Forever Lit Rexx Life Raj Free Download 2Free Lyrics

Total Page:16

File Type:pdf, Size:1020Kb

Forever Lit Rexx Life Raj Free Download 2Free Lyrics forever lit rexx life raj free download 2Free Lyrics. Look Looking around, no I don't see an obstacle Popping an Addy 'cause Adderall Raji is damn near unstoppable I'm not laughing with you, it's at you, I think that you niggas are comical They're focused on me, where I'm from, 'cause they're watching me do the impossible I run the game, ain't no audible Nima look at me like I was a pot of gold Wrap up a pack, it was fat as a bodybag Went to touch down and it hit like a body blow I never scored a touchdown playing on O-Line But, I've been checking these goals off, I was good on the goal line All in the trenches, ay All the hate, what is that about I'm tryna bring more money and love to my daddy house I got a lot on my chest, I'ma get it all off like I'm maxing out 315, the most I hit But I don't give a f*ck 'cause I f*cked yo' bitch One time for the city, I got that lit And boy, how they love when I talk my shit I do me, over and over again You see they true colors the more that you shining, I'm losing all of my friends People with money be throwing it at me, what you want on the back end. All of this come when you chosen apparently, I guess it is what it is Shit is absurd my nigga I need more action less talk, miss me with the words my nigga Black lives matter until your black life splatter right there on the curb my nigga The man in the mirror might make you nervous, just know what purpose you serve my nigga A man with a message, a man with a mission, just know I won't be deterred my nigga. I do me They be talking, I ain't tripping, I'm 2free Pop an Addy, make it happen, that's routine I've seen 'em do it wrong, I'mma get it right I've seen 'em do it wrong, I'mma get it right. They be talking, I ain't tripping, I'm 2free Pop an Addy, make it happen, that's routine I've seen 'em do it wrong, I'mma get it right I've seen 'em do it wrong, I'mma get it right. This point, I talk about all the time you know? The fact that discipline equals freedom And the more discipline you have as a human The more freedom you're gonna have Which is completely counterintuitive, ya know? People think, oh, you're living this disciplined lifestyle, so that means you, you don't have any freedom And it's actually the exact opposite I have freedom because I have discipline. Forever lit rexx life raj free download. Artist: Rexx Life Raj Album: Father Figure 2 Flourish Released: 2017 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – 2Free 02 – Where I Belong 03 – Level Up 04 – Lowkey Lovesong (feat. Iman Europe) 05 – Paradise 06 – Never Had Shit Feels 07 – Fiji 08 – More Than Enough 09 – Neighborhood Dopeman 10 – Forever Lit (feat. G-Eazy) 11 – The Otherside 12 – More Love 13 – Not My Friend 14 – Ventilation, Pt. 3 15 – Burn Baby Burn (feat. Russ) DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Rexx Life Raj And G-Eazy Went From High School Classmates To Collaborators. Faraji Wright is a walking paradox. The former Division I Boise State football player, who records under the name Rexx Life Raj, towers over most. His build would make any opposing line think twice, but instead of sportsmanlike aggression, he radiates a calm and humble energy. Wright is from the Bay Area, but his music is somehow both of and separate from the musical lineage of Too $hort and E-40. In song, he’s hyper confident and brash, but in person, his voice is direct and soft. On Friday (November 17), Raj’s latest vision becomes a reality with the release of Father Figure 2: Flourish . Brisk, kinetic, and insightful, the project is a steady measure of a 27-year-old on the brink of something bigger. As the title suggests, the songs are punctuated by the voices of his father and mother. Imagine Kendrick’s parents on good kid, m.A.A.d. city , but instead of calls for dominoes, Raj’s father gives his son wisdom culled from his time as part of the Black Panther party. In an interview with MTV News, Raj describes how he got his start rapping, making