Ursula K. Le Guin the DISPOSSESSED an Ambiguous Utopia Document4 3/18/02 9:30 AM Page 2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“A Real Joy to Be Had” Kim Stanley Robinson Interviewed by Terry Bisson
“a Real joy to be haD” Kim Stanley RobinSon inteRVieWeD by teRRy biSSon David Hartwell once said that the Golden Age of Science Fiction is twelve. Was that true for you? What was your first literature? I didn’t know science fction existed until I was eighteen; then I fell in pretty deeply. The frst book I remember reading was Huckleberry Finn, and I still have that copy of the book with me, it has a gorgeous cover depicting Huck and Jim pulling a caught fsh onto the raft, in vibrant colors. For years I pretended to be Huck Finn. My parents subscribed to the Scholastic book of the month club, and I read those when they came in the mail pretty much the day of arrival. I read everything that caught my eye at the library when I was a child, then as a teenager did the same, but became a fan of locked- room detective mysteries, chiefy John Dickson Carr but also Ellery Queen, and all the rest of that crowd from the 1930s. Then just as I was leaving for college I ran into the science fction section at the library, all the books with their rocketship-and-radiation signs on the spine, and that was very exciting. In college I majored in history 78 | Kim Stanley RobinSon and literature, and on the side majored in science fction, absorbing the New Wave pretty much as it happened. Did your parents read to you as a kid? Did anyone? Do you read to your kids? Yes, my mom read to my brother and me at bed- time, and then I read on by myself with a fashlight. -
Ursula Le Guin to Give First Robert C. Elliott Memorial Lecture
Ursula Le Guin to give first Robert C. Elliott Memorial Lecture April 7, 1982 Ursula Le Guin, author of the award-winning novels "The Left Hand of Darkness" and "The Dispossessed," is scheduled to give the first Robert C. Elliott Memorial Lecture Wednesday, April 21, at the University of California, San Diego. The lecture, which is free and open to the public, is titled "A Non-Euclidean View of California as a Cold Place to Be." It will begin at 8 p.m. in room 107 of the Third College Lecture Hall. Le Guin will also hold an informal question and answer session covering her work at 3 p.m. Thursday, April 22, in room 111A of the Administrative Complex at UC San Diego. The Robert C. Elliott Memorial Lecture has been made possible by gifts from colleagues and friends of Elliott, a professor of English literature who died a year ago while hiking in the Anza-Borrego Desert. Elliott, one of the founders of the UC San Diego Department of Literature, joined the university faculty in 1964 and served as chairman of the literature department from 1968 through 1971. Le Guin has written 15 novels as well as a book for children, two collections of short stories and two books of poetry. Born in Berkeley, she received a B.A. degree from Radcliffe College in 1951 and an M.A. degree in French and Italian Renaissance literature from Columbia University in 1952. She received a Fulbright fellowship in 1953 and has received honorary degrees from Bucknell University and Lawrence University and an award for distinguished service from the University of Oregon. -
Interim Report • 1 January – 30 September 2018
THQ NORDIC AB (PUBL) REG NO.: 556582-6558 INTERIM REPORT • 1 JANUARY – 30 SEPTEMBER 2018 EBIT INCREASED 278% TO SEK 90.8 MILLION We had another stable quarter with continued momentum. The strategy of diversification is paying off. Net sales increased by 1,403% to a record SEK 1,272.7 million in the quarter. EBITDA increased by 521% to SEK 214.8 million and EBIT increased by 278% to SEK 90.8 million compared to the same period last year. The gross margin percentage decreased due to a large share of net sales with lower margin within Partner Publishing. Cash flow from operating activities in the quarter was SEK –740.1 million, mainly due to the decision to replace forfaiting of receivables with bank debt within Koch Media. Both THQ Nordic and Koch Media contributed to the group’s EBIT during the quarter. Net sales in the THQ Nordic business area were up 47% to SEK 124.2 million. This was driven by the release of Titan Quest, Red Faction Guerilla Re-Mars-tered and This is the Police 2, in addition to continued performance of Wreckfest. Net sales of Deep Silver were SEK 251.8 million, driven by the release of Dakar 18 and a good performance of Pathfinder Kingmaker at the end of the quarter. The digital net sales of the back-catalogue in both business areas continued to have solid performances. Our Partner Publishing business area had a strong quarter driven by significant releases from our business partners Codemasters, SquareEnix and Sega. During the quarter, we acquired several strong IPs such as Alone in the Dark, Kingdoms of Amalur and Time- splitters. -
THQ Nordic Acquires Award-Winning Warhorse Studios, the Studio Behind Kingdom Come: Deliverance
