Weekly Arizona Journalminer

Total Page:16

File Type:pdf, Size:1020Kb

Weekly Arizona Journalminer WEEKLY ARIZONA JOURNALMINER Pioneer Paper of Arizona. PRESCOTT, ARIZONA. WEDNESDAY. NOVEMBER 2, 1904. Forty-Fir- st Year the Gold King Mining company, came brush. So an order on James Rybon system of the past is in all probability THE in from the Bradshaw mountains on JAWBONE POKER was made out for 32.50 and presented THE BRITISHER inevitable in all industrial channels. IN Friday evening. He says that good to Rybon. Mr. Rybon said "They are Mr. Lancer views "with alarm' the progress is being made in running the awfully off their trolley" and other election of Fowler, saying that as he cross cut tunnel into the side of the harsh things. Mr. Clark was very ob- is so well stereotyped and accustomed TO HANDLE MONEY mountain, a distance of over one hun- BAD HOSS PLAYS liging and away the bunch went in the IS IMPULSIVE to the old congressional doings he is dred feet having been completed. The team. quite ready to undergo such a shaking ! face of the tunnel at this point, is be Our votes in McCabe are for sale, up through the election of a delegate tween seventy and eighty feet from but really, boys, less noise and more like Mr. Fowler is typical of, when it the surface, and is nearing a ledge AND LIQUID LOGIC coin would work better. comes to working so earnestly as is which has very prominent outcrop-ping- s I see by the Courier that the mem- He Jumps at the Mythical said of him. While Andy is not bet- The Election of "Pap" Cline on the surface. The objective orable occasion when Col. Wilson ad- ting any money as yet on the result, point of the tunnel is a ledge which dressed us on the 10th and delivered and Smothers Himself he is deliberately handling hia intel- Should be Supported has very prominent croprings on the himself of a very brilliant discourse lectual abilities in the direction of of on was pre surface and from the ore of which McCabe lias the Harpoon the political situation. I With War considering what will really happen if Wholesomely. good assay values have been obtained. sent on that occasion also and know Paint. Fowler is elected, and is paying no A shaft has been sunk on the ledge Political Enthusiasm that if anyone got any kind of a bril- attention whatever to what is to be to a depth of about twenty feet from liant discourse out of the genial col- expected of Mark Smith, as that ques good was also taken. The onel on night they got through is a foregone which ore Thrown Into It. that it A Reported Hitch in Negotiations tion one. For Over a Quarter of a Century a tunnel is expected to strike this ledge a straw. Taxpayer, and a Candidate Who at a depth of about three hundred My advice to McCabe people as well With Russia is Associated to the POLITICAL UNSELFISHNESS. feet and is hoped to encounter some as all people in Yavapai is t get onto Substantially Identified With it Release of the Baltic Fleet, and is good ore in it. The ledge runs in a A Three Cornered Proposition that yourselves. A Voter. That republicans in this territory the War Feeling is at the Frenzy Yavapai Is the Laborer Worthv northerly and southerly direction and was Handled by Three Democrat are sincere and unselfish in strenuous the tunnel being run in a westerly di- ANOTHER SUDDEN DEATH. Point in London. ly combating for separate statehood of the Hire? War Horses McCabe Lately rection, will strike the ledge at right ic at must remain an established fact. angle. By drifting south on the ledge Financial Expansion and Polit- Granting that democrats are opposed with Old Pioneer of Agua Fria Drops j to joint statehood, one of then The candidacy of W. A. Cline the from the point of intersection ical Reciprocity the Main Issues, London, Nov. 1. Negotiations be reason? the tunnel depth can be gained very for this is that they confidently be- is known to the people, the Dead. tween more it rapidly owing to the slope of the Great Britain and Russia look lieve that Arizona is democratic. It better is it received. When a man is mountain to the north and beneath the iug to the settlement of tho North sea is an acknowledged fact that with endorsed for the responsible position apex of the mountain, about 2000 feet "WILSON AT WORK!!!" AND Fred Hildebrandt, another of the affair are 'rogressing favorably and New Mexico and Arizona combined as of treasurer of a county of the rating south of the tunnel, a drift run on a MARK .AT HIS OLD GAME old timers of this county, died very there is not the slightest danger of one state, the republicans would con- Yavanai county enjoys, and that too up- suddenly at his home at Dewey on trol things absolutely, elect United level with the tunnel would be friction arising between the two gov by repulbiican party, there is 1000 Sunday evening of heart disease. Mr. States senators and congressman and the wards of feet below the surface. ernments. The constitution of the in more than the personal qualification Ore bodies which are supposed to exist 25, Hildebrandt bad not been in good state officers. Democrats know this. McCabe, Arizona, Oct. (Speoial j ternational commission under the of man behind such an action. health for some time and last year But devotion to the territory, love of the on this ledge can therefore be worked Correspondence) McCabe is not a Hague convention is on the verge of a The principles of the party are reflect- went to California the benefit of her identity and desire for separate-admissio- n very economically through this tunnel. large place, but it is feeling somewhat for settlement. In spite of these pacific in integrity, and in this his expecting to remain there as a state is so strong and ed the man's important. As I am a liberal kind ot health, conditions Great Britain today experi respect there is to be weighed and permanently. He was however called powerful and so deeply imbedded in a duck 1 want to let the outside know enced a war panic that can only be considered the support of that party home on business affairs and had nnt all republicans that they are willing L of things generally happening here, compared to panic created October 23, to the nominee, in efficiency, honesty been able to get away again. to sacrifice political supremacy that 1 and let thum in also nn anything in jvhen news of the sinking of tho traw- and capability. In other words this Mr. Hildebrandt came to this county Arizona may not be wiped from the the fun line on all sides of that ques- lers in North sea was received. Not organization behind the man, and in seventies and resided here ever map. Democrats can not have such is tion. To be brief we are a regular the for years have so many alarmist re party is behind the county in de- F since to time his death. He disinterested feelings on this momen- the dumping ground of hilarity, and this the of ports and flaming etxras flooded Lon manding from its nominee a pure and was an honest and upright and tous subject. Arizona democratic and occurred to me about the 15th of the citizen don. The excitement started early in conscientious performance of the duty enjoyed the esteem and respect of all the offices arouse considerable ofthe month when Mark Smith headed the the day whon newspapers announced the office calls for. We believe then who knew him. enthusiasm of our political opponents. bunch this way to tells us good demo the departure of the Russian Baltic that all things considered, the selec- The summons came very suddenly crats, socialists and republicans just squadron from Vigo. Tho public was tion of this man for this office should Thomas and Archie and unexpectedly to him. He bad just how they saved the country and inci-- d not in possession of the information be considered on the broad and faith- finished eating his evening meal and WILLlXAMIHE ntally also how much they thought cabled by the associated press to the ful plane1 of poilticsl fidelity, as well gone of house when he Brown Are Attacked. of us. Mark 'made a fine spiel and af- had outside the United States tbat only the officers as financial security, for the official was seen to reel and fall to the ground, ter ho was through one old timer re- concerned in the firing on the trawlers who is to support the distinction of occuring instantaneously. marked: "Iliko that speech better death would be detached and jumped at the such a nomination must necessarily The remains were brought to Pres E every time I hear it." conclusion that the Russians had brok- EDM IN be not only a substantial representa- They Dismount From Their Horses yesterday add prepared Then P. W. O'Sullivan arose to ex- cott afternoon en faith by aot detaining the vessels tive of the people, but likewise must by U. M. Maus & Co., and and Kill Both of Their plain "How the Burro late the Cab- for burial involved in the affair. On top of this be known above all things as a true the funeral will take place tnis after bage" and how we should proceed to came a wild report of tremendous ac- and conscientious citizen.
Recommended publications
  • David Bowie's Urban Landscapes and Nightscapes
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.
    [Show full text]
  • Pinups, Striptease, and Social Performance
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck Electronic version URL: http://journals.openedition.org/miranda/12497 DOI: 10.4000/miranda.12497 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Shannon Finck, ““Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance”, Miranda [Online], 17 | 2018, Online since 19 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/12497 ; DOI: https://doi.org/10.4000/miranda. 12497 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social ... 1 “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck 1 In the spring of 1973, just before the official “retirement” of Ziggy Stardust that summer, David Bowie asked the public what turned out to be a career-defining question: “Who’ll love Aladdin Sane?” (“Aladdin Sane”). Not only did Aladdin Sane, Bowie’s sixth studio album, usher in the series of bold musical innovations that would launch him into rock-and-roll legendry, the introduction of the Aladdin Sane persona —“a lad insane”—signaled a performative instability that would continue to inspire, frustrate, and titillate fans and critics even after his death. This essay explores opportunities for tarrying with—rather than reducing or trying to pin down—that instability and critiques what seem to be inexhaustible efforts to do just that.
