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Pentagram As a Symbol of Paganism: Symbols : Here the Differences Are Obvious
Symbolic meaning of the pentagram The Pentagram is a symbol of a star encased in a circle. Always with 5 points (one pointing upward), each has its own meaning. The upward point of the star is representative of the spirit. The other four points all represent an element; earth, air, fire, and water. All these things contribute to life and are a part of each of us. To wear a pentagram necklace or other form of jewelry, is to say you feel the connection with the elements and respect the earth. The number 5 The number 5 has always been regarded as mystical and magical, yet essentially 'human'. We have five fingers/toes on each limb extremity. We commonly note five senses - sight, hearing, smell, touch and taste. We perceive five stages or initiations in our lives - eg. birth, adolescence, coitus, parenthood and death. (There are other numbers / initiations / stages / attributions). Pentagram as a symbol of paganism: http://www.webcom.com/~lstead/wicatru.html Symbols : Here the differences are obvious. The predominant symbol for Wicca (and for many, Paganism in general) is the pentagram. The predominant Ásatrú symbol is, of course, the hammer. While various interpretations for the pentagram abound, a common understanding of the religious meaning of the symbol is that it represents five equidistant elements: Earth, Air, Fire, Water, and Spirit, each bound within the circle of life, death, and rebirth. Here then is a display of a central ideology behind Wicca: to live one's life in harmony with these elements, representative of features of the self, and in union with the cycles of nature. -
The Synagogue of Satan
THE SYNAGOGUE OF SATAN BY MAXIMILIAN J. RUDWIN THE Synagogue of Satan is of greater antiquity and potency than the Church of God. The fear of a mahgn being was earher in operation and more powerful in its appeal among primitive peoples than the love of a benign being. Fear, it should be re- membered, was the first incentive of religious worship. Propitiation of harmful powers was the first phase of all sacrificial rites. This is perhaps the meaning of the old Gnostic tradition that when Solomon was summoned from his tomb and asked, "Who first named the name of God?" he answered, "The Devil." Furthermore, every religion that preceded Christianity was a form of devil-worship in the eyes of the new faith. The early Christians actually believed that all pagans were devil-worshippers inasmuch as all pagan gods were in Christian eyes disguised demons who caused themselves to be adored under different names in dif- ferent countries. It was believed that the spirits of hell took the form of idols, working through them, as St. Thomas Aquinas said, certain marvels w'hich excited the wonder and admiration of their worshippers (Siiinina theologica n.ii.94). This viewpoint was not confined to the Christians. It has ever been a custom among men to send to the Devil all who do not belong to their own particular caste, class or cult. Each nation or religion has always claimed the Deity for itself and assigned the Devil to other nations and religions. Zoroaster described alien M^orshippers as children of the Divas, which, in biblical parlance, is equivalent to sons of Belial. -
Love, Lora & Pooka
Pooka's Page for Grownups Each year we try to make the Yule issue a little bit special, taking care that it includes all the parts of the magazine you've told us are your favorites. This year was a bit difficult - in fact it was "touch & go" whether we'd get this issue out at all. My Lover of the past 8 years had a massive stroke on Nov. 4th, leaving him paralyzed, speechless and confused - and so, of course, I've had to be with him almost constantly. My presence & support right now is critical to his recovery. And on top of the holidays being a busy time for everyone, two of our Team Members with regular columns had their own emergencies - Christine is busy helping her father care for her mother and Calunna's horse suffered a serious injury. So, in addition to my own time-consuming crisis, we were also short-handed. However, I think the rest of the Team and I have pulled off a small Yuletide Miracle....and here is your Pooka Pages Issue! To be honest, I don't know what the future holds for this little magazine. I don't know what the future holds for ME. The Gods have suddenly tossed Life's Cards into the air and who knows where they'll land - or how their positions, when they fall, will affect the Pooka Pages. But, the new-born Sun of Yule is a symbolic promise for All of us . It's the beginning of a Growing Light in the middle of the of the Dark Winter. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Divination, According to the Routledge Encyclopaedia
