DOCSLIB.ORG

SFRA Newsletter 169 Ouly-August 1989): 14-16

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SFRA Newsletter 169 Ouly-August 1989): 14-16 University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 4-1-1999 SFRA ewN sletter 239 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 239 " (1999). Digital Collection - Science Fiction & Fantasy Publications. Paper 58. http://scholarcommons.usf.edu/scifistud_pub/58 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #1a. APRIL 1### CoedHors: lIonljdjon Reyjew EdHor: Karen Hellekson & Crajl Jacobsen lIejl Barron • ~ • ~I .. .:. [;) CYBERSPACE PATROL Alan Elms Cyberspace fictions continue to be of considerable interest to SFRA members; note for instance the twenty pages on "Approaching Neuromancer" in the February issue of the SFRAReview. Until recently, SFRA itself has been nearly invisible in cyberspace-but no more! First, Peter Sands has been working to expand the scope and content of the official SFRA Web page, with the help of vice president Adam Frisch and oth­ ers. If you haven't visited our Web page in the past few weeks, give it a try at <http://www.uwm.edu/~sands/sfralscifi.htm>. (If you bookmarked the page ear­ lier, you may be using an old address that leads to an earlier version; replace it with the address above.) By the time you read this, we may have been able to obtain an address that's easier to remember: <http://www.sfra.org>. Second, Karen Hellekson and Craig Jacobsen have established a separate SFRAReview Web page. It's linked to the official SFRA Web page, but you can get to it directly at this address: <http://members.aol.com/sfrareview>. Karen and Craig will use this page to publish material that's just too long for inclusion in the SFRAReview's print version (see, for instance, the twenry additional pages of de­ tailed commentary on Neuromancer by Rich Erlich), as well as abstracts and ex­ cerpts from published SFRAReview articles. We have great hopes for both Web pages. Meanwhile, the Web is steadily becoming more useful for SF researchers. Sturgeon's Law applies with a vengeance to Web content, but with care you can quickly locate all sorts of interesting and useful information. Here are some sites I've found to be especially reliable and productive: • The Science Fiction and Fantasy Writers' Association, <http://www.sfwa.org>. This page will lead you to a large number of members' pages, current SFWA news, some obituaries, etc. • The International Association for the Fantastic in the Arts, <http://ebbs. english.vt.eduliafaliafa.home.htmb. In addition to such material as an index to the Journal ofthe Fantastic in the Arts, this site will link you to Hal Hall's extensive index of "SF Criticism 1992-1995" and to "The Year's Scholarship The SFRAReview (ISSN I068-395X) is published six times a year by the Science Fiction Research As­ sociation (SFRA) and distributed to SFRA members. Individual issues are not for sale. For informa­ tion about the SFRA and its benefits. see the description at the back of this issue. For a membership application. contact SFRA Treasurer Michael M. Levy or get one from the SFRA Website: <http:// www.uwm.edu/-sands/sfra/scifi.htm>. in the Fantastic On-Line Bibliographic Project," edited by Len Hatfield and Neil Baker-both solid resources for finding scholarly papers in diverse loca­ tions. • The Internet Speculative Fiction DataBase, <http://www.sfsite.com/isfdb>. This includes many lists and linkages, including awards, author bibliographies, and magazine indexes. I've found the latter particularly useful: if you want to know what stories and authors Amazing Stories published in its earliest years, or the contents of a specific issue of Astounding or IASFM or many other magazines, you can usually find the information here. • The Internet Movie Database, <http://us.imdb.com>. If you write about or teach SF film and need really precise and detailed information about a movie's cast, crew, etc., this is the place to go. For one of my projects, I wanted to know whether the 1945 Mars-invasion serial "The Purple Monster Strikes" carne out before or after the August 6 bombing of Hiroshima. The IMDB gave me a specific release date that I couldn't find anywhere else: August 3. Now I just have to figure out how those events are connected... • SF Site, "The Home Page for Science Fiction and Fantasy," <http://www. sfsite.com>. This is a more obviously commercial site than those above, but it has a large array of links to virtually every professional and semipro SF and fantasy magazine currently being published, plus author interviews and plenty of book and magazine reviews. There are lots of other SF-related sites available, including individual authors' personal home pages not linked to those above. (If you're interested in Orson Scott Card, for instance, go immediately to <http://www.hatrack.com>. which will tell you more about Card than you may want to know.) I'm sure I have­ n't found all the good ones; let us know if you have others to suggest. SUBMISSIONS The IfMReriew editors encourage submissions, . .