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Download Our Last Catalog for 2018/19
1 MIDNIGHT MARQUEE 2018/19 CATALOG The Perfect GIFTS for Your Favorite Movie Buff! Vol. 1 NEW COVER WE KNOW MOVIES! Midnight Marquee Press • 9721 Britinay Lane, Baltimore, MD 21234 2 A Letter from Gary and Sue Svehla of Midnight Marquee Press We would like to apologize to our many long time customers as well as to our many new ones for the lateness of this catalog and our slowness in get- ting your orders out. It’s been a rough several years as Sue has been facing medical challenges, but we have finally found a diagnosis and she is on a healing path. Of course we will try to get your orders out quickly, but we’re getting old and slow (not to mention forgetful) so— if you need your books quickly, please order them from AMAZON.com or OLDIES.com. Most of our books are now being converted to e-books by Bear Manor Media, so you can order those from Amazon.com. We thank you for your patience, your business and your friendship through the years. Gary and Sue Svehla Table of Contents 3 New Titles from MMP Payment: We accept 5 Brit Horrors all major credit cards, 12 Italian Horror checks, money orders 15 Biographies and Autobios and PayPal. 19 Musical Bios 20 MidMar’s Actors Series Shipping: We try to 21 Histories of Horror Films ship within 7 work- ing days, but it’s just the two of us and we’re 25 Histories of Sci-Fi Films getting old and slow. 26 Hooray for Hollywood— other genres If you need your order fast, PLEASE 28 Exploitation Horrors order from Amazon.com or Oldies.com Most books will arrive from Createspace— 29 Forgotten Horrors & DVDs, mags, bookplates, etc. -
Audience Insights Table of Contents
GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11 -
The Showgirl Goes On
Star_Jan02_p1-20_Layout 1 1/2/2013 3:31 PM Page 1 ONLINE GET SELECT CONTENT ON THE GO, WWW.MONTROSE-STAR.COM IS MOBILE ENABLED! The WWW.MONTROSE-STAR.COM YOUR GUIDE TO GLBT ENTERTAINMENT, RECREATION & CULTURE IN CENTRAL AND COASTAL TEXAS WEDNESDAY, JANUARY 2, 2013 H VOL. III, ISSUE 20 FEATURE n19 One Good Love CALENDAR n6 Next2Weeks! DINING GUIDE n14 Roots Juice Drink Your Veggies! COMMUNITY n6 HAPPY NEW YEAR! The Showgirl INDEX Editorial........................4 Non-Profits Calendar .....16 Goes On Cartoons ....................33 Crossword ..................33 p10 Lifestyles ....................31 Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 2 Page 2 Montrose Star H Wednesday, January 2, 2013 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 3 Montrose Star H Wednesday, January 2, 2013 Page 3 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 4 Page 4 Montrose Star H Wednesday, January 2, 2013 Op-ED CONTACT US: 713-942-0084 EMAIL: [email protected] publisher Executive Editor Health & Fitness Music Laura M. Villagrán Kenton Alan DJ Chris Allen Sales Director Davey Wavey DJ JD Arnold Angela K. Snell Dr. Randy Mitchmore DJ Mark DeLange Creep of the Week: production News & Features DJ Wild & DJ Jeff Rafael Espinosa Johnny Trlica Scene Writers Circulation & Distribution Jim Ayers Arts Reviews Miriam Orihuela Pope Benedic XVI Daddy Bob Bill O’Rourke & Loyal K Elizabeth Membrillo Stephen Hill Lifestyles Rey Lopez Gayl Newton By d’anne WitkoWski lent to a suicide bomber. -
Jclb~D~CL, F John F
identifying data deleted to U.S. Department of Ilomeland Security U.S. Citizenship and Immigration Services prevent clear\y unwarranrcd Of>ce ofAdministrative Appeals MS 2090 . invasion of personal privacy Washington, DC 20529-2090 %W& U.S. Citizenship and Immigration p Services -J & Office: NEBRASKA SERVICE CENTER Date: s~p0 3 20~ LIN 08 005 54548 PETITION: Immigrant Petition for Alien Worker as an Alien of Extraordinary Ability Pursuant to Section 203(b)(l)(A) of the Immigration and Nationality Act, 8 U.S.C. 5 1 153(b)(l)(A) ON BEHALF OF PETITIONER: INSTRUCTIONS: This is the decision of the Administrative Appeals Office in your case. All documents have been returned to the office that originally decided your case. Any further inquiry must be made to that office. If you believe the law was inappropriately applied or you