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Splend S Lis R
Splend r SOlis Travesera de Gracia, 17-21 Tel. UK +44 (0)20 7193 4986 Tel. Spain +34 93 240 20 91 08021 Barcelona - Spain Tel. USA +1 305 831 4986 www.moleiro.com The Splendor Solis is the most beautiful treatise on alchemy ever made. Splendor Solis The British Library • London «First, unique and unrepeatable edition strictly limited to 987 copies» This codex, dated 1582, is the most • Shelf mark: Suppl. turc 242. beautiful treatise on alchemy ever • Date: 1582. made. The imagination and lyri- • Size: 230 x 330 mm. cism of its truly marvellous illus- • 100 pages, 22 full-page illuminations. trations are awe-inspiring even to lavishly embellished with gold. those not familiar with this subject. • Bound in crimson leather decorated The secrets of kabbalah, astrology with gold. and alchemic symbolism are revea- • Full-colour commentary volume (448 p.) led on 22 folios bearing full-page by Thomas Hofmeier (Historian of illustrations with a wealth of colo- Alchemy) Jörg Völlnagel (Art historian, ur and almost Baroque profusion research associate at the Staatliche of detail. Museen zu Berlin), Peter Kidd (Former curator of medieval and Renaissance manuscripts at the Bodleian and British Libraries) and Joscelyn Godwin. Bound in crimson leather decorated with gold moleiro.com/online • moleiro.com Tel. USA +1 305 831 4986 • Tel. UK +44 (0)20 7193 4986 Introduction to the Splendor Solis Splendor Solis, bearing in mind that most about the conditions surrounding the pro- contemporary readers would have consid- duction of the illuminated manuscript: we commentary volume erable diffi culty understanding much of know of numerous sources that were drawn Jörg Völlnagel the content: upon by both the text and the illustrations, which were to have a lasting effect on the Art historian, research associate at the The Alchemy Splendor Solis. -
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS XVI DANCE, MUSIC, ART, AND RELIGION Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th of August 1994 Edited by Tore Ahlbäck, Distributed by ALMQUIST & WIKSELL INTERNATIONAL STOCKHOLM, SWEDEN Dance, Music, Art, and Religion Dance, Music, Art, and Religion Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th August 1994 Edited by Tore Ahlbäck Published by The Donner Institute for Research in Religious and Cultural History Åbo Finland Distributed by Almqvist & Wiksell International Stockholm, Sweden ISSN 0582-3226 ISBN 951-650-834-0 Printed in Finland by Åbo Akademi University Printing Press Turku 1996 Contents Editorial Note 7 DESMOND AYIM-ABOAGYE Art, Music and Religious Experience in Libation Pouring of Akan Religion 9 UMAR HABILA DADEM DANFULANI Rituals as Dance and Dance as Rituals. The Drama of Kok Nji and Other Festivals in the Religious Experience of the Ngas, Mupun and Mwaghavul in Nigeria 27 VALERIE DEMARINIS With Dance and Drum. A Psychocultural Investigation of the Ritual Meaning-Making System of an Afro-Brazilian, Macumba Community in Salvador, Brazil 59 MONICA ENGELHART The Dancing Picture — The Ritual Dance of Native Australians 75 RAGNHILD BJERRE FINNESTAD Images as Messengers of Coptic Identity. An Example from Con- temporary Egypt 91 MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity -
Muslim Scientists and Thinkers
MUSLIM SCIENTISTS AND THINKERS Syed Aslam Second edition 2010 Copyright 2010 by Syed Aslam Publisher The Muslim Observer 29004 W. Eight Mile Road Farmington, MI 48336 Cover Statue of Ibn Rushd Cordoba, Spain ISBN 978-1-61584-980-2 Printed in India Lok-Hit Offset Shah-e-Alam Ahmedabad Gujarat ii Dedicated to Ibn Rushd and other Scientists and Thinkers of the Islamic Golden Age iii CONTENTS Acknowledgments ................................................VI Foreword .............................................................VII Introduction ..........................................................1 1 Concept of Knowledge in Islam ............................8 2 Abu Musa Jabir Ibn Hayyan..................................25 3 Al-Jahiz abu Uthman Ibn Bahar ...........................31 4 Muhammad Ibn Musa al-Khwarizmi....................35 5 Abu Yaqoub Ibn Ishaq al-Kindi ............................40 6 Muhammad bin Zakaria Razi ...............................45 7 Jabir ibn Sinan al-Batani.......................................51 8 Abu Nasar Mohammad ibn al-Farabi....................55 9 Abu Wafa ibn Ismail al-Buzjani ...........................61 10 Abu Ali al-Hasan ibn al-Haytham .......................66 11 Abu Rayhan ibn al-Biruni ....................................71 12 Ali al-Hussain ibn Sina ........................................77 13 Abu Qasim ibn al-Zahrawi ..................................83 iv 14 Omar Khayyam ...................................................88 15 Abu Hamid al-Ghazali .........................................93 -
Remarks Upon Alchemy and the Alchemists
Digitized by the Internet Archive in 2010 with funding from Research Library, The Getty Research Institute http://www.archive.org/details/remarksuponalcheOOhitc NEW THOUGTIT LIBRARY ASSOCIATION' No. REMARKS ALCHEMY AND THE ALCHEMISTS, INDICATIXG A METHOD OF DISCOVEKI^'G THE TEUE NATURE OF HERMETIC PHILOSOPHY; A^D SHOWING THAT THE SEARCH AFTER HAD NOT FOR ITS OBJECT THE DISCOVERY OF AN AGENT FOR THE TRANSMUTATION OF METALS. BEING ALSO AS ATTEMPT TO RESCUE FROM UNDESERVED OPPROBRIUM THE REPUTATION OF A CLASS OF EXTEAORDIXARY THINKEES IN PAST AGES. ' Man shall not live by bread alone." BOSTON: CROSBY, NICHOLS, AND COMPANY, 111 Washington Street. 1857. Entered according to Act of Congress, in the year 1857, by Crosby, Nichols, and Company, in the Clerk's Office of the District Court of the District of Massachusetts. cambsidge: metcalf and company, printers to the tjnrversitt. NE¥/ THOUGHT LIBRARY ASSOCIATION No. PEEFACE. ED.W. PARKER, L ittle Ruc k, Ark. It may seem superfluous in the author of the fol- lowing remarks to disclaim the purpose of re vivino- the study of Alchemy, or the method of teaching adopted by the Alchemists. Alchemical works stand related to moral and intellectual geography, some- what as the skeletons of ichthyosauri and plesio- sauri are related to geology. They are skeletons of thought in past ages. It is chiefly from this point of view that the writer of the following pages submits his opinions upon Alchemy to the public. He is convinced that the character of the Alchemists, and the object of their study, have been almost universally misconceived ; and as a matter of fact^ though of the past, he thinks it of sufficient importance to take a step in the right direction for developing the true nature of the studies of that extraordinary class of thinkers. -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
Seeing the Word : John Dee and Renaissance Occultism
Seeing the Word : John Dee and Renaissance Occultism Håkansson, Håkan 2001 Link to publication Citation for published version (APA): Håkansson, H. (2001). Seeing the Word : John Dee and Renaissance Occultism. Department of Cultural Sciences, Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Seeing the Word To Susan and Åse of course Seeing the Word John Dee and Renaissance Occultism Håkan Håkansson Lunds Universitet Ugglan Minervaserien 2 Cover illustration: detail from John Dee’s genealogical roll (British Library, MS Cotton Charter XIV, article 1), showing his self-portrait, the “Hieroglyphic Monad”, and the motto supercaelestes roretis aquae, et terra fructum dabit suum — “let the waters above the heavens fall, and the earth will yield its fruit”. -
Representations of Gender in Seventeenth-Century Netherlandish Alchemical Genre Painting
REPRESENTATIONS OF GENDER IN SEVENTEENTH-CENTURY NETHERLANDISH ALCHEMICAL GENRE PAINTING ELIZABETH OWAHONEY TWO VOLUMES VOLUMEI PH.D. THE UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2005 ABSTRACT This thesis exploresthe depiction of genderin seventeenth-centuryNetherlandish genre paintings of the alchemist's or, more properly, the chymist's workshop. Derived primarily from the holdings of the Chemical Heritage Foundation,Philadelphia and the Wellcome Library, London, the paintings examinedby this project representa significant componentof Netherlandishgenre art, neglectedalmost entirely by critics. Of profound significanceto alchemicalphilosophy and emblematicart, genderalso plays a pivotal role in seventeenth-centurygenre paintings of the chymist's workshop. Expounding the nuancesof complex alchemicaldiscourse, this thesis exploresthe dynamic and often binaristic relationshipsbetween the 'male' and 'female' in thesescenes. Structured around the basic contentionthat all representationsof focal femalesin such paintings can be placed into one of four categories- Domestic Disquiet, Domestic Quiet, Patient and Chyrnical Worker - this thesisconsists of four chapters. Investigatingthe four categorizations,these chapters explore the extent and significance of genderedemblematicism in relation to traditional alchemicalsymbolism and Dutch Emblemata. The first chapter examinesfemale disquiet in pictures of the chrysopoeianworkshop and traces emblematic femalesin early modem emblembooks and genreprints. Focusing on depictionsof the feminine ideal -
Renaissance Magic and Alchemy in the Works of Female Surrealist Remedios Varo
RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO ____________ A Thesis Presented to the Faculty of California State University, Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Tammy M. Ngo Fall 2019 THESIS: RENAISSANCE MAGIC AND ALCHEMY IN THE WORKS OF FEMALE SURREALIST REMEDIOS VARO AUTHOR: TAMMY M. NGO APPROVED: ______________________________ Patricia Gamon, Ph.D Thesis Committee Chair ______________________________ Kirstin Ellsworth, Ph.D Committee Member ______________________________ Kimberly Bohman-Kalaja, Ph.D Committee Member Dedicated to Professor Lawrence Klepper ACKNOWLEDGEMENTS I would like to express my special thanks of gratitude to my advisor Professor Patricia Gamon, Ph.D., Humanities, Art History. In addition, to my family and friends who supported me during my thesis research, thank you. iv TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................................................... IV TABLE OF CONTENTS ................................................................................................................ V LIST OF FIGURES ...................................................................................................................... VI ABSTRACT .................................................................................................................................... X 1. INTRODUCTION ....................................................................................................................1 -
Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer
The Project Gutenberg EBook of Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Hidden Symbolism of Alchemy and the Occult Arts Author: Herbert Silberer Release Date: January 9, 2009 [Ebook 27755] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HIDDEN SYMBOLISM OF ALCHEMY AND THE OCCULT ARTS*** Hidden Symbolism of ALCHEMY and the OCCULT ARTS (Formerly titled: Problems of Mysticism and Its Symbolism) by Dr. Herbert Silberer Translated by Smith Ely Jelliffe, M.D., Ph.D. Dover Publications, Inc. New York 1971 Contents Translator's Preface . 3 Part I. The Parable. 5 Section I. The Parable. 5 Section II. Dream And Myth Interpretation. 21 Part II. Analytic Part. 37 Section I. Psychoanalytic Interpretation Of The Parable. 37 Section II. Alchemy. 88 Section III. The Hermetic Art. 113 Section IV. Rosicrucianism And Freemasonry. 133 Section V. The Problem Of Multiple Interpretation. 163 Part III. Synthetic Part. 179 Section I. Introversion And Regeneration. 179 A. Introversion And Intro-Determination. 179 B. Effects Of Introversion. 207 C. Regeneration. 235 Section II. The Goal Of The Work. 256 Section III. The Royal Art. 284 Notes. 317 Bibliography. 326 Index. 344 Footnotes . 371 [ii] This Dover edition, first published in 1971, is an unabridged and unaltered republication of the work originally published by Moffat, Yard and Company, New York, in 1917 under the title Problems of Mysticism and its Symbolism. -
Visualization in Medieval Alchemy
Visualization in Medieval Alchemy by Barbara Obrist 1. Introduction Visualization in medieval alchemy is a relatively late phenomenon. Documents dating from the introduction of alchemy into the Latin West around 1140 up to the mid-thirteenth century are almost devoid of pictorial elements.[1] During the next century and a half, the primary mode of representation remained linguistic and propositional; pictorial forms developed neither rapidly nor in any continuous way. This state of affairs changed in the early fifteenth century when illustrations no longer merely punctuated alchemical texts but were organized into whole series and into synthetic pictorial representations of the principles governing the discipline. The rapidly growing number of illustrations made texts recede to 1 the point where they were reduced to picture labels, as is the case with the Scrowle by the very successful alchemist George Ripley (d. about 1490). The Silent Book (Mutus Liber, La Rochelle, 1677) is entirely composed of pictures. However, medieval alchemical literature was not monolithic. Differing literary genres and types of illustrations coexisted, and texts dealing with the transformation of metals and other substances were indebted to diverging philosophical traditions. Therefore, rather than attempting to establish an exhaustive inventory of visual forms in medieval alchemy or a premature synthesis, the purpose of this article is to sketch major trends in visualization and to exemplify them by their earliest appearance so far known. The notion of visualization includes a large spectrum of possible pictorial forms, both verbal and non-verbal. On the level of verbal expression, all derivations from discursive language may be considered to fall into the category of pictorial representation insofar as the setting apart of groups of linguistic signs corresponds to a specific intention at formalization.