INTRODUCTION1 n Divination, according to the Routledge Encyclopaedia of Social and Cultural Anthropology, comprises ‘culturally sanctioned methods of arriving at a judge- ment of the unknown through a consideration of incomplete evidence’ (Willis 2012: 201). In Chinese, it is often referred to as ‘calculating fate’ (suanming 算命). In this ethnography, divination mainly refers to the multiple forms of Chinese divination using traditional techniques without involving communication with gods and other beings. Its text-based knowledge with a coherent system of symbols and a naturalist ontology are a result of centuries of development. Two reactions were common during my fieldwork on divination. Often, people would laugh when they heard the topic of my research; several people would gather around, and the whole circle would burst into laughter. However, when it was a private chat with two or three people, their response was, ‘Ha-ha! You study fate calculation?!’ But they usually showed great interest after their initial chuckle and would ask me, ‘Do you think it is accurate?’ Another commonplace event was that whenever I met a diviner for the first time, he or she always talked eloquently for hours to convey the positive meaning of their vocation, such as the grand role divination has played in Chinese culture, and the accuracy of their predictions. Anthropologists studying Chinese popular religion often have to deal with ‘people’s insouciant attitude toward explicit interpretation’ (Weller 1994: 7); my informants, on the contrary, had a strong motivation to offer me the meaning of their practice and did it eloquently with an ‘interpretative noise’ through their constant bragging and legitimation efforts. -
Renee: 0:01 This Is Renee Cyr Doing an Interview with Camille on July 11 2019, Discussing Paganism in Lawrence
Renee: 0:01 This is Renee Cyr doing an interview with Camille on July 11 2019, discussing Paganism in Lawrence. How do you define your religion and spiritual path? Camille: 0:19 To define my religion would be, the umbrella term is Paganism. But that means anything that's out of Judaism, or Christianity, or Catholicism. Technically I would be classified as a Wiccan. I'm very nature based, but I also incorporate a specific goddess that I like to make offerings to her. She makes me feel protected and safe. And I think everybody deep down inside, spiritually humans need to believe in something higher than themselves. Not just for accountability of what happens to them in life, but the idea that we're just here alone on this big planet, it's kind of sad. I think people are naturally drawn to religious idols. Mine would be Hekate. Renee: 1:03 How long have you practiced Paganism? Camille: 1:06 Since 2002. I discovered it when I was going to high school. When I was younger, I was forced to go to Catholic school. My family is Romani Gypsy, and Italians on my mom's side. So they're very much about adopting a major religion to kind of help us blend in more. And my grandmother and my mother actually really did take it to heart. It wasn't just like, a chameleon tactic to blend in. Going to Catholic school I realized that it just didn't feel right. Like I would leave church feeling worse than when I went in. -
Grimoire of Eclectic Magick (
1 of 3 Grimoire of eclectic Magick Part ( Permission is given for the distribution of this text in electronic form, with these conditions: s No fees may be charged for the distribution or transmission of this document, other than standard charges for use of transmiss ion lines or electronic media. Distribution for commercial purposes or by commercial entities is specifically prohibited. s All copies distributed must contain the complete, unedited text of the original document and this copyright notice. s Persons acquiring this electronic version of the document can make one (1) printed copy for their own personal use. All other rights are retained by the author Typography . Cover Graphics FLA Millennium, Shannon Teague Alchemist, Computer Safari Text Alchemy, Cosmorama Enterprises Copyright © Beltain 2000 by Parker Torrence. Fifties, WSI-Font Collection DF Calligraphic Ornaments LET, Garden Display Caps, WSI-Font Collection Esselte Letraset Ltd. All rights reserved, all wrongs returned Three Fold! Krone, WSI-Font Collection Genji, Emerald City Fontworks Wellsley, J. Fordyce Veve, Scriptorium Fonts Witchcraft, Typearound Font WoolBats, Curtis Clark Movie images are from http://www.spe.sony.com/movies/thecraft/ In 1996, “The Craft” was released in theaters and a G hat is Wicca? r new standard for movies about witchcraft was i established. This was in part due to the technical advice m of Pat Devin, an Elder and the first officer of the o Southern California local council of C.O.G. (Covenant i W r "Basically, Wicca is an evolving religion of theGoddess) established in California in 1975, an e incorporated, religious, non-profit organization. -
