DOCSLIB.ORG

Searchable PDF (6.837Mb)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Searchable PDF (6.837Mb) N!)e*$M+,i-$M!.a/0n# S12f% T!"l#$o%$C&'t#'t( Dylan Polcyn - Editor-In-Chief Braeden Rodriguez - Head of Editing F34T56E7 Alex Townsend - Page Editor 14 Rachel Dranoff - Head of Writing Naked Playlist Danielle Nobbe - Head of Design Timeline Stefanie Roudebush - Designer 11 Gwendolyn Balogh - Writer Food Column 11 Mimi Strauss - Writer Van Forsman - Writer Jay Grenda - Wrier Erin Bensinger - Writer Rachel Lifton - Writer Mireya Gúzman-Ortiz - Designer E>?T@6IABS Erica Vanneste - Writer Viola Brown - Designer (Don’t) pirate these 2 *ULIÀQ6PDOOH\'HVLJQHU 13 Naked Person albums Joel Bryson - Writer of the Issue Jon Jerow - Writer Cleome Bernick-Roehr - Writer New leaders page 3 Naked Music Magazine Kalamazoo College 1200 Academy Street Kalamazoo, MI 49006 D&D Printing E:;N<= 2531 Azo Drive Kalamazoo, MI 49048 Double Phelix 7-8 Like what we do? Have Homecoming concert 11 comments? Suggestions? An article you want to write? Contact 9 That Freak Quincy us! Find us on Facebook, Tumblr Alex’s Big Show 5 and Twitter. Naked Music & Culture Magazine mkdmagazine.tumblr.com @NakedMCMagazine Cover Art by Paris Weisman R38I39S 4 21st Cent. Arctic Monkeys 4 6 Earl Sweatshirt Pretty Lights 10 2 Cage the Elephant Danny Brown 12 Page 1 Pirate these Cage the Elephant: (Don't)Albums Melophobia age the Elephant- Melophobia dry up and wither away”. Compared to C In the age of electronic music, the “Black Widow” the brass section’s tone VHDUFKIRUTXDOLW\URFNFDQEHUDWKHUGLIÀ- is slow and sloppy, as if they’re mocking $UWLVW:LOG&XE cult. Despite this lack of mainstream rock, the placidness of The Beatles in their later $OEXP<RXWK there are still bands that are able to break work. *HQUH,QGLH3RS through and Cage the Elephant is one of “Teeth” is my personal favorite off the them. Formed in 2006, the Kentucky rock album for so many reasons. It’s every- $UWLVW6FDUVRQ band gained momentum when the video thing great about Cage thrown onto the $OEXP+HDUWRQ)LUH game developer, 2K Games, used their hit table and beaten into a raw piece of rock *HQUH,QGLH5RFN single “Ain’t No Rest For the Wicked” to ‘n roll. Tremolo bass opens with screech- promote their newest game, Borderlands. ing guitars and high speed drum beats. $UWLVW'DQD%XR\ They released their self titled debut album $OEXP6XPPHU%RGLHV in 2008, and their sophomore album, *HQUH,QGLH5RFN Thank You, Happy Birthday in 2011. mel-o-pho-bi-a After two years of endless touring, noun $UWLVW&UDVK.LQJV Cage the Elephant returned to the studio $OEXP&UDVK.LQJV to record Melophobia, which was released 1. fear of music *HQUH5RFN on Oct. 8, 2013. Melophobia, meaning fear of music, mixes the best of Cage’s During the climax the horns are in pande- $UWLVW0DUJRW WKH1XFOHDU6RDQG6R·V ÀUVWWZRDOEXPVDQGH[SORUHVQHZDUHDV monium and fuzzy guitar solos make the $OEXP1RW$QLPDO and genres. Many songs implement song whole. Suddenly, everything breaks *HQUH,QGLH5RFN sounds from early 60’s rock and beautiful down and a contorted marching band harmonies, while other songs blend brass takes over. Schultz continues his vocals, $UWLVW/RWWLHDQGWKH0DQDWHH instruments and keyboards with Cage’s but instead