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Gaymardigras.COM • Gayneworleans.COM • Southerndecadence.COM • Oct
GayMardiGras.COM • GayNewOrleans.COM • SouthernDecadence.COM • Oct. 9-22, 2012 • The Official Mag: AmbushMag.COM • 21 joint stumble. You must practice, prac- might not notice you, going shopping, reVIEW...books, movies, cds tice, practice. and a rooftop cocktail party. Again body Design elements in a zombie abode and breath odor vary according to the include a black and white television set situation. Places to avoid are beaches, tuned to static, a rusty, broken shop- military bases, hospitals, nursing by Blanche ping cart, crumbling bricks by the fire- homes, and the airport. Coming out as Email: [email protected] place, a freestanding toilet, buckets a zombie to family and friends may be Photo by Larry Graham, GrahamStudioOne.COM filled with mysterious liquids, old metal risky. Tell your mother first and you will coat hangers, heavy chains, dead be home free with everyone else. Get hen I pulled up to my plants, a pile of mannequin body parts, friends really drunk; going on a long trip building one afternoon smashed vases and old, broken furni- is good. Try having children, puppies, Wlast week I noticed a ture. or old people around. large box from FedEx at my door. I was Last but not least are your zombie ZOMBIE EYE FOR THE LIVING curious as I hadn’t ordered anything. social skills. When hanging with a mixed GUY is a fun read. It could be a coffee- The last time I received a package this crowd you will not want to smell like a table book, a gift, a guide for your big, the Saints had won the Super Bowl zombie. -
NASCIMENTO, Juliana. Drags Demônias – O Grupo Cultural Belemense Em Análise
NASCIMENTO, Juliana. Drags Demônias – O Grupo Cultural Belemense em Análise. Belém: PPGArtes. ICA – UFPa; Mestranda; Wladilene Lima. Bolsista CAPES. Drag e Pesquisadora. RESUMO: Desde 2014, na cidade de Belém, o grupo cultural que se auto identifica com o nome “Drags Demônias” tem quebrado diversos paradigmas que rodeiam a arte drag; reagindo artisticamente de acordo com uma construção filosófica e atravessamentos específicos. Em um primeiro momento organiza-se através de um estudo bibliográfico e análise através de história oral, seguido de um estudo dos conceitos que conversam com a arte drag (como drag queen, drag king, drag queer, transformista, cross-dresser, travesti, transgêneros, etc.) e revisitando algumas confusões e alterações dessas estruturas conceituais e convergindo com a produção contemporânea. Partindo para um segundo momento onde, através de observação e análise, identifica-se a gênese do grupo como subgênero direto da arte Drag Queer. Partindo do princípio que esta consiste na não-definição de um gênero específico na sua construção poética; abrindo novas possibilidades de atravessamentos, percepções e estéticas. A Demônia, muito além da estética e do sincretismo cristão, remete ao demônio interior, ao grego daimon, ao destino – ethos anthropo daimon. Além de alimentar arcabouço teórico sobre o tema e suas transgressões e variações. PALAVRAS CHAVE: Drag, Demônia, Queer, Belém. ABSTRACT: Since 2014, in Belém, the cultural group that identifies itself with the name "Drags Demônias" has broken several paradigms that surround the drag art; reacting artistically according to a philosophical construction and specific crossings. At first it is organized through a bibliographic study and analysis through oral history, followed by a study of the concepts that talks with the drag art (as drag queen, drag king, drag queer, transformista, cross-dresser, travesti, transgenders, etc.) and revisiting some confusions and alterations of these conceptual structures and converging with contemporary production. -
Bianca Del Rio Floats Too, B*TCHES the ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’S Done with ‘Drag Race’
Drag Syndrome Barred From Tanglefoot: Discrimination or Protection? A Guide to the Upcoming Democratic Presidential Kentucky Marriage Battle LGBTQ Debates Bianca Del Rio Floats Too, B*TCHES The ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’s Done with ‘Drag Race’ PRIDESOURCE.COM SEPT.SEPT. 12, 12, 2019 2019 | | VOL. VOL. 2737 2737 | FREE New Location The Henry • Dearborn 300 Town Center Drive FREE PARKING Great Prizes! Including 5 Weekend Join Us For An Afternoon Celebration with Getaways Equality-Minded Businesses and Services Free Brunch Sunday, Oct. 13 Over 90 Equality Vendors Complimentary Continental Brunch Begins 11 a.m. Expo Open Noon to 4 p.m. • Free Parking Fashion Show 1:30 p.m. 2019 Sponsors 300 Town Center Drive, Dearborn, Michigan Party Rentals B. Ella Bridal $5 Advance / $10 at door Family Group Rates Call 734-293-7200 x. 101 email: [email protected] Tickets Available at: MiLGBTWedding.com VOL. 2737 • SEPT. 12 2019 ISSUE 1123 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 22 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 12 10 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
