI INTERNATIONAL 2015 FESTIVAL WWW.FIB.NO 1 2 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 3 2015 2015 Randi Stene m/Håvard Gimse TROLDHAUGEN GRIEGS VILLA Fredag 29. og lørdag 30. mai kl 22:30 Friday 29 and Saturday 30 May at 22:30 Varighet: 1 t Duration: 1 h Randi Stene mezzosopran mezzo-soprano Håvard Gimse piano EDVARD GRIEG (1843–1907) 6 Sange 6 Songs, op. 4 1. Die Waise The orphan (Adelbert von Chamisso) 2. Morgenthau Morning Dew (Adelbert von Chamisso) 3. Abschied Farewell (Heinrich Heine) 4. Jägerlied Hunting Song (Ludwig Uhland) 5. Das alte Lied The old song (Heinrich Heine) 6. Wo sind sie hin? Where have they gone? (Heinrich Heine) BALANSEKUNST Fra 6 sangtranskripsjoner From 6 song transcriptions, op. 52 1. Modersorg A mother’s grief I DNV GL (tidligere Det Norske Veritas) er vi opptatt av 3. Du fatter ej bølgernes evige gang The Poet’s Heart: You sikkerhet, kvalitet og integritet. Vi er nå 16.000 ansatte grasp not the waves’ eternal motion for solo piano i 100 land, som hver dag jobber mot et felles mål: En sikker og bærekraftig fremtid. Vår rolle består ofte i å FEDERICO MOMPOU (1893–1987) balansere næringslivets og samfunnets interesser. Vi Fra From Música Callada 1. Angelico kaller det balansekunst. for solo piano Vårt samarbeid med Festspillene understøtter denne ISAAC ALBÉNIZ (1860–1909) forpliktelsen overfor samfunnet. For kultur og samfunn Fra From Cantos de España, op. 232 går hånd i hånd. 1. Preludio i g-moll in G minor for solo piano Derfor er vi stolt hovedsamarbeidspartner for Festspillene i Bergen.
    [Show full text]