The Cultural Evolution of Epistemic Practices: the Case of Divination Author: Ze Hong A1, Joseph Henricha
Title: The cultural evolution of epistemic practices: the case of divination Author: Ze Hong a1, Joseph Henricha Author Affiliations: a Department of Human Evolutionary Biology, Harvard University, 11 Divinity Avenue, 02138, Cambridge, MA, United States Keywords: cultural Evolution; divination; information transmission; Bayesian reasoning 1 To whom correspondence should be addressed: [email protected] 1 ABSTRACT While a substantial literature in anthropology and comparative religion explores divination across diverse societies and back into history, little research has integrated the older ethnographic and historical work with recent insights on human learning, cultural transmission and cognitive science. Here we present evidence showing that divination practices are often best viewed as an epistemic technology, and formally model the scenarios under which individuals may over-estimate the efficacy of divination that contribute to its cultural omnipresence and historical persistence. We found that strong prior belief, under-reporting of negative evidence, and mis-inferring belief from behavior can all contribute to biased and inaccurate beliefs about the effectiveness of epistemic technologies. We finally suggest how scientific epistemology, as it emerged in the Western societies over the last few centuries, has influenced the importance and cultural centrality of divination practices. 2 1. INTRODUCTION The ethnographic and historical record suggests that most, and potentially all, human societies have developed techniques, processes or technologies that reveal otherwise hidden or obscure information, often about unknown causes or future events. In historical and contemporary small-scale societies around the globe, divination—"the foretelling of future events or discovery of what is hidden or obscure by supernatural or magical means” –has been extremely common, possibly even universal (Flad 2008; Boyer 2020). -
An Examination of Societal Impacts on Gender Roles in American and English Witchcraft
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Religion 4-18-2006 Who's in Charge? An Examination of Societal Impacts on Gender Roles in American and English Witchcraft Austin J. Buscher '06 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/religion_honproj Part of the Religion Commons Recommended Citation Buscher '06, Austin J., "Who's in Charge? An Examination of Societal Impacts on Gender Roles in American and English Witchcraft" (2006). Honors Projects. 6. https://digitalcommons.iwu.edu/religion_honproj/6 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Who's In Charge? An Examination of Societal Impacts on Gender Roles in American and English Witchcraft Austin J. Buscher Senior Honors Research Carole Myscofski, Advisor th Received Research Honors April 18 , 2006 Ie INTRODUCTION Since its genesis in the 1970s, American Witchcraftl has shown itself to be one ofthe most forward-looking and tolerant religions in the area ofwomen's roles and gender theory. -
Spiritual Philosophy & Practice of Wicca in the U.S. Military (PDF
SPIRITUAL PHILOSOPHY AND PRACTICE OF WICCA IN THE U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF SPIRITUAL PHILOSOPHY and PRACTICE of WICCA In the U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF Acknowledgments This work developed out of an identified need for clear and concise information regarding the practice of Wicca, particularly as it pertains to US military members and their families, friends, commanders, and chaplains. Many people were significantly involved in this effort. The authors would particularly like to thank Reverend Selena Fox and Circle Sanctuary, the Reverend Rene Delaere of Greencraft and the Sacred Well for their direct and substantial contributions, as well as Silverdrake for their work in the previous editions of this guide, Overview and Guide for Wiccans in the Military. We would also like to recognize the energy, love and support given by the International Executive Council of Clerics of the Sacred Well Congregation, Hera, Odinda, Itárilde, Arghuicha, and Gayomard. Special thanks goes to Father Timothy Ullman for his assistance in researching constitutional law and applicable service regulations. The Sacred Well Congregation PO Box 58 Converse, Texas 78109 Samhain, 2001, First edition The authors and the Sacred Well Congregation extend use of this copyrighted material to military and governmental agencies and other educational and non profit institutions and organizations so long as copyright notices, credits, and integrity of the material is maintained and the material is not used for any commercial purpose. 2 Spiritual Philosophy and Practice of Wicca in the U.S. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked .