To Download Conference Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
What's Your Learning Style?
What’s Your Learning Style? Different people have different learning styles. Style refers to a student’s specific learning preferences and actions. One student may learn more effectively from listening to the instructor. Another learns more effectively from reading the textbook, while another student benefits most from charts, graphs, and images the instructor presents during a lecture. Learning style is important in college. Each different style, described later in more detail, has certain advantages and disadvantages compared with other styles. None is “right” or “wrong.” You can learn to use your own style more effectively. College instructors also have different teaching styles, which may or may not match up well with your learning style. Although you may personally learn best from a certain style of teaching, you cannot expect that your instructors will use exactly the style that is best for you. Therefore it is important to know how to adapt to teaching styles used in college. Different systems have been used to describe the different ways in which people learn. Some describe the differences between how extroverts (outgoing, gregarious, social people) and introverts (quiet, private, contemplative people) learn. Some divide people into “thinkers” and “feelers.” A popular theory of different learning styles is Howard Gardner’s “multiple intelligences,” based on eight different types of intelligence: 1. Verbal (prefers words) 2. Logical (prefers math and logical problem solving) 3. Visual (prefers images and spatial relationships) 4. Kinesthetic (prefers body movements and doing) 5. Rhythmic (prefers music, rhymes) 6. Interpersonal (prefers group work) 7. Intrapersonal (prefers introspection and independence) 8. Naturalist (prefers nature, natural categories) The multiple intelligences approach recognizes that different people have different ways, or combinations of ways, of relating to the world. -
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Page | 1 the Global TV Format Trading System: Trends And
The Global TV Format Trading System: Trends and Developments since the Format Revolution Prof. Jean K. Chalaby The history of TV formats is now relatively well established, not least thanks to Albert Moran and other people around this table, but it seems to me that the period we know least is the last 10 years. We sometimes act as if time had stopped since four super-formats Who wants to be a millionaire?, Survivor, Big Brother and Idols, swept the world. But it sometimes feel that time has stopped indeed, as they formats, and their newish successors, are still winning rating wars in many countries. However, scratching beneath the surface, the past decade has probably been one of the most eventful for the format trade. In this short presentation I am highlighting three key points in the recent history of the TV trade. 1. The format trade has truly become global, penetrating further into established markets and reaching territories it has never visited before. It only since the late 1990s, and precisely since Who wants to be a millionaire?, that broadcasters in the world’s premier media market, the USA, have been buying formats in great numbers. New markets include territories in the Middle East and Africa, but it is in Asia that the growth has been most noticed, and rightly so. Format buying and adapting has become an established practice in Asia over the past 10 years. In China, the format market was heating up so much that the authorities decided to restrict new formats to one per broadcaster earlier in the year. -
Anglophonic Influence in the Use of Sound Symbolism in Italian Disney Comics: a Corpus-Based Analysis
Open Linguistics 2017; 3: 591–612 Research Article Pier Simone Pischedda* Anglophonic Influence in the Use of Sound Symbolism in Italian Disney Comics: A Corpus-based Analysis https://doi.org/10.1515/opli-2017-0030 Received August 11, 2017; accepted November 20, 2017 Abstract: This article will explore the linguistic implications of employing and creating sound symbolism (ideophones, onomatopoeia and interjections) in Italian Disney comics. It will endeavour to investigate the way sound symbolic forms in both imported Disney US comics and original Italian stories have profoundly influenced the development of Italian sound symbolism in the last century. The diachronic analysis is carried out thanks to the creation of a corpus of ideophones and interjections from 210 Disney stories published between 1932 and 2013. The corpus will allow the author to investigate how these forms have changed diachronically throughout the eighty years under investigation with the final aim of highlighting changes and patterns in both original and translated Italian stories. The unique status of ideophones, confirmed by language, sociological and neurological studies, has led to interesting experimentations but also to complicated dynamics. Certain linguistic settings seem to foster a better affinity towards the device— particularly if compared to Romance languages, such as Italian and Spanish, that often have to rely on Anglophone renditions. Anglicisation has indeed overshadowed previous original attempts. Nevertheless, recent creations, particularly from -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
INFORMATION to USERS the Quality of This Reproduction Is
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMZ films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, while others nuy be from any type of computer printer. The quality of this reproduction is dependent upon the qualityof the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the origina!, b^inning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell ft Howdl Infbnnatioa Company 300 North Zeeb Road. Ann Aitor MI 4SI06-I346 USA 313/761-4700 «00/321-0600 THE PRICE OF DREAMS: A HISTORY OF ADVERTISING IN FRANCE. 1927-1968 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Clark Eric H ultquist, B.A., M.A. -
A Proposal for the Protection of Digital Databases in Sri Lanka Submitted