have additional information that you wish to have considered, you may file a motion to reconsider or a motion to reopen. Please refer to 8 C.F.R. 5 103.5 for the specific requirements. All motions must be submitted to the office that originally decided your case by filing a Form I-290B, Notice of Appeal or Motion, with a fee of $585. Any motion must be filed within 30 days of the decision that the motion seeks to reconsider or reopen, as required by 8 C.F.R. 5 103S(a)(l)(i). Jclb~d~CL, f John F. Grissom 1' Acting Chief, Administrative Appeals Office DISCUSSION: The employment-based immigrant visa petition was denied by the Director, Nebraska Service Center. -
Redux Demonstracao.Pdf
TODOS OS DIREITOS DA OBRA RESERVADOS A CÉSAR ALMEIDA AUTOR César Almeida REVISÃO Celly Borges FOTOGRAFIAS DE CAPA E QUARTA-CAPA Oleg Koslov e Arman Zhenikeyev PROJETO GRÁFICO Página 42/Marcelo Amado EDITOR RESPONSÁVEL Marcelo Amado Dados Internacionais de Catalogação na Publicação (CIP) Almeida, César; Cemitério Perdido dos Filmes B: Redux ... – São José dos Pinhais, PR: Página 42 Editora/Estronho, 2014. 304 pg. ISBN: 978-85-64590-76-2 1. Ensaios Brasileiros. I. Almeida, César CDD-B869.4 índice para catálogo sistemático: 1. Ensaios Brasileiros. CDD-B869.4 Todos os direitos desta edição reservados à Página 42 Editora / Estronho São José dos Pinhais - Paraná - Brasil www.editora.estronho.com.br Facebook: www.facebook.com/EditoraPagina42 Twitter: @Pagina42_Ed PETER CUSHING EM “FRANKENSTEIN CREATED WOMAN” (1967) ESTA É UMA VERSÃO DE DEGUSTAÇÃO (em baixa resolução) CONTENDO O SUMÁRIO, PREFÁCIO, INTRODUÇÃO E OS CINCO PRIMEIROS FILMES ABORDADOS. -------------------------------------------------- EDITORA ESTRONHO www.lojaestronho.com.br www.estronho.com.br/blog JANE FONDA EM BARBARELLA (1968) ÍNDICE 11 PREFÁCIO: A VALOROSA ARTE DA EXUMAÇÃO CINÉFILA, por Carlos Primati 15 INTRODUÇÃO 18 ZUMBI BRANCO (White zombie, 1932) 22 A MORTA VIVA (I walked with a zombie, 1943) 24 O TÚMULO VAZIO (The body snatcher, 1945) 26 O MONSTRO DO ÁRTICO / O ENIGMA DO OUTRO MUNDO (The thing from anoth- er world, 1951) 28 A MALDIÇÃO DE FRANKENSTEIN (The curse of Frankenstein, 1957) 30 O MONSTRO MARINHO (The saga of the viking women and their voyage to the waters of the -
We Applaud Gulfshore Playhouse for Another Year of Great Performances
Experience, Knowledge, Proven Results. FROM OLD NAPLES TO NAPLES SQUARE TO THE ISLES OF COLLIER PRESERVE Whether you are selling your home or condo or buying a home or condo, call me and let’s get started! BRUCE MILLER (239) 206-0868 720 5th Avenue South, Suite 201, Naples, FL 34102 [email protected] www.NaplesBeachesRealEstate.com CERTIFIED LUXURY HOME MARKETING SPECIALIST®, REALTOR® Welcome to Gulfshore Playhouse. On behalf of the law firm Denton’s Cohen & Grigsby, we are honored to serve once again as a corporate partner of Gulfshore Playhouse and to play a supporting role in bringing first class, professional theatre to Naples. For more than a decade, Denton’s Cohen & Grigsby has been practicing A Culture of Performance in Southwest Florida, representing clients with sound business counsel, innovative legal thinking, and a powerful understanding of the dynamics that shape our world. We are particularly proud of our collaboration with Gulfshore Playhouse which assists with bringing the arts and education to area schools, including the ThinkTheatre cross-curricular program, the STAR Academy afterschool and summer programs, the community partnerships, and more. Our partnership with Gulfshore Playhouse is a way of extending our firm’s high level of commitment to the arts, enriching the communities in which we serve. We hope you enjoy tonight’s performance and continue to support Gulfshore Playhouse, an exceptional cultural resource and treasure for our community. Sincerely, Jason Hunter Korn Managing Director, Denton’s Cohen & Grigsby, Florida A Letter from the Founder elcome home. I am sure I need not tell you how unspeakably thrilled I am that after EIGHT WMONTHS of darkness we are able to safely gather and present you with a season filled with a variety of unique opportunities created expressly with the safety of our actors, staff, and of course YOU in mind. -
