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Milestones in the History of Data Visualization
Milestones in the History of Data Outline Visualization • Introduction A case study in statistical historiography – Milestones Project: overview {flea bites man, bites flea, bites man}-wise – Background Michael Friendly, York University – Data and Stories CARME 2003 • Milestones tour • Problems of statistical historiography – What counts as a milestone? – What is “data” – How to visualize? Milestones: Project Goals Milestones: Conceptual Overview • Comprehensive catalog of historical • Roots of Data Visualization developments in all fields related to data – Cartography: map-making, geo-measurement visualization. thematic cartography, GIS, geo-visualization – Statistics: probability theory, distributions, • o Collect representative bibliography, estimation, models, stat-graphics, stat-vis images, cross-references, web links, etc. – Data: population, economic, social, moral, • o Enable researchers to find/study medical, … themes, antecedents, influences, patterns, – Visual thinking: geometry, functions, mechanical diagrams, EDA, … trends, etc. – Technology: printing, lithography, • Web: http://www.math.yorku.ca/SCS/Gallery/milestone/ computing… Milestones: Content Overview Background: Les Albums Every picture has a story – Rod Stewart c. 550 BC: The first world map? (Anaximander of Miletus) • Album de 1669: First graph of a continuous distribution function Statistique (Gaunt's life table)– Christiaan Huygens. Graphique, 1879-99 1801: Pie chart, circle graph - • Les Chevaliers des William Playfair 1782: First topographical map- Albums M. -
Blueprints Free
FREE BLUEPRINTS PDF Barbara Delinsky | 512 pages | 25 Feb 2016 | Little, Brown Book Group | 9780349405049 | English | London, United Kingdom Blueprints | Changing Lives and Shaping Futures in Southwest Pennsylvania and West Virginia How does Blueprints complicated structure with so many parts, materials and workers come together? The answer is in the history of blueprints. These documents are truly the Blueprints of any construction project but they have been around for some time now. So, where did blueprints originate from and where are they evolving today? Before blueprints evolved into their modern form, look and purpose, drawings from the medieval times appear to be their earliest formations. The Plan of St. Gall, is one of the oldest known surviving architectural plans. Some historians consider Blueprints 9th century drawing as the very beginning of the history of Blueprints. Mysteriously, the monastery depicted in the drawing was never actually built. So, a group in Germany is using this drawing, along with period tools and techniques, to learn Blueprints about architectural history. You can view a detailed Blueprints and models based on the plan here. The documents that emerged from the Blueprints era look more like modern blueprints than Blueprints ones from the Blueprints Period. In fact, Blueprints and engineer Filippo Brunelleschi Blueprints the camera obscura to copy architectural details from the classical ruins that inspired his work. Today, Brunelleschi is considered to be the father the modern history of blueprints. The architects of the Blueprints period brought architectural drawing Blueprints we know it into existence, precisely and accurately reproducing the detail Blueprints a structure via the tools of scale and perspective. -
Teachingatrisk: Progress & Potholes
Teachingat Risk: Progress & Potholes FINAL REPORT SPRING 2006 The Teaching Commission LOUIS V. GERSTNER, JR. VARTAN GREGORIAN Chairman President The Teaching Commission The Carnegie Corporation of New York Former Chairman and CEO BEVERLY L. HALL IBM Superintendent Atlanta Public Schools ARLENE ACKERMAN Superintendent JAMES B. HUNT, JR. San Francisco Unified School District Former Governor North Carolina ROY E. BARNES Former Governor FRANK KEATING Georgia Former Governor Oklahoma RICHARD I. BEATTIE Chairman RICHARD KRASNO Simpson Thacher & Bartlett LLP Executive Director The William R. Kenan, Jr., Charitable Trust BARBARA BUSH ELLEN CONDLIFFE LAGEMANN KENNETH I. CHENAULT Charles Warren Professor of the History of Chairman and CEO American Education