Americans and Europeans Dancing in the Dark
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Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Stock Market Sets Records, Signaling Optimism for 2021
P2JW056000-6-A00100-17FFFF5178F ****** THURSDAY,FEBRUARY 25,2021~VOL. CCLXXVII NO.45 WSJ.com HHHH $4.00 DJIA 31961.86 À 424.51 1.3% NASDAQ 13597.97 À 1.0% STOXX 600 413.21 À 0.5% 10-YR. TREAS. g 7/32 , yield 1.388% OIL $63.22 À $1.55 GOLD $1,796.40 g $8.00 EURO $1.2171 YEN 105.85 Lawmakers Take the Field to Keep Their Distance McKinsey What’s News Partners Vote Out Business&Finance Leader cKinsey’s partners MvotedtoremoveKeviN Kevin Sneader, who Sneader as the consulting firm’sleader afterinternal had tightened controls dissatisfaction over steps he following crises, fails took following aseries of crises forthe company. A1 to win a second term TheDow rose 1.3% to are- BY JUSTIN SCHECK cord,while the S&P 500 and AND VANESSA FUHRMANS Nasdaq gained 1.1% and 1%, respectively.The Russell McKinsey &Co.’s partners 2000 jumped 2.4%. A1,B10 votedtoremoveKeviN CustomersinTexas’ dereg- Sneader as the eliteconsulting S ulated electricity market have firm’sleader,after internal paid $28 billion morefor elec- PRES dissatisfaction over stepshe tricity over two decades than TED took following a series of cri- CIA they would have at therates SO ses forthe firm, people famil- chargedtoresidentsserved AS iar with the matter said. A/ by traditional utilities. A1 UP The decision—the result of KR astaggered voting process WeWork co-founder and that McKinsey’s approximately ex-CEONeumann is settoreap 650 senior partners undertake an extra$50 million windfall CHARLES PRIME SEATS: New Hampshire legislators attend a state House of Representatives session at a sports center in Bedford, everythree yearstochoose or and other benefitsaspart of N.H., Wednesday in order to keep all 400 members a safe distance from each other during the pandemic. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Proquest Dissertations
'RANDOM MURDER BY TECHNOLOGY': THE ROLE OF SCIENTIFIC AND BIOMEDICAL EXPERTS IN THE ANTI-NUCLEAR MOVEMENT, 1969 - 1992 LISA A. RUMIEL A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY, TORONTO, ONTARIO AUGUST 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54104-3 Our file Notre r6f6rence ISBN: 978-0-494-54104-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Diskographie Koenig ORIG AUF IMAC.Pages
DISKOGRAPHIE KLAUS KOENIG (update März 2020) "MUSIC FOR THE GENTLE MAN" Jazz Live Trio TCB 36202 "NIGHT THOUGHTS" Jazz Live Trio TCB 35202 "SEVEN THINGS I ALWAYS WANTED TO SAY" Seven Things TCB 35402 "NAUSIKAA" Jazz Live Trio TCB 32502 "PIAZZA ROTONDA" Seven Things TCB 33102 "MAGOG" (Wiederveröffentlichung) TCB 01302 "MAGOG live in Montreux 1973“ (Wiederveröffentlichung) TCB 01232 "Swiss Radio Days Jazz Live Concert Series“ : Gert Westphal + Jazz Live Trio“ Jazz & Lyrik TCB 01262 Sal Nistico / Tony Scott + JLT TCB 02212 Albert Mangelsdorff / Francois Jeanneau + JLT TCB 02222 Gianni Basso / Guy Lafitte + JLT TCB 02242 Benny Bailey / Idrees Sulieman + JLT TCB 02252 Karin Krog / Enrico Rava / Miriam Klein + JLT TCB 02262 Phil Woods / Eddie Daniels / Stuff Smith / Leo Wright + JLT TCB 02272 Kenny Wheeler / Alan Skidmore + JLT TCB 02282 Sahib Shihab / Art Farmer / Cliff Jordan + JLT TCB 02322 Slide Hampton / Karl Berger / Glenn Ferris + JLT TCB 02352 Johnny Griffin / HaL Singer / Leszek Zadlo / Ferdinand Povel + JLT TCB 02362 Dexter Gordon / Hans Kennel + Andy Scherrer + Paul Haag + JLT (Magog) TCB 02382 Franco Ambrosetti / Hans Kennel-Thomas Grünwald/ TCB 02392 Andy Scherrer-Roman Schwaller/Daniel Bourquin + JLT "MAGOG live in Montreux 1973” Evasion EB 200 210 “MAGOG” ECM/JAPO 60011 “GOGS’S DREAMS” Klaus Koenig, solo piano TCB 8740 “Swiss Radio Jazz Live Concert Series“: Vol 1 Americans in Europe TCB 8710 Vol 2 Euro-American Fusions TCB 8720 Vol 3 European TCB 8730 1 “Lunet” Gianni Basso European SPLASC(H) Records H 101 “Galatea” Jazz Live Trio Dire FO 368 “Organic” The Victor Burghardt & Mike Barone-Orchestra Ex Libris EL 12 282 “Pedro Y Antonia” Hugo Heredia + Jazz Live Trio Ariston AR 1214 ”Franco Ambrosetti And The Jazz Live Situation” Dire RPM 33 FO 343 Musica Helvetica Programm Nr. -
