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Boston Symphony Orchestra Concert Programs, Season 29,1909-1910, Trip

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Boston Symphony Orchestra Concert Programs, Season 29,1909-1910, Trip CONVENTION HALL . BUFFALO Twenty-ninth Season, J909-19J0 MAX FIEDLER, Conductor Programme WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE MONDAY EVENING, JANUARY 31 AT 8.15 PRECISELY COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER >^v Sent Free upon A Little Hand-Book Request For all Music Lovers Here is a little book with a big thought back of it. Henry T. Finck, the noted author and musi- cal critic, has done for music what President Eliot did for literature in his much discussed " five foot library." Taking the great PIANOLA catalog of over 15,000 titles, Mr. Finck has selected 130 choice pieces that he specially recommends. Moreover, he has grouped them into " Twenty Musical Evenings," so that they represent a fascinating plan for home entertainment. Each program is followed by interesting comments. The book is a sort of Pianolist's " Baedeker," guiding the novice in the selection of music which is both first-class and popular. The PIANOLA PIANO Opens Up a Wonderful Field of Home Entertainment Anyone who reads this little book can- is the only one that the great pianists not fail to be impressed with the un- themselves are willing to endorse. limited enjoyment that the PIANOLA Only in the PIANOLA and PIAN- Piano brings into the home. Here is a OLA Piano are to be found the vital delightful means of entertainment in improvements that give the human- which the entire family shares. like quality to the playing. The PIANOLA Piano is the stan- The Metrostyle and Themodist are dard instrument of its kind. It is the examples of the exclusive features that only one to have received the unquali- are wholly lacking in the PIANOLA'S fied approval of the musical world. It imitators. THE AEOLIAN COMPANY AEOLIAN HALL 36 Fifth Ave., near 34th Street NEW YORK Represented by THE H. TRACY BALCOM COMPANY 694 Main Street, Buffalo Boston Symphony Orchestra PERSONNEL Twenty-ilinth Season, 1909-1910 MAX FIEDLER, Conductor First Violins. \V. Hess, Willy Roth, O. Hoffmann, J. Krafft, Concertmaster. Kuntz, D. Fiedler, E. Theodorowicz, J. Noack, S. Mahn, F. Eichheim, H Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Goldstein, H. Goldstein, S. Kurth, R. Werner, H. Violas. Ferir, E. Heindl, H. Rennert, B Kolster, A. Zahn, F. Gietzen, A. Hoyer, H. Kluge, M. Forster, E. Kautzenbach, W Violoncellos. VVarnke, H. Nagel, R. Barth, C. Belinski, M. Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Brooke, A. Lenom, C. Mimart, P. Mueller, E. Battles, A. Sautet, A. Vannini, A. Regestein, E. Fox, P. English Horn. Bass Clarinet. Contra-Bassoon. Mueller, F. Stumpf, K. Helleberg, J. Horns. Horns. Trumpets. Trombones, Tuba. Hess, M. Wendler, G. Kloepfel, L. Hampe, C. Lorenz, O- Lorbeer, H. Gebhardt, W. Mann, J. Mausebach, A. Hain, F. Hackebarth, A. Heim, G. Kenfield, L. Phair, J. Schumann, C. Merrill, C. Harp. Tympani. Percussion. Schuecker, H. Rettberg, A. Dworak, J. Senia, T. Kandler, F. Ludwig, C. Burkhardt, H. Librarian. Sauerquell, J. 3 Tke -6® ^ <v Reputation Is of far greater value to you in purchasing a piano, than the most thorough demonstration; for the demon- stration only tells you what the instrument is toaay. The Chickering reputation tells you that the Chickering you buy today will be the same Chickering twenty years hence. The Chickering reputation is your assur- ance of a lifetime's perfect service. CHICKERING & SONS PIANOFORTE MAKERS Es.ablished 1823 791 TREMONT STREET, Corner Northampton Street. Near Mass. Ave. BOSTON CONVENTION HALL . BUFFALO Inaton ^gmjrfjntuj (irrtfratra Twenty-ninth Season, 1909-1910 MAX FIEDLER, Conductor MONDAY EVENING, JANUARY 31 AT 8.15 PRECISELY PROGRAMME " Weber ..... Overture to the Opera " Euryanthe Rimsky-Korsakoff . Symphonic Suite, "Scheherazade" (after "The Thousand Nights and a Night"), Op. 35 I. The Sea and Sindbad's Ship. II. The Story of the Kalandar-Prince. III. The Young Prince and the Young Princess. IV. Festival at Bagdad. The Sea. The Ship goes to Pieces against a Rock surmounted by a Bronze Warrior. Conclusion. Rachmaninoff . Second Concerto for Pianoforte with Orchestra, I. Moderato. Op. 18. First time in Buffalo II. Adagio Sostenuto. III. Allegro Scherzando. a. "Waldweben" ("Life and Stir of the Forest"), from Wagner ,. { "Siegfried," Act II. b. Prelude and "Love Death" from "Tristan and Isolde" SOLOIST SERGEI RACHMANINOFF The Mason & Hamlin Pianoforte There will be an intermission of ten minutes after the symphonic suite % MIGNONETTE Horizontal GRAND Wnere others nave railed to build a Small ana Perfect Grand Piano meeting with present day requirements, The House of Knabe, after years or research and