Memoirs of an Arabian Princess

Total Page：16

File Type：pdf, Size：1020Kb

Memoirs of an Arabian Princess http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmruete3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Memoirs of an Arabian Princess Author/Creator Ruete, Emilie Contributor Strachey, Lionel (tr.) Date 1907 Resource type Books Language English Subject Coverage (spatial) Northern Swahili Coast, Tanzania, United Republic of, Southern Swahili Coast, Arabian Peninsula, Tanzania Source Northwestern University Libraries, DT434.Z3 R8 Relation nuhmruete2 Description A memoir written by Emily Ruete (1844-1924), born in Zanzibar as Sayyida Salme, Princess of Zanzibar and Oman. She was a daughter of Sayyid Said bin Sultan Al-Busaid (d. 1856), Sultan of Zanzibar and Oman. Format extent 299 pages (length/size) http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmruete3 http://www.aluka.org.

Copy Link

Recommended publications

Tying the Past with the Present Migrant Flows Have Always Been a Part of Human History, but the a Shared Identity
AGYA in action AGYA Newsletter 2/2017 Tying the Past with the Present Migrant flows have always been a part of human history, but the a shared identity. His novels, written in German, not only speak perception of these flows has changed. The international AGYA of identity and integration but also open windows to foreign workshop ‘Refugee Transfers in the Euro-Arab Mediterranean Zone’ worlds for his readers. In the Middle Ages, the flight of Europe’s explored how host communities viewed and dealt with migration Jewish and Muslim populations from the Christian Reconquista of throughout the centuries. Spain and the Inquisition illustrates knowledge transfers trough migration. They were re-integrated in the Eastern Mediterranean, Over 65.6 million people worldwide are refugees or internally bringing Andalusian achievements, for example in the field of displaced.1 This, arguably, is the largest migrant flow in the Arabic grammar, with them. history of mankind, surpassing even World War II. AGYA members Tamirace Fakhoury and Jenny Oesterle organised an international The workshop’s findings will be published in an edited volume. AGYA workshop to put current events into a transhistorical Transnational Migration is one of AGYA’s cross-cutting topics, perspective. Jenny Oesterle explained: ‘Flight, displacement, which started with the AGYA Conference on Migration in 2016. persecution, and protection of refugees are not only currently The goal is to address issues of migration from an Arab-German relevant but have a historical dimension which reaches far perspective. back to the premodern era’. From 10 to 12 April 2017, the workshop brought together researchers specialised in different time periods and disciplines in Byblos, Lebanon to discuss how societies received refugees and how migration might enrich communities both of arrival and origin.
[Show full text]
Die Geschichte Der Prinzessin Aus Zanzibar (Emily Ruete)
Die Geschichte der Prinzessin aus Zanzibar von Peter Vogenbeck Salama bint Said bzw. nach ihrer Heirat bekannt als Emily Ruete (30.8.1844 – 29.2.1924) wurde auf Zanzibar als Salme, Prinzessin von Zanzibar und Oman geboren. Die Sayyida Salme war die jüngste von 36 Kindern des Sayyid Said, Sultan von Zanzibar und Oman. Sayyid Said verstarb bereits 1856 und Emilys Mutter – Nebenfrau des Sultans, eine tscherkessische Sklavin, verstarb im Jahre 1859. Aus dem Erbe Ihrer Eltern standen Ihr mehrere Plantagen und Wohnhäuser zu. Salmes Halbbruder Madschid (Medschid, Majid) wurde nach dem Tode Sayyid Saids zum neuen Sultan von Zanzibar ernannt und bereits vor seinem Amtsantritt wuchs Salme bei ihm in den Sultanspalästen Beit il Mtoni und Beit el Sahel auf. Salme hatte eine unbe- schwerte Kindheit in sehr luxuriöser Umgebung und ihre frühe Jugend war gezeichnet von großem Wissensdurst und Abenteuerdrang. Madschid unterrichtete sie im Reiten und Schießen und sie brachte sich selber das Lesen und Schreiben bei. Salme wurde mit 15 Jahren als Volljährig erklärt und 1859 wurde sie unter dem Einfluss ihres Halbruders Bargasch Teil einer Palastintrige mit dem Ziel Sultan Madschid zu stürzen. Nachdem der Putschversuch 1860 (u.a. durch die Intervention der Royal Navy) fehlschlug, wurde Salme einige Monate unter Hausarrest gestellt und Bargasch für zwei Jahre des Landes verwiesen. Während seiner Abwesenheit beruhigte sich das Verhältnis zwischen Salme und Madschid und nach der Rückkehr von Bargasch aus der Verbannung in Bombay fühlte sich dieser von Salme hintergangen und brach jeden Kontakt mit ihr ab, bis an sein Lebensende 1888. Nach dem Tode von Madschid wurde Bargasch Sultan von Zanzibar und sein gespanntes Verhältnis zu Salme sollte noch weitere Auswirkungen haben.