    [Show full text]
  • Aj Thesis Corrected.Pages
    The Liminal Text: Exploring the Perpetual Process of Becoming with particular reference to Samuel Selvon’s The Lonely Londoners and George Lamming’s The Emigrants & Kitch: A Fictional Biography of The Calypsonian Lord Kitchener Anthony Derek Joseph A Thesis Submitted For The Degree of Doctor of Philosophy Department of English and Comparative Literature Goldsmiths College, University of London August 2016 Joseph 1! I hereby declare that this thesis represents my own research and creative work Anthony Joseph Joseph 2! Acknowledgements I wish to acknowledge the assistance of the Arts and Humanities Research Council (AHRC) in providing financial support to complete this work. I also express my warm and sincere thanks to my supervisors Professors Blake Morrison and Joan Anim-Addo who provided invaluable support and academic guidance throughout this process. I am also grateful to the English and Comparative Literature Department for their logistic support. Thanks to Marjorie Moss and Leonard ‘Young Kitch’ Joseph for sharing their memories. I would also like to thank Valerie Wilmer for her warmth and generosity and the calypso archivist and researcher Dmitri Subotsky, who generously provided discographies, literature, and numerous rare calypso recordings. I am grateful to my wife Louise and to my daughters Meena and Keiko for their love, encouragement and patience. Anthony Joseph London December 16 2015 Joseph 3! Abstract This practice-as-research thesis is in two parts. The first, Kitch, is a fictional biography of Aldwyn Roberts, popularly known as Lord Kitchener. Kitch represents the first biographical study of the Trinidadian calypso icon, whose arrival in Britain onboard The Empire Windrush was famously captured in Pathé footage.
    [Show full text]
  • DAVID BOWIE Sound + Vision
    DAVID BOWIE Sound + Vision Seine 70 besten Songs aus den Jahren 1969‐1994 in einer 4‐CD‐Box! VÖ: 19.09. DAVID BOWIE - das Chamäleon der Popmusik. Kein anderer Musiker hat so viele Inkarnationen durchlebt wie BOWIE, a.k.a David Robert Jones, der Mann mit den verschiedenfarbigen Augen. Alle diese Wandlungen waren nicht nur enorm erfolgreich, jede von ihnen öffnete der Popmusik auch neue Dimensionen, die bald zu ganzen Modeströmungen wurden. Ob es der Glamrock aus der Ziggy-Stardust-Phase war, die legendäre Zusammenarbeit mit Brian Eno auf den Kultalben Low und Heroes, die zum Vorläufer der New Wave in den Achtzigern wurde oder seine Rückkehr zu griffigem Rock in den späten achtziger Jahren mit der Formation Tin Machine – was immer auch passierte: BOWIE war schon vorher da. Das 4CD-Boxset Sound + Vision wirft einen geballten Blick auf BOWIEs Schaffen in den Jahren 1969 bis 1994, sprich: Von einer akustischen Demo-Version seines ersten großen Hits Space Oddity (auch bekannt als „Major Tom“) bis hin zum Soundtrack The Buddha Of Suburbia (1993), der von den Fans als das unterschätzteste Album in BOWIEs Kanon gilt und für die gleichnamige TV-Serie komponiert wurde, die auf einem Roman von Hanif Kureishi beruht. Seit fünf Jahrzehnten ist DAVID BOWIE wohl der vielseitigste Popstar, der immer wieder überrascht, indem er sich konstant neu erfindet - ein einzigartiges Phänomen der zeitgenössischen Kultur, das mit der umfangreich gestalteten Ausstellung „David Bowie Is“ gefeiert wird, die im Londoner Victoria & Albert Museum startete, bis zum 24. August im Berliner Martin-Gropius-Bau zu sehen ist und danach auch in Paris, Chicago und Groningen gezeigt werden wird.