Demographics Broadway Audience
THE DEMOGRAPHICS OF THE BROADWAY AUDIENCE 2018–2019 T HE DEMOGRAPHICS OF THE BROADWAY AUDIENCE 2018–2019 THE BROADWAY LEAGUE KAREN HAUSER NOVEMBER 2019 ©THE BROADWAY LEAGUE ISBN 978-0-9973744-8-3 CONTENTS 729 SEVENTH AVENUE T 212-764-1122 5TH FLOOR F 212-944-2136 NEW YORK, NY 10019 BROADWAYLEAGUE.COM Charlotte St. Martin President I Introduction and Summary Board of Governors November 2019 I Introduction and Summary Foreword 4 Foreword 4 Thomas Schumacher Executive Summary 5 Chairman Dear Colleague, Executive Summary 5 Gina Vernaci Vice Chair of the Road We are pleased to share with you The Demographics of the Elliot Greene II Demographics of the Broadway Audience Secretary/Treasurer Broadway Audience for the 2018–2019 season. Our audiences Place of Residence 8 Robert E. Wankel have continued to grow, and admissions have reached an all- II Demographics of the Broadway Audience Immediate Past Chairman time high of 14.8 million! Gender 16 Place of Residence 8 Richard Baker Age 18 Moreover, our shows are attracting people from all over the Gender 16 Meredith Blair Ethnic Background 22 Michael Brand world. This season, foreign visitors accounted for 2.8 million Maggie Brohn Age 18 admissions. This international component is especially excit- Education 25 Stephen Byrd Ethnic Background 22 Jeff Chelesvig ing, as visitors from farther away tend to stay longer and spend Annual Household Income 28 Robert Cole Education 25 Jeff Daniel more money in the city, supporting our mission to make Broad- Frequency of Attendance 30 Ken Davenport way the greatest tourist attraction in the area. -
American International Pictures (AIP) Est Une Société De Production Et
American International Pictures (AIP) est une société de production et distribution américaine, fondée en 1956 depuis "American Releasing Corporation" (en 1955) par James H. Nicholson et Samuel Z. Arkoff, dédiée à la production de films indépendants à petits budgets, principalement à destination des adolescents des années 50, 60 et 70. 1 Né à Fort Dodge, Iowa à une famille juive russe, Arkoff a d'abord étudié pour être avocat. Il va s’associer avec James H. Nicholson et le producteur-réalisateur Roger Corman, avec lesquels il produira dix-huit films. Dans les années 1950, lui et Nicholson fondent l'American Releasing Corporation, qui deviendra plus tard plus connue sous le nom American International Pictures et qui produira plus de 125 films avant la disparition de l'entreprise dans les années 1980. Ces films étaient pour la plupart à faible budget, avec une production achevée en quelques jours. Arkoff est également crédité du début de genres cinématographiques, comme le Parti Beach et les films de motards, enfin sa société jouera un rôle important pour amener le film d'horreur à un niveau important avec Blacula, I Was a Teenage Werewolf et Le Chose à deux têtes. American International Pictures films engage très souvent de grands acteurs dans les rôles principaux, tels que Boris Karloff, Elsa Lanchester et Vincent Price, ainsi que des étoiles montantes qui, plus tard deviendront très connus comme Don Johnson, Nick Nolte, Diane Ladd, et Jack Nicholson. Un certain nombre d'acteurs rejetées ou 2 négligées par Hollywood dans les années 1960 et 1970, comme Bruce Dern et Dennis Hopper, trouvent du travail dans une ou plusieurs productions d’Arkoff. -
1 the More You Know: Incorporating Data and Research to Limit The
The More You Know: Incorporating Data and Research to Limit the Risks of Producing on Broadway Lindsay Eve Alexis Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Theatre Arts Program of the School of the Arts COLUMBIA UNIVERSITY May 2, 2016 1 Acknowledgements—Special Thanks Thank you to my parents, sister, family and friends for always believing in me and my unwavering passion for the theatre. Thank you to my readers: Steven Chaikelson and Sue Frost Contributing Interviews: John Aro Andy Borinstein Lisa Cecchini Joseph Craig Ken Davenport Philip Elkus Brian Mahoney Jennifer Romberg Len Romberg Janette Roush Stephen Sosnowski Lorenzo Thione Hilary Vartanian Barbara Whitman 2 TABLE OF CONTENTS INTRODUCTION ............................................................................................................. 