Com.Stampa GOGOL BORDELLO @ Meeting Del Mare 2014

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Com.Stampa GOGOL BORDELLO @ Meeting Del Mare 2014

COMUNICATO STAMPA Si terrà dal 30 maggio all’1 giugno a Marina di Camerota (SA) la XVIII edizione del Meeting del Mare . Il festival ideato e diretto da don Gianni Citro , nato nel 1997, nel corso di questi anni ha ospitato grandi nomi della musica italiana: Vinicio Capossela, Franco Battiato, Piero Pelù, Subsonica, Caparezza, Afterhours, Elio e le storie tese, Morgan, Baustelle, Roy Paci, solo per citarne alcuni. Adesso, raggiunta la maggiore età, si regala una band internazionale dal grande impatto live, molto amata in Italia. Saranno infatti i GOGOL BORDELLO gli headliner della terza serata, in programma domenica 1 giugno al porto della cittadina cilentana (ingresso gratuito). Il travolgente combo gipsy-punk guidato da Eugene Hutz torna nel nostro paese per tre date – oltre al Meeting del Mare si esibiranno anche a Bologna (Rock in Idro, 31 maggio) e Milano (Carroponte, 4 giugno) – con il loro euforico show a seguito della pubblicazione dell’ultimo lavoro discografico “Pura Vida Conspiracy ”. Pubblicato lo scorso luglio per l’etichetta ATO Records/Casa Gogol Records, l’album è stato registrato in Texas ai Sonic Ranch Studio di El Paso e prodotto da Andrew Scheps . 12 tracce che seguono la scia dei precedenti lavori, su tutti “ Gypsy Punks: Underdog World Strike ” (2005, prodotto da Steve Albini ), “Super Taranta! ” (2007, prodotto da Victor Van Vugt ) e “ Trans- Continental Hustle ” (2010, prodotto da Rick Rubin ). Quello di Marina di Camerota si annuncia come uno concerto dirompente ed energico, tutto da ballare in riva al mare sulle note della patchanka musicale tipica di questa incredibile formazione e del suo carismatico leader. Personaggio eclettico e icona del rock multietnico, Eugene Hutz ha fondato i Gogol Bordello a New York nel 1999, dopo aver lasciato l’Ucraina di Chernobyl. Per realizzare la sua vision di un groove internazionale ha trovato musicisti di tutte le età, culture e parti del mondo: il bassista etiope Thomas Gobena , il violinista russo Sergey Ryabtsev , il percussionista Pedro Erazo-Segovia dall’Ecuador e in seguito Elizabeth Chi-Wei Sun , scozzese di origini cinesi. Gli infiniti tour della band e i loro show acclamati dalla critica li hanno portati a diventare star internazionali. Attualmente Hutz si divide tra New York e Rio de Janeiro, tra musica e cinema: è scelto da Madonna per il ruolo da protagonista del film “Sacro e Profano”, presentato a Berlino, ma ha recitato anche in “Everything Is Illuminated” di Liev Schreiber e “Wristcutters A love story” di Goran Dukić. INFO : www.meetingdelmare.it - www.hubmusicfactory.com - www.gogolbordello.com Ufficio stampa Meeting del Mare Umberto Di Micco [email protected] .

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Eugene Hutz Interview
4 FEATURE FOLK ON THE EDGE As Gogol Bordello returns to Australia, singer Eugene Hutz warns a musical storm is coming, writes Jane Cornwell fter three decades in the rock busi- ness, Eugene Hutz knows how to make an entrance. I’m waiting in the mezzanine lounge of a west London hotel popular with music- Aians, nodding along to an 1980s chart hit sound- track, when the lanky, long-haired frontman suddenly appears at the top of the stairs, strum- ming a beat-up Cordoba acoustic and looking, as they say in Britain, the dog’s bollocks. He’s wearing a bomber jacket, a looped patterned scarf, a single gold hoop earring and a clutch of long gold necklaces; his tight black trousers have large white termites printed on them. His cheekbones are sharp, his eyes cobalt blue. His handlebar moustache curls at the corners. A man without a moustache is like a woman with one, goes an old Ukrainian saying that Hutz, who is Ukrainian, has confessed to making up. “Hallo,” he says in his thick Slavic-American accent, percussively slapping the body of his guitar, which is plastered in oval-shaped car stickers from Spain, Mexico, Britain, all over. “So it is you who will tell them we are coming.” Gogol Bordello was last in Australia in 2010 storytelling. With all the illegitimate hierarch- try blues, Brazilian carnival music and keening Eugene Hutz but the memories of the band’s frenzied, mosh- ical things going on in society all the time, this folk melodies from eastern Europe. Two female channels his pit-tastic shows linger on in the minds of those feeling of all-inclusiveness is very healing for backing vocalists will whoop and high-kick.
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