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Bianca Del Rio Floats Too, B*TCHES the ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’S Done with ‘Drag Race’
Drag Syndrome Barred From Tanglefoot: Discrimination or Protection? A Guide to the Upcoming Democratic Presidential Kentucky Marriage Battle LGBTQ Debates Bianca Del Rio Floats Too, B*TCHES The ‘Clown in a Gown’ Talks Death-Drop Disdain and Why She’s Done with ‘Drag Race’ PRIDESOURCE.COM SEPT.SEPT. 12, 12, 2019 2019 | | VOL. VOL. 2737 2737 | FREE New Location The Henry • Dearborn 300 Town Center Drive FREE PARKING Great Prizes! Including 5 Weekend Join Us For An Afternoon Celebration with Getaways Equality-Minded Businesses and Services Free Brunch Sunday, Oct. 13 Over 90 Equality Vendors Complimentary Continental Brunch Begins 11 a.m. Expo Open Noon to 4 p.m. • Free Parking Fashion Show 1:30 p.m. 2019 Sponsors 300 Town Center Drive, Dearborn, Michigan Party Rentals B. Ella Bridal $5 Advance / $10 at door Family Group Rates Call 734-293-7200 x. 101 email: [email protected] Tickets Available at: MiLGBTWedding.com VOL. 2737 • SEPT. 12 2019 ISSUE 1123 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 22 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] News & Feature Editor Eve Kucharski, 734.293.7200 x 105 [email protected] 12 10 News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
MASTERCLASS Meet
MASTERCLASS Meet uPaul Charles’s chameleonic qualities have made him a television icon, spiritual guide, and R the most commercially successful drag queen in United States history. Over a nearly three-decade career, he’s ushered in a new era of visibility for drag, upended gender norms, and highlighted queer talent from across the world—all while dressed as a fierce glamazon. “Be willing to become the shape-shifter that you absolutely are.” Born in San Diego, California, RuPaul first experienced mainstream success when a dance track he wrote called “Supermodel (You Better Work)” became an unexpected MTV hit (Ru stars in the music video). The song led to a modeling contract with MAC Cosmetics and a talk show on VH1, which saw RuPaul interviewing everyone from Nirvana to the Backstreet Boys and Diana Ross to Bea Arthur. He has since appeared in more than three dozen films and TV shows, including Broad City, The Simpsons, But I’m a Cheerleader!, and To Wong Foo, Thanks for Everything! Julie Newmar. RuPaul’s Drag Race, Ru’s decade-old, Emmy-winning reality drag competition, has gone international, with spin-offs set in the U.K. and Thailand. He’s also published three books: 2 RuPaul 1995’s Lettin’ It All Hang Out, 2010’s Workin’ It!, and 2018’s GuRu, which features a foreword from Jane Fonda. Recently, he became the first drag queen to land the cover of Vanity Fair. His Netflix debut, AJ and the Queen, premiered on the streaming service in January 2020. RuPaul saw drag as a tool that would guide his punk rock, anti-establishment ethos. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
Dragbecomeshim Credits.Pdf
Opening Title Credits Drag Becomes Him Directed by Alex Berry Produced by Basil Shadid Produced by Jacob Leander Michael Strangeways Starring Jerick Hoffer as Jinkx Monsoon Executive Producers Lara Sanderson Jeff Sanderson billie rain Alix Kolar Closing Credits DIRECTED BY Alex Berry PRODUCED BY Basil Shadid STARRING Jerick Hoffer as Jinkx Monsoon PRODUCED BY Michael Strangeways Jacob Leander EXECUTIVE PRODUCERS Lara Sanderson Jeff Sanderson EXECUTIVE PRODUCERS DUAL POWER PRODUCTIONS billie rain Alix Kolar DIRECTOR OF PHOTOGRAPHY Alex Berry EDITING Alex Berry Basil Shadid ON CAMERA INTERVIEWS Benjimen Blair, Sylvia O’Stayformore Deanne Hoffer, Jerick’s mom Jacob Hoffer, Jerick’s brother Melissa Hoffer, Jerick’s aunt Kevin Kauer, Editor in Chief of Nark Magazine Marc Kenison, Waxie