Jazz, Race, and Gender in Interwar Paris
1 CROSSING THE POND: JAZZ, RACE, AND GENDER IN INTERWAR PARIS A dissertation presented by Rachel Anne Gillett to The Department of History In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of History Northeastern University Boston, Massachusetts May, 2010 2 CROSSING THE POND: JAZZ, RACE, AND GENDER IN INTERWAR PARIS by Rachel Anne Gillett Between 1920 and 1939 the nightclubs of Montmartre became a venue where different nationalities came into contact, danced, talked, and took advantage of the freedom to cross the color line that Paris and the ―color-blind‖ French audience seemed to offer. The fascination for black performers known as the tumulte noir provided the occasion for hundreds of jazz and blues performers to migrate to Paris in these years. French society was inundated with the sounds of jazz and also with images and stereotypes of jazz performers that often contained primitivist, exotic and sexualized associations. The popularity of jazz and its characterization as ―black‖ music raised the question of how the French state dealt with racial difference. It caused consternation among „non- jazz‟ black men and women throughout the Francophone Atlantic many of whom were engaged in constructing an intellectual pan-Africanist discourse with a view to achieving full citizenship and respect for French colonial subjects. This manuscript examines the tension between French ideals of equality, and „color-blindness,‟ and the actual experiences of black men and women in Paris between the wars. Although officially operating within the framework of a color-blind Republican model, France has faced acute dilemmas about how to deal with racial and ethnic differences that continue to spark debate and controversy. -
Women, Science, and Technology Third Edition
Women, Science, and Technology Third Edition Women, Science, and Technology is an ideal reader for courses in feminist science studies. The editors have extensively revised this anthology to refl ect the newest trends in the fi eld. The third edition contains emerging work in feminist science studies that focuses on specifi c scientifi c and technological research and calls attention to debates among feminists about how to envision our futures in relation to this research. Women, Science, and Technology continues to make the argument that scientifi c and technological ad- vances are at once deeply implicated in the rigidity of the sex/gender classifi cation sys- tem and necessarily useful to challenging that classifi cation system. In addition, recent trends in theory motivate a rethinking of related systems of domination, including race/ ethnicity, class, sexualities, and global relations. This new edition refl ects those import- ant developments as integral to feminist science studies while incorporating a interna- tional perspectives. Mary Wyer is Associate Professor of Psychology and Women’s and Gender Studies at North Carolina State University. Mary Barbercheck is Professor of Entomology at Pennsylvania State University. Donna Cookmeyer is a chair on the Institutional Review Board and is the Research Integrity Offi cer for the Duke School of Medicine. Hatice Örün Öztürk is a teaching associate professor in the Department of Electrical and Computer Engineering at North Carolina State University. Marta Wayne is Professor of Biology at the University -
American Restaurant Culture and the Rise of the Middle Class, 1880-1920
