Read Book the Knitting Palette: 25 Stunning Colour Inspired Designs
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Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Global Education for Young Children: a Curriculum Unit for the Kindergarten Classroom Ann Davis Cannon University of North Florida
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 1984 Global Education for Young Children: A Curriculum Unit for the Kindergarten Classroom Ann Davis Cannon University of North Florida Suggested Citation Cannon, Ann Davis, "Global Education for Young Children: A Curriculum Unit for the Kindergarten Classroom" (1984). UNF Graduate Theses and Dissertations. 22. https://digitalcommons.unf.edu/etd/22 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 1984 All Rights Reserved GLOBAL EDUCATION FOR YOUNG CHILDREN: A CURRICULUM UNIT FOR THE KINDERGARTEN CLASSROOM by Ann Davis Cannon A thesis submitted to the Division of Curriculum and Instruction in partial fulfillment of the requirements for the degree of Master of Arts in Education UNIVERSITY OF NORTH FLORIDA COLLEGE OF EDUCATION AND HUMAN SERVICES August, 1984 Signature Deleted Dr. Mary SuTerrell, Advisor Signature Deleted Signature Deleted Global Education ABSTRACT The purpose of this project was to develop a curriculum for global education appropriate for kindergarten children. A review of relevant literature provided concepts and themes that researchers consider essential components for inclusion in any global education program. Recommendations were made as to when and how the subject should be introduced in the classroom. Activities emphasized three important themes: We are one race, the human race, living on a small planet, earth; people are more alike than they are different, basic human needs bind people together; and, people of the world, even with different points of view, can live, work together, and learn from each other. -
Going to St. Ives Playbill
PRODUCTION STAFF Director.................................................................................................................Edd Miller Producer............................................................................................................Tom Stuckey Stage Manager......................................................................................................Herb Elkin Set and Floor Designer..........................................................................................Edd Miller Set Painting.....................................................................................Edd Miller, Tom Stuckey Art Painting.......................................................................................................Laurie Nolan Lead Carpenter..................................................................................................Dick Whaley Carpenters...........................................................Norm James, Bob Mumper, Ted Yablonski Costume Designer.........................................................................................Beth Terranova Lighting Designer...............................................................................................Harvey Hack Lighting Assistants.........................Terry Averill, Stuart Johnson, Lana Riggins, Robby Rose, Heather Quinn, Tom Stuckey, Beth Terranova, Bob Walker Sound Designer.............................................................................................Wes Bedsworth Composer, Original Music.............................................................................Carl -
History of Research on African Factory-Printed Cloth and Current Approaches in the Field
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 History of Research on African Factory-Printed Cloth and Current Approaches in the Field Michelle Willard University of British Columbia, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Willard, Michelle, "History of Research on African Factory-Printed Cloth and Current Approaches in the Field" (2004). Textile Society of America Symposium Proceedings. 447. https://digitalcommons.unl.edu/tsaconf/447 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. History of Research on African Factory-Printed Cloth and Current Approaches in the Field Michelle Willard Department of Anthropology/Museum Studies University of British Columbia [email protected] Objects are not what they were made to be but what they have become. This is to contradict a pervasive identification in museum research and material culture studies which stabilizes the identity of a thing in its fixed and founded material form.1 If we were to interpret factory-printed cloths in their “fixed and founded material form” as Nicholas Thomas states, we would be looking at a novel commodity and technology introduced to Africa by Europeans. However, factory-printed cloth is a product of both African design and European technology, and has its beginnings in the colonial period. -
HUMANA Sustainability Report