NOT FOR RELEASE, PUBLICATION OR DISTRIBUTION IN WHOLE OR IN PART, DIRECTLY OR INDIRECTLY, WITHIN OR TO THE UNITED STATES, AUSTRALIA, CANADA, NEW ZEALAND, HONG KONG, JAPAN, SOUTH AFRICA OR ANY OTHER JURISDICTION WHERE SUCH RELEASE, PUBLICATION OR DISTRIBUTION WOULD BE UNLAWFUL OR WOULD REQUIRE REGISTRATION OR ANY OTHER MEASURES. Press release Karlstad (Sweden), 13 February 2019, 6:30 a.m. CET THQ Nordic acquires award-winning Warhorse Studios, the studio behind Kingdom Come: Deliverance THQ Nordic AB's indirectly wholly owned subsidiary Koch Media GmbH has today entered into an agreement to acquire Prague based Warhorse Studios s.r.o., a leading game developer behind the successful award-winning title Kingdom Come: Deliverance. The purchase price amounts to 33.2MEUR on a cash and debt free basis. Warhorse’s Net Revenues in 2018 amounted to approximately 42 MEUR1 , with an adjusted EBIT of approximately 28 MEUR1. ”Warhorse Studios is one of the leading independent studios in Europe and I am proud to welcome them to the THQ Nordic group. Kingdom Come: Deliverance, which has now sold over 2 million copies, has been a great success since the release exactly one year ago. I look forward to continue working with the founders who will continue managing the studio under strong creative freedom for many years to come", says Lars Wingefors, CEO of THQ Nordic AB. The transaction in brief • THQ Nordic AB ("THQ Nordic" or "The Company") acquires 100 percent of the shares in Warhorse Studios s.r.o. ("Warhorse") through its indirectly wholly owned subsidiary Koch Media GmbH ("Koch Media"). -
Ursula K Le Guin
Preface By calling this book The Compass Rose I hoped to suggest that some pattern or coherence may be perceived in it, while indicating that the stories it contains tend to go off each in its own direction. They take place all over the map, including the margins. It is not even clear to me what the map is a map of. A mind, no doubt; presumably the author’s. But I expect there is more to it than that. One’s mind is never simply one’s own, even at birth, and ever less so as one lives, learns, loses, etc. The four directions, NESW, of the Rose of the Winds, our magnetic compass, converge into or arise out of an unspoken fifth direction, the center, the corolla of the rose. Many of the American peoples who were dispossessed by the compass- guided invaders from the East structured their world upon the four wind directions (or half-directions) and two more, Above and Below, also radial to the center/self/here and now, which may sacramentally contain the other six, and thus the Universe. This is the compass in four dimensions, spatial and temporal, material and spiritual, the Rose of the New World. As a guide to sailors this book is not to be trusted. Perhaps it is too sensitive to local magnetic fields. Within it, various circling motions may be perceived,as between the first and last stories, and the fourth and seventeenth. It gives rise to apparent excursions outward which are in fact incursions inward, such as the eleventh story; while the only piece describing a place whose objective reality may be confirmed on a present-day map of present-day Earth, the seventh, is perhaps the most subjective one of the lot. -
From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu
From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield Children's Literature, Volume 21, 1993 , pp. 43-65 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/chl.0.0516 For additional information about this article http://muse.jhu.edu/journals/chl/summary/v021/21.hatfield.html Access provided by Virginia Polytechnic Inst. __ACCESS_STATEMENT__ St.University __ACCESS_STATEMENT__ (Viva) (7 Feb 2014 09:28 GMT) From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield In literature as in "real life," women, children, and animals are the obscure matter upon which Civilization erects itself, phallologically. That they are Other is (vide Lacan et al.) the foundation of language, the Father Tongue. By climbing up into his head and shutting out every voice but his own, "Civilized Man" has gone deaf. He can't hear the wolf calling him brother—not Master, but brother. He can't hear the earth calling him child—not Father, but son. He hears only his own words making up the world. He can't hear the animals, they have nothing to say. Children babble, and have to be taught how to climb up into their heads and shut the doors of perception. No use teaching woman at all, they talk all the time, of course, but never say anything. This is the myth of Civilization, embodied in monotheisms which assign soul to Man alone. [Le Guin, Buffalo Gab 9-10] In recent years Ursula K. -
Nebula Science Fiction Award Winners Bookmark.Pub
Nebula Nebula Nebula Nebula Science Fiction Science Fiction Science Fiction Science Fiction Award Winners Award Winners Award Winners Award Winners Established in 1966 by Established in 1966 by Established in 1966 by Established in 1966 by the Science Fiction and the Science Fiction and the Science Fiction and the Science Fiction and Fantasy Writers of Fantasy Writers of Fantasy Writers of Fantasy Writers of America, this award America, this award America, this award America, this award recognizes excellence in recognizes excellence in recognizes excellence in recognizes excellence in science fiction or fan- science fiction or fan- science fiction or fan- science fiction or fan- tasy works published in tasy works published in tasy works published in tasy works published in the United States. the United States. the United States. the United States. 2006 - Seeker 2006 - Seeker 2006 - Seeker 2006 - Seeker by Jack McDevitt by Jack McDevitt by Jack McDevitt by Jack McDevitt 2005 – Camouflage 2005 – Camouflage 2005 – Camouflage 2005 – Camouflage by Joe Haldeman by Joe Haldeman by Joe Haldeman by Joe Haldeman 2004 – Paladin Of Souls 2004 – Paladin Of Souls 2004 – Paladin Of Souls 2004 – Paladin Of Souls by Lois McMaster Bujold by Lois McMaster Bujold by Lois McMaster Bujold by Lois McMaster Bujold 2003 – The Speed Of Dark 2003 – The Speed Of Dark 2003 – The Speed Of Dark 2003 – The Speed Of Dark by Elizabeth Moon by Elizabeth Moon by Elizabeth Moon by Elizabeth Moon 2002 – American Gods 2002 – American Gods 2002 – American Gods 2002 – American -