Moon Zan Gibbs, Former SMYRC Coordinator Brian Daniel Peters, Mama Tits Amanda Russel, Jerick’s friend Nick Sahoyah, Collaborator Jessie Underhill, Jerick’s friend Michelle Visage, RuPaul’s Drag Race Judge Jason Wikander, Jerick’s dad Jeremy Wikander, Jerick’s brother Closing Credits PERFORMERS Roxxxy Andrews Richard Andriessen Pandora Boxx Jaxen Brown Peaches Christ Bianca Del Rio Adore Delano Ben DelaCreme Sydni Deveraux Alyssa Edwards Fuchsia Fox Lou Henry Hoover Detox Icunt Kitten Larue Aleksa Manila Coco Montrese Shanghai Pearl RuPaul Cherdonna Shinatra Jamie Von Stratton The Luminous Pariah Alaska Thunderfuck Mama Tits Ivy Winters POST PRODUCTION SUPPORT by JAYA PRODUCTIONS Nikki Jones - Editor Alex Perrault - Editing Supervisor COLORIST Joel Voelker AUDIO -
Deconstructing Abject Complacency of Ascribed Gender
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2018 Deconstructing Abject Complacency of Ascribed Gender Kyle M. Hooten Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Interdisciplinary Arts and Media Commons Recommended Citation Hooten, Kyle M. “Deconstructing Abject Complacency of Ascribed Gender.” Georgia Southern University, 2018. This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. DECONSTRUCTING ABJECT COMPLACENCY OF ASCRIBED GENDER by KYLE HOOTEN (Under the Direction of Jessica Burke) ABSTRACT My life has been dedicated to the relentless pursuit of masculinity throughout my transition from female to male. While originally focusing on the physical transition, my attention is now focused on the social aspects of transition. For me, this involved coming out, managing legal name/gender change paperwork, and understanding a newfound, cultural privilege. This is where I draw inspiration to create my work. My process and techniques are informed by Drag Kings and Queens as well as contemporary culture and art. After performing as a Drag King for a year I developed a sense of gender that differed from what I was taught as a female child. Because of this I started to reinterpret traditionally feminine crafts as a way to perform masculinity for the visual consumption of an audience. -
GAG Magazine
SPECIAl ISSUE CONTENTS SPECIAL ISSUE ON THE COVER: THE ART OF GAG A retrospective celebration of GAG and a peek into our future. PAGE 20 5 // Musings from the Editrix 6 // Back Talk 8 // Gagging On with special guest Chiffon Dior LIFE 10 // Libations by Candace Collins 12 // Ask Edna Jean 14 // Voices Trans* Drag by Freddy Prinze Charming 72 // Drag-o-sphere 74 // Spotlight: Fans ART 16 // The Art of Drag: The Making of a King Documentary An interview with woman behind the kings, Nicole Miyahara. 66 // Extravaganza The Austin International Drag Festival GAG sits down with the mastermind behind the world’s first 4 day drag festival. BRANDI AMARA SKYY EDITIRX PAUL MICHAEL ARMSTRONG CREATIVE DIRECTOR CONTRIBUTORS Candace Collins Chiffon Dior Freddy Prinze Charming Edna Jean Robinson PHOTOGRAPHERS Alex Craddock Austin Young AJ Bates photography Cher Musico/Roots Photography Edwin Irizarry Gabe King Photography Jose A. Guzman Colon Kristofer Reynolds of kristoferreynolds.com Marcelo Cantu Photography Mathu Anderson Mei Na Nicole Miyahara Photography by Suri Rosemary Photography Robert Stahl musings from the editirx This issue of GAG is special not only because we are celebrating our second birthday, but because we’re in the middle of a growth spurt. We’ve outgrown some things . Departments like News, Music, Library, DID (Dipping into Drag). And grown into others . Voices where YOU write the story; The Art of Drag where we highlight others like us who are creating spectacular things; and - my personal favorite - Spotlight where we dedicate the last page(s) of the magazine to shining the spotlight on those who make us stars - the fans. -