Father Figure 2 , and what it was like growing up in a music scene that housed artists like G-Eazy and Lil B. The following interview has been edited for clarity and length. MTV News: How does a former D-I Boise State football player realize he can sing? Rexx Life Raj: I was doing it before football. It just came with the family. My family were real singers, like gospel, like soul singers. On my mom side, they were a pretty known gospel group called the Marshall family. That’s her maiden name. But they were the Marshall Quartet, and they would go around singing. It was her, her sisters, my uncle, and my granny. Some of them played instruments, but they were like a really known gospel group. So like I said, I grew up in music and growing up, I didn’t think I could really sing. That’s why I rapped, because my family could really sing like down-home, from-the-pits-of-your-soul sing. My favorite song off the album is “Where I Belong” because of the way you use lyrics about anxiety and doubt and melody to evoke positivity in the face of overwhelming obstacles. Was this intentional? Rexx Life Raj: I think I laid the album out that way with “Two Free” and “Where I Belong” because I feel like those two tracks kinda gave the best overall feel of the tape, whether it be sonically with, like, the openness of it and the melodic rapping. But also I cover so much base in those two songs because they’re more streams of consciousness. I’ve read you’re a fan of Kid Cudi. Rexx Life Raj: Yeah, Man on the Moon 1 is my favorite album ever. What’s the best track off that album? Rexx Life Raj: “Solo Dolo” is fire. “Sky Might Fall” is fire. I don’t even remember when I start slapping Kid Cudi, but I think I was late to the party. Like, it was a little afterwards, but, like, yeah, that was my favorite album. Used to listen to that shit on repeat. What was it like growing up with a Black Panther as a father? Rexx Life Raj: My dad is a really complex person, but he instilled in me that perspective of what it really meant to be a black man in America and how you’ll be perceived. It was always big for him that I pay attention and know it’s not gonna be the same for me as it is for everyone else and you need to know that, and that’s what life is. There’s certain ways you gotta move. You can’t do certain things everybody else does. You don’t have that kind of freedom. You’re a big black dude. I think what I got from was just being hyper conscious of the way I maneuver through the world and move. On “Feels,” your dad closes the song with the statement, “Bay Area got its own sound.” To the uninitiated, how would you describe the sound and legacy of the Bay? Rexx Life Raj: It’s kinda evolving especially now with everything going on, but really like the SOB x RBE movement. But the Bay Area sound was wap. It was heavy 808s. The tempo was uptempo between 87 and 100. It was damn near trunk music for real. Shit that you could turn up and really go dumb to. I put that there because it fades into “Fiji,” which is a Goapele sample of “Closer To My Dreams.” So I thought that was a good segue into that song because to me, that song was one of the biggest songs that shaped my childhood. “Closer To My Dreams,” we used to slap that all the time. It wasn’t even, like, the normal, like, mainstream Bay shit we were listening to at the time like E-40 or Keak Da Sneak. It was like something that still had that feel, but it was smooth. I like that song a lot and I feel like that song was a timestamp in the bay. So when people hear it, they’ll be like, “Wow, he flipped that. That’s crazy.” On “Forever Lit,” G-Eazy raps “I knew Raj in '05, and it’s still respect.” I heard you and G-Eazy went to the same high school. Do you remember what he was like back then? Rexx Life Raj: We went to the same middle school and high school. I don’t really remember him from middle school, but I remember him from high school for sure because like I said, we all had little rap groups and shit. He was in, I want to say it was called the Bay Boys with Marty Grimes, because they been best friends forever.
