Olga Pinchuk (Lola Pinchuk)

Total Page：16

File Type：pdf, Size：1020Kb

Olga Pinchuk (Lola Pinchuk) Olga is an Argentinean violinist, born in Kazakhstan. She began to study music encouraged by her father and led by her mother, the cellist and pedagogue Tatiana Kachanova. Being three-years old, she began to study violin, successively learning from teachers Nina Nazimova, Lazar Bendersky, and Vera Nyezhentseva (in Ukraine). Later, she traveled to Argentina and, in Buenos Aires, she studied with maestro Szymsia Bajour; she currently optimizes her knowledge with maestro Oleg Pishenin. She graduated with high grades from the National Conservatory of Music of Buenos Aires "Carlos López Buchardo" (currently the UNA, National University of the Arts), with a title of Senior Professor in Music and as Graduate in Musical Arts, specialized in Violin. She has participated in major continuing education courses, with scholarships granted by the Alberto Lysy and the El Sonido y el Tiempo Internacional foundations, led by maestros Ljerko Spiller, José Luis Juri and Daniel Goldstein. She also participated in the Martha Argerich Festival of Buenos Aires, editions 2001 and 2002. She took part in several orchestral ensembles, some of them being: Teatro Colón Permanent Orchestra, Tango Orchestra of the city of Buenos Aires, Teatro Colón Philharmonic Orchestra, Provincial Center for Arts of the Teatro Argentino de La Plata Permanent Orchestra, La Plata Municipality Chamber Orchestra, Municipal Symphony Orchestra of Avellaneda, Teatro Colón Academic Orchestra, and Cámara Mayo Orchestra. She performed at the most important halls in Argentina and Brazil, as well as in cities of the United Kingdom and Germany. She recorded her first CD, that is completely focused on Argentinean music for violin and piano. As soloist, she performed with the Universidad de Lanús Orchestra, the Municipal Symphony Orchestra of Avellaneda, and the Libertador General San Martín Young Symphony Orchestra of Buenos Aires. With them, she performed works of Vivaldi, Mozart, Bragato, Massenet, Bruch, and Wieniawski under the lead of maestros Mario Benzecry, Daniel Bozzani, and Sebastiano de Filippi. Nowadays, she splits her work between chamber music, soloist performances at symphony concerts, and violin tutoring. She is a full professor for the Violin chair at the Provincial Conservatory "Julián Aguirre". .

Copy Link

Recommended publications

Cuarteto De Cuerdas Buenos Aires
Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. CUARTETO DE CUERDAS BUENOS AIRES Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. En junio de 1984, cuatro instrumen Buenos Aires, le otorgaron el Premio tistas de la Orquesta Filarmónica de al "Mejor Conju nto Argentino". Buenos Aires, decidieron formar un En 1988, el Cuarteto de Cuerdas cuarteto de cuerdas, para compen Buenos Aires, realizó la grabación sar la falta de una agrupación de de los cuartetos de Juan José Cas este género en la ciudad de Buenos tro y Constantino Gaito. Aires, además de concretar así una necesidad personal de realización En 1989, actuó en el Teatro Colón artística. para el aniversario de Radio Clá sica, en el Teatro "El Círculo" de Desde su debut, en noviembre de Rosario y en el ciclo de conciertos 1984, el cuarteto actuó en los prin del S.O.D.R.E. de Montevideo (Uru cipales ciclos del Mozarteum Argen guay). También realizó conciertos y tino y Amigos de la Música. clases didácticas, con el auspicio de la firma Zanella S.A. en Rosario, Invitados por la Secretaría de Cul en San Juan, Córdoba, Bahía Blanca, tura de la Nación y por el Mozarteum Tucumán, Santa Rosa, La Plata yen Argentino, actuó en Salta, Tierra del el Teatro Presidente Alvear de Bue Fuego, Olavarría, Tandil, Bolívar, nos Aires. Jujuy, Catamarca y Cataratas del Iguazú. Obtuvo, también en ese año, el Pre mio Konex (Diploma de Honor). El Centro de Divulgación Musical de la Municipalidad de Buenos Aires, le Durante 1990, el conjunto tiene pro encomendó la presentación del ciclo gramada una gira latinoamericana y completo de los Cuartetos del Opus la realización, en Buenos Aires, de 76 de Haydn.