HUMANA Sustainability Report HUMANA Kleidersammlung GmbH, HUMANA Second Hand Kleidung GmbH (Germany) HUMANA People to People - Verein für Entwicklungszusammenarbeit (Austria) According to the guidelines of the Global Reporting Initiative (GRI) G4 Content: global context, supply chain (where the clothes go), employees, environment, economic performance, community involvement ... Cover picture: The ecological foot print is pretty well known. It describes the negative effects on the environment. What is still new is the term ecological hand print. It describes the positive effects on the environment. HUMANA: small foot print, large hand print. The manufacture of new clothes places a burden on people and the environment. Second hand helps. We have a re-wear quota of 80.6% for the clothes we collect in Germany. With this quota we are one of the leaders of the industry - average of the industry is 54 %. Therefore, our values, in terms of foot and hand print, are not only good, but great. Energy MWh CO2 tonnes Water m³ Land m² -28,428 . -7,114 . -6,630 . -98,151 . 904,757 . 169,642 . 113,094,639 . 76,904,355 . See page 32 and 82-89. Sustainability Report 2014-2016 - p. 02 Sustainability Report G4-3 Best before: 31.12.2020 G4-6 This report is published in May/June 2018, the next one at the end of 2020. Our reporting cycle is three years, compiling usually takes one year. The reporting period for this report is 2014 through 2016. The reporting organizations are: HUMANA Kleidersammlung GmbH Collection and sorting in Germany www.humana-kleidersammlung.de HUMANA Second Hand Kleidung GmbH Second hand shops in Germany www.humana-second-hand.de HUMANA People to People - Verein für Entwicklungszusammenarbeit Collection and second hand shops in Austria www.humana.at Sustainability Report 2014-2016 - p. -
Autumn 2017 Cover
Volume 1, Issue 2, Autumn 2017 Front cover image: John June, 1749, print, 188 x 137mm, British Museum, London, England, 1850,1109.36. The Journal of Dress History Volume 1, Issue 2, Autumn 2017 Managing Editor Jennifer Daley Editor Alison Fairhurst Published by The Association of Dress Historians [email protected] www.dresshistorians.org i The Journal of Dress History Volume 1, Issue 2, Autumn 2017 ISSN 2515–0995 [email protected] www.dresshistorians.org Copyright © 2017 The Association of Dress Historians Online Computer Library Centre (OCLC) accession number: 988749854 The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer–reviewed environment. The journal is published biannually, every spring and autumn. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is distributed completely free of charge, solely for academic purposes, and not for sale or profit. The Journal of Dress History is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The editors of the journal encourage the cultivation of ideas for proposals. -
A Study of Bagobo Ceremonial, Magic and Myth
% PRESKNTED BY THE AUTTHOR jg^v*. -. i--V:/> -^^It^^s^^' -4 NOV 1 4 1916 A STUDY OF BAGOBO CEREMONIAL, MAGIC AND MYTH Laura Watson Benedict Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Faculty of Philosophy of Columbia University [Reprinted from the Annals of the New York Academy of Sciences, Vol. XXV, pp. 1—308. Published 15 May, 1916.] Printed by E. J. BRILL, Leyden (Holland). ^> t [Annals N. Y. Acad. Scl, Vol. XXV, pp. 1—308, pll. I—YIII. 15 May, 1916] o A STUDY OF BAGOBO CEREMONIAL, MAGIC AND MYTH^ By Laura Watson Benedict {Presented by title before the Academy^ 20 April^ 1914) CONTENTS Page Prefatory remarks 3 Introduction. General characteristics of the religious attitude of the Bagobo 8 Part I. Mythological concepts 13 The Bagobo pantheon 13 Myth-gods of the nine heavens 15 Gods associated with human interests 18 The demons called buso 29 Interpretation of physical evironment 43 The souls of man and life after death 49 Characterization of the two souls 49 Right-hand soul or Gimokud Takawanan 50 Signs of death 51 Summons to the living 51 Onong or travel outfit for the soul 53 The one country of the dead 54 Manner of existence in Gimokudan 55 Topography of the one country 56 Idea of retribution 58 Left hand soul or Gimokud Tebang 58 Dream exploits 58 Fate at death 60 General considerations ' 61 Restoration of the dead to life 61 Cult of the dead 62 Ideas of death 63 Souls of animals and of manufactured objects 64 Traditions of mythical ancestors 65 Part II. -
Hood Museum of Art, Dartmouth College Deaccession of Clothing and Accessories from the Costume Collection
Hood Museum of Art, Dartmouth College Deaccession of Clothing and Accessories from the Costume Collection Approved by the Hood Museum of Art Acquisitions Committee May 13, 2013 The following textiles have been deaccessioned and transferred to the Theater Department Costume Shop, Dartmouth College, unless otherwise noted. Evening Gown, originally c. 1900-1908 Off-white silk faille decorated with beige and grey appliqué, embroidery, and sequins Gift of Mr. and Mrs. Henry Morris Burrows; 180.15.23199 Reason: The ball gown was remade sometime after its original date. It lost its original shape and silhouette. Also, the fabric is very dirty around the lower edge of the skirt. Evening Dress, 1920-30 Black lace Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22492 Reason: Because the design of the dress is rather ordinary, and there are better examples in the collection, it is likely that it will never be exhibited. Day Dress for a Large Lady, 1925-35 Blue and white crepe Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22520 Reason: Crepe is in fair condition. Probably the dress would never be exhibited due to its large size. Day Dress with Long Sleeves and Sash, 1924-32 Red silk Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22521AB Reason: There are multiple stains on the skirt, and the neckline is torn in the center front. Day Dress, 1925 Black and red crepe-backed satin with rows of black soutash braid on the lower section of the skirt Gift of the Drama Department Costume Shop, Dartmouth College; 178.18.22591 Reason: The hemline edge is stained when the hem was lengthened previously. -