    [Show full text]
  • March 2018 Size: 11 Ft X 11 Ft JBI T
    Project: DINING BY DESIGN 2018 Organization: DIFFA Location: Pier 92, New York, NY Date: March 2018 Size: 11 ft x 11 ft JBI Team: Jeffrey Beers, Masako Fukuoka, Pierre Josselin, Monika Chmielewska, Mallory Priest Collaborators: AKDO, MAYA ROMANOFF, WALTERS, BUCK AGENCY, FOCUS LIGHTING, LASVIT Theme We invite you to join us on stage for dinner as we honor the rock glam, androgyny, and artistry of Ziggy Stardust and Aladdin Sane, as well as remember David Bowie’s voice in the fight against HIV/AIDS. Description Jeffrey Beers International’s (JBI) dining design is a tribute to the late performing artist David Bowie and his alter egos, Ziggy Stardust and Aladdin Sane. For inspiration and direction, we chose one of photographer Masayoshi Sukita’s iconic photographs of Bowie titled Watch That Man III (1973). Bowie’s alter ego Aladdin Sane captured against a persimmon background wears a samurai inspired costume by fashion designer Kansai Yamamoto. We were drawn to the conflict between theatrical- ity and restraint: between the bright background and outlandish personality versus the restrictive black-and-white striped suit. We were also inspired by Bowie’s collaboration with Japanese artists, as well as his fascination and adaptation of the movements, costumes and makeup of the Japanese performing art kabuki. Dining Room Our design goal was to capture the sensuality and theatrics of Ziggy Stardust and Aladdin Sane, as well as echo Bowie’s mesmerizing and spirited performing style MAYA ROMANOFF provided the wallcovering, which was custom designed
    [Show full text]
  • Patrick Dodd Trio – Future Blues
    Patrick Dodd is a Memphis blues singer/guitarist who is a fixture on Beale Street. Patrick has a very soulful, raspy voice and was recently on the singing competition show, The Voice, along with three other Memphis singers. As a result of this exposure, Patrick’s excellent Future Blues EP was #4 on iTunes as of this writing. Shannon McNally became a resident of Oxford, MS after she was displaced from New Orleans by Hurricane Katrina. Shannon plays roots music that she calls North American Ghost Music because she says music labels are dumb. She can be found performing solo, as part of The Wandering and as a duo with Amy LaVere. Shannon just released Small Town Talk, an album of Bobby Charles songs, and it is her best album (of 10) so far. Just as David Bowie’s fans had finally accepted his retirement from music, a secretly recorded new album was announced on his sixty-sixth birthday on January 8, 2013, and it was released on March 8, 2013. This was totally unexpected, but Bowie has always been unpredictable, and he is poised to make a big comeback if he wants one. While Bowie was on his Ziggy Stardust Tour of America in 1972, he was also busy writing songs for the follow-up album called Aladdin Sane. It was a worthy successor to The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, and it has just been re- issued as a remastered 40th Anniversary Edition. Patrick Dodd Trio – Future Blues As a teenager in the 1990s, Memphian Patrick Dodd played alternative rock similar to Dave Matthews.