4 CHAPTER ONE: THE CURRENT BROADWAY LANDSCAPE .................................. 8 CHAPTER TWO: WHY RESEARCH AND DATA?..................................................... 16 CHAPTER THREE: WHAT DATA IS ACTUALLY OUT THERE? ............................ 22 CHAPTER FOUR: EXPLORING THE “HOW” AND “WHEN”—WAYS TO TEST AND COLLECT DATA, WHEN TO DO SO, AND HOW TO THINK LIKE A TICKET BUYER............................................................................................................................. 29 CHAPTER FIVE: TESTING AND RESEARCH CONDUCTED IN OTHER INDUSTRIES .................................................................................................................. -
GTB Investor Packet
“A LAUGH OUT LOUD MUSICALPRO FOR EVERYONE!” - BroadwayWorld TheProducersPerspective.com www.GettinTheBandonBroadway.com Broadway – 2014-2015 Season The information contained in these documents is confidential, privileged and only for the information of the intended recipient and may not be used, published or redistributed without the prior written consent of Davenport Theatrical Enterprises, Inc. Copyright © 2016 Davenport Theatrical Enterprises, Inc. TABLE OF CONTENTS A Note from Ken Davenport .............................................................................2 Synopsis ........................................................................................................3 The Original Production ..................................................................................4 The Creative Process ......................................................................................5 Creative Team ................................................................................................6 Press ...........................................................................................................10 Budget & Projections ...................................................................................16PRO The Materials ...............................................................................................31 The Opportunity ............................................................................................32 Contact ........................................................................................................33 -
Ape Chronicles #035
For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional. -
SIT Investment Packet Final
A NOTE ABOUT THE SOMEWHERE IN TIME INFORMATION PACKET The following pages consist of the investor information packet I use for Somewhere in Time. They will give you an idea of how much information I give to potential investors to acquaint them with the offering. A reminder that if you are preparing anything other than your investment paperwork to give to your investors, you must speak to your attorney first. Raising money for commercial or non-profit ventures may be regulated by both Federal and State Securities Laws. As I’m sure you can understand, we cannot assume any liability in conjunction with your money raising activities. The materials in this document are protected under copyright and all rights are reserved. Copyright © 2014 Ken Davenport. All rights reserved worldwide. PRO TheProducersPerspective.com Copyright 2014 Ken Davenport 1 www.TheProducersPerspective.com The information contained in these documents is confidential, privileged and only for the information of the intended recipient and may not be used, published or redistributed without the prior written consent of Davenport Theatrical Enterprises, Inc. Copyright © 2016 Davenport Theatrical Enterprises, Inc. PRO TheProducersPerspective.com www.SomewhereInTime.com 1 The information contained in these documents is confidential, privileged and only for the information of the intended recipient and may not be used, published or redistributed without the prior written consent of Davenport Theatrical Enterprises, Inc. Copyright © 2016 Davenport Theatrical Enterprises, Inc.