[Show full text]
David Amitin
OperaManager.com - David Amitin DAVID AMITIN Criculum Vitae 1 OperaManager.com - David Amitin BIOGRAPHY David Amitin was born in Buenos Aires, Argentina. He studied violin with Ljerko Spiller and harmony with Guillermo Graetzer. Followed acting and directing courses wirh Augusto Fernandes and Carlos Gandolfo. He has lived in England between 1971 and 1978, where he developed his apprenticeship in theatre direction and opera regie, and presented his first stagings. He assisted to workshops run by Lee Strasberg, Luca Ronconi, Marcel Marechal and Geoffrey Reeves. In the opera field, he followed rehearsals of productions by Giorgio Strehler, Luca Ronconi, Johannes Schaaf, Benno Besson and John Copley. From 1980 onwards he has been working in Buenos Aires where he staged many prose- theatre and opera productions, and developed his work as teacher of acting and directing. From 1990 onwards he started to present his work in Europe (Germany, Belgium, Austria). 2 OperaManager.com - David Amitin He is presently living in Madrid. Both in Europe and Southamerica David Amitin alternates his activities between prose theatre, opera and drama tuition. Reviewers have stressed his versatility which allows him to pass from one field to another, and have emphasized the uniqueness of his work, both in the choice of texts a wide arch running from Büchner to Melville, including Ibsen, Strindberg , Dostoievsky and Beckett- as well as the originality of his approach and the unconventional style of his theatre language. His work has been characterized by the search for new expressive paths, appealing to the extremes of the actor´s imagery, to the reformulation of the acting space and the break up with realism as an access to a new poetry of the theatrical discourse.
[Show full text]
Javier Weintraub Cv Ingles
JAVIER WEINTRAUB Argentine versatile violinist started his studies at the age of 8 at the National Conservatory “López Buchardo” in Buenos Aires, from which he received the degree of National Professor of Music specialized in Violin. His teachers were Cristina Monasterolo, Ljerko Spiller and Rafael Gintoli. He took part in many chamber and symphonic orchestras as Orquesta de Cámara Crescendo, Orquesta Sinfónica Juvenil de Radio Nacional, Orquesta Sinfónica Franco-Argentina, Orchestre de Chambre de Lyon in France, Orquesta de Cámara Scherzo. Javier performed widely as a soloist, playing many of the most well-known pieces from the violin repertoire, like the Mendelssohn violin concertos, Tchaikovsky, Vivaldi’s Four Seasons, Bach concertos, etc. In 1996 he obtains through public contest his currently position as ﬁrst violin at National Orchestra of Argentine Music Juan de Dios Filiberto. From that moment, he started an intense activity as a Tango violinist, performing concerts with many important groups in the Buenos Aires music scene such as El Arranque, Decarísimo, Osvaldo Piro’s nonet, Fernando Marzan’s sextet, Weintraub-Greco duet, among others. He took part in important Tango shows such as Rojo Tango at the Faena Hotel, Tango Dance Premiun, presented in 60 diﬀerent cities in Japan and “Los Ojos de la Traición” - a Tango Opera presented at the Auditorium at Hotel Sheraton, co-directed by Verónica Vidán and co-written with Fausto Lomba. Between 1997 and 2013 Javier toured the United States, Japan, Spain, Germany, Switzerland, England, Italy, France, Sweden, Holland, Finland, Venezuela, Chile, Colombia, Vietnam and Cuba, among other countries, presenting Argentine music to the foremost music halls of those countries.