Bianca Del Rio June/July2015 2 June/July 2015 Thebuzzmag.Ca JUNE 19-28 2015 PRIDETORONTO.COM
ON THE GO? Download theBUZZ PDF from our website esented by PinkPlayMags www.thebuzzmag.ca Pr For daily and weekly event listings visit Celebrate Pride with Bianca Del Rio June/July2015 2 June/July 2015 theBUZZmag.ca JUNE 19-28 2015 PRIDETORONTO.COM /pridetoronto #PrideTO theBUZZmag.ca June/July 2015 3 Issue #006 The Editor Publisher/Creative Director: Dear theBUZZ readers, Antoine Elhashem This is a special issue and a special time for Co-Editors-n-Chief: LGBTQ communities far and wide. Our city hosts Bryen Dunn and Donnaramma one of the greatest and most enduring Pride festi- vals, drawing every walk of life. A conglomeration of Art Director: Jonathan Rosa arts, culture, politics, festivals and activities, Pride General Manager: Kim Dobie is as multifaceted and multidimensional as the folks Sales Reps: Carolyn Burtch, Michael Wile who attend, participate and appreciate. Its appeal and Casey Robertson. still lies in the fact that there is something still worth Events Editor: Sherry Sylvain fighting for and celebrating. To assemble, celebrate, Counsels: Lai-King Hum, Hum Law Firm debate, and create a forward looking, forward thinking future for all. One of the features in this Regular Columnists: Paul Bellini, Donnaramma, Cat Grant, Boyd Kodak, Lexi issue examines Pride overseas. It’s quite some- Sanfino thing to look back into the past and also observe the present and marvel at the similarities between Feature Writers: Judy Virago, Sheila Koenig, Sherry Sylvain struggle, endurance, and victory that still happen today. Cover Photographer: Magnus Hastings You gotta fight for your right to Published by party. You gotta fight for your INspired Media Inc. -
Trodding the Boards
trodding the boards by Brian Sands Email: [email protected] Sleeping Beauty at Le Petit Théâtre du Vieux Carré through Feb. 14 I’ve never seen a panto, that traditional program of tomfoolery beloved by the British that turns up each Christmas season throughout England and usually retells a classic fairy tale with song, buffoonery, slapstick, in-jokes, audience participation, and winking innuendo. But I worked on a musical, Poppy, by Monty Norman and the esteemed British playwright Peter Nichols that used the form of the panto to relate the story of the British- Chinese Opium Wars. It won the West End’s Olivier Award for Best Musical in 1984, but, perhaps understandably, never made it chop chop ...from 25 over to this side of the Atlantic. So I was quite intrigued when Le Petit Lake Ave., Metairie, 831.1316; announced that it would be doing Sleeping Deanies.COM. Featured on the Travel Beauty, an “original American Panto” writ- Channel’s “Man v. Food,” Deanie’s signa- ten by Jon Greene whose production of ture BBQ Shrimp served the New Orleans Faustus last year had greatly impressed way--jumbo head-on Louisiana Shrimp me. It’s just the kind of adventuresome served in our unique blend of seasonings programming that the dowager lady of St. with a crusty baguette. For 50 years Deanie's Peter Street needs. has been serving huge portions of the best As with any panto, Greene has taken boiled, broiled and fried seafood in New the basic Sleeping Beauty story and re- Orleans. constituted it to allow for local jokes, current Gene's Po-Boys & Daquiris,1040 events references, puns, and an older fe- Elysian Fields Ave., 943.3861, male character, or “pantomime dame”, www.genespoboys.com, is famous for its played by a man in drag; signs cue the New Orleans style po-boy sandwiches audience to call out various catchphrases chockful of ingredients. -