American Express Company Harvard University PHILIP M. CONDIT W. JAMES MCNERNEY, JR. Former Chairman and CEO Chairman, President, and CEO The Boeing Company The Boeing Company JOHN DOERR SCOTT E. PAINTER Partner AP Coordinator and Teacher Kleiner Perkins Caufield & Byers Project GRAD Atlanta and South Atlanta High School MATTHEW GOLDSTEIN Chancellor RICHARD W. RILEY The City University of New York Former U.S. Secretary of Education Former Governor South Carolina THE FINAL REPORT Teaching at Risk: Progress and Potholes THE TEACHING COMMISSION Infographics by Nigel Holmes © 2006 THE TEACHING COMMISSION All Rights Reserved 2 FINAL REPORT Dedicated to R. GAYNOR MCCOWN 1960-2005 AND SANDRA FELDMAN 1939-2005 Teachers, Reformers, and Leaders 3 THE TEACHING COMMISSION 4 About The Teaching Commission stablished and chaired by Louis V.Gerstner, Jr., the former chair- man of IBM, the Teaching Commission has sought to improve Estudent performance and close the nation’s dangerous achievement gap by transforming the way in which America’s public school teachers are prepared, recruited, retained, and rewarded. -
An Investigation Into the Graphic Innovations of Geologist Henry T
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Uncovering strata: an investigation into the graphic innovations of geologist Henry T. De la Beche Renee M. Clary Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Clary, Renee M., "Uncovering strata: an investigation into the graphic innovations of geologist Henry T. De la Beche" (2003). LSU Doctoral Dissertations. 127. https://digitalcommons.lsu.edu/gradschool_dissertations/127 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. UNCOVERING STRATA: AN INVESTIGATION INTO THE GRAPHIC INNOVATIONS OF GEOLOGIST HENRY T. DE LA BECHE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Renee M. Clary B.S., University of Southwestern Louisiana, 1983 M.S., University of Southwestern Louisiana, 1997 M.Ed., University of Southwestern Louisiana, 1998 May 2003 Copyright 2003 Renee M. Clary All rights reserved ii Acknowledgments Photographs of the archived documents held in the National Museum of Wales are provided by the museum, and are reproduced with permission. I send a sincere thank you to Mr. Tom Sharpe, Curator, who offered his time and assistance during the research trip to Wales. -
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan Robert Goree, Wellesley College Abstract The cartographic history of Japan is remarkable for the sophistication, variety, and ingenuity of its maps. It is also remarkable for its many modes of spatial representation, which might not immediately seem cartographic but could very well be thought of as such. To understand the alterity of these cartographic modes and write Japanese map history for what it is, rather than what it is not, scholars need to be equipped with capacious definitions of maps not limited by modern Eurocentric expectations. This article explores such classificatory flexibility through an analysis of the mapping function of meisho zue, popular multivolume geographic encyclopedias published in Japan during the eighteenth and nineteenth centuries. The article’s central contention is that the illustrations in meisho zue function as pictorial maps, both as individual compositions and in the aggregate. The main example offered is Miyako meisho zue (1780), which is shown to function like a map on account of its instrumental pictorial representation of landscape, virtual wayfinding capacity, spatial layout as a book, and biased selection of sites that contribute to a vision of prosperity. This last claim about site selection exposes the depiction of meisho as a means by which the editors of meisho zue recorded a version of cultural geography that normalized this vision of prosperity. Keywords: Japan, cartography, Akisato Ritō, meisho zue, illustrated book, map, prosperity Entertaining exhibitions arrayed on the dry bed of the Kamo River distracted throngs of people seeking relief from the summer heat in Tokugawa-era Kyoto.1 By the time Osaka-based ukiyo-e artist Takehara Shunchōsai (fl. -
Defining Visual Rhetorics §