of singing, he recites an elo- $OEXP,QWKH0RUQLQJ signature rock sound. quent piece of poetry. *HQUH0HOORZ3RS “Come a Little Closer” is the lead Cage the Elephant has taken their best single from the album and it contains work and expanded upon it to create the $UWLVW%ODFNELUG%ODFNELUG smooth, subtle verses that grab one’s latest and greatest rock album, Melopho- $OEXP%RUDFD\3ODQHW attention, which lead into cascading, yet bia. This album is dynamic and gives *HQUH'UHDP\)RONWURQLFD powerful choruses. “It’s Just Forever” fea- everyone something to listen to. A melting turing Alison Mosshart is one of Melopho- pot of old and new makes Melophobia $UWLVW5HG6WRUH%XPV bia’s best. Mosshart sang with Jack White their best so far and I strongly recommend $OEXP5HG6WRUH%XPV in his side project, The Dead Weather it to anyone whoJay enjoysGrenda rock. *HQUH6ND and her raw, bluesy voice complements $UWLVW5DVNDKXHOH Schultz’s chilling fal- $OEXP1HZ%HJLQQLQJ setto in the sweetest *HQUH0H[LFDQ6ND way possible. I say this because the song $UWLVW.DW]HQMDPPHU is about twisted love $OEXP$.LVV%HIRUH<RX*R spiraling into addic- *HQUH%DONDQ3RS5RFN tion and insanity. “Black Widow” $UWLVW$HVWKHV\V introduces the use of $OEXP/DFXV+LHPDOLV brass instruments, *HQUH5XVVLDQ3RVW5RFN which provide extra force when needed. $UWLVW7HQQLV When combined $OEXP<RXQJ 2OG with the melody, the *HQUH,QGLH3RS horns easily make “Black Widow” one of the powerhouses of Melophobia. “Hypocrite” follows as a sobering piece, which references The Beatles with lyrics such as “I watched WKHVWUDZEHUU\ÀHOGV Page 2 W3$HA8ECDEE$L34D36SF Braeden Rodriguez - Head of Editing Danielle Nobbe - Head of Design Dylan Polcyn - Editor-In-Chief Rachel Dranoff - Head of Writing Alex Townsend - Page Editor Page 3 AM by the Seductive FOXYGEN: Arctic Monkeys The Sound of the 60s fter just two years, Arctic Monkeys t seems that I and the members of Foxy- Ahave invited us once again into their IJHQ ERWK KDYH RQH WKLQJ LQ FRPPRQ D mysterious world—a realm of scummy strong desire to have grown up in the 60’s. bars, enigmatic women, and sexy bass riffs. In validation of this fact, I have recently $0LVWKHÀIWKVWXGLRDOEXPE\WKHVH6KHI- joined the herds of many young music ÀHOG (QJODQGQDWLYH LQGLH URFNHUV ZKR fanatics, and bought a record player, on KDYHZRQÀYH%ULW$ZDUGVDQGWZR*UDP- which I obsessively listen to Foxygen’s sec- my nominations. At some point since the ond Album, We are the 21st Century Am- release of their previous album, Suck It and bassadors of Peace & Magic. It only seems See (2011), lead singer and guitarist Alex ÀWWLQJ Turner overhauled his outward appearance Los Angeles based duo Jonathan Rado, DOPRVW FRPSOHWHO\ UHFHQW SLFWXUHV RI KLP lead guitar, and Sam France, vocals, created genre. feature a slick pompadour, leather jacket, Foxygen in high school back in 2005. Famed In this second album, Foxygen’s ironic sunglasses, and a cigarette. This image producer of the Shins, Richard Swift, got and biting lyrics add humor to their mu- embodies the sound of AM. The single R hold of their self released EP Take the Kids sic. They are cynical, and it’s the perfect U Mine? was released about a year ago for 2II%URDGZD\LQ8QGHUWKHLQÁXHQFLDO anecdote to the familiar sounds of