    [Show full text]
  • 1. David Bowie (And the Buzz) - Do Anything You Say (Single A-Side, Pye, 1966) 2
    1. David Bowie (and The Buzz) - Do Anything You Say (Single A-side, Pye, 1966) 2. David Bowie (and The Buzz) - Good Morning Girl (Single B-side to Do Anything You Say, Pye, 1966) 3. David Bowie (and The Buzz) - I Dig Everything (Single A-side, Pye, 1966) 4. David Bowie (and The Buzz) - I’m Not Losing Sleep (Single B-side to I Dig Everything, Pye, 1966) 5. Feathers – Ching-A-Ling (Stereo Mix) (David Bowie, Deram, 2010 reissue of 1967 album rec 1968) 6. David Bowie - Sell Me A Coat (Love You Till Tuesday, Deram, 1984 rec 1969) 7. David Bowie and John ‘Hutch’ Hutchinson - Space Oddity (demo) (Space Oddity, 2009 reissue, rec January 1969) 8. David Bowie and John ‘Hutch’ Hutchinson - An Occasional Dream (Demo) (Space Oddity, 2009 reissue, rec March/April 1969) 9. John ‘Hutch’ Hutchinson and David Bowie – Life is a Circus (unreleased rec April 1969) 10. John ‘Hutch’ Hutchinson and David Bowie – Love Song (unreleased rec April 1969) 11. David Bowie and John ‘Hutch’ Hutchinson – Conversation Piece (unreleased rec April 1969) 12. David Bowie and The Spiders from Mars – Watch That Man (Ziggy Stardust And The Spiders From Mars - The Motion Picture Soundtrack (30th Anniversary 2CD Edition), 2003 rec July 1973) 13. David Bowie and The Spiders from Mars – Changes (Ziggy Stardust And The Spiders From Mars - The Motion Picture Soundtrack (30th Anniversary 2CD Edition), 2003 rec July 1973) 14. David Bowie and The Spiders from Mars – Farewell Speech/Rock 'n' Roll Suicide (Ziggy Stardust And The Spiders From Mars - The Motion Picture Soundtrack (30th Anniversary 2CD Edition), 2003 rec July 1973) 15.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LSP 4600-4861
    RCA Discography Part 15 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LSP 4600-4861 LSP 4600 LSP 4601 – Award Winners – Hank Snow [1971] Sunday Mornin' Comin' Down/I Threw Away The Rose/Ribbon Of Darkness/No One Will Ever Know/Just Bidin' My Time/Snowbird/The Sea Shores Of Old Mexico/Me And Bobby Mcgee/For The Good Times/Gypsy Feet LSP 4602 – Rockin’ – Guess Who [1972] Heartbroken Bopper/Get You Ribbons On/Smoke Big Factory/Arrivederci Girl/Guns, Guns, Guns/Running Bear/Back To The City/Your Nashville Sneakers/Herbert's A Loser/Hi, Rockers: Sea Of Love, Heaven Only Moved Once Yesterday, Don't You Want Me? LSP 4603 – Coat of Many Colors – Dolly Parton [1971] Coat Of Many Colors/Traveling Man/My Blue Tears/If I Lose My Mind/The Mystery Of The Mystery/She Never Met A Man (She Didn't Like)/Early Morning Breeze/The Way I See You/Here I Am/A Better Place To Live LSP 4604 – First 15 Years – Hank Locklin [1971]Please Help Me/Send Me the Pillow You Dream On/I Don’t Apologize/Release Me/Country Hall of Fame/Before the Next Teardrop Falls/Danny Boy/Flying South/Anna (With Nashville Brass)/Happy Journey LSP 4605 – Charlotte Fever – Kenny Price [1971] Charlotte Fever/You Can't Take It With You/Me And You And A Dog Named Boo/Ruby (Are You Mad At Your Man)/She Cried/Workin' Man Blues/Jody And The Kid/Destination Anywhere/For The Good Times/Super Sideman LSP 4606 – Have You Heard Dottie West – Dottie West [1971] You're The Other Half Of Me/Just One Time/Once You Were Mine/Put Your Hand
    [Show full text]
  • David BOWIE#1
    VINYL - 23 rue des Menus Plaisirs - 78690 Les Essarts-le-Roi ([email protected]) David BOWIE #1 de Davie Jones à Aladdin Sane (1964-1973) Long parcours que celui de David Jones (alias David Bowie), débutant à l’aube des années 60 et toujours sur la brèche aujourd’hui (voir VINYL 39, p.9). Sujet impossible à bâcler en 2 ou 3 pages, et incon- venant de limiter à un “hors-série” commandé par les seuls “initiés”, au détriment du lecteur aux oreilles grandes ouvertes... Hors-Bizness avant la lettre, Bowie n’a cessé depuis 40 ans de se remettre en question, anticipant les courants à venir plutôt que suivre la tendance en cours, publiant des albums dont chacun est souvent l’antithèse du précédent, ne laissant rien augurer du suivant, et alternant les “personnages” les plus inattendus. Belle matière pour une revue dont l’éclectisme semble être la qualité première ? Des premiers balbutiements sous divers pseudos, jusqu’à Aladdin Sane en 1973. David Bowie Acte 1... King Bees & Manish Boys... (qui ne se remet toujours pas d’avoir “raté” les Beatles en 1962), le groupe publie un premier 45 tours (Liza Jane) avid Robert Jones naît le 8 janvier 1947 à Brixton, un avec lequel il se prend un rateau, évidemment. Mécontent, Dquartier populeux de Londres. Sa mère, Margaret David les plante et va rejoindre les Manish Boys, autre for- “Peggy”, a déjà un fils d’une précédente liaison : Terry. Papa mation Mod (courant apparu dès 1963, issu des classes 8 John Jones lui rend la pareille avec une première fille, moyennes, et constitué de jeunes dandys obnubilés par leurs Annette.