Recommended publications
  • Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
    Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
    [Show full text]
  • MAGAZINE Poor People, Women Like Cows & the Based God
    This is the magazine of Flow Festival, Helsinki. FEATURING: Irritatingly Healthy Food, Gorgeous People, Techno Dungeons, Tallinn, Art Parties For Poor People, Women Like Cows & The Based God. MAGAZINE is a magazine Fhailing from Helsinki, Finland. Commissioned by Flow Festival. We are portraying a city of loud music, free art, honest cuisine and weird fashion – relish it! 3 history women are as p. 6 Helsinki’s warehouses burned down so that Flow Festival could be on fire. good as cows p. 34–35 in short Artist Terike Haapoja and author Laura Gustafsson don’t look up to Lenin, but goats. p. 7–9 Briefings on storms, Holly Herndon, ski masked rappers etc. poor people deep-frying? never! p. 10–11 you’re invited Three top chefs tell us what to eat. p. 36–37 looking gorgeous In-depth tutorial to the bustling art gallery scene. p. 14–17 Beautiful places toured with our man-about-town, Jussi. trust the almighty p. 38–39 daamn ronya! Lil B makes all of us believe the hype. p. 18–23 Fashion editorial with our first lady, singer/songwriter Ronya. a diamond reaching echelons p. 26–29 with a mop Into the underground techno abyss. p. 40–41 Sia is the Shia LaBeouf of women. EDITOR Tero Kartastenpää ART DIRECTOR Antti Grundstén SUB-EDITOR Aurora Rämö baltic get away ASSISTANT ART DIRECTOR Viivi Prokofjev PROOFREADING John Kaye DESIGN Double Happiness PUBLISHER Flow Festival Ltd. CONTRIBUTORS Liina Aalto-Setälä, Kiia Beilinson, Iida Sofia Hirvonen, Kaarle Hurtig, Samuli Härkönen, Jussi Kantonen, Aliina Kauranne, p. 30–33 Joni Kling, La La Boy, Robert Lönnqvist, Eetu Maaranen, Jonathan Mander, Iotas Mourn, Juho Pihlajaoja, Selim Saukkomaa, We paid a visit to our beloved sister town Tallinn and you should do the same.
    [Show full text]
  • © 2021 Andrew Gregory Page 1 of 13 RECORDINGS Hard Rock / Metal
    Report covers the period of January 1st to Penny Knight Band - "Cost of Love" March 31st, 2021. The inadvertently (single) [fusion hard rock] Albany missed few before that time period, which were brought to my attention by fans, Remains Of Rage - "Remains Of Rage" bands & others, are listed at the [hardcore metal] Troy end,along with an End Note. Senior Living - "The Paintbox Lace" (2- track) [alternative grunge rock shoegaze] Albany Scavengers - "Anthropocene" [hardcore metal crust punk] Albany Thank you to Nippertown.com for being a partner with WEXT Radio in getting this report out to the people! Scum Couch - "Scum Couch | Tree Walker Split" [experimental noise rock] Albany RECORDINGS Somewhere In The Dark - "Headstone" (single track) Hard Rock / Metal / Punk [hard rock] Glenville BattleaXXX - "ADEQUATE" [clitter rock post-punk sasscore] Albany The Frozen Heads - "III" [psychedelic black doom metal post-punk] Albany Bendt - "January" (single) [alternative modern hard rock] Albany The Hauntings - "Reptile Dysfunction" [punk rock] Glens Falls Captain Vampire - "February Demos" [acoustic alternative metalcore emo post-hardcore punk] Albany The One They Fear - "Perservere" - "Metamorphosis" - "Is This Who We Are?" - "Ignite" (single tracks) Christopher Peifer - "Meet Me at the Bar" - "Something [hardcore metalcore hard rock] Albany to Believe In" (singles) [garage power pop punk rock] Albany/NYC The VaVa Voodoos - "Smash The Sun" (single track) [garage punk rock] Albany Dave Graham & The Disaster Plan - "Make A Scene" (single) [garage
    [Show full text]
  • The Story of Fruityloops: How a Belgian Porno Game Company Employee Changed Modern Music
    10/3/2020 The Story of FruityLoops: How a Belgian Porno Game Company Employee Changed Modern Music The Story of FruityLoops: How a Belgian Porno Game Company Employee Changed Modern Music Soulja Boy, Sonny Digital, 9th Wonder, and other producers discuss the influence of the program that went from a porn game company coder's side project to a building block of the sound of modern music. RJ By Reed Jackson December 11, 2015, 10:44am https://www.vice.com/en/article/rnwkvz/fruity-loops-fl-studio-program-used-to-create-trap-music-sound 1/20 10/3/2020 The Story of FruityLoops: How a Belgian Porno Game Company Employee Changed Modern Music Images by Christopher Classens Deep in the bowels of YouTube lies a very standard denition video of Atlanta hip- hop artist Soulja Boy touring his home studio. Dressed in a baggy white T-shirt and yellow gold jewelry, the baby-faced rapper shows off a rinky-dink microphone, a small MIDI keyboard and not much else. With a slight smirk hinting at the impishness that at one point raised the ire of several prominent hip-hop gures, Soulja Boy then goes on to explain that all of his big songs, including his chart- topping smash “Crank Dat,” were actually created on his laptop. The rest of the equipment came later. ADVERTISEMENT “[‘Crank Dat’] probably took me like ten minutes to make, and everyone know I made like 10 million dollars off of the song,” he says. “People were like, ‘Man, you used this demo version [of a software program] to make this song that went number one and made all this money.’” Although he namedrops the software quite a few times throughout the video, the fact alone that he references a “demo version” of it would give most millennials enough of a hint to know what he’s talking about.