DEFINING VISUAL RHETORICS § DEFINING VISUAL RHETORICS § Edited by Charles A. Hill Marguerite Helmers University of Wisconsin Oshkosh LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS 2004 Mahwah, New Jersey London This edition published in the Taylor & Francis e-Library, 2008. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Copyright © 2004 by Lawrence Erlbaum Associates, Inc. All rights reserved. No part of this book may be reproduced in any form, by photostat, microform, retrieval system, or any other means, without prior written permission of the publisher. Lawrence Erlbaum Associates, Inc., Publishers 10 Industrial Avenue Mahwah, New Jersey 07430 Cover photograph by Richard LeFande; design by Anna Hill Library of Congress Cataloging-in-Publication Data Definingvisual rhetorics / edited by Charles A. Hill, Marguerite Helmers. p. cm. Includes bibliographical references and index. ISBN 0-8058-4402-3 (cloth : alk. paper) ISBN 0-8058-4403-1 (pbk. : alk. paper) 1. Visual communication. 2. Rhetoric. I. Hill, Charles A. II. Helmers, Marguerite H., 1961– . P93.5.D44 2003 302.23—dc21 2003049448 CIP ISBN 1-4106-0997-9 Master e-book ISBN To Anna, who inspires me every day. —C. A. H. To Emily and Caitlin, whose artistic perspective inspires and instructs. —M. H. H. Contents Preface ix Introduction 1 Marguerite Helmers and Charles A. Hill 1 The Psychology of Rhetorical Images 25 Charles A. Hill 2 The Rhetoric of Visual Arguments 41 J. Anthony Blair 3 Framing the Fine Arts Through Rhetoric 63 Marguerite Helmers 4 Visual Rhetoric in Pens of Steel and Inks of Silk: 87 Challenging the Great Visual/Verbal Divide Maureen Daly Goggin 5 Defining Film Rhetoric: The Case of Hitchcock’s Vertigo 111 David Blakesley 6 Political Candidates’ Convention Films:Finding the Perfect 135 Image—An Overview of Political Image Making J. -
Useful Junk? the Effects of Visual Embellishment on Comprehension and Memorability of Charts Scott Bateman, Regan L
CHI 2010: Graphs April 10–15, 2010, Atlanta, GA, USA Useful Junk? The Effects of Visual Embellishment on Comprehension and Memorability of Charts Scott Bateman, Regan L. Mandryk, Carl Gutwin, Aaron Genest, David McDine, Christopher Brooks Department of Computer Science, University of Saskatchewan, Saskatoon, Saskatchewan, Canada [email protected], [email protected], [email protected], [email protected], [email protected], [email protected] ABSTRACT Despite these minimalist guidelines, many designers Guidelines for designing information charts often state that include a wide variety of visual embellishments in their the presentation should reduce ‘chart junk’ – visual charts, from small decorations to large images and visual embellishments that are not essential to understanding the backgrounds. One well-known proponent of visual data. In contrast, some popular chart designers wrap the embellishment in charts is the graphic artist Nigel Holmes, presented data in detailed and elaborate imagery, raising the whose work regularly incorporates strong visual imagery questions of whether this imagery is really as detrimental to into the fabric of the chart [7] (e.g., Figure 1). understanding as has been proposed, and whether the visual embellishment may have other benefits. To investigate these issues, we conducted an experiment that compared embellished charts with plain ones, and measured both interpretation accuracy and long-term recall. We found that people’s accuracy in describing the embellished charts was no worse than for plain charts, and that their recall after a two-to-three-week gap was significantly better. Although we are cautious about recommending that all charts be produced in this style, our results question some of the premises of the minimalist approach to chart design. -
EMILY JOHNSON/CATALYST SHORE Tue, Jun 17−Sun, Jun 22 Times and Locations Vary