MASTERCLASS Meet
MASTERCLASS Meet uPaul Charles’s chameleonic qualities have made him a television icon, spiritual guide, and R the most commercially successful drag queen in United States history. Over a nearly three-decade career, he’s ushered in a new era of visibility for drag, upended gender norms, and highlighted queer talent from across the world—all while dressed as a fierce glamazon. “Be willing to become the shape-shifter that you absolutely are.” Born in San Diego, California, RuPaul first experienced mainstream success when a dance track he wrote called “Supermodel (You Better Work)” became an unexpected MTV hit (Ru stars in the music video). The song led to a modeling contract with MAC Cosmetics and a talk show on VH1, which saw RuPaul interviewing everyone from Nirvana to the Backstreet Boys and Diana Ross to Bea Arthur. He has since appeared in more than three dozen films and TV shows, including Broad City, The Simpsons, But I’m a Cheerleader!, and To Wong Foo, Thanks for Everything! Julie Newmar. RuPaul’s Drag Race, Ru’s decade-old, Emmy-winning reality drag competition, has gone international, with spin-offs set in the U.K. and Thailand. He’s also published three books: 2 RuPaul 1995’s Lettin’ It All Hang Out, 2010’s Workin’ It!, and 2018’s GuRu, which features a foreword from Jane Fonda. Recently, he became the first drag queen to land the cover of Vanity Fair. His Netflix debut, AJ and the Queen, premiered on the streaming service in January 2020. RuPaul saw drag as a tool that would guide his punk rock, anti-establishment ethos. -
Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
Best HIV Health Fundraising Organizations of 2016 by Winnie Mccroy EDGE Editor Thursday Dec 29, 2016
EDGE Media Network :: Best HIV Health Fundraising Organiza... http://www.edgemedianetwork.com/entertainment/celebrities/n... Select location Search Sign In | Register News A&E Biz Tech Money Cars Style Health Travel Nightlife Pride Calendar Entertainment » Celebrities Best HIV Health Fundraising Organizations of 2016 by Winnie McCroy EDGE Editor Thursday Dec 29, 2016 PRINT EMAIL COMMENTS (0) The generosity of our community is overwhelming! This year, we came together to raise funds in a variety of ways for our AIDS Service Organizations, including a drag show, an AIDS Walk in the desert, a gentleman's ball, several runs and bike rides, a horseback riding event, pageants, lottery tickets, and even a pool party. Way to make a splash to end HIV/AIDS! The 5th Annual Gentlemen's Ball Raises Funds for Atlanta's Mental Health & Youth Programs On Saturday, October 15 at the Atlanta Marriott Marquis, the 5th Annual Gentlemen's Ball raised funds for The Gentlemen's Foundation. The night was dedicated to honoring those who have demonstrated a commitment to social change through the enhancement of the quality of life within the minority LGBTQ community. "The Gentlemen's Foundation was born out of the need to celebrate our differences and shine a light on the multi-faced nature of the men in our community; to highlight their achievements, their strength, their endurance, their passion, creativity, and commitment to social activism," said Founders Juan & Gee Smalls. Click here. Best in Drag Show Raises Funds for AID For AIDS The Best in Drag Show, the outrageous and long-running annual fundraiser was held on October 5 at the Orpheum Theatre in downtown Los Angeles, raising funds for Aid for AIDS. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
Dragbecomeshim Credits.Pdf
Opening Title Credits Drag Becomes Him Directed by Alex Berry Produced by Basil Shadid Produced by Jacob Leander Michael Strangeways Starring Jerick Hoffer as Jinkx Monsoon Executive Producers Lara Sanderson Jeff Sanderson billie rain Alix Kolar Closing Credits DIRECTED BY Alex Berry PRODUCED BY Basil Shadid STARRING Jerick Hoffer as Jinkx Monsoon PRODUCED BY Michael Strangeways Jacob Leander EXECUTIVE PRODUCERS Lara Sanderson Jeff Sanderson EXECUTIVE PRODUCERS DUAL POWER PRODUCTIONS billie rain Alix Kolar DIRECTOR OF PHOTOGRAPHY Alex Berry EDITING Alex Berry Basil Shadid ON CAMERA INTERVIEWS Benjimen Blair, Sylvia O’Stayformore Deanne Hoffer, Jerick’s mom Jacob Hoffer, Jerick’s brother Melissa Hoffer, Jerick’s aunt Kevin Kauer, Editor in Chief of Nark Magazine Marc Kenison, Waxie Moon Zan Gibbs, Former SMYRC Coordinator Brian Daniel Peters, Mama Tits Amanda Russel, Jerick’s friend Nick Sahoyah, Collaborator Jessie Underhill, Jerick’s friend Michelle Visage, RuPaul’s Drag Race Judge Jason Wikander, Jerick’s dad Jeremy Wikander, Jerick’s brother Closing Credits PERFORMERS Roxxxy Andrews Richard Andriessen Pandora Boxx Jaxen Brown Peaches Christ Bianca Del Rio Adore Delano Ben DelaCreme Sydni Deveraux Alyssa Edwards Fuchsia Fox Lou Henry Hoover Detox Icunt Kitten Larue Aleksa Manila Coco Montrese Shanghai Pearl RuPaul Cherdonna Shinatra Jamie Von Stratton The Luminous Pariah Alaska Thunderfuck Mama Tits Ivy Winters POST PRODUCTION SUPPORT by JAYA PRODUCTIONS Nikki Jones - Editor Alex Perrault - Editing Supervisor COLORIST Joel Voelker AUDIO -