A Proposal for the Protection of Digital Databases in Sri Lanka Submitted by Thusitha Bernad Abeysekara to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Law in July 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 ABSTRACT Economic development in Sri Lanka has relied heavily on foreign and domestic investment. Digital databases are a new and attractive area for this investment. This thesis argues that investment needs protection and this is crucial to attract future investment. The thesis therefore proposes a digital database protection mechanism with a view to attracting investment in digital databases to Sri Lanka. The research examines various existing protection measures whilst mainly focusing on the sui generis right protection which confirms the protection of qualitative and/or quantitative substantial investment in the obtaining, verification or presentation of the contents of digital databases. In digital databases, this process is carried out by computer programs which establish meaningful and useful data patterns through their data mining process, and subsequently use those patterns in Knowledge Discovery within database processes. Those processes enhance the value and/or usefulness of the data/information. Computer programs need to be protected, as this thesis proposes, by virtue of patent protection because the process carried out by computer programs is that of a technical process - an area for which patents are particularly suitable for the purpose of protecting. -
The Translation of American Comics During Italian Fascism
Between Censorship and Innovation: The Translation of American Comics during Italian Fascism Caterina Sinibaldi (University of Warwick) Abstract This article outlines the main issues surrounding the process of import, trans- lation and cultural adaptation of American comics in Italy from 1908 to 1942. During this time, the first comics were translated from Europe and the United States, leading to a revolution in Italian children’s literature. These were also the years in which comics began to be perceived as a political, as well as pedagogical problem, which prompted the Fascist regime to issue censorship measures aimed at limiting their circulation. The aesthetic and ideological dimension of comics will be investigated alongside the different strategies of translation and adaptation used by Italian editors and cartoonists. The reasons behind the disapproval of comics by Italian pedagogues, and the ambivalent attitude of the Fascist regime, will also be explored. In conclusion, my anal- ysis aims to offer insights into the cultural function of children’s literature during Fascism and the specific role of comics as a site for innovation. Comics and Translation The history of Italian comics is a history of translation. Foreign comics, mostly from the United Kingdom, France and the United States, entered the Italian mar- ket at the beginning of the twentieth century, adding movement and colour to the pages of the first children’s magazines. Being labelled as a product for children, comics had to comply with specific translation norms and pedagogical (as well as aesthetic) requirements. Such requirements acquired political connotations during the years of Fascism (1922–43), when books for children became powerful tools for propaganda in the service of Mussolini’s regime. -
Issue 16 AUGUST 17Th 2011
HONI SOIT Issue 16 AUGUST 17th 2011 12-10pm The revue madness continues with THE ARTS REVUE OR HOW WE LEARNT TO LOVE AGAIN and, from the law faculty, THE SOCIALLY AWKWARD NETWORK opening tonight. Head to the Seymour Centre for two great shows! Arts is on til Fri, Law til Sat. Get in quick! $12-23. 7.30PM If you want to get your comedy fix off campus, WED then get down to the Comedy Store at Moore Park for a very special show, STAND UP FOR THE HOPE OF CAMBODIAN CHILDREN. Featuring P52’s own Michael Hing, as well as a host of local talent, the show will raise $$ for children in need. $25 17th 3-5PM And joining the party, THE ED REVUE, GLADIATAR.. $12- 18, also at the Seymour. Go! Enjoy! These people will one day be responsible for our kids! 7PM-9AM One of Humanitarian Week’s highlights is the annual YOUNG VINNIES SLEEP OUT. Camp out on Gadigal Green tonight and experience what homelessness can feel like. With inspiring speakers and talented musicians on hand to educate and entertain, PICK OF it’s sure to be a fulfilling night. Make some likeminded friends! THE WEEK Register at the ACCESS Desk. $5/15, dinner and b/fast provided. • 5pm-8pm After a week of enlightenment, share the love at the Humanitarian Week WRAP UP PARTY. Bevvies, pizza, • hypnotic interactive lightshows from Punk Monk Propaganda. HUG EVERYONE is our only request. FREE. 8pm Those ironic enough to fork out over 100 nuggets for a ticket to WINTERBEATZ should don their gold Diva hoops and hi- tops to break it down with 50 Cent and G Unit, Mario, Lil Kim and FRI Fabolous at Sydney Ent Cent. -
Retrocausality
RETROCAUSALITY By Ian J. Courter Revision #4 © 2015 ALL RIGHTS RESERVED. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD, OR DISTRIBUTED BY ANY MEANS OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEBSITE,WITHOUT PRIOR WRITTEN CONSENT. [email protected] FADE IN: EXT. MESOPOTAMIA - BABYLON (2250 B.C.) - NIGHT SUPER: Babylon - 2250 B.C. Soft moonlight shines on narrow, dusty, and deserted streets winding among mud-brick buildings. Scattered torches flicker in time with the WHISPER of a gentle wind as insects BUZZ. At tree-top level, there is a SPARK as a flat-black, rugby ball-sized PROBE appears in mid-air, indistinct and nearly invisible. After a moment, it glides away silently. EXT. ISHTAR GATE - CONTINUOUS The probe hovers, bobbing ever so slightly in the breeze. PROBE POV - THE GATE In night vision green. Lines of laser light rapidly criss- cross the gate from one end to the other. BACK TO SCENE No visible lights as the probe glides over the gate and stops on the other side. INT. RESEARCH FACILITY - WAREHOUSE (PRESENT) - DAY SUPER: Present Huge interior space with old, dusty equipment in the corners. Bright lights shine on a large, metal ring lying in the center. A thick cable extends from it to a shipping container- sized metal box with a large digital control panel. On a raised platform with a railing, stereotypical SCIENTISTS in lab coats cluster around large window pane-thin monitors. SIMON JACOBS (30), thin and geeky, works at a console. MARTIN GALANG (50), gray-haired and tall in a designer suit, strides up to the console. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.