[Show full text]
Cosmopolitan Networks That Hanseatic Eco- Nomic Elites Had Carefully Cultivated for Generations
German Historical Institute London Bulletin Supplement Bd. 2 (2011) Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. 4 Between Cosmopolitanism and German Colonialism: Nineteenth-Century Hanseatic Networks in Emerging Tropical Markets BRADLEY D. NARANCH Introduction They were telegrams that no one would ever wish to receive, even in an age when such electronic communications were still something of a novelty.1 Both messages, bound for Hamburg, were nearly identi- cal in content and had travelled a long distance to reach their final destination. They began their trans-Atlantic journey as hand-written messages originating in the heart of Brazilian sugar country. Upon arrival in the Bahian city of São Salvador, they were then transcribed into short telegrams of fewer than twenty words each and dispatched on separate sailing vessels bound for Lisbon and Bordeaux. This was a precautionary measure to ensure their swiftest possible delivery to locations on the Atlantic coast where there were direct telegraph con- nections to northern Germany. The first arrived in Lisbon on the afternoon of 17 April 1863. Two days later, the message finally made it to Hamburg. The second later reached the French mainland at 7 a.m.
[Show full text]
Biblical Proximity and Women: the Image of Arabs in Victorian Works of Religious Nature
Arab World English Journal (AWEJ) Special Issue on Literature No.3 October, 2015 Pp. 5-17 Biblical Proximity and Women: The Image of Arabs in Victorian Works of Religious Nature May A. Witwit University of Bedfordshire, United Kingdom Abstract The pro-suffrage campaign to elevate the Oriental female did not give emphasis to Arab women; however, they were vividly presented in religious literature and romances of a religious nature. The inferior position and the victimisation of Arab women, attributed to Islam, delivered a political and a religious message that helped steer the Victorian reader‟s opinion towards a desired effect. The paper will focus on the image of the Arab woman in some of these publications to highlight that the use of the biblical element of the Middle East was employed to reinforce Christianity and combat Ottomans. The image of the victimised Arab woman also prepared the public for a future military involvement in the Middle East. The paper suggests that the Victorian depiction of the Arab female may well be the precursor of present-day use of Islam-phobic slogans that trigger sorrow easily transformed into anger at the men, culture and the religion that victimise women. Keywords: Arabs in British Nineteenth Century periodicals, Arab proximity to Bible, Arab Women, Revival of mediaeval polemic, Victorian perception of Arabs Arab World English Journal www.awej.org 5 ISSN: 2229-9327 Arab World English Journal (AWEJ) Special Issue on Literature No.3 October, 2015 Biblical Proximity and Women: The Image of Arabs Witwit Introduction To regard Arabs with wonder has long been the proper function of all European writers, and for some thousands of years yet the untameable rover of the desert will in all probability be an interminable source of astonishment.