the 60’s 5HFRUG6WRUH'D\LQWKH8.DQGKDVÀQDOO\ wing of Swift, Foxygen was signed with in- we all know so well. This contradiction is found a home on an album. This track fea- die label Jagjaguwar, which then released most blatantly noticeable in the lyrics of tures the lyrical mastery that Alex Turner WKHLU ÀUVW VWXGLR DO- bum Take the “San Francisco”. The chorus of the song is is known for, containing gems like “She’s a Kids Off Broadway. a dialogue between two people, “I left my silver lining, lone ranger riding / Through The album was met “Foxygen is takinglove inin San Francisco” and then an open space / In my mind when she’s ZLWK LQVLJQLÀFDQW die Psychedelic rock the response,“that’s not right there beside me”. Perhaps the praise. We are the into a new territory” okay, I was star track on the album is Arabella, a ‘70s- 21st Century Am- - bored anyway.” inspired ode to a woman with 21st century bassadors of Peace Perfectly en- taste. Alex Turner croons “Wraps her lips & Magic was then released in compasses Foxy- ‘round a Mexican Coke / Makes you wish October of 2012. Produced by Swift, it was gen’s struggle that you were the bottle / takes a sip of your been widely hyped, and acclaimed. How- between the 60’s culture and soul, and it sounds like...” and then breaks ever, Foxygen’s SXSW debut ended abrupt- the 21st Century. San Francisco is used as a into a classic Arctic Monkeys-style guitar ly with an on stage meltdown by France. metaphor for the Summer of Love in 1967, riff. Despite that “classic” Arctic Monkeys Other similar instances have recently given counter culture and drugs. Foxygen is tak- VRXQG WKH DOEXP·V YDULRXV LQÁXHQFHV DUH Foxygen a reputation for shows that unrav- ing indie psychedelic rock into new terri- DOVR REYLRXVO\ SUHVHQW WKH KHDY\ JXLWDU el and end in disaster. tory, but luckily, they don’t take themselves riffs echo 70s rock and roll, and the unique The sound of Foxygen is reminiscent of too seriously. bass beats sound like those common in hip 1960’s psychedelic and avant garde groups The more time I spend with this album, hop and R&B, a departure for the band. It such as the Velvet Underground and The WKHPRUHEHDXW\,ÀQG,W·VPHODQFKRO\KX- certainly works out in their favor. It’s true Doors. Their music is whimsical and care- morous and nostalgic. It reminds me of a that the funky beats and fuzzed-out vocals free, but it doesn’t lack meat. The gothic, time that I never lived in, but wish I could on AM make the Arctic Monkeys sound all DOPRVW JRVSHO ´2Q %OXH 0RXQWDLQµ GHÀ- have experienced. Mimi Stauss the more like the Strokes (not to mention nitely jams hard with Hendrix-esque gui- Alex’s new look is very Julian Casablan- tar riffs, loose drum beats and a childrens cas), but they still hold tight to their special, chorus similar to that of Another Brick in seductive Arctic Monkeys charm. Besides, the Wall (Part 2). Foxygen’s lyrics, often de- who doesn’t want more things to sound livered with an air of annoyance and bore- like the Strokes? This album is perfect for dom, modernize this second album, setting a night out in a hip, seedy bar, driving after it apart from other bands mimicking this dark with your would-be lover, or dancing around your bedroom in your underwear.