What's Happening At
What’s Happening at MERRY CHRISTMAS A Message from the CEO & HAPPY NEW YEAR 2020 has been a challenging year. We are Welcome to the December Feliz Navidad y Próspero Año Nuevo fortunate that so far South Australia has not edition of What’s Happening had to endure the same hardships as other gayaay gaangangindaay places in Australia and internationally. at YourPlace. Frohe Weihnachten und ein Our community has still felt the impact. gutes neues Jahr! The YourPlace Board and staff members are keenly aware of this and are eager to Joyeux Noël et bonne année ensure that we play our part in supporting Auguri di buon Natale e felice people who are doing it tough through Anno Nuovo this difficult time. Meri Kirihimete Ngā mihi mō I am hopeful that restrictions will continue te Tau Hou to ease, and that we can start to reignite some of our community engagement Καλά Χριστούγεννα και activities in the early New Year. I am very Ευτυχισμένο το Νέο Έτος much looking forward to meeting many Wesołych Świąt i szczęśliwego of you over the coming weeks and months Nowego Roku to hear your thoughts and ideas about ماعلا لولحب تاينمألا بيطأ عم YourPlace, and I am also eager to share ديدجلا with you some of the great things we are hoping to achieve into the future. Chúc Giáng Sinh An Lành. On behalf of the team at YourPlace we Chúc Mừng Năm Mới 2021! would like to wish you and your loved As the incoming CEO, I feel incredibly त्योहारों की बधाई एवं वर्ष 2021 ones a restful and happy Festive Season, privileged to be working for an organisation के लिए शुभकामनाएं! and we hope that the New Year sees that is deeply committed to providing کرابم ون لاس your home filled with laughter, love suitable and affordable housing to you and good health. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Exporting out of China Or out of Africa? Automation Versus Relocation in the Global Clothing Industry
Discussion Paper 1/2020 Exporting out of China or out of Africa? Automation versus Relocation in the Global Clothing Industry Tilman Altenburg Xiao Chen Wilfried Lütkenhorst Cornelia Staritz Lindsay Whitfield Exporting out of China or out of Africa? Automation versus relocation in the global clothing industry Tilman Altenburg Xiao Chen Wilfried Lütkenhorst Cornelia Staritz Lindsay Whitfield Bonn 2020 Discussion Paper / Deutsches Institut für Entwicklungspolitik ISSN (Print) 1860-0441 ISSN (Online) 2512-8698 Except as otherwise noted this publication is licensed under Creative Commons Attributtion (CC BY 4.0). You are free to copy, communicate and adapt this work, as long as you attribute the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE) and the authors. Die deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the Internet at http://dnb.d-nb.de. ISBN 978-3-96021-111-2 (printed edition) DOI:10.23661/dp1.2020 Printed on eco-friendly, certified paper Tilman Altenburg is Head of the Research Programme “Transformation of Economic and Social Systems” at the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE), Bonn Email: [email protected] © Deutsches Institut für Entwicklungspolitik gGmbH Tulpenfeld 6, 53113 Bonn +49 (0)228 94927-0 +49 (0)228 94927-130 Email: [email protected] www.die-gdi.de Preface For forty years now, Germany and China have been successfully working together in development cooperation. China has developed rapidly over recent decades, enabling several hundred million people to be lifted out of extreme poverty. -
Cultural Track
2009 ITAA Proceedings #66 Annual Meeting, Bellevue, Washington October 28-31, 2009 Historic – Cultural Track Aldridge, R. & Kuttruff, J., (2009). Nineteenth Century Postmortem Dress and Death Metaphors Arthur, L., (2009). Artifacts Speak: Material Culture Studies and the Cultural Authentication of Hawai`ian Quilts Arthur, L., (2009). The President Needed New Robes: Teaching Ethnic Textiles through Creating Presidential Regalia Brosdahl, D. & Barnes, W., (2009). Seventeen and Skin Exposure: 46 Years of Advertisements Dijxhoorn, E. & Welters, L., (2009). Symmetry Analysis in Armenian Needlework ca 1860-1915 Eason, K. & Nelson-Hodges, N., (2009). The Evolution of Women in Body Modification Eluwawalage , D., (2009). A Brief Narrative of Clothing Shopping in Great Britain Hancock, J. & Kennedy, A., (2009). The Importance of Academic Research: Creating an Online Journal Khoza, L., (2009). The Power of Dress: An Analysis of Conflict Between Tradition and Modernity in Swazi Dress Kidd, L., (2009). What Becomes a Racist Most?: Hate Couture in the United States Lillethun, A., (2009). Beyond the Minoan Locus: The Scope of the Bronze Age Flounced Skirt Marcketti, S., (2009). Codes of Fair Competition: The National Industrial Recovery Act, 1933-1935 and the Women’s Ready-to-Wear Apparel Industry Meyer, S., (2009). Erte’ Fashion or Fantasy: a Search for Evidence Nelson-Hodges, N. & Copeland, R., (2009). Changes in Trinidad Carnival Dress: A (R)evolutionary Process Parsons, J. & Marcketti, S., (2009). Women and Sewing:Integrating Object Analysis with Documentary Evidence Ratute, A. & Marcketti, S., (2009). From New York to Chicago: A Plan for America’s Fashion Centers Reale, A. & Lopez-Gydosh, D., (2009). A Philadelphian in the Court of William IV: Thomas A.