[Show full text]
Seyyidah Salme/Emily Ruete, Princess of Zanzibar and Oman
Seyyidah Salme/Emily Seyyidah Salme/Emily Ruete, Princess of Ruete, Prinses van Zanzibar and Oman Zanzibar en Oman (1844-1924) (1844-1924) Seyyidah Salme, een dochter van Sultan Said, groeide Seyyidah Salme, daughter of Sultan Said, grew op in Zanzibar. Toen ze 22 jaar was ontmoette up in Zanzibar. At age 22 she met the German ze de Duitse handelsreiziger Heinrich Ruete. Zij businessman Heinrich Ruete. They married and trouwden, en met haar nieuwe echtgenoot reisde she went with her new husband, through Aden, to ze via Aden naar Hamburg (Duitsland). Haar zoon Rudolph Said Ruete heeft zijn bibliotheek als legaat Hamburg (Germany). Her son Rudolph Said Ruete geschonken aan Het Oosters Instituut in Leiden in bequeathed his library to The Oosters Institute in 1937. Deze collectie bestaat uit ca. 800 boeken, Leiden in 1937. This collection comprises ca. 800 beheerd door het Nederlands Instituut voor het books curated by the Netherlands Institute of the Nabije Oosten, alsmede foto’s, dagboeken, brieven Near East, as well as photos, diaries, letters, etc. enz. Prof. dr. E. van Donzel, oud-directeur van het Prof. Dr E. van Donzel, former Director of NINO, NINO, heeft een deel van zijn leven gewijd aan dedicated part of his life to study these materials de studie van deze materialen en is wereldwijd dè and is the leading specialist on this subject. specialist in dit onderwerp. We invite you to join us for a short movie screening and ensuing lunch on Wij nodigen u uit voor een korte filmvertoning, gevolgd door een lunch, Tuesday 28 June. Location: the NINO building, Witte Singel 25/Matthias de op dinsdagmiddag 28 juni in het gebouw van het NINO, Witte Singel 25/ Vrieshof 4.
[Show full text]
Who Killed Daisy Miller?
I Who Killed Daisy Miller? n the closing scene of Planet of the Apes ( 1968) Charlton Heston, astronaut, rides away into the I distance. 'What will he find out there?' asks one ape. 'His destiny,' replies another. On a desolate seashore a shadow falls across Heston's figure. He looks up, then tumbles from his horse in bewilderment. 'Oh my God! I'm back. I'm home. Damn you all to hell! ... You maniacs. They did it, they finally did it, they blew it up!' The shadow is cast by the Statue of Liberty. She is buried up to her waist, her tablet battered, and her torch fractured. The planet of the apes is Earth, he realises, destroyed by a nuclear holocaust while the astronauts were travelling in space. He is the last man, and the lone and level sands stretch far away. A century before the film was made, a man in a black cape sits on the arch of a ruined bridge. He holds an artist's sketchbook as firmly as if inscribing an epitaph. Blackened shells of buildings rise at the marshy edge of a slow and reedy river, one fa~ade advertising 'CoMMERCIAL WHARF' . This is London - or, rather, its future as imagined by the artist Gustave Dare in 1873. The wizard-like figure in Dare's engraving is a traveller from New Zealand, for to many Victorians this young colony seemed to represent the dominant civilisation of the future. He sits on a broken arch of London Bridge to sketch the ruins ofSt Paul's, exactly as 2 I N RUINS Who Killed Daisy Miller? 3 Victorian Englishmen sketched those of ancient Rome.
[Show full text]
Belphégor, 13-1 | 2015 Only the “Outward Appearance” of a Harem ? Reading the Memoirs of an Arabian
Belphégor Littérature populaire et culture médiatique 13-1 | 2015 Distinctions That Matter/Fictions Économiques Only the “Outward Appearance” of a Harem ? Reading the Memoirs of an Arabian Princess as Material Text Kate Roy Electronic version URL: http://journals.openedition.org/belphegor/611 DOI: 10.4000/belphegor.611 ISSN: 1499-7185 Publisher LPCM Electronic reference Kate Roy, « Only the “Outward Appearance” of a Harem ? Reading the Memoirs of an Arabian Princess as Material Text », Belphégor [Online], 13-1 | 2015, Online since 25 July 2015, connection on 19 April 2019. URL : http://journals.openedition.org/belphegor/611 ; DOI : 10.4000/belphegor.611 This text was automatically generated on 19 April 2019. Belphégor est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modiﬁcation 4.0 International. Only the “Outward Appearance” of a Harem ? Reading the Memoirs of an Arabian ... 1 Only the “Outward Appearance” of a Harem ? Reading the Memoirs of an Arabian Princess as Material Text Kate Roy AUTHOR'S NOTE I am grateful to the Leverhulme Trust for a Visiting Fellowship at the University of Liverpool, which enabled and supported the research for this article. 1 “Mrs. Ruete, the Berlin-based sister of the Sultan of Zanzibar, will soon publish a two- volume work entitled ‘Memoirs of an Arabian Princess’, which is said to contain both personal experiences and particularly impressive descriptions of Mohammedan [sic] culture in East Africa”1 states a notice in a German illustrated magazine of April 1886, an example of the publicity preceding the publication of Emily Ruete’s autobiography Memoiren einer arabischen Prinzessin (Memoirs of an Arabian Princess) that same year.