Deconstructing Abject Complacency of Ascribed Gender
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 Deconstructing Abject Complacency of Ascribed Gender Kyle M. Hooten Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Interdisciplinary Arts and Media Commons Recommended Citation Hooten, Kyle M. “Deconstructing Abject Complacency of Ascribed Gender.” Georgia Southern University, 2018. This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. DECONSTRUCTING ABJECT COMPLACENCY OF ASCRIBED GENDER by KYLE HOOTEN (Under the Direction of Jessica Burke) ABSTRACT My life has been dedicated to the relentless pursuit of masculinity throughout my transition from female to male. While originally focusing on the physical transition, my attention is now focused on the social aspects of transition. For me, this involved coming out, managing legal name/gender change paperwork, and understanding a newfound, cultural privilege. This is where I draw inspiration to create my work. My process and techniques are informed by Drag Kings and Queens as well as contemporary culture and art. After performing as a Drag King for a year I developed a sense of gender that differed from what I was taught as a female child. Because of this I started to reinterpret traditionally feminine crafts as a way to perform masculinity for the visual consumption of an audience. -
UPCOMING CHARITABLE EVENTS - All Information Cards Issued, Pursuant to Los Angeles Municipal Code, Chapter IV, Article 4, Philanthropy
UPCOMING CHARITABLE EVENTS - All Information Cards Issued, Pursuant To Los Angeles Municipal Code, Chapter IV, Article 4, Philanthropy - Event Date: 10/1/2010 Information Card Permit #: M0714 Agency Type: Regular Agency Name: HELP YOUTH CHARITIES FUND Charity Event: CHARITY GOLF TOURNAMENT, AD JOURNAL & AUCTION AT THE BRAEMAR COUNTRY CLUB For Information Regarding This Event Please Call : (818) 881-8300 Event Date: 10/1/2010 Information Card Permit #: T1503 Agency Type: Regular Agency Name: CENTER FOR THE PACIFIC ASIAN FAMILY Charity Event: FUNDRAISING DINNER PARTY AT THE GILMORE ADOBE For Information Regarding This Event Please Call : (323) 653-4045 Event Date: 10/1/2010 Information Card Permit #: T1735 Agency Type: Regular Agency Name: PADRES CONTRA EL CANCER Charity Event: "EL SUENO DE ESPERANZA" GALA FUNDRAISER For Information Regarding This Event Please Call : (818) 980-0208 Event Date: 10/1/2010 Information Card Permit #: V2488 Agency Type: Regular Agency Name: ORGANIZATION OF CHINESE AMERICANS - GREATER LOS ANGELES Charity Event: 18TH ANNUAL IMAGE AWARDS DINNER & AUCTION FUNDRAISER For Information Regarding This Event Please Call : (213) 250-9888 Event Date: 10/2/2010 Information Card Permit #: M0498 Agency Type: Regular Agency Name: SOUTHERN CALIFORNIA CHAPTER OF THE ARTHRITIS FOUNDATION Charity Event: ANNUAL CALIFORNIA COAST CLASSIC BIKE TOUR FUNDRAISER - SAN FRANCISCO TO LOS ANGELES For Information Regarding This Event Please Call : (323) 954-5750 Event Date: 10/2/2010 Information Card Permit #: M0963 Agency Type: Regular Agency -
Are They Family?: Queer Parents and Queer Pasts In
ARE THEY FAMILY?: QUEER PARENTS AND QUEER PASTS IN CONTEMPORARY AMERICAN CULTURE BY MICHAEL SHETINA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Associate Professor Siobhan Somerville, Chair Professor Chantal Nadeau Associate Professor Julie Turnock Associate Professor Richard T. Rodríguez, University of California, Riverside ABSTRACT The early twenty-first century saw a marked increase in depictions of LGBTQ people and communities in American popular culture occurring alongside political activism that culminated in the repeal of the Pentagon's Don't Ask, Don't Tell policy (2010) and the Supreme Court's overturning of same-sex marriage bans in Obergefell v. Hodges (2015). Even as these events fueled a triumphant progressive narrative in which social and political representation moved LGBTQ people into a better future, a significant strain of LGBTQ-focused popular culture drew its attention to the past. My dissertation, Are They Family?: Queer Parents and Queer Pasts in Popular Culture, examines how American film, television, and literature between 2005 and 2016 construct relationships among LGBTQ people across recent history in generational and familial terms. These works queer the concept of the family by deploying parents and parental figures to examine the role of families in the transmission of queer knowledges, practices, and identities, countering notions of families as mere precursors to queer identity—“families of origin”—or as the agential creations of out LGBTQ people—“families of choice.” These works demonstrate how such dichotomous conceptions of family limit the people, experiences, and forms of affect that are legible within the category of LGBTQ history.