TURNING THE TABLES: AMERICAN RESTAURANT CULTURE AND THE RISE OF THE MIDDLE CLASS, 1880-1920 by Andrew Peter Haley BA, Tufts University, 1991 MA, University of Pittsburgh, 1997 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Andrew Peter Haley It was defended on May 26, 2005 and approved by Dr. Paula Baker, History, The Ohio State University Co-Dissertation Director Dr. Donna Gabaccia, History, University of Pittsburgh Co-Dissertation Director Dr. Richard Oestreicher, History, University of Pittsburgh Dr. Carol Stabile, Communications, University of Pittsburgh Dr. Bruce Venarde, History, University of Pittsburgh ii © Andrew Peter Haley iii TURNING THE TABLES: AMERICAN RESTAURANT CULTURE AND THE RISE OF THE MIDDLE CLASS, 1880-1920 Andrew Peter Haley, PhD University of Pittsburgh, 2005 This dissertation examines changes in restaurant dining during the Gilded Age and the Progressive Era as a means of understanding the growing influence of the middle- class consumer. It is about class, consumption and culture; it is also about food and identity. In the mid-nineteenth century, restaurants served French food prepared by European chefs to elite Americans with aristocratic pretensions. “Turning the Tables” explores the subsequent transformation of aristocratic restaurants into public spaces where the middle classes could feel comfortable dining. Digging deeply into the changes restaurants underwent at the turn of the century, I argue that the struggles over restaurant culture—the battles over the French-language menu, the scientific eating movement, the celebration of cosmopolitan cuisines, the growing acceptance of unescorted women diners, the failed attempts to eliminate tipping—offer evidence that the urban middle class would play a central role in the construction of twentieth-century American culture. -
European Media Representations of US Foreign Policy Making
Loughborough University Institutional Repository Framing the neocons : European media representations of US foreign policy making This item was submitted to Loughborough University's Institutional Repository by the/an author. Additional Information: • A Doctoral Thesis. Submitted in partial fullment of the requirements for the award of Doctor of Philosophy of Loughborough University. Metadata Record: https://dspace.lboro.ac.uk/2134/12167 Publisher: c George Tzogopoulos Please cite the published version. This item was submitted to Loughborough University as a PhD thesis by the author and is made available in the Institutional Repository (https://dspace.lboro.ac.uk/) under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ ~~~-~-------~-,---~---",--,------.--------.--.--.--- ....-- ... ~ ....., ~l r. ., ~ ~ ~ f ;~:~: ''-' "'.' ,. --,.~'.J ,] -: ~.. 1 .: .. : ;~ ~ ~ :.; ~"..(~,;;~:;:-;, ~;~ -~.- ~. ,:.:--' ~.-:r:'- -. .....:t·.. _;,;::..... _-.. ~',· .... '~~:J;·-.-'t'.u=-"- :'. ,-". -',";:V." -"" .:_'~ ,l.:.:.. _~.~~...... '~~.-•.:..J;I! ...........~ l J.~,VV j r!~~i\10. - k - - ~ ,I t ~ ~ ~."7'1.~_~~_\W.. .._.. i ....~ r __ ~.."'"-"_~I IDat3 I !':r-,.:; ,'v·_- ••. "-'.-.:..:~.~..v..... - •.".,,'l._:.: __~-,:.-:.: ... -;-' .,._y~·.~.'"-r.:', ..-._~·>;....:.T .• "-,-~;:::,~;.:: ... ~..:.;.:~...I.~~Cl<C-~~ 'Framing the Neocons: European Media Representations of US Foreign Policy-Making' by George Tzogopoulos A Doctoral Thesis Submitted in partial -
Corporate Governance