    [Show full text]
  • Watch That Man: Gender Representation and Queer Performance in Glam Rock
    Watch That Man: Gender Representation and Queer Performance in Glam Rock Hannah Edmondson Honors Thesis Department of English Spring 2019 Thesis Adviser: Dr. Graig Uhlin Second Reader: Dr. Jeff Menne TABLE OF CONTENTS Abstract……………………………………………………………………………………..…… 3 I. Introduction………………………………………………………………………………….… 4 II. “Hang On To Yourself”: Glam Rock’s Persona Play…………………………………….…... 9 III. “Controversy” and Contradictions: Evaluating Prince, Past and Present……………….….. 16 IV. Cracked Actors: Homosexual Stints and Straight Realities………………………………... 23 V. “This Woman’s Work”: Female Foundations of Glam………………………………….….. 27 VI. Electric Ladies: Feminist Possibilities of Futurism and Science Fiction……………….….. 34 ​ VII. Dirty Computer……………………………………………………………………………. 44 ​ ​ VIII. MASSEDUCTION………………………………………………………………………… 53 ​ ​ IX. Conclusion………………………………………………………………………………….. 60 2 Abstract Glam rock, though considered by many music critics chiefly as a historical movement, is a sensibility which is appropriated frequently in the present moment. Its original icons were overwhelmingly male—a pattern being subverted in both contemporary iterations of glam and the music industry as a whole. Fluid portrayals of gender, performative sexuality, camp, and vibrant, eye-catching visuals are among the most identifiable traits which signify the glam style, though science fiction also serves as a common thread between many glam stars, both past and present. The superficial linkages between artists like David Bowie, Prince, Janelle Monáe, and St. Vincent provide
    [Show full text]
  • DAVID BOWIE SPÉCIAL Live
    L’estimaTION DE VOS VINYLES 33 T / 45 T Estim’Vinyl® STUDIO - LIVE - SINGLES - CD DAVID BOWIE SPÉCIAL LIVE N°13 DAVID édito BOWIE Estim'Vinyl® N° 00013 Le casse tête Mind puzzle EN LIVE ... LIVE ... Bonne prise de tête pour cette bro- Good take of head for this bro- chure et certainement du même chure and certainly of the same acabit pour les autres à venir. skill for the others to come. Entre les albums identiques de par Between albums identical by the le contenu, la pochette et le nom contents, the cover and the name de l'album, nous avons du mal à of the album, we find it difficult to retrouver nos petits surtout qu'au find our little ones especially that niveau des lives, un nombre incal- at the level of the lives, an incal- culable de pirates ou non officiels culable number of pirates or unof- ont été édités. ficial ones have been published. Mais c'est une autre histoire qui se But it is another story that will be règlera dans une autre brochure. settled in another brochure. REF DB13-4 Z Des cotes intéressantes pour les Interesting odds for the owners of CLIQUEZ SUR LE BOUTON - MERCI possesseurs de ces petites mer- these little wonders to discover in veilles à découvrir dans les pages the pages that follow. qui suivent. Cordialement cordially Yehl Yehl 2 SPÉCIAL DAVID BOWIE 13 SPÉCIAL DAVID BOWIE 13 3 DAVID CODE TRADUCTION ÉTAT COUVERTURE ÉTAT VINYLE S Neuf Le disque est encore sous son Le disque est encore sous son BOWIE (scellé) emballage d’origine.
    [Show full text]
  • David Bowie's Urban Landscapes and Nightscapes
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, « David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text », Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 19 April 2019. URL : http:// journals.openedition.org/miranda/13401 ; DOI : 10.4000/miranda.13401 This text was automatically generated on 19 April 2019. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes.
    [Show full text]