Northrop Presents EMILY JOHNSON/CATALYST SHORE Tue, Jun 17−Sun, Jun 22 Times and Locations Vary Emily Johnson/Catalyst in SHORE. Photo © Cameron Wittig. WELCOME Dear Northrop Dance Lovers, Photo © James Everest We are pleased to share the world premiere of SHORE, the newest work NORTHROP PRESENTS from Emily Johnson/Catalyst, and the culmination of all of the events of our Northrop Grand Reopening. EMILY JOHNSON/CATALYST SHORE is the final work in a trilogy by this amazing Minnesota-based artist, and Northrop has been honored to present both The Thank-you Bar and Niicugni— the first two works in this trilogy—in our previous seasons. These have been SHORE thoughtful and provoking works by an artist who is truly pushing the boundaries Emily Johnson of what dance and performance can mean. Artistic Director Being able to present SHORE as the closing event of our season is a perfect Ain Gordon example of the transformation that Northrop has undergone. SHORE joins Director together Northrop’s resident partners in very meaningful ways: James Everest Emily Johnson is a 2013 McKnight Choreography Artist Fellow (housed within Lead Collaboration, Music and Sound Direction Northrop), as well as a fellow of the University of Minnesota’s Institute for Advanced Study (one of Northrop’s new resident partners). The IAS is also Aretha Aoki, Krista Langberg, Nona Marie Invie, Fletcher Barnhill, Julia Bither Northrop Director Christine Tschida. Collaborative Team Photo by Patrick O’Leary. home to the River Life Program, whose theme of the river and shore is one that Johnson’s work explores. Emily Johnson/Catalyst has also worked with another resident partner, the University Honors Program, on the volunteerism activities as part of SHORE. -
Survey of Information Visualization Books
A Survey of Information Visualization Books D. Rees and R. S. Laramee Swansea University, UK Abstract Information visualization is a rapidly evolving field with a growing volume of scientific literature and texts continually published. To keep abreast of the latest developments in the domain, survey papers and state-of-the-art reviews provide valuable tools for managing the large quantity of scientific literature. Recently a survey of survey papers (SoS) was published to keep track of the quantity of refereed survey papers in information visualization conferences and journals. However no such resources exist to inform readers of the large volume of books being published on the subject, leaving the possibility of valuable knowledge being overlooked. We present the first literature survey of information visualization books that addresses this challenge by surveying the large volume of books on the topic of information visualization and visual analytics. This unique survey addresses some special challenges associated with collections of books (as opposed to research papers) including searching, browsing and cost. This paper features a novel two-level classification based on both books and chapter topics examined in each book, enabling the reader to quickly identify to what depth a topic of interest is covered within a particular book. Readers can use this survey to identify the most relevant book for their needs amongst a quickly expanding collection. In indexing the landscape of information visualization books, this survey provides a valuable resource to both experienced researchers and newcomers in the data visualization discipline. CCS Concepts •General and reference ! Surveys and overviews; General literature; •Human-centered computing ! Information visual- ization; "The book you don’t read won’t help." − Jim Rohn - entrepreneur, Visualization books published each year author, motivational speaker. -
VAN-WINKLE-DISSERTATION-2016.Pdf (2.773Mb)
Advancing a Critical Framework for the Identification and Analysis of Visual Euphemism in Technical Communication Visuals by Kevin W. Van Winkle, B.A., M.A. A Dissertation In TECHNICAL COMMUNICATION AND RHETORIC Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Sean Zdenek Chair of Committee Dr. Craig Baehr Dr. Joyce Carter Dr. Mark Sheridan Dean of the Graduate School May, 2016 Copyright 2016, Kevin W. Van Winkle Texas Tech University, Kevin Van Winkle, May 2016 ACKNOWLEDGMENTS To the chair of this dissertation, Dr. Sean Zdenek, thank you for your early interest in this project and continued support throughout it. Your feedback, questions, and critiques were invaluable, ultimately helping me to achieve a deeper understanding of the topics and issues discussed herein. To Dr. Craig Baehr, thank you, as well, for the insight you were able to provide me during this dissertation process. Also, thank you for helping me to ensure that this dissertation was a “tech comm” dissertation. It was very important to me that it be such, and having you as a committee member guaranteed that it would be. To Dr. Joyce Carter, thank you for sitting on my committee and your willingness to help me complete this dissertation. More than this, though, I want to thank you for your leadership over the TCR program. Upon listening to the “You-Are- Texas-Tech” speech on the first day of my first May seminar, I felt both fortunate and proud. Because of you and the entire TCR faculty and students I have had the opportunity to study and work with, I still feel the same way today. -