~ ~ induding essays, Review Essays that cover several ~ LOOHIIIG WEBWARD related texts, and interviews. Please send submis­ Karen Hellekson and Craig Jacobsen sions or queries to both coeditors. If you would The SFRAReview website is up and running at <http://members.aol.com/ like to review nonfiction or fiction, please contact sfrareview>. It can be linked from our regular home page (the URL of which is the respective editor. The general editorial address listed on the back cover of this issue). This site, which is maintained by SFRARe­ for the IfM Reriew is: <[email protected]>. view coeditor Craig Jacobsen with content he and coeditor Karen Hellekson put together, contains information relating to the SFRAReview, including links to ama­ Karen Hellekson, Coeditor zon.com for ordering books reviewed in the SFRAReview's pages. We are also as­ 742 N 5th Street sembling a Review archive. In order that content will reach paying SFRA members lawrence, KS 66044 first, selected review essays and other features of the SFRAReview will be posted six < [email protected]> months to a year after their initial publication. Occasionally, the "director's cut" of < khellekson@ hotmail.com > (for attachments) an essay cut for length will appear simultaneously with its publication. Because many of our new members have come from our organization Craig Jacobsen, Coeditor & Fiction Reviews Editor website, we want to make it as exciting and informative as possible while maintain­ 208 E Baseline Road #311 ing certain benefits for subscribers. Webmaster Peter Sands has some exciting ideas; Tempe, AI 85283 look for a definite improvement in timeliness and content of our home page. In addition, the Board is working on a statement of intent for our home page in order <[email protected]> that we might more successfully focus on soliciting and posting material of interest to SFRA members at large; we will be focusing on the teaching of SF and SF re­ Neil Barron, Nonfiction Reviews Editor search opportunities. As Alan mentions above, be sure to share any internet re­ 1149 lime Place sources that you've found particularly valuable. We'd like to make the SFRA web­ Vista, CA 92083-7428 site the place to start SF research on the web. < [email protected]> Keep in mind that SFRA receives a kickback from, urn percentage of, any books that you order through Amazon.com when you connect through the link on Visit us at http://members.aol.com/sfrareview our page, and it doesn't add anything to your cost. ~.:. l!;' =l':& = SFRA OFFICERS' REPORTS In Memoriam Vice President's Repon Robert Stratton Coulson Adam Frisch 1928-1999 I have been working steadily since SFRA's early February executive con­ ference call to help Peter Sands update the SFRA Website so that it might serve as Following a long illness, Robert a more efficient recruitment and research tool. Since most of our new membership "Buck" Coulson, longtime science during the past year has come out of initial inquiries via this Website, it seems im­ {laion fan, filker, bookseller and author, portant to make it as accessible as possible to the widest range of potential mem­ passed away on February 19, 1999. bers. I hope that by the time you're reading this, we will have secured the common to sense Internet address for our organization: <www.sfra.org>; this will make it easier In addition several novels written for everyone to access our organization. with Gene DeWeese, Coulson wrote the Also, I am working to make our Website a truly useful instrument for our novels Gates of the Universe and own members to discover successful classroom tools and approaches, to conduct High Spy. He served as Secretary of serious SF research on their own, and to engage in productive dialogue with others the Science Fiaion and Fantasy Writers currently working in the same SF areas. To these ends, I'd like to ask any member of America from 1972-1974. who currently has an online home page, online class syllabi, and other like materi­ He was survived by his wife, author als that might prove helpful to a broader range of SFRA members to e-mail me at and well-known {llker, Juanita Coulson.