[Show full text]
Journal of the American Viola Society Volume 1 No. 1, August 1985
JOURNAL oltke AMERICANVIOLA SOCIETY ·-Chapterof THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research vei i No.1 August, 1985 Katherine RapQPOrl: Notes on the 1985 Congress Tomlls Tichauer: The Viola in Argentina page 8 AVS Membership,1985 page 15 SHAR NEW RELEASE HI went the road to Damascus. I saw the light, repented of past transgressions, and converted to the viola." - William Primrose (1904-1982) A VIOLIST'S LEGACY NOW AVAILABLE - the television documentary on Primrose originally recorded at Brigham Young University. The wonderful grace and charm of the musical giant is forever preserved in a 30 minute color video presentation. A magnificent addition to any music library or private studio video collection, Shar takes pride in offering A Violist's Legacy for the first time. A VIOLIST'S LEGACY - available in VHS or Beta $110 (please specify) 3/4" format also available $140 Available exclusively from ••~ii-l Shar Products Company 1-800~521-0791 I 2465 S. Industrial Order Toll-Free: I ~O. Box 1411 In Michigan: 1-800-482-1086 Local: (313) 665-7711 I Ann Arbor, MI 48106 THE AMERICAN VIOLA SOCIETY Chapter of INTERNATIONALE VIOLA-FORSCHUNGSGESELLSCHAFT OFFICERS MAURICE W. RILEY, PRESIDENT DWIGHT POUNDS,VICE PRESIDENT ANN WOODWARD, TREASURER HAftOLD KLATZ, SECRETARY 512 Roosevelt Blvd. 1713 Daren Court. 209 W. University Drive 1024 Maple Avenue Ypsilanti, MI 48197 Bowli~ Green, Ky 42101 Chapel Hili, NC 27514 Evanston. IL 80202 313 • 482-6288 Western Kentucky University University of North Carolina VIOlist in Chicago Symphony, Emeritus Professor of Violin-VIOla Advertising for AVS Newsletter Eastern Michigan University MYRONROSENBLUM, PAST PRESIDENT 39-23 47th Street SUnnyside, NY 11104 Queensborough Community College execunvE BOARD MEMBERS DAVIDDALTON Archivist.
[Show full text]
Importante Representación De AADI En La XIX Asamblea Anual De FILAIE
INFORMACIÓN DEL MES DE DICIEMBRE DE 2008 Nº16 INTERNACIONAL Importante representación de AADI en la XIX asamblea anual de FILAIE en Chile Nuestra Vicepresidente 2º, Susana Rinaldi, encabezó la embajada que viajó a Chile con motivo de la XIX Asamblea de FILAIE. En esta entrega te contamos la experiencia de éste y otros encuentros con entidades hermanas. Homenaje a Ljerko Spiller, por René Vargas Vera Tras la partida del pequeño gran maestro, quedaron sus lecciones para todos quienes tuvieron la suerte de descubrir, bajo su guía, los secretos de la interpretación. Antonio Agri, la emoción del tango A diez años de su fallecimiento. Homenaje a Susana Rinaldi en la Asociación Argentina de Actores “El rol de las sociedades de gestión en la protección y ejecución del derecho de propiedad intelectual” , por José Votti. Última parte. ¿De qué hablamos cuando hablamos de tecnología? por Sergio Vainikoff, 2da. parte. En esta oportunidad, nuestro consejero nos propone interpretar la lógica de los procesos de las nuevas tecnologías. A los Intérpretes Hacia el Mejor Consenso en las Luchas Amigos: estamos contentos. Porque en el año rativo de toda entidad de socios agrupados para Nadie puede dudar que la vida actual se está poniendo más que pasó pudimos cumplir con el objetivo pri- un mismo noble fin. desafiante que nunca. Para todos, en lo cotidiano. Para las insti- mordial de este boletín: serles útiles. Servir a los Son varios los progresos obtenidos este año. tuciones, en sus responsabilidades. Para sus dirigentes en todo legítimos intereses de ustedes, los intérpretes, Y son dignos de ser celebrados aquí: la estrecha momento de las organizaciones.