experiment, have succeeded in producing The WORLDS BEST GRAND PIANO In the small size or 5 FEET, 2 INCHES a piano that carries the endorsement or the leading musicians or today. REPRESENTED BY ROBERT L. LOUD 569 MAIN STREET, BUFFALO V. J —; Overture to " Euryanthe " Carl Maria von Weber (Born at Eutin, in the grand duchy of Oldenburg, December 18, 1786; died at London, June 5, 1826.) "Euryanthe," grand heroic-romantic opera in three acts, book founded by Helmina von Chezy on an old French tale of the thirteenth century, "Histoirede Gerard de Nevers et de la belle et vertueuse Euryant de Savoye, sa mie," —a tale used by Boccaccio ("Decam- eron," second day, ninth novel) and Shakespeare ("Cymbeline"), music by von Weber, was produced at the Karnthnerthor Court opera theatre, Vienna, October 25, 1823. The cast was as follows: Euryanthe, Henriette Sontag; Eglantine, Therese Gruenbaum (born Mueller) Bertha, Miss Teimer; Adolar, Haizinger; Rudolph, Rauscher; Lysiart, Forti; King Ludwig, Seipelt. The composer conducted. The opera was completed without the overture on August 29, 1823. Weber began to compose the overture on September 1, 1823, and completed it at Vienna on October 19 of that year. He scored the overture at Vienna, October 16-19, I ^ 2 3- Weber wrote to his wife on the day after the first performance : "My reception, when I appeared in the orchestra, was the most enthusiastic and brilliant that one could imagine. There was no end to it. At last I have the signal for the beginning. Stillness of death. The over- ture was applauded madly; there was a demand for a repetition; but I went ahead, so that the performance might not be too long drawn out." But Max Maria von Weber, in the life of his father, gives a somewhat different account. A grotesque incident occurred immediately before the performance. There was a tumult in the parterre of the opera house. There was laughing, screaming, cursing. A fat, carelessly dressed woman, with a crushed hat and a shawl hanging from her shoulders, was going from seat to seat, screaming out: "Make room for me! I am the poetess, I am the poetess!" It was Mrs. von Chezy, who had forgotten to bring her ticket and was thus heroically attempt- ing to find her seat. The laughter turned into applause when Weber appeared in the orchestra, and the applause continued until the signal for beginning was given. TO TEACHERS AND SCHOOLS. Educational Music in All its Branches. The Most Representative Music Publishing House in America. Sole Agents for ENOCH & SONS, London. ENOCH & CO., Paris. ELKIN & CO., London. G. RICORDI & CO., Milan. E. DOTESIO & CO., Spain. BOOSEY & COMPANY, 9 East Seventeenth Street, NEW YORK CITY. THE HAROMAN PIANO FAMOUS SINCE 1842 A Grand Piano to Meet Any Requirements THE Hardman Grand Piano is not confined to one size or*to one style. If your room is only of mod- erate size the Hardman Small Grand, a grand piano from every musicianly point of view, takes up hardly more room than an ordinary upright. For larger rooms there are the Baby Grand, the Parlor Grand and the Concert Grand. All these are shown in a variety of cases from the simplest (the Sheraton) to the most sumptuous (the Louis XV.). In a letter to the makers Enrico Caruso refers enthusiastically to the "superb and unique tone quality of The Hardman."" Hardman Pianos may be purchased on easy monthly payments. The highest possible allowance for your old piano. Send for beautifully illustrated book of " Period " designs. Hardman, Peck & Co. Established 1842 138 Fifth Avenue, New York "The performance of the overture," says Max von Weber, "was not worthy of the usually excellent orchestra; indeed, it was far inferior to that at the dress rehearsal. Perhaps the players were too anxious to do well, or, and this is more probable, perhaps the fault was in the lack of sufficient rehearsal. The ensemble was faulty, —in some places the violins actually played false, —and, although a repetition was demanded by some, the impression made by the poetic composition was not to be compared with that made later in Berlin, Dresden, and the Gewandhaus concert in Leipsic." Yet Max von Weber says later that Count Brlihl wrote the composer, January 18, 1824, that the overture played for the first time in Berlin in a concert led by F. L. Seidel hardly made any impression at all. To this Weber answered, January 23: "That the overture failed is naturally very unpleasant for me. It must have been wholly misplayed, which I am led to believe from the remarks about its difficulty. The Vienna orchestra, which is in no way as good as that of Berlin, performed it prima vista without any jar to my satis- faction and, as it seemed, with effect." * The overture begins E-flat, Allegro marcato, con molto fuoco, 4-4, though the half note is the metronomic standard indicated by Weber.
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