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Com.Stampa GOGOL BORDELLO @ Meeting Del Mare 2014
COMUNICATO STAMPA Si terrà dal 30 maggio all’1 giugno a Marina di Camerota (SA) la XVIII edizione del Meeting del Mare . Il festival ideato e diretto da don Gianni Citro , nato nel 1997, nel corso di questi anni ha ospitato grandi nomi della musica italiana: Vinicio Capossela, Franco Battiato, Piero Pelù, Subsonica, Caparezza, Afterhours, Elio e le storie tese, Morgan, Baustelle, Roy Paci, solo per citarne alcuni. Adesso, raggiunta la maggiore età, si regala una band internazionale dal grande impatto live, molto amata in Italia. Saranno infatti i GOGOL BORDELLO gli headliner della terza serata, in programma domenica 1 giugno al porto della cittadina cilentana (ingresso gratuito). Il travolgente combo gipsy-punk guidato da Eugene Hutz torna nel nostro paese per tre date – oltre al Meeting del Mare si esibiranno anche a Bologna (Rock in Idro, 31 maggio) e Milano (Carroponte, 4 giugno) – con il loro euforico show a seguito della pubblicazione dell’ultimo lavoro discografico “Pura Vida Conspiracy ”. Pubblicato lo scorso luglio per l’etichetta ATO Records/Casa Gogol Records, l’album è stato registrato in Texas ai Sonic Ranch Studio di El Paso e prodotto da Andrew Scheps . 12 tracce che seguono la scia dei precedenti lavori, su tutti “ Gypsy Punks: Underdog World Strike ” (2005, prodotto da Steve Albini ), “Super Taranta! ” (2007, prodotto da Victor Van Vugt ) e “ Trans- Continental Hustle ” (2010, prodotto da Rick Rubin ). Quello di Marina di Camerota si annuncia come uno concerto dirompente ed energico, tutto da ballare in riva al mare sulle note della patchanka musicale tipica di questa incredibile formazione e del suo carismatico leader. -
Christopher Häring Director of Photography CHRISTOPHER HAERING * 30.03.1971
Christopher Häring Director Of Photography CHRISTOPHER HAERING * 30.03.1971 1991 - 1994 2nd AC - TV, Kino, Commercial 1994 - 1999 1st AC - TV, Kino, Commercial 1999 Director of Photography REFERENCES MUSICVIDEOS Rammstein, Madsen, Beatsteaks, Tokio Hotel, Fettes Brot, Cluseo, KIZ, Silbermond, Jupiter Jones, Wir sind Helden, Bloodhood Gang, Sido, Bushido, Blackmail, Alec Empire, Gentelman, Xavier Naidoo, Sascha, Beatsteaks, No Angels, Jennifer Rostock, Jan Delay feat. Udo Lindenberg, Selig, Rea Garvey, Sabrina Setlur, The Killlians, Sportfreunde Stiller, Culcha Candela, Donots, Rosenstolz, Lafee, Kreator, Such A Surge, Patrice, Bosse, Anette Lousian, Deichkind, Glashaus, Moses Pelhalm, Revolerheld, Kennth Bager, BossHoss u.v.m. REFERENCES COMMERCIAL Esprit, ZDF Wetten Dass, Aktion Mensch, SAT1 Station ID´s, ZDFneo, Dacia, Renault, Nickelodeon, Telekom, Becks, Axe, Sparkasse, 1&1, VW, BMW, Audi, Postbank, Premiere, RTL Trailer, Siemens Gigaset, ERGO Direkt, Toshiba, MTV, Casio G-Shock, Medion AWARDS 2007 Comet best Musicvideo, Tokio Hotel „Übers Ende der Welt“ ( Ready Set Go ) Echo best Musicvideo, Tokio Hotel „Übers Ende der Welt“ ( Ready Set Go ) 2008 Comet, best Musicvideo, Tokio Hotel „An Deiner Seite“ 2008 Nominated for the MTV vma‘s Tokio Hotel „Ready Set Go“ ( Übers Ende der Welt ) WORKING AS A PHOTOGRAPHER 2006 Fotoreportage Tokio Hotel in Moskau 2007 Fotoreportage Tokio Hotel European Tour 2007 Fotoreportage Vietnam 2008 Fotoreportage Tokio Hotel USA/Canada Tour 2008 Fotoreportage Fettes Brot Tour 2008 Fotoreportage Beatsteaks Tour 2011 Fotoreportage Seeed Live Festsaal-Kreuzberg 2011 Fotoreportage Becks Art Label, Anton Corbijn, Bloc Party und Boysnoize Becks Art Label, Berlin & NYC Seeed 2011, Festsaal Kreuzberg, Germany Beatsteaks 2008, Germany Tokio Hotel 2008, USA & Canada. -