[Show full text]
Sayyida Salme / Emily Ruete: Knowledge Flows in an Age of Steam, Print, and Empire
Peer Reviewed Title: Sayyida Salme / Emily Ruete: Knowledge Flows in an Age of Steam, Print, and Empire Journal Issue: Global Societies Journal, 3 Author: Maxwell, Katherine, UC Los Angeles Publication Date: 2015 Permalink: http://escholarship.org/uc/item/5vg7n7kt Keywords: Globalization, German-African trade, Zanzibar, Muslim female travelogue, 19th century Local Identifier: gis_globalsocieties_29254 Abstract: This paper analyzes the writings of Sayyida Salme bint Sa’id ibn Sultan (1844-1924), the Zanzibari- Omani princess who married a German merchant and converted to Christianity. While she spent the rest of her life as Emily Ruete, existentially she lived “between two worlds.” I argue she successfully navigated her core identities as an Islamic(ate) woman despite adopting and adapting to European customs. Her successful Memoirs of An Arabian Princess, originally published in German as Memoiren einer arabischen Prinzessin in 1886, and her Letters Home (Briefe nach der Heimat), published in 1993, demonstrate her ongoing significance to scholars of gender, travel, globalization, and culture. I seek to expand her legacy by going beyond the constraining narrative that she failed to achieve her initial goal of monetary remuneration. I will instead focus on moments of hybridity, wisdom, resilience, and growth to show how she made progress in her second goal: to rectify distorted views of “the South.” Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide.
[Show full text]
For Two Thousand Years, the East African Coast Was Part of the Commercial System of Trade in the Indian Ocean
[From] Seyyid Said, Slavery and the Harem in 19th C. Zanzibar For two thousand years, the East African coast was part of the commercial system of trade in the Indian Ocean; accordingly, Zanzibar’s role in the commercial system was that of “intermediate zone of exchange.”1 The prosperity of the West and capitalist industrialization contributed to the growth of trade in Zanzibar during the first half of the nineteenth century. As a result of the British anti-slavery campaign, Zanzibar’s economy experienced another transformation; specifically, a shift from exporting slaves as sources of labour to producing and exporting agricultural goods. The majority of the slaves in Zanzibar, including the domestic and agricultural slave, were under the direction of Seyyid Said bin Sultan, ruler of Zanzibar and Oman from 1804 to 1856. Included in the umbrella of domestic slavery is the harem which consists of eunuchs, wives, concubines and children. The traditional Muslim slave culture acquired slaves mainly for domestic purpose; however, Said deviated from this traditional role by creating a mass slave culture of agricultural slaves; he initiated this shift in order to salvage his commercial empire from the adverse effects of the British anti-slavery campaign. Seyyid Said and his harem realized that the new class of agricultural slaves were the backbone of the economy and of the whole sultanate. As a result of the economic realities of 19th century Zanzibar and the far-reaching cultural influences of Said, Zanzibar developed a truly unique slave industry and culture that resulted in the economic exertion of slave labour; thus, as a result of his religious convictions and political and economic savvy, Said influenced how the slave culture would evolve and develop in Zanzibar.
[Show full text]
Postcolonialism Cross-Examined
Postcolonialism Cross-Examined Taking a strikingly interdisciplinary and global approach, Postcolonialism Cross-Examined reflects on the current status of postcolonial studies and attempts to break through traditional boundaries, creating a truly comparative and genuinely global phenomenon. Drawing together the field of mainstream postcolonial studies with post-Soviet postcolonial studies and studies of the late Ottoman Empire, the contributors in this volume question many of the concepts and assumptions we have become accustomed to in postcolonial studies, creating a fresh new version of the field. The volume calls the merits of the field into question, investigating how postcolonial studies may have perpetuated and normalized colonialism as an issue exclusive to Western colonial and imperial powers. The volume is the first to open a dialogue between three different areas of postcolonial scholarship that previously developed independently from one another: • the wide field of postcolonial studies working on European colonialism, • the growing field of post-Soviet postcolonial/post-imperial studies, • the still fledgling field of post-Ottoman postcolonial/post-imperial studies, supported by sideways glances at the multidirectional conditions of interaction in East Africa and the East and West Indies. Postcolonialism Cross-Examined looks at topics such as humanism, nationalism, multiculturalism, nostalgia, and the Anthropocene in order to piece together a new, broader vision for postcolonial studies in the twenty-first century. By including territories other than those covered by the postcolonial mainstream, the book strives to reframe the “postcolonial” as a genuinely global phenomenon and develop multidirectional postcolonial perspectives. Monika Albrecht is Professor of literary and cultural studies (apl. Prof.) at the University of Vechta, Germany.