C 2013 EAFIT University. All Rights Reserved
. c 2013 EAFIT University. All rights reserved. 1 Geometry and Topology Extraction and Visualization from Scalar and Vector Fields John Congote EAFIT UNIVERSITY COLLEGE OF ENGINEERING DOCTORAL PROGRAM IN ENGINEERING MEDELLIN, COLOMBIA 2013 3 DOCTORAL PUBLICATION COPENDIUM ON Geometry and Topology Extraction and Visualization from Scalar and Vector Fields DOCTORAL STUDENT John Congote ADVISOR Prof. Dr. Eng. Oscar Ruiz CO-ADVISOR Dr. Eng. Jorge Posada DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Engineering in the College of Engineering of the EAFIT University EAFIT UNIVERSITY COLLEGE OF ENGINEERING DOCTORAL PROGRAM IN ENGINEERING MEDELLIN, COLOMBIA JUNE 2013 5 Major Field of Study Computer Graphics Dissertation GEOMETRY AND TOPOLOGY EXTRACTION AND The College of Engineering of VISUALIZATION FROM SCALAR AND VECTOR FIELDS EAFIT University Dissertation Committee Chairperson announces the Prof. Dr. Ing. Oscar Ruiz. Universidad EAFIT, Colombia final examination of Directors of Dissertation Research John Edgar Congote Calle Prof. Dr. Ing. Oscar Ruiz. Universidad EAFIT, Colombia Dr. Ing. Jorge León Posada. VICOMTECH Institute, Spain for the degree of Doctor of Philosophy in Engineering Examining Committee Prof. Dr. Ing. Diego A. Acosta Universidad EAFIT, Colombia Friday, June 07, 2013 Dr. Ing. Aitor Moreno at 10:00 am VICOMTECH Institute, Spain Room 27 – 103 Prof. Dr. Ing. Juan G. Lalinde Medellin Campus Universidad EAFIT, Colombia President of the Board of the Doctoral Program in Engineering Dean Alberto Rodriguez Garcia COLOMBIA This examination is open to the public ABSTRACT This doctoral work contributes in several major aspects: (1) Doctoral Supervisor Prof. Dr. Eng. Oscar E. Ruiz Extraction of geometrical and topological information of 1- and Professor Oscar Ruiz (Tunja, Colombia 1961) obtained 2-manifolds present in static and video imaging. -
Nigel Holmes Characterizes the Opposite End of the Spectrum, Which Supports the Heavy Use of Illustration and Decoration to Embellish Information Design (Figure 1.5)
Contents Introduction A Brief History of Infographics The Purpose of This Book What This Book is Not A Note on Terminology How to Use This Book Chapter 1: Importance and Efficacy: Why Our Brains Love Infographics Varied Perspectives on Information Design: A Brief History Objectives of Visualization Appeal Comprehension Retention Chapter 2: Infographic Formats: Choosing The Right Vehicle For Your Message Static Infographics Motion Graphics Interactive Infographics Chapter 3: The Visual Storytelling Spectrum: An Objective Approach Understanding The Visual Storytelling Spectrum Chapter 4: Editorial Infographics What Are Editorial Infographics? Origins of Editorial Infographics Editorial Infographic Production Chapter 5: Content Distribution: Sharing Your Story Posting On Your Site Distributing Your Content Patience Pays Dividends Chapter 6: Brand-Centric Infographics “About Us” Pages Product Instructions Visual Press Releases Presentation Design Annual Reports Chapter 7: Data Visualization Interfaces A Case For Visualization in User Interfaces Dashboards Visual Data Hubs Chapter 8: What Makes A Good Infographic? Utility Soundness Beauty Chapter 9: Information Design Best Practices Illustration Data Visualization Chapter 10: The Future of Infographics Democratized Access to Creation Tools Socially Generative Visualizations Problem Solving Becoming A Visual Company Further Infographic Goodness Thank You Index Copyright © 2012 by Column Five Media. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey. Published simultaneously