Load more

Recommended publications
  • HIS Voice 3/2009
    editorial obsah Glosář Matěj Kratochvíl 2 Sunn O))) Petr Ferenc 4 Tim Hecker Karel Veselý 5 aktuálně Vážení a milí čtenáři, Alio Die Pavel Zelinka 6 již řada čísel našeho časopisu byla věnována V pasti orientalismu Karel Veselý 8 hudbě z různých koutů světa, to aktuální v nasto- lené sérii však pokračuje jen zdánlivě. Zatímco v číslech věnovaných Polsku, Francii či Slovensku Sun City Girls Thomas Bailey 12 jsme mířili za skutečnou hudbou skutečných zemí, Orient na nejnovější obálce v sobě spojuje reálný základ a notnou dávku fantazie. Spíše než o geo- Acid Mothers Temple Petr Ferenc 15 grafickou oblast nám jde o nahlédnutí za oponu téma imaginárního Východu, oblasti, do níž si mnozí hudebníci i posluchači promítají své sny. I když První císař a dialektika Druhého Jan Chmelarčík 18 si v mnoha případech půjčují skutečné nástroje a další hudební prvky, ve vzduchu visí představa pohádkových světů. Hudební Orient má častokrát Vlastislav Matoušek Matěj Kratochvíl 22 podobně neurčitou lokaci jako říše kněze Jana, do níž mířil Baudolino, hrdina stejnojmenné knihy Umberta Eca. „Na nejzazším východě těchto krajů, Georgs Pelēcis Vítězslav Mikeš 28 oddělených od oceánu zeměmi obývanými zrůd- nými bytostmi, jimiž ostatně budeme muset také Postepilog Alfreda Šnitkeho Vítězslav Mikeš 30 projít, se nachází Pozemský ráj. (…) My se tudíž současná kompozice musíme ubírat k východu, nejdřív dorazit k Eufratu, pak k Tigridu a nakonec k řece Ganges, a potom odbočit k dolním krajům východním.“ Střet reál- Christina Kubisch Pavel Klusák 34 ného a imaginárního může mít mnoho různých podob, od dokumentární činnosti značky Sublime Frequencies přes východně-západní hudbu skla- Cuong Vu Jan Faix 38 datele Tana Duna po psychedelický rock japonské skupiny Acid Mothers Temple.
    [Show full text]
  • TRECENTO FRAGMENTS M Ichael Scott Cuthbert to the Department Of
    T R E C E N T O F R A G M E N T S A N D P O L Y P H O N Y B E Y O N D T H E C O D E X a thesis presented by M ichael Scott Cuthbert t the Depart!ent " M#si$ in partia% "#%"i%%!ent " the re&#ire!ents " r the de'ree " D $t r " Phi% s phy in the s#b(e$t " M#si$ H ar)ard * ni)ersity Ca!brid'e+ Massa$h#setts A#'#st ,--. / ,--.+ Mi$hae% S$ tt C#thbert A%% ri'hts reser)ed0 Pr "0 Th !as F rrest 1 e%%y+ advisor Mi$hae% S$ tt C#thbert Tre$ent Fra'!ents and P %yph ny Bey nd the C de2 Abstract This thesis see3s t #nderstand h 4 !#si$ s #nded and "#n$ti ned in the 5ta%ian tre6 $ent based n an e2a!inati n " a%% the s#r)i)in' s #r$es+ rather than n%y the ! st $ !6 p%ete0 A !a( rity " s#r)i)in' s #r$es " 5ta%ian p %yph ni$ !#si$ "r ! the peri d 788-9 7:,- are "ra'!ents; ! st+ the re!nants " % st !an#s$ripts0 Despite their n#!eri$a% d !i6 nan$e+ !#si$ s$h %arship has )ie4 ed these s #r$es as se$ ndary <and "ten ne'%e$ted the! a%t 'ether= " $#sin' instead n the "e4 %ar'e+ retr spe$ti)e+ and pred !inant%y se$#%ar $ di6 $es 4 hi$h !ain%y ri'inated in the F% rentine rbit0 C nne$ti ns a! n' !an#s$ripts ha)e been in$ !p%ete%y e2p% red in the %iterat#re+ and the !issi n is a$#te 4 here re%ati nships a! n' "ra'!ents and a! n' ther s!a%% $ %%e$ti ns " p %yph ny are $ n$erned0 These s!a%% $ %%e$ti ns )ary in their $ nstr#$ti n and $ ntents>s !e are n t rea%%y "ra'!ents at a%%+ b#t sin'%e p %yph ni$ 4 r3s in %it#r'i$a% and ther !an#s$ripts0 5ndi)id#6 a%%y and thr #'h their )ery n#!bers+ they present a 4 ider )ie4 " 5ta%ian !#si$a% %i"e in the " #rteenth $ent#ry than $ #%d be 'ained "r ! e)en the ! st $are"#% s$r#tiny " the inta$t !an#s$ripts0 E2a!inin' the "ra'!ents e!b %dens #s t as3 &#esti ns ab #t musical style, popularity, scribal practice, and manuscript transmission: questions best answered through a study of many different sources rather than the intense scrutiny of a few large sources.