[Show full text]
Ngoma Memories: a History of Competitive Music and Dance Performance on the Kenya Coast
NGOMA MEMORIES: A HISTORY OF COMPETITIVE MUSIC AND DANCE PERFORMANCE ON THE KENYA COAST By REBECCA KATHLEEN GEARHART A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1998 Copyright 1998 By Rebecca K. Gearhart ACKNOWLEDGMENTS I begin by expressing my deep gratitude to God for all of the blessings with which I have been bestowed. Among these has been the opportunity to live among and work with the people on the coast of Kenya, who have shared their time, their memories, and themselves with me. Three of them, Mohammed "Bakamoro" Mzee and Abdulrehman Talo of Lamu, and Ali "Uba" Mzee of Takaungu, have recently passed away. To them, and the many elders who have deeply touched my life, I dedicate this work. Zainab and Saidi El-Mafazy and their children, Munib, Majid, Mid-hat and Miaad, have welcomed me into their family and blessed me with a second home in Lamu. Words cannot express how much their love and encouragement have meant to me over the twelve years I have known them. I want to thank my dear research assistants, whose dedication to this project inspired me immensely. Omari Shee diligently worked with me night after night translating interviews. Ali Fani and Mwanaesha Mzee made great sacrifices to assist me in organizing interviews and documenting ngoma performances, especially during Maulidi. Both Famau Mohammed and Rukia Nashee introduced me to cultural experts, and helped me conduct insightful interviews. Abubakar Kuchi accompanied me on several excursions to various Bajuni communities on the mainland and shared his extensive knowledge of Bajuni cultural traditions with me.
[Show full text]
Aidan Beatty on Intimate Empires: Body, Race, and Gender in The
Tracey Rizzo, Steven Gerontakis, eds.. Intimate Empires: Body, Race, and Gender in the Modern World. New York: Oxford University Press, 2016. 424 pp. $39.95, paper, ISBN 978-0-19-997834-2. Reviewed by Aidan Beatty Published on H-Empire (June, 2018) Commissioned by Stephen Jackson (University of Sioux Falls) “The body” has been a popular subject of aca‐ Empire” (Toussaint Louverture of Haiti and demic analysis for several decades now. Inﬂu‐ France). The case studies—Rizzo and Gerontakis enced by theorists such as Judith Butler and call them vignettes—mix social history with the Michel Foucault, a rich and varied literature has history of representations and attitudes. These emerged that understands bodies not as simple case studies also act as a kind of unifying thread biological realities, but as socially constructed in each chapter, allowing the authors to draw out phenomena. The history of bodies is intimately and elaborate on their six themes in readily acces‐ connected to the history of racism, gender history, sible ways. Rizzo and Gerontakis also employ a and the histories of imperialism and capitalism. wisely curated selection of visual material, includ‐ Tracey Rizzo and Steven Gerontakis’s Intimate ing a photo essay that pictorially introduces the Empires is consciously situated within this histori‐ book. The images used throughout strongly but‐ ography of bodies. The book does not break much tress the book’s arguments and again add to its new ground in this area. Rather, Rizzo and usefulness for the classroom. Gerontakis synthesize research from a truly glob‐ Across the six chapters, Rizzo and Gerontakis al range of national contexts and in the process marshal evidence and examples from an impres‐ have produced a remarkably useful textbook sive number of national contexts: European pow‐ from which even experienced scholars of bodies ers such as Belgium, France, Germany, and and gender, race and imperialism could learn Britain, as well as the targets of their expansions: much.
[Show full text]