Eugene Hutz Interview
4 FEATURE FOLK ON THE EDGE As Gogol Bordello returns to Australia, singer Eugene Hutz warns a musical storm is coming, writes Jane Cornwell fter three decades in the rock busi- ness, Eugene Hutz knows how to make an entrance. I’m waiting in the mezzanine lounge of a west London hotel popular with music- Aians, nodding along to an 1980s chart hit sound- track, when the lanky, long-haired frontman suddenly appears at the top of the stairs, strum- ming a beat-up Cordoba acoustic and looking, as they say in Britain, the dog’s bollocks. He’s wearing a bomber jacket, a looped patterned scarf, a single gold hoop earring and a clutch of long gold necklaces; his tight black trousers have large white termites printed on them. His cheekbones are sharp, his eyes cobalt blue. His handlebar moustache curls at the corners. A man without a moustache is like a woman with one, goes an old Ukrainian saying that Hutz, who is Ukrainian, has confessed to making up. “Hallo,” he says in his thick Slavic-American accent, percussively slapping the body of his guitar, which is plastered in oval-shaped car stickers from Spain, Mexico, Britain, all over. “So it is you who will tell them we are coming.” Gogol Bordello was last in Australia in 2010 storytelling. With all the illegitimate hierarch- try blues, Brazilian carnival music and keening Eugene Hutz but the memories of the band’s frenzied, mosh- ical things going on in society all the time, this folk melodies from eastern Europe. Two female channels his pit-tastic shows linger on in the minds of those feeling of all-inclusiveness is very healing for backing vocalists will whoop and high-kick. -
CV Joern Heitmann
CV+ AWARDS JOERN HEITMANN RUHE TALENT MANAGEMENT 1968 Born in Hamburg (Germany) 1968 - 1992 Widescale meditation practice and motion picture study 1992 – 1993 Second assistant camera at Studio Hamburg 1993 – 1996 First assistant camera for numerous TV movies, feature films and commercials 1996 – 1998 Camera operator and first assistant director in Hamburg and Berlin for TV series, commercials and music videos 1998 – Present Director 2003 Founder of production company Katapult Film Berlin Straßburger Straße 19 As a music video and advertising film director, the native Hamburg is a 10405 Berlin · Germany true multi-talent. www.ruhe-management.com !1 CV+ AWARDS Before becoming a director, Joern Heitmann spent most of time next to the camera, but exchanged the view through the lens for a farsighted overview of total project realization. As a music video and advertising film director, the native Hamburg is a true multi-talent. RUHE TALENT MANAGEMENT Joern Heitmann is specialised in story telling and creating period material that he’s able to bring to life with great attention to detail. Since founding his own production company for music videos with three former Berlin colleagues, Joern Heitmann has worked very successfully for artists such as Deep Purple, Scorpions, Rammstein, Toten Hosen, Jan Delay, Bloodhound Gang, Mando Diao, A-ha and Tokio Hotel and many many more. He was awarded with the MTV Clip Award for “Guano Apes” and won the VIVA COMET in the category “Best Video of the year” for German Top acts as Rosenstolz, Rammstein and Beatsteaks in 2002, 2005 and 2011. Nominated for MTV Europe Music Awards 2005 for “Best Video” Rammstein - “Keine Lust”, nominated for ECHO 2007 for “Best Video” Jan Delay – “Für immer und dich” and 2013 for Die Toten Hosen - Tage wie diese”, honored by the ADC in 2005, PROMAX 2007 Award for “Arena Signation” in category “Best On-Air Ident“. -
Intime Gedanken Der Sanften Rebellin