CORPORATE GOVERNANCE PUMPING IS THE ONLY WAY TO ACHIEVE ANYTHING AND EVEN IF YOU FAIL, WELL IT WON’T HAVE DONE YOU ANY HARM. RUBIS 2017 Registration Document I 2017 Registration 117 CORPORATE GOVERNANCE 6 Report of the Supervisory Board on corporate governance (prepared pursuant to Article L. 226-10-1 of the French Commercial Code) REPORT OF THE SUPERVISORY BOARD ON CORPORATE GOVERNANCE (PREPARED PURSUANT TO ARTICLE L. 226-10-1 OF THE FRENCH COMMERCIAL CODE) Dear Shareholders, The Supervisory Board is pleased to present its report on corporate governance attached to the management report and prepared in accordance with Article L. 226-10-1 of the French Commercial Code. In drafting this report, the Supervisory Board drew on: • information and documents obtained from the Accounts and Risk Monitoring Committee and the Compensation and Appointments Committee; • discussions with Rubis’ Top Management and its Finance, Legal, Consolidation and Accounting Departments; • assistance from Rubis’ Secretary to the Board. 6.1 THE AFEP-MEDEF CODE The French corporate governance Code to in 2017 in this Registration Document. more advisable for this recommendation which the Company refers is the Afep-Medef The recommendations in question are the to be applied to the Accounts and Risk Code, revised in November 2016. following: Monitoring Committee, as described below in section 6.4.2.1; The Company has always endeavored to fully • recommendation 10.3: meetings of the adhere to the recommendations of the Afep- Supervisory Board are not organized • recommendation 16.2.2: the Medef Code, within the limits of the features outside the presence of the Top Managers; Compensation and Appointments specifi c to its statute as a Partnership Limited the Company considered that in view of its Committee is not involved in the by Shares and its own by-law provisions. -
1. Guests and Immigrants: the Historical and Political Background 12 Introduction 12 Foreign Labor from 1864 to the Present: a Historical Overview 13 Conclusion 34 2
Language, Literature, and the Negotiation of Identity From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Language, Literature, and the Negotiation of Identity Foreign Worker German in the Federal Republic of Germany barbara a. fennell UNC Studies in the Germanic Languages and Literatures Number 119 Copyright © 1998 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Fennell, Barbara A. Language, Literature, and the Negotiation of Identity: Foreign Worker German in the Federal Republic of Germany. Chapel Hill: University of North Carolina Press, 1998. doi: https://doi.org/10.5149/9781469656526_Fennell Library of Congress Cataloging-in-Publication Data Names: Fennell, Barbara A. Title: Language, literature, and the negotiation of identity : Foreign worker German in the Federal Republic of Germany / by Barbara A. Fennell. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 119. Description: Chapel Hill : University of North Carolina Press, [1998] Series: University of North Carolina Studies in the Germanic Languages and Literatures. -
"Faustian Pact"? Native Advertising and the Future of the Press Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2015 A "Faustian Pact"? Native Advertising and the Future of the Press Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the First Amendment Commons, and the Marketing Law Commons Recommended Citation Lili Levi, A "Faustian Pact"? Native Advertising and the Future of the Press, 57 Ariz. L. Rev. 647 (2015). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. A "FAUSTIAN PACT"?1 NATIVE ADVERTISING AND THE FUTURE OF THE PRESS Lili Levi* As technology undermines the economic model supporting the traditionalpress, news organizations are succumbing to the siren call of "native advertising"-a new marketing technique for unobtrusively integrating paid advertising into editorial content. Brands are increasingly turning to native ads to preempt consumers' well-documented ad avoidance. Although the native advertising model debuted on digital-native news sites, it is now ubiquitous in elite legacy media as well. Everyone knew "native" had arrivedfor good when the venerable New York Times not only introduced its online "Paid Post," but incorporated sponsored content in its print editions, and even hired an in-house branded content production team to conceive and execute the embedded ads on behalf of advertisers.