    [Show full text]
  • Spinnerette Ghetto Love Ep Free Download Spinnerette’S Ghetto Love
    spinnerette ghetto love ep free download Spinnerette’s Ghetto Love. Johnny forwarded me an email last week. He wrote, “finally, something decent to cover.” The email came from Spinnerette , and it announced a new EP they were independently releasing, entitled Ghetto Love . We’ve been following Spinnerette on Antiquiet, starting with a retro review of the last Distillers album, through an appearance with Queens Of The Stone Age and Spinnerette’s first shows in October. I share the complaint behind Johnny’s statement- while all the hipsters are finding so much music to love these days, it all sounds like shit to us. We’ve had to resort to pot shots at fucking Fall Out Boy for fuck’s sake. But there’s this little EP, and another one from Cat Power that’s worth checking out. Ghetto Love is only four songs- Ghetto Love, Valium Knights, Distorting A Code, and Bury My Heart , all of which have been heard online and/or live. But the first two tracks are pretty hot. Bury My Heart is alright, while Distorting A Code is our least favorite. Check out the video for Ghetto Love: If you dig that, the complete EP can be heard and/or purchased here from Topspin (why it isn’t on iTunes, we do not know), bundled along with the Ghetto Love video. UPDATE: We forgot to mention- at their last show, Brody promised the full length album would arrive in February ’09. The photo at the top of the page was taken at Spinnerette’s show at Spaceland on October 29th.
    [Show full text]
  • Earl Sweatshirt – Doris A
    2/7/2014 Earl Sweatshirt – Doris | Manik Music About Us Album Rating Contact Us Staff For the musically obsessed… Home Reviews Features Manik Newswire Manik Baltimore Home » Featured Slider » Earl Sweatshirt – Doris Earl Sweatshirt – Doris Posted by Manik Music on Aug 21, 2013 in Featured Slider, Reviews | 0 comments A http://www.manikmusic.net/reviews/earl-sweatshirt-doris/ 1/6 2/7/2014 Earl Sweatshirt – Doris | Manik Music If the public’s reaction Kendrick Lamar’s infamous “Control” verse proved anything, it’s that America craves lyric-heavy, intelligent rap over the dumbed-down crap that had been fed to us for so long. While “artists” like Soulja Boy and Chief Keef have reason to worry, lyrically dexterous rappers are experiencing a renaissance. Spearheading this movement of talent-first rappers is Earl Sweatshirt of the Odd Future crew, underground rap’s greatest talent and secret weapon. Earl (Thebe Kgositsile) just released his debut studio album Doris, his first substantial work since his return to the spotlight. At the tender age of 16, the L.A. native released his eponymous mix-tape that turned quite a few heads – first due to his immense talent and young age, then due to his lyrics rife with stomach-churning violence. Upon its release, Earl had virtually vanished – his mother sent him to an at-risk youth camp in Samoa, which left crowds shouting “Free Earl” at concerts, fueling the towering hype and mystery that his mix-tape had garnered. Since his return a year ago, he’s had a few excellent guest spots – a verse on Frank Ocean’s Grammy-winning Channel Orange, a verse on the posse track “Oldie,” and a verse on Captain Murphy’s (a.k.a.
    [Show full text]
  • Ups and Downs of Gabrielle Upton See Page 14 See Page 16 See Page 30
    First published 1953 Unsw Student Publication. August, 2016 FREE FEATURES FEATURES SPOTLIGHT ON UPS AND DOWNS OF GABRIELLE UPTON SEE PAGE 14 SEE PAGE 16 SEE PAGE 30 LETTER FROM THE EDITOR Here are a few things that have If anything, she should stand down irked me this past month. from her Senate seat because, let’s face it, plagiarism is a very serious offence. Electronic voting For now, I’m going to blame her Like Pokémon Go, it’s a really bad Senate presence on contaminated idea. #democracysausages in Queensland, and potentially WA and NSW, because 1. Bad sports hack the game and ruin the reality that people actually copied the fun for everyone. and pasted her into Parliament is the 2. It crashes just as you’re about to definition of distressing. collect ‘em all. 3. Your grandparents hate it. Hysterical Steve Price 4. You press a whole lot of buttons It is not ok to make jokes about NATALIE and find something unexpected violence against women. It is not ok SEKULOVSKA like a dead body or Tony Abbott as to make jokes about violence against your PM again. anyone. / 5. It’s just a fad, so interest will be at MANAGING EDITOR an all time high before it comes It is not ok to downplay the crashing back down. situation by saying, “But they apologised immediately.” Because if politicians think there’s something wrong with the process, It is not ok to downplay their they need to take a long hard look at behaviour by saying, “But they were a themselves first.