Gender Politics in Earthsea
Edith Cowan University Research Online Theses : Honours Theses 2004 Visions must be re-visioned : Gender politics in Earthsea Audrey Barton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Fiction Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Barton, A. (2004). Visions must be re-visioned : Gender politics in Earthsea. https://ro.ecu.edu.au/ theses_hons/1001 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1001 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
A Study of David Jones's the Anathemata
The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Liturgy, Imagination and Poetic Language: a study of David Jones's The Anathemata Richard St.John Jeremy Marsh Thesis Submitted for the degree of Doctor of Philosophy University of Durham School of English 1991 1 8 AUG 1992 Liturgy, Imagination and Poetic Language: a study of David Tones's The Anathemata Richard St.John Jeremy Marsh Abstract The thesis seeks to attempt an examination of David Jones's long poem The Anathemata primarily from a theologically informed standpoint. It sets out to understand,from the literary-critical point of view, the forces and influences that have come together in order to make the poem. At the same time, it is aware of and tries to explore the theological, liturgical and mythological material which provides Jones with both the background to and the content of his poem. It is argued that the form of poem, its linguistic content and the experience of reading it, are best understood in terms of pilgrimage and that such a metaphor is best suited to encompass both its huge scale and its attention to detail. From an overall examination of the available secondary literature, the thesis proceeds examine something of the experience of reading the poem, whether or not the poem can be conveniently understood as an epic and what Jones himself thought he was doing, at the same time his own theoretical stance is illuminated by reference to other contemporary thinkers. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner. -
Ursula K. Le Guin: a Critical Companion
Ursula K. Le Guin: A Critical Companion Susan M. Bernardo Graham J. Murphy Greenwood Press URSULA K. LE GUIN Ursula K. Le Guin. Photograph by Marian Wood Kolisch. URSULA K. LE GUIN A Critical Companion Susan M. Bernardo and Graham J. Murphy CRITICAL COMPANIONS TO POPULAR CONTEMPORARY WRITERS Kathleen Gregory Klein, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Bernardo, Susan M. Ursula K. Le Guin : a critical companion / Susan M. Bernardo and Graham J. Murphy. p. cm. — (Critical companions to popular contemporary writers, ISSN 1082–4979) Includes bibliographical references and index. ISBN 0–313–33225–8 (alk. paper) 1. Le Guin, Ursula K., 1929—Criticism and interpretation. 2. Science fiction, American—History and criticism. 3. Fantasy fiction, American—History and criti- cism. I. Murphy, Graham J., 1970– II. Title. III. Series. PS3562.E42Z54 2006 813'.54—dc22 2006017937 British Library Cataloguing in Publication Data is available. Copyright © 2006 by Susan M. Bernardo and Graham J. Murphy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2006017937 ISBN: 0–313–33225–8 ISSN: 1082–4979 First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Mark Wagner, an ever-patient, astute reader and feline loyalist. -
The Drink Tank 252 the Hugo Award for Best Novel
The Drink Tank 252 The Hugo Award for Best Novel [email protected] Rob Shields (http://robshields.deviantart.com/ This is an issue that James thought of us doing Contents and I have to say that I thought it was a great idea large- Page 2 - Best Novel Winners: The Good, The ly because I had such a good time with the Clarkes is- Bad & The Ugly by Chris Garcia sue. The Hugo for Best Novel is what I’ve always called Page 5 - A Quick Look Back by James Bacon The Main Event. It’s the one that people care about, Page 8 - The Forgotten: 2010 by Chris Garcia though I always tend to look at Best Fanzine as the one Page - 10 Lists and Lists for 2009 by James Bacon I always hold closest to my heart. The Best Novel nomi- Page 13 - Joe Major Ranks the Shortlist nees tend to be where the biggest arguments happen, Page 14 - The 2010 Best Novel Shortlist by James Bacon possibly because Novels are the ones that require the biggest donation of your time to experience. There’s This Year’s Nominees Considered nothing worse than spending hours and hours reading a novel and then have it turn out to be pure crap. The Wake by Robert J. Sawyer flip-side is pretty awesome, when by just giving a bit of Page 16 - Blogging the Hugos: Wake by Paul Kincaid your time, you get an amazing story that moves you Page 17 - reviewed by Russ Allbery and brings you such amazing enjoyment.