Calling All the Queens! Visibilidades De Gênero No Programa De TV Rupaul’S Drag Race1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XVII Congresso de Ciências da Comunicação na Região Nordeste – Natal/RN – 02 a 05/07/2015 Calling All The Queens! Visibilidades de gênero no programa de TV RuPaul’s Drag Race1 Joseylson Fagner dos SANTOS2 Universidade do Estado do Rio Grande do Norte (UERN), Mossoró, RN Resumo: O presente artigo se propõe a discutir a visibilidade de indivíduos e identidades drag queen a partir da veiculação de RuPaul’s Drag Race, programa de televisão transmitido em canal por assinatura no território norte-americano. O texto faz parte de um estudo preliminar a respeito das aproximações culturais entre a cena estadunidense e a brasileira, pela qual circulam referências sobre personagens e experiências drag queen. Para tanto, faz uma análise qualitativa de duas temporadas (2013 e 2014) do programa e suas principais articulações sobre as questões de gênero e identidade sexual que fundamentam a posterior análise e discussão de outros experimentos no Brasil. A reflexão iniciada aqui é pautada pela reflexão sobre como as referências apresentadas no programa permitem articular elementos como a visibilidade social dessas personagens na cena LGBT, e a articulação de questões de gênero e das sexualidades na difusão em meios de comunicação de massa. Palavras-chave: drag queen; papéis de gênero; comunicação de massa; televisão; RuPaul’s Drag Race. INTRODUÇÃO Who do you think you are? I'm telling the truth now We're all born naked And the rest is drag — RuPaul Presença irreverente e icônica na cena LGBT norte-americana desde a metade dos anos 1980, a figura andrógina de RuPaul Andre Charles – que posteriormente ficou conhecida apenas por RuPaul – tornou-se um fenômeno de mídia após surgir como drag queen3 nos meios de comunicação de massa dos Estados Unidos como ator, cantor e diretor numa variedade de filmes, programas de rádio e de TV, propagandas, eventos sociais e casas noturnas, além dos videoclipes musicais para promover álbuns gravados como cantora. -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
Arturo Varela (267) 765-0367, [email protected] Deirdre Childress Hopkins (215) 599-2291, [email protected] Tweet Us: @Visitphillypr
CONTACTS: Arturo Varela (267) 765-0367, [email protected] Deirdre Childress Hopkins (215) 599-2291, [email protected] Tweet Us: @visitphillyPR Tweet It: Awesome fall LGBTQ performances, block parties, concerts and more in @visitphilly: https://vstphl.ly/2Os1Tbj 29 REASONS FOR LGBTQ TRAVELERS TO VISIT PHILADELPHIA IN FALL 2019 Bianca Del Rio, Randy Rainbow & Elton John Make Philly Appearances This Fall PHILADELPHIA, July 29, 2019 – Philadelphia’s lively lineup of LGBTQ events keeps fall calendars popping from Labor Day through Thanksgiving. This autumn, Philly hosts a 20th-anniversary run of Rent, a visit from singing YouTube satirist Randy Rainbow and RuPaul’s Drag Race star Bianca Del Rio in a new one-woman show. On the concert scene Riot Grrrls Sleater-Kinney perform at The Fillmore Philadelphia, and the one-and-only Elton John appears for two nights at the Wells Fargo Center. Fall also means the return of annual LGBTQ events, including OutFest, the nation’s largest National Coming Out Day celebration; Fringe Festival, always packed with an array of riveting LGBTQ-centric theatrical performances; moving storytelling performances in the First Person Arts Festival; and Henri David’s annual Halloween Ball. Here’s a list of must-do LGBTQ happenings this fall in Philly: Festivals, Block Parties & More: 1. Philadelphia Fringe Festival – Eighteen days and thousands of live performances spotlight the creativity coming out of Philadelphia’s arts community. Shows take place in venues all over the city, run the gamut from straight plays to musical revues to scavenger hunts, and, this year, include LGBTQ performances that extend into Opera Philadelphia’s own cutting-edge festival.