    [Show full text]
  • Grouplove/51765840/1?Loc=Interstitialskip
    December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete.
    [Show full text]
  • Think Before You Ink Disturbing and Morbid and Is Con
    ·Entertainment Here Comes Treble OFWGKTA! By Ian Chandler _By Meg Bell By.Brent Bosworth heme: Ho Ho Hardcore Dean Martin - "Walking In a Win­ Theme: Yuletide cheer "Christmas Eve Sarjevo".- Trans Odd Future .was formed ant to cause your chuckle to re­ ter Wonderland" The day after Thanksgiving, IT be­ ·Siberian Orchestra by Tyler, the Creator, and they re­ emble \l spherical container filled You kids need a shot of old school gins. That is the constant streain .of Ol!e. of the mo!!t popular ~ode lea8ed their first album in 2008. The o the brim with a general gelatin . espresso in your puny little modem Christmas music on all radios: It Christmas songs, you can't have . members that form the group are ubstance? Listen hither, and may lattes. Taste this jazzy version of a seems like you can't escape jt. So Chri'stmas p laylist without this Tyler, the Creator; Earl Sweatshirt; our spirits be roused with the warm winter wonderland, sung by the instead, plug in your headphones "Thank God It's Christmas" Hodgy Beat;, Domo Genesis; Frank trelight of the seasoij. Dino lllmself. May it digest well with and give this mix a try. It's slire to Queen · · Ocean; Mike G; Left Brain; Taco ugust Burns Red"."" "Carol of the you and yours. Fun fact: "The King spread some holiday cheer. Any playlist with Queen is a win Bennett; Jasper Dolphin; Syd tha ells" of Cool" was born in Steubenville, "Baby It's Cold Outside" -Anthony ner, and this adds a bit of gl~m .
    [Show full text]
  • A Level Music
    A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music.
    [Show full text]
  • URMC V118n83 20091210.Pdf (9.241Mb)
    THE ROCKY MOUNTAIN Fort Collins, Colorado COLLEGIAN Volume 118 | No. 8 T D THE STUDENT VOICE OF COLORADO STATE UNIVERSITY SINCE 1891 B ASCS ICE, ICE, BABY BOG Leg. a airs director wants student voice on governing board B KIRSTEN SIVEIRA The Rocky ountain Collegian After CSU’s governing board decided to ban concealed weapons on campus, spark- TODAYS IG ing intense controversy student leaders said Wednesday that there must be a student vot- 25 degrees ing member on the board because its mem- bers refuse to listen to students. So far this season, CSU To secure that voting member, Associ- has received a total of 44.2 ated Students of CSU Director of Legislative inches of snow with fi ve full YEAR SEASONA Affairs Matt Worthington drafted a resolu- months of the snow season TOTA IN INCES tion that would allow state leaders to appoint still ahead, according to re- a student to vote on the CSU System Board search from the Department 1 9 9 9 - 2 0 0 0 : 3 . of Governors. The ASCSU Senate moved his of Atmospheric Science. 2 0 0 0 - 2 0 0 1 : 5 resolution to committee Wednesday night. Even if the city receives 2 0 0 1 - 2 0 0 2 : 4 4 .1 ASCSU President Dan Gearhart and CSU- no more snow this winter, 2 0 0 2 - 2 0 0 3 : 1. Pueblo student government President Steve Fort Collins has already re- 2 0 0 3 - 2 0 0 4 : 9 .1 Titus both currently sit on the BOG as non- ceived more snow than in six 2 0 0 4 - 2 0 0 5 : 5 .
    [Show full text]
  • Garage House Music Whats up with That
    Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • Label ARTIST Piece Tracks/Notes Format Quantity
    Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes
    [Show full text]