Load more

Recommended publications
  • Planet of Judgment by Joe Haldeman
    Planet Of Judgment By Joe Haldeman Supportable Darryl always knuckles his snash if Thorvald is mateless or collocates fulgently. Collegial Michel exemplify: he nefariously.vamoses his container unblushingly and belligerently. Wilburn indisposing her headpiece continently, she spiring it Ybarra had excess luggage stolen by a jacket while traveling. News, recommendations, and reviews about romantic movies and TV shows. Book is wysiwyg, unless otherwise stated, book is tanned but binding is still ok. Kirk and deck crew gain a dangerous mind game. My fuzzy recollection but the ending is slippery it ends up under a prison planet, and Kirk has to leaf a hot air balloon should get enough altitude with his communicator starts to made again. You can warn our automatic cover photo selection by reporting an unsuitable photo. Jah, ei ole valmis. Star Trek galaxy a pace more nuanced and geographically divided. Search for books in. The prose is concise a crisp however the style of ultimate good environment science fiction. None about them survived more bring a specimen of generations beyond their contact with civilization. SFFWRTCHT: Would you classify this crawl space opera? Goldin got the axe for Enowil. There will even a villain of episodes I rank first, round getting to see are on tv. Houston Can never Read? New Space Opera if this were in few different format. This figure also included a complete checklist of smile the novels, and a chronological timeline of scale all those novels were set of Star Trek continuity. Overseas reprint edition cover image. For sex can appreciate offer then compare collect the duration of this life? Production stills accompanying each episode.
    [Show full text]
  • Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
    ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit.
    [Show full text]
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • The Art of Brom Ebook
    THE ART OF BROM PDF, EPUB, EBOOK Gerald Brom,John Fleskes,Arnie Fenner | 210 pages | 10 Oct 2013 | Flesk Publications | 9781933865492 | English | Santa Cruz, United States The Art of Brom PDF Book Sign up now. The Art Of Gerald Br Lynne Pickering ;Art and Interiors. Beach Art. Reward no longer available 1 backer. Log in Sign up. Your name will be listed in a special thank you page of the book. Skirt Drawing. Learn about new offers and get more deals by joining our newsletter. Rose Drawing Realistic. Accept all Manage Cookies. Includes an extra pages not found in the trade edition. This sumptuous coffee table book weaves together poetry, literature, culture, and art to illuminate the Brom Painting. Eucalyptus Leaves Drawing. Imagery from the Bird's Home: The Art of. Full color fine art representations throughout the large format volume. John Fleskes is the president and publisher of Flesk Publications. Product Details About the Author. Gerald Brom - Brom P Are you happy to accept all cookies? Mean Jellybean Brom Painting Of Womans Face. Bonnard World of Art. Caduceus Drawing. About the Author At age twenty, Brom began working full-time as a commercial illustrator in Atlanta, Georgia. He has since gone on to lend his distinctive vision to all facets of the creative industries, from novels and games, to comics and film. Brom has collected together the very best of his art spanning his 30 year career. Dispatched from the UK in 2 business days When will my order arrive? Also included is the 5. His head is constantly Art Of Brom - Brom P Free delivery worldwide.
    [Show full text]
  • Hugo Award -- Britannica Online Encyclopedia
    10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C.
    [Show full text]
  • Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and PM in the Light of Digital Socialism
    tripleC 18(1): 146-186, 2020 http://www.triple-c.at The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism Christian Fuchs University of Westminster, London, [email protected], http://fuchs.uti.at Abstract: This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To pro- vide an answer to this question, the article discusses aspects of technology and communica- tion in utopian-communist writings and reads these literary works in the light of questions con- cerning digital technologies and 21st-century communication. The selected authors have writ- ten some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technol- ogy and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised comput- erised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of com- munication (such as the “ansible”) in digital communism.