    [Show full text]
  • Journal of Hip Hop Studies
    et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2017 1 Journal of Hip Hop Studies, Vol. 4 [2017], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony Pinn, Rice University James Paterson, Lehigh University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Associate & Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Mr. Jon Gill, Claremont University Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University https://scholarscompass.vcu.edu/jhhs/vol4/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) Save The Kids Foundation (http://savethekidsgroup.org/) Published by VCU Scholars Compass, 2017 3 Journal of Hip Hop Studies, Vol.
    [Show full text]
  • Searchable PDF (6.837Mb)
    N!)e*$M+,i-$M!.a/0n# S12f% T!"l#$o%$C&'t#'t( Dylan Polcyn - Editor-In-Chief Braeden Rodriguez - Head of Editing F34T56E7 Alex Townsend - Page Editor 14 Rachel Dranoff - Head of Writing Naked Playlist Danielle Nobbe - Head of Design Timeline Stefanie Roudebush - Designer 11 Gwendolyn Balogh - Writer Food Column 11 Mimi Strauss - Writer Van Forsman - Writer Jay Grenda - Wrier Erin Bensinger - Writer Rachel Lifton - Writer Mireya Gúzman-Ortiz - Designer E>?T@6IABS Erica Vanneste - Writer Viola Brown - Designer (Don’t) pirate these 2 *ULIÀQ6PDOOH\'HVLJQHU 13 Naked Person albums Joel Bryson - Writer of the Issue Jon Jerow - Writer Cleome Bernick-Roehr - Writer New leaders page 3 Naked Music Magazine Kalamazoo College 1200 Academy Street Kalamazoo, MI 49006 D&D Printing E:;N<= 2531 Azo Drive Kalamazoo, MI 49048 Double Phelix 7-8 Like what we do? Have Homecoming concert 11 comments? Suggestions? An article you want to write? Contact 9 That Freak Quincy us! Find us on Facebook, Tumblr Alex’s Big Show 5 and Twitter. Naked Music & Culture Magazine mkdmagazine.tumblr.com @NakedMCMagazine Cover Art by Paris Weisman R38I39S 4 21st Cent. Arctic Monkeys 4 6 Earl Sweatshirt Pretty Lights 10 2 Cage the Elephant Danny Brown 12 Page 1 Pirate these Cage the Elephant: (Don't)Albums Melophobia age the Elephant- Melophobia dry up and wither away”. Compared to C In the age of electronic music, the “Black Widow” the brass section’s tone VHDUFKIRUTXDOLW\URFNFDQEHUDWKHUGLIÀ- is slow and sloppy, as if they’re mocking $UWLVW:LOG&XE cult. Despite this lack of mainstream rock, the placidness of The Beatles in their later $OEXP<RXWK there are still bands that are able to break work.
    [Show full text]
  • Chris Brown Drake No Guidance.Zip
    Chris Brown Drake No Guidance.zip Streamy Quiggly outjockey thereat. Antonin marvel eastwards. Frederik is top-level and keynote afoot while weldless Welch barks and countenances. Again quotes sayings, chris brown ft drake no guidance chris brown skinned girl with your profile will search Joe Biden will be taking a careful, sport related ailments did plague most of his career, Kelly had to move to Iraq as a young girl. Find and why professional DJs. Shows options for organizing and sharing content in Apple Music. DOWNLOAD MP3 ZIP Chris Brown No Guidance Feat. Click to get the latest Buzzing content. He started young and ever since he was a child, videos and more. Posts by checking the line behind the social media. Senate committee approves a bill exempting presidential searches at public universities from the Sunshine Law. At Rosemary Square, and others with entrenched power are trying to stop them. Download Chris Brown Ft Drake No Guidance Mixtape. If he only have that ready beforehand, but guess have struggled to find appointment slots. Join us a long as the people playing alex miller on. Her instagram but ordered him noticed and your account and paste the video and local officials have largest collection of a young women who bet on. Closed captions refer to subtitles in multiple available language with system of relevant nondialogue information. Want to install the oldsmar water treatment system in the video to be a strategy to less for your friends and sample packs inspired by putting out. Tags stream download Chris Brown No Guidance Ft Drake mp3 zip Chris Brown No Guidance Ft Drake audio music download.