01_Titel_1106:Layout 1 12.5.2011 18:16 Uhr Seite 1 powered by JUNI 2011 Alvin Ailey Tanzen, bis die Seele bebt Bon Jovi Die Show der Superlative Open Air Kino Schwinger-Film mit Beat Schlatter KT Tunstall am Blue Balls Luzern Intime Gedanken Exklusive Angebote im der sanften Rebellin Ticketcorner Memberclub 02-03_Edito_Inhalt_1106:Layout 1 18.5.2011 11:37 Uhr Seite 2 I ticketcorner.ch I Editorial event.inhalt Ausgabe Juni 2011 04 Stars & News Extravagante Stylings von CocoRosie bis zur Rocky Horror Show 12 Exklusives Interview mit KT Tunstall Die junge Schottin spricht über «Nature Techno» und die Rebellin in ihr ANTJE BABBE Chefredaktorin 16 Bon Jovi IHANNAIHANNA Eine gigantische Liveshow IHANNAIHANNA Liebe Leserin, lieber Leser 18 Gymnaestrada Sommer, Sonne – Blue Balls! Turnen in seiner grössten internationalen Vielfalt Zum 19. Mal lockt das renom- 20 Milow am St. Peter at Sunset mierte Festival Tausende ans Der Weg des einsamen Reiters in die Charts Ufer des Vierwaldstättersees nach Luzern. Das Line-up setzt 22 Blick auf vier Event-Szenen mit Lenka, Macy Gray, Beth Kult, Klassik, Theater, Schweiz Ditto und KT Tunstall voll auf 30 Open Air Kino Frauenpower. Interessante An- Making-of des Schweizer Films «Hoselupf» sichten zu diesem Thema lesen Sie im KT-Tunstall-Interview auf 34 Spielend gewinnen mit event. Seite 12. event. ist am Puls der Fashion von Stress, USB-Stick von Bon Jovi Datum Samstag, 10. Dezember 2011 Zeit. Auch in Herzensangelegen- 35 event.guide heiten: Exklusiv gibt uns der Alle Events bis Ende August auf einen Blick Ort Hallenstadion Zürich Schweizer Herzchirurg Thierry Carrel faszinierende Einsichten 46 Alvin Ailey Dance Company Zeit 20.00 Uhr in das sich bewegende Organ, Wenn Tanz die Welt verändert das ganz im Zentrum von 50 Körperwelten – Eine Herzenssache Gunther von Hagens’ neuer Aus- Thierry Carrel über das Organ am Puls des Lebens stellung «Körperwelten – Eine Herzenssache» steht, die im 52 Gotthelf – Das Musical Die neue Inszenierung der thunerSeespiele Herbst in die Schweiz kommt. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
The 50 Best Albums of 2017 | New York Music Daily
N E W Y O R K M U S I C D A I L Y A VIVID, CONSCIENTIOUS BROOKLYN PHOTOGRAPHER ABOUT ARCHIVES FAQS HOW NOT TO GET PRESS HERE HOW TO GET AROUND THIS SITE INDEX LINKS MOST POPULAR NEW YORK CITY LIVE MUSIC CALENDAR THE NEW YORK MUSIC DAILY PUBLICITY STUNT UPCOMING AT NEW YORK MUSIC DAILY Global Music With a New York Edge The 50 Best Albums of 2017 by delarue Scroll down for links to stream each of the albums here…except for the very newest one, which happens to be #1. The best and most relevant album of 2017 was Fukushima, by the Satoko Fujii Orchestra New York. This haunting, epic five-part suite is not a narrative of the grim events of March 11, 2011, but rather the Tokyo-born pianist/bandleader’s reflection on personal terror and horror in the wake of the worst nuclear disaster in world history. Fujii’s stock in trade is not political music. Her vast catalog – over eighty albums as a leader or co-leader since the 90s – encompasses everything from epic improvisational soundscapes, to dark, acerbic piano compositions, rainy-day Japanese-flavored jazz-folk and collaborations with a global cast of artists. This may be her greatest achievement to date, as lush and sweeping as it is anthemically tuneful. And as a response to greed- fueled attempts to cover up the deadly environmental damage caused by the meltdowns, it’s as savage as Shostakovich’s greatest symphonies or Charles Mingus’ political broadsides. It’s not streaming anywhere at present (end of December 2017), but it’s just out and available from Fujii’s Libra Records. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