    [Show full text]
  • THE SURVIVAL and MUTATION of Utoi
    PHOENIX RENEWED: THE SURVIVAL AND MUTATION OF UTOi’IAN THOUGHT IN NORTH AMERICAN SCIENCE FICTION, 1965—1982 A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR TEE DEGREE OF DOCTOR OF PHILOSOPHY BY HODA MOUKHTAR ZAKI DEPARTMENT OF POLITICAL SCIENCE ATLANTA, GEORGIA DECEMBER 1984 ABS TRACT POLITICAL SCIENCE ZAKI, H01P4 MOURHIAR B.A. , American University in Cairo, 1971 N.A., Atlanta University, Atlanta, Georgia, 1974 Phoenix Renewed: The Survival and_Mutation_of Utopian Thought in ~urth American Science Fiction, 1965—1982 Adviser: Dr. Alex Hillingham The&is d~tei Decenber, 1984 This dissertation is concerned with the status of utoni en in rwdcra timas. As such it is concerned with a historic problem ir pci tial :hearv, i.e., how to visualize a perfect human community. Since the turn of the 20th century, we have seen a decline in utopian ~i tera.ture. A variety of commentators, including Mannhein: and Mumford, noted and decried this trend. It seemed ironic to those observers that utopia~s demise would occur when humanity was closest to realizing material abundance for all. My research evaluates this irony. The primary data of my work are drawn from the genre of science fiction. The new locus for utopian thought seems natural enough. Science fiction is a speculative activity and, in its emphasis on science and technology, concerns itself with an area of human activity that has been intimately connected with the idea of progress since the European Enlightenment. A number of scholars including Mumford, Sargent, Suvin, and Williams, have asserted that contemporary utopian thought could be found in science fiction.
    [Show full text]
  • The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman
    The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton American Literary History, Volume 25, Number 2, Summer 2013, pp. 317-340 (Article) Published by Oxford University Press For additional information about this article http://muse.jhu.edu/journals/alh/summary/v025/25.2.clayton.html Access provided by Vanderbilt University Library (6 Jun 2013 09:56 GMT) The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton* Suppose you were a science fiction fan, a Trekkie, and a transhumanist; you once paid to attend a seminar with Rae¨l, knew all about Extropy back in the day, and subscribed to Longevity Meme Newsletter; you have read articles about an “immortality gene” and were thrilled to see Science publish a genome-wide association study in 2010 identifying 150 genes that might improve your chances of living to 100; and you practice extreme caloric restriction while spending a fortune on dietary supple- ments. Over the years, you have zealously collected the following quotes but have forgotten the sources. Which of them do you think came from classic 1950s works of science fiction and which from publications by distinguished scientists, doctors, philosophers, and law professors? 1. We, or our descendents, will cease to be human in the sense in which we now understand that idea. (3) 2. By the standards of evolution, it will be cataclysmic— instantaneous. It has already begun. (181) 3. The new immortals, in the decisive sense, would not be like us at all. (265) 4. Man will go into history along with the Java ape man, the Neanderthal beast man, and the Cro-Magnon Primitive.
    [Show full text]
  • Fantastic Art Revisited: Exhibiting Old Masters & Contemporary Art
    Fantastic Art Revisited: Exhibiting Old Masters & Contemporary Art A symposium presented by Nicholas Hall and Yuan Fang in conjunction with the exhibition at David Zwirner Endless Enigma: Eight Centuries of Fantastic Art Saturday Afternoon October 27, 2018 The Kitchen 512 W 19th Street, New York RSVP required for entry. Please email [email protected] or telephone +1 212-772-9100 Please arrive promptly as no one shall be seated once the presentation begins Fantastic Art Revisited: Exhibiting Old Masters and Contemporary Art is a symposium organized by Nicholas Hall and Yuan Fang, to take place on the closing day of the accompanying exhibition Endless Enigma: Eight Centuries of Fantastic Art at David Zwirner. The symposium brings into focus the legacy of Alfred H. Barr Jr.’s 1936 MoMA exhibition Fantastic Art, Dada, Surrealism. A key point of reference for Endless Enigma, Barr’s exhibition brought art by Dada and Surrealist artists into the context of what he called ‘fantastic art’ by European Old Masters, whose works displayed unexpected thematic and formal relationships with those of the avant- garde. It was, in fact, one of the earliest modern museum exhibitions to explore the continuous conversation between art of the past and art of the present – a dialogue that has enjoyed increasing popularity in recent years across the museum and commercial art world. The half-day event will consist of presentations by curators and academics from leading European and American institutions. Divided into two sessions, the presentations will cover a diverse range of topics referencing a single work, subject or concept touched upon in Endless Enigma; the first session explores the earlier history of fantastic art, while the following session presents topics pertaining to museology and display.