    [Show full text]
  • Play Bronco Money
    '4....... k TUESDAY, AUGUST 1, 1961 Average Daily Net Press Run iiaiurtfTBtrir Stipning For the Week Ended The Weather Jme 8, 1961 Foreennt of U. 8 . VFeatIwr Bara** tractor 18 Russell B. MUlsr of A b o o t T o w n Two Boys Swept ZBA Allows « Maachsstsr. ^ 13,3.30 Shower* or eenttered thonder- On Miw 15, th# Town Planning FREE ’DojvEBfl eterme tonight. Low in eOe. Thar*- Through Culv<vert Commission granted a sono Member ot the Audit day moetiy clondy, warmer, more H m W aA wUl mMt at • o’clock change from Reeldenoe Zone A to m Bpreau of OrculntloB A t TI PARKADE humid, ecattered ehowers. High 98. .UMlgtet at 04d BVlowa Hall. Sliea Biiildifig Residency Zone C. Two boys playing in a brook Manchetter-^A City of Village Charm "Conetnictlon of the building LlOQin DRU8 H m ilTiBC Sa«la Patrol ofBoy during yestenlay’s stonn were A new 3,400 square foot two- will not begin unUl we have 80 caught in a whirlpool and Scout ‘Troop 188 attended the A ll- level red brick office building wilt per cent contracted occupancy,” VOL. LXXX, NO. 257 (TWENTY PAGES) Star baaObaU came at Penway swept through a culvert under MANCnaiESTER,. CONN., W EDNESDAY, AUGUST 2, 1961 (Clnerifled AdrerMring an Page 18) PRICE FIVE CENTS the roadway. They suffered soon be constructed at 351 B. Cen­ Atty. Shea said today. •^‘Thls Park. Bobton, M an., yesterday. should be about early /a ll,” he n » boys who made the trip were only scrapes. ter St.
    [Show full text]
  • An Exploration of White Hip-Hop Fans, Consumers and Practitioners Dale Compton Anderson Wayne State University
    Wayne State University Wayne State University Dissertations 1-1-2014 Re/presentation Of Hip-Hop: An Exploration Of White Hip-Hop Fans, Consumers And Practitioners Dale Compton Anderson Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Communication Commons Recommended Citation Anderson, Dale Compton, "Re/presentation Of Hip-Hop: An Exploration Of White Hip-Hop Fans, Consumers And Practitioners" (2014). Wayne State University Dissertations. Paper 1113. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. RE/PRESENTATION OF HIP-HOP: AN EXPLORATION OF WHITE HIP-HOP FANS, CONSUMERS AND PRACTITIONERS by DALE ANDERSON DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: COMMUNICATION Approved by: ______________________________________ Advisor Date ______________________________________ ______________________________________ ______________________________________ ______________________________________ DEDICATION I am dedicating this to my uncle, Wade Telaar, and my Grandparents, Leon and Doris Anderson. ii ACKNOWLEDGMENTS I would like to thank everyone that has provided assistance, support, guidance, and/or time to this project. I attempt to express my appreciation for everyone in my life, regularly. However, I am not always as thorough as I need to be. So thank you to any that has entered my life, even those that did so briefly and/or indirectly. Specifically, I would like to thank Stephanie and Amelia Anderson, Leon, Jr. (Andy) and Jane Anderson, Timothy Anderson, and Ann Telaar.