[Show full text]
Salzburg Chamber Soloists
CAL PERFORMANCES PRESENTS Salzburg Chamber Soloists Sunday, September 26, 2004, 3 pm Hertz Hall Lavard Skou–Larsen, artistic director, leader, violin Lena Maria Elisabeth Neudauer, violin soloist Violin I Lavard Skou Larsen, leader Veronika Risa Schuchter, Nelson Diaz Guerrero, Lena Maria Elisabeth Neudauer, Antoine Bareil Violin II Ullrich Matthias Benedikt Poschner, principal Zoltan Laluska, Irene Castiblanco Briceno, Iveta Schwarzova Viola Firmian Tobias Lermer, principal Lena Fankhauser, Denes Ludmany Violoncello Detlef Johannes Willi Mielke, principal Adriane Ritzmann Savytzky, Claudia Hoedl Double Bass Stefano Schiavolin PROGRAM Wolfgang Amadeus Mozart Serenade for Strings in C minor, K. 406 (K. 516b) Allegro Andante Minuetto in Canone – Trio in Canone al rovescio – Minuetto in Canone Allegro Felix Mendelssohn Violin Concerto in D minor Allegro Andante Allegro INTERMISSION Antonín Dvo˘rák Serenade for Strings in E major, Op. 22 Moderato Tempo di Valse Scherzo: Vivace Larghetto Finale: Allegro vivace This performance has been made possible, in part, by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation, The Wallace Foundation, and the Zellerbach Family Foundation for their generous support. C AL PERFORMANCES 13 PROGRAM NOTES PROGRAM NOTES Serenade for Strings in C minor, The Serenade for Eight Winds in C minor K. 406 (K. 516b) on which the String Quintet, K. 406, is based Wolfgang Amadeus Mozart (1756–1791) occupies a special place in Mozart’s output as his The year 1786 was the zenith of Mozart’s career only piece of “entertainment” music in a minor in Vienna. Perhaps because of intrigue but more key. The occasion and patron for whom it was probably because the geometrical expansion of written are unknown, and even the exact date of deep expression in his newest music did not suit its composition is uncertain.
[Show full text]
1St Alberto Lysy International Violin Competition
1st Alberto Lysy International Violin Competition Gstaad (Switzerland) 25-27 September 2020 Alberto Lysy is considered one of the premier interpreters and educators of recent times. He resided for many years in Europe and often returned to his native Argentina to perform and teach young talented musicians. Born in Buenos Aires, the five year-old Alberto began his violin studies with his father, and continued soon after with the celebrated teacher Ljerko Spiller. At seventeen years of age, after having won important national prizes, he headed for Europe. In 1955 he was a prize winner at the International Queen Elisabeth Competition in Brussels - the first time an Argentinean artist received that honor. On that occasion he met Yehudi Menuhin, a member of the jury together with David Oistrakh, Zino Francescatti and other famous violinists. Menuhin later became his teacher and mentor, and generously exposed him to the world stage. Alberto Lysy participated in important European festivals together with musicians such as Benjamín Britten, Peter Pears, Pablo Casals, Gaspar Cassadó, Yehudi Menuhin and Nadia Boulanger. As a soloist he played under the direction of Pierre Boulez, Colin Davis, Sir Adrian Boult and Igor Markevitch, and with orchestras such as the New York Philharmonic, National Symphony of Washington, the London Symphony and Philharmonic Orchestras, to name but a few. Whilst carrying out his performing career, Alberto Lysy initiated important pedagogical activities as Director of the International Menuhin Music Academy in Gstaad (Switzerland), and founded programs such as the Festival Delle Nazioni in Città di Castello, the International Festival Pontino in the Castello di Sermoneta, in Italy, the Recontres Musicales also in Switzerland and the Festival Lysy in Argentina.