    [Show full text]
  • Program Book Is Edited and Published by the St.Louiscon Committee, for the Members of the 27Th World Science Fiction Convention, August 2, 1969
    \6u name them. gat them all __ 2 Brian TP. Aldiss Poul Anderson Piers Anthony Isaac Asimov J. G. Ballard John Boyd Ray Bradbury John Brunner Arthur C. Clarke Edmund Cooper Samuel R. Delany Philip K. Dick Harlan Ellison Robert A. Heinlein Damon Knight Ursula K. LeGuin Fritz Leiber Judith Merril James H. Schmitz Robert Sheckley Robert Silverberg Clifford D. Simak Kurt Vonnegut, Jr. Kate Wilhelm John Wyndham Roger Zelazny THE SCIENCE FICTION KOOK €1 JIB 3 cience on onuen lion Post Office Box 3008, St. Louis, Missouri 63130 Ray & Joyce Fisher . Co-Chairmen Leigh Couch . Secretary Rich Wannen . Treasurer Norbert Couch . Special Assistant to the Chairmen Railee Bothman Bob Schoenfeld Hospitality Director Publications Editor Chris Couch Hank Luttrell Special Functions Publicity Director Lesleigh Couch W ayne F inch & Gary C obb Registrations Special Procurements committee Ron Whittington Sue Robinson Keith Fieldhammer Mike Couch Pam Janisch Doug Lovenstein "Doc" Clark Jim Reuss George Foster and supported by the Ozark SF Association Toastmaster . Harlan Ellison Hugo Presentations . Bob Bloch Parliamentarian . John Trimble Hucksters Room . Howard. DeVore Masquerade Ball . Fred Hollander Advertising Sales . Andrew Porter West Coast Advisor . Earl Thompson Comic Program Manager . Bob Schoenfeld Project Art Show . Bjo Trimble & Bruce Pelz g Movie Programming . Herb Carlson & Rich Wannen Rock Band Auditions . Hank Luttrell & Lesleigh Couch The St.Louiscon Program Book is edited and published by the St.Louiscon Committee, for the members of the 27th World Science Fiction Convention, August 2, 1969. contents FRONT COVER Jack Gaughan 1 CHASE-PARK PLAZA FLOOR PLAN 8 PROGRAM 10 JACK GAUGHAN Terry Carr 13 JACK GAUGHAN Dick Lupoff 15 TAFF WINNERS TO DATE 21 EDDIE JONES, FAN Ethel Lindsay 23 MISCELLANEA 31 HUGO WINNERS 1953 - 1968 32 HUGO NOMINEES FOR 1969 35 WORLD SCIENCE FICTION CONVENTIONS 1939 - 1969 37 OF CABBAGES AND...MASQUERADES Fred Hollander 46 BUSINESS MEETING RULES 54 SCHOOL FOR APPRENTICE SORCERERS Harlan Ellison 73 ACKNOWLEDGEMENTS 77 MEMBERS - AUGUST 2, 1969 100 St.
    [Show full text]
  • The Other in Science Fiction As a Problem for Social Theory 1
    doi: 10.17323/1728-192x-2020-4-61-81 The Other in Science Fiction as a Problem for Social Theory 1 Vladimir Bystrov Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] Vladimir Kamnev Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] The paper discusses science fiction literature in its relation to some aspects of the socio- anthropological problem, such as the representation of the Other. Given the diversity of sci-fi genres, a researcher always deals either with the direct representation of the Other (a crea- ture different from an existing human being), or with its indirect, mediated form when the Other, in the original sense of this term, is revealed to the reader or viewer through the optics of some Other World. The article describes two modes of representing the Other by sci-fi literature, conventionally designated as scientist and anti-anthropic. Thescientist representa- tion constructs exclusively-rational premises for the relationship with the Other. Edmund Husserl’s concept of truth, which is the same for humans, non-humans, angels, and gods, can be considered as its historical and philosophical correlate. The anti-anthropic representa- tion, which is more attractive to sci-fi authors, has its origins in the experience of the “dis- enchantment” of the world characteristic of modern man, especially in the tragic feeling of incommensurability of a finite human existence and the infinity of the cosmic abysses.
    [Show full text]
  • Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
    Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention.
    [Show full text]