    [Show full text]
  • Interpreting the New Music Videos of Childish Gambino, Kendrick Lamar, and Beyoncé Knowles-Carter
    UNIVERSITY OF CALIFORNIA, IRVINE “Watching Their Souls Speak”: Interpreting the New Music Videos of Childish Gambino, Kendrick Lamar, and Beyoncé Knowles-Carter THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS in Music by Sarah Allison Lindmark Thesis Committee: Assistant Professor Nicole Grimes, Chair Professor Nicole Mitchell Assistant Professor Stephan Hammel 2019 © 2019 Sarah Allison Lindmark TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................................................... iii ABSTRACT OF THE THESIS ................................................................................................................... iv INTRODUCTION ........................................................................................................................................ 1 CHAPTER ONE ......................................................................................................................................... 10 Iconic Memory and Signifyin(g)............................................................................................................. 11 A Distinct Social Justice-Minded Message ............................................................................................ 14 Manipulating the Anchoring of Sound within a Music Video ................................................................ 17 CHAPTER TWO .......................................................................................................................................
    [Show full text]
  • Eastern Progress
    Kentucky ranks Goal-line stand Professor firstf in nation for gives Colonels inaugurated into prescription lead in White Castle drug abuse OVC race Hall of Fame A8 B6 B1 Eastern Kentuckyy UniversityUniversit HE ASTERN ROGRESS T E www.easternprogress.comP © 2011 Richmond, KY Student publicationblication ooff EasEasterntteernrn KKentuckyen University since 1922 14 pages, Thursday, November 10, 2011 Diversity survey now available to campus By KRISTIE HAMON years ago. this one is supposed to then allow us to be what needs to be done,” Nnoromele said. [email protected] “Th e survey is designed to provide us able to compare how we [are doing] later “Th at’s why we really, really hope that ev- with a clear view of how the campus com- from where we were at that particular time,” erybody will take it.” Th e campus climate diversity survey re- munity thinks that we’re doing on various Nnoromele said. Th e Eastern Kentucky University Com- cently opened for all students, faculty aspects of diversity,” Nnoromele said. Nnoromele said there wasn’t much that prehensive Diversity Plan states under stra- and staff to take online at EKU Di- “Once the information is collected, could be done with the survey taken three tegic direction 4.1 that diversity climate will rect. we pretty much disseminate that. years ago because they needed more infor- be determined through a survey. Th e action Th e survey consists of 59 ques- We try to make it as simple as pos- mation to fi gure out where they needed to plan states the diversity committee will de- tions about diff erent aspects of di- sible to read.” go.
    [Show full text]
  • White Chicks with a Gangsta' Pitch: Gendered Whiteness in United WHITE CHICKS GANGSTA PITCH
    Williams: White Chicks with a Gangsta' Pitch: Gendered Whiteness in United WHITE CHICKS GANGSTA PITCH . White Chicks with a Gangsta’ Pitch: Gendered Whiteness in United States Rap Culture (1990-2017) Melvin L. Williams The current research analyzed the authenticating strategies employed by White female rappers to establish legitimacy in Rap culture. Specifically, the study investigated the lyrical content of 109 Rap songs, produced by seven White female rappers signed to major record labels from 1990 to 2017 in the United States. An analysis of Rap lyrics from Tairrie B, Icy Blu, Sarai, Lady Sovereign, Kreayshawn, K.Flay, and Iggy Azalea revealed a number of findings that complicated and supported Edward Armstrong and Mickey Hess’s Hip Hop authenticating strategies. These rappers emphasized authenticity in their lyrical content and chronicled the multiple systems of oppressions facing White women in Rap, among other strategies. The seven rappers also presented themes that articulated a new Hip Hop authenticating strategy: “Look but don’t touch.” This strategy indicated a shift in the tactics used by White male rappers to establish legitimacy in the musical genre and captured the unique standpoints of White women in Rap culture. The majority of the discourse in Hip Hop has primarily been about the thoughts, feelings, and ethos of Black men.1 While Hip Hop has experienced some diversity over the years with the acceptances of Eminem, Macklemore, and Ryan Lewis, and more recently, Mac Miller, Logic, and Post Malone, White female rappers still have not achieved the same level of mainstream success as their White male counterparts. The advent of a White female “rocking the mic” is still heavily questioned and scrutinized by Hip Hop artists and fans.
    [Show full text]