[Show full text]
Harry Sparnaay
EDMONTON COJVIPOSERS' CONCERT SOCIETY & DEPARTJVEENT OF IVIUSIC (UOFA) PRESENT HARRY SPARNAAY ANNELIEDEMAN SILVIA SPARNAAY CASTILLO NEW IVIUSIC ALBERTA 2001/02 Concert #1 SATURDAY, OCTOBER 20, 2001 8:00 P.M. University of Alberta Convocation Hall CLEF Records legendary CD is still available % From CLEF Records! "...a varied,surprising and exciting listen..." "...more reflective ofthe range ofactivity in the area ofconcert music composition..." "...the program dividedbetween alternating instrumentalandelectroacoustic works... Brief^ that music actually appeals to a much broaderpublic... stylistically, it runs a gamut..." TonyDillon-D avis:, Culture Shock Confessions "Compilations continue to become the way to hear many different music artists and fe- none the better this month than "soundland alberta:le payssonore..." ■ hK. Breves "...great example ofgrass roots organization and new musicpresentation..." DwightLoop, The SantaFe Sun,Feb. 1997 featuring music by twenty-three "The Soundland A Iberta compilation, was the best record I've heard in a while. Canadian and American composers Considering the volume ofmusic I reviewfor rotation, it's always a ReinhardBerg - Christ Du Lamm Gottes pleasure to hearsuch a refreshingly original CD..." Rolf Boon - Six Miniatures "...I usually do not make the effort to contact labels however its not very Wolfgarm Bottenherg - Recitative ir Allegro often we getsuch exceptional music which suits ourformat so well..." AndrewCreaghan - Largo KeithDenning - Gamut Loops "... Without music like this WREK would be unable to maintain its uniqueformat..." David Eagle - Nohocki Hormuz Minina, PiotrGrella-Mozeiko - composizione-monoproiezione Music Director, Ron Hannah - Meditation WREK 91.1 FM (Atlanta, GA) Susan Forrest Harding - Trois Etudes Chatoyants Mark Kizilos - Allegro DeborahLing - Winter Solitude soundland alberta: AndraeMarchak - Reverie ChristopherMatey - Invention (AfterA.B.) irEtude Rob Morin - Reflections on the North Saskatchewan River le pays sonore VernonMurgatroyd - Piecefor Clarinet Solo Scott Godin:/o«^/«g..
[Show full text]
Gwendolyn Masin, Violin Teaching in the New Millennium
VIOLIN TEACHING IN THE NEW MILLENNIUM In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved OR Remembering the Future of Violin Performance Gwendolyn Masin Thesis submitted for the degree of DoCtor in Philosophy, August 2012. School of MusiC 42145 ii Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed:____________________________ Date: ___________________________ iii ABSTRACT Violin Teaching in the New Millennium In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved or Remembering the Future of Violin Performance by Gwendolyn Masin Doctor in Philosophy, Music Trinity College, Dublin, August 2012 This thesis addresses a number of issues that have developed in the concepts and practices of violin pedagogy and performance since World War II. In particular it identifies the ways in which cultural transnationality has diminished the distinctiveness of various historic schools of violin playing and pedagogy, and has led to practices and concepts within teaching that threaten a historically and artistically informed view of what it means to learn the instrument. It compares current practice with those that prevailed between the middle of the 18th century and the decades immediately after World War II, and identifies a lack of published treatises by contemporary pedagogues.