PM 1LIVE Krone 2013 Nominees Moderatoren
1LIVE KRONE 2013: Die Nominees stehen fest! Casper, Cro, Seeed und Die Toten Hosen im Rennen um Deutschlands größten Radio-Award Am 5. Dezember verleiht 1LIVE in der Bochumer Jahrhunderthalle die 1LIVE KRONE 2013. Moderatoren sind Jeannine Michaelsen und Simon Beeck. Der WDR überträgt in Radio, Fernsehen und Internet. Erstmals wird die 1LIVE KRONE auch im Ersten ausgestrahlt. Köln, 23. Oktober 2013 – 1LIVE, das junge Radio des WDR, verleiht am Donnerstag, 5. Dezember, in der Bochumer Jahrhunderthalle zum 14. Mal die 1LIVE KRONE. Deutschlands größter Radio-Award wird in neun Kategorien vergeben und von den 1LIVE-Moderatoren Jeannine Michaelsen und Simon Beeck präsentiert. Der Sender überträgt die Show am selben Tag ab 20 Uhr im Radio und als Videostream auf www.1live.de, das WDR Fernsehen strahlt zeitversetzt ab 22 Uhr aus. Darüber hinaus feiert die 1LIVE KRONE in diesem Jahr Premiere im Ersten: Hier steht die Verleihung ab 1.10 Uhr mit einem 1LIVE KRONE-Spezial auf dem Programm. Zusätzlich zur Show finden auf dem Gelände der Jahrhunderthalle am 4. und 5. Dezember wieder exklusive Krone-Konzerte statt. Für die 1LIVE KRONE 2013 sind in der Kategorie „Bester Künstler“ Bosse, Casper, Cro, Sido und Adel Tawil nominiert. Die Beatsteaks, Fettes Brot, Jupiter Jones, Revolverheld und Seeed gehen in der Kategorie „Beste Band“ ins Rennen. Beim „Besten Album“ fällt die Entscheidung zwischen Alligatoah („Triebwerke“), Casper („Hinterland“), Xavier Naidoo („Bei meiner Seele“), den Sportfreunden Stiller („New York, Rio, Rosenheim“) und Thees Uhlmann („#2“). In der Kategorie „Bester Live-Act“ stehen Die Ärzte, Gentleman, Marteria, Seeed und Die Toten Hosen zur Wahl, und für die „Beste Single“ sind Milky Chance („Stolen Dance“), Cro („Whatever“), Frida Gold („Liebe ist meine Rebellion“), Klangkarussell („Sonnentanz – Sun Don't Shine“), Maxim („Meine Soldaten“), Sido („Bilder im Kopf“) und die Sportfreunde Stiller („Applaus, Applaus“) nominiert. -
Das Musikbusiness Funktionsweise, Eigenarten Und Untergang
Das Musikbusiness Funktionsweise, Eigenarten und Untergang Eine Zusammenstellung von Fakten, Hintergründen und Möglichkeiten zum Thema Musikproduktion und -publikation von Andy Stamm Inhaltsverzeichnis Inhaltsverzeichnis Inhaltsverzeichnis Einleitung Wie man mit Musik Schutz von Musik – Zukunft – Ideen und Was ist Musik? 4 etwas verdient 42 Wer hats geschrieben? 92 Möglichkeiten 148 Weshalb man sich als Künstler Gedanken Ja, aber dann gehen wir doch Vorteile der Lizenzentrennung 150 einfach online! 44 Suisa zum Musikbusiness machen sollte 5 Die Aufteilung der Musiklizenzen, Einleitung 96 Über den Inhalt 7 Kunst oder Kommerz? 46 nur sonen Gedanke 152 YouTube 49 Vorteile der Suisa 98 Das Musikbusiness Nachteile der Suisa 99 Copyright, Lizenzen und Beispielrechnung für eine Band 52 Urheber – Begriffserklärungen Was es ist und wie es funktioniert 8 Konkrete Zahlen 102 im Rechtewirrwarr Bandnamen 54 Tschüss Suisa 104 Die Tonträgerproduktion Was ist kommerzielle Musik? Was ist eine Plattenfirma? Tonträger, von analog über Die Radiolandschaft Schweiz 106 Was ist das Urheberecht? 158 digital bis gestreamt 58 Wie lässt sich Musik schützen? Was ist ein Labelcode? 10 Die knappen Frequenzen Die Geschichte des Tonträgers 60 Was ist eine Lizenz? 159 Was ist ein Plattenvertrag? 11 Die unerreichbaren Konzessionen 107 Was ist ein analoger Tonträger? 62 Urheberrecht: nicht Was ist Promotion? 12 Die einseitige Kulturförderung 108 Was ist ein digitaler Tonträger? 64 unbeschränkt haltbar 160 Wie funktioniert eine Plattenfirma? 14 Die Beamtenbremse 111 Der Durchbruch der CD und damit Die weitere Entwicklung des Externe Stellen 15 des digitalen Tonträgers 70 Das nicht vorhandene Feedback 112 Urheberrechts 163 Die grossen Plattenfirmen 18 Alben, Singles und Strategien Die Radiotauglichkeit 113 Creative Commons – Liste der «Big Three» und ihrer der Majors 71 Berieselung – die Hauptsendezeit 114 Sublabels und Musiker 20 die CC-Lizenzen 166 MP3 & Co. -