[Show full text]
A Comprehensive Study of His Compositions for Violin
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-2020 Life and Legacy of Luis Gianneo: A Comprehensive Study of His Compositions for Violin Maria Belen Hernandez Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Hernandez, Maria Belen, "Life and Legacy of Luis Gianneo: A Comprehensive Study of His Compositions for Violin" (2020). Dissertations. 721. https://digscholarship.unco.edu/dissertations/721 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2020 MARIA BELEN HERNANDEZ ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School LIFE AND LEGACY OF LUIS GIANNEO: A COMPREHENSIVE STUDY OF HIS COMPOSITIONS FOR VIOLIN A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Maria Belen Hernandez College of Performing and Visual Arts School of Music Music Performance December 2020 This Dissertation by: Maria Belen Hernandez Entitled: Life and Legacy of Luis Gianneo: A Comprehensive Study of his Compositions for Violin has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in the School of Music, Program of Violin Performance. Accepted
[Show full text]
259 the Influx of Bohemian Violinists to Slovenia And
M. ZUPANČIČ, THE INFLUX OF BOHEMIAN VIOLINISTS, ARMUD6 50/1-2 (2019) 259-300 259 THE INFLUX OF BOHEMIAN VIOLINISTS TO SLOVENIA AND CROATIA UP TO THE 1920s MARUŠA ZUPANČIČ UDK / UDC: 331.556:39(=162.3) 78.071(497.4+497.5) DOI: htt ps://dx.doi.org/10.21857/9e31lhn1dm Muzikološki inštitut ZRC SAZU Izvorni znanstveni rad / Research Paper Novi trg 4 Primljeno / Received: 11. 3. 2019. 1000 LJUBLJANA, Slovenia Prihvaćeno / Accepted: 9. 7. 2019. Abstract The ethnic territories of Croatia and Slove- The most important group of these was the nia have always been transitional geographic Prague violinists (violin alumni of the Prague zones that were open to various kinds of cultur- Conservatory), whose representatives Václav al and musical migrations and meetings of Huml and Jan Šlais were the founders of the Za- various musical traditions. One of the most greb and Ljubljana violin schools, respectively. important groups of immigrant musicians was the Bohemians that appeared in Croatia and Slo- Keywords: Music migration, Bohemian venia towards the end of the eighteenth century. musicians, Prague violinists, Prague Conserv- From the beginning of the nineteenth century atory, military music directors, conductors, until the 1920s, about ninety musicians (violin- Václav Huml, music in Croatia, music in Slo- ists) originating from Bohemia were active as venia violin teachers, orchestra members (concertmas- Ključne riječi: glazbene migracije, češki ters and conductors), and military music direc- glazbenici, praški violinisti, praški konzerva- tors that signiﬁ cantly shaped musical life in torij, ravnatelji vojne glazbe, dirigenti, Václav several cities and towns in Croatia and Slovenia. Huml, glazba u Hrvatskoj, glazba u Sloveniji Introduction Croatian and Slovenian ethnic territories have always been transitional geo- graphic zones that were open to various types of cultural and musical migrations * This article is the result of two research projects (Z6–6847 and J6–9386) ﬁ nanced by the Slove- nian Research Agency (ARRS).
[Show full text]
Swiss Chamber Soloists
www.fbbva.es www.neos‐music.com COLLECTION BBVA FOUNDATION ‐ NEOS Bruno Maderna Complete Works for Orchestra. Vol. 2 The FRANKFURT RADIO SYMPHONY ORCHESTRA, one of the most innovative and flexible ensembles of its kind in Germany, celebrates its 80th anniversary in the 2009/10 season. Thanks to its extraordinarily broad repertoire and its wide‐ranging concert and CD activities, the Frankfurt Radio Symphony Orchestra now enjoys outstanding international renown. Experiments and discoveries in both old and new music and collaborations with top‐class conductors and soloists are just as much part of its artistic profile as are its boundary‐crossing Music Discovery Project, its participation in the ‘Sir Georg Solti’ International Conducting Competition and its numerous projects for children and young people. It was the orchestra’s first conductor, Hans Rosbaud, and his even‐handed emphasis on the traditional romantic repertoire and contemporary music that forged the path the orchestra has trodden since 1929. Following the end of World War II, Kurt Schröder and Winfried Zillig set about rebuilding the orchestra, but it was Dean Dixon, Eliahu Inbal, Dmitri Kitaenko and Hugh Wolff who established and maintained its international reputation in subsequent decades. Since 2006 the Frankfurt RSO’s principal conductor has been Estonian‐born Paavo Järvi, a leading conductor of his generation who will again make musical variety a watchword of his tenure. ARTURO TAMAYO was born in Madrid and studied at the local school of law. At the same time he took a degree in music at the Real Conservatorio de Música, winning an honorary prize in Composition.
[Show full text]