Towards a Holistic Interpretation of Musical Genre Analysis Thesis
1 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄN YLIOPISTO 1 2 JYVÄSKYLÄ STUDIES IN HUMANITIES Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 2 3 Towards a Holistic Interpretation of Musical Genre Analysis JYVÄSKYLÄ STUDIES IN HUMANITIES 3 4 Chris Kemp Towards a Holistic Interpretation of Musical Genre Analysis Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities at the University of Jyväskylä, in Auditorium S212, on June 10, 2004 at 12 o’clock noon. 4 5 ABSTRACT Kemp, Chris Towards a holistic interpretation of musical genre analysis Jyväskylä: University of Jyväskylä, 2004 ? (Jyväskylä Studies in Humanities ISSN ISBN Diss In the past, exploration of music has focused on analysis by formalists, refferentialists and through social, semiotic and anthropological viewpoints including Schenkerian-Yeston (1977), Semiotic-Eco (1977), and Motivic-Ruwet (1987). Although each has its merits in the formal analysis of music, few explore genre identification. In musical genre studies the exploration of musical, paramusical (extramusical) and perceptual elements are essential to facilitate a full understanding of the subject area. Johnson in Zorn supports such a perspective in his argument for a holistic approach to musical analysis (Zorn 2000:29). The multidisciplinary nature of music and the discourses embodied in its creation, development and dissemination utilise a range of signifiers for identification advocating the utilisation of a “hybrid” (Wickens 1999) methodology combining quantitative and qualitative analysis. -
Alt-Nation: Vikings, Gypsies and Cows
Alt-Nation: Vikings, Gypsies and Cows Kris Hansen The Viking Jesus Kris Hanson has been a staple on the local music scene performing both solo and with his band Viking Jesus for the past 20 years. His new record, Kris Hansen The Viking Jesus, is a hodgepodge of both the indie folk of solo work and the more Beatles-esque inspired rock of Viking Jesus. The album sound is rich with each note ringing out clear, no doubt thanks to the wizardry of Viking Jesus guitarist and producer George Dussault. The album starts out slow with the folk of “Bury Your Bags” that is kind of the anti-song to someone that subscribes to the “don’t bore us, get to the chorus” mentality. By the third track Hansen and the band start to hit their stride with “Passing The Buck” with Dussault’s George Harrison style guitar leads providing a complementary foil to Hansen’s acoustic. “A Song For My Father” tugs at the heartstrings while the catchy groove of “Friends” is another winner. The album closes with “The Giver,” which borrows the melody from “Dirty Old Town” and buttresses it with Hansen’s lyrics to usher the tune into the modern age. Kris Hansen does acoustic sets every Thurs at the Fatt Squirrel in PVD starting at 8pm and the great thing is there is never a cover. Coma Coma – New American Dream (75orLess Records) Coma Coma have always reminded me of late ’90s alternative rock bands like Radiohead and Hum. Coma Coma works the quiet verse to loud chorus formula with “Warning From The Outside” with mediocre results.