1 ORIGINAL ART WORK EMBROIDERY DESIGNS EARLY 20th C German designs in pencil on tissue. FIT
2 PRINTED AND WOVEN VEST FABRICS, 19th C. In two sample books with brocades and velvets. FIT
3 JAPANESE TEXTILE SAMPLES AND STENCILS, 19th -20th C Two textile sample books and folio of stencils. Approx. 48 designs. FIT
4 ORIGINAL ART WORK FOR PRINTED COTTON DESIGNS, 19th - early 20th C Approximately twenty painted designs on paper mounted on mat board. FIT
5 PHOTO REPRODUCTIONS ON PAPER OF TEXTILE DESIGNS INCLUDING LACES, EARLY 20th C. Approximately 20 volumes or folios. FIT
6 FORTUNY FABRIC SAMPLES, 20th C Thirty Five carded samples various designs and colorways. FIT
7 FRENCH FABRIC SAMPLE BOOK, 19th C. Mostly madder dyed cottons 1820-1850. FIT
8 PRINTED COTTON FLANNEL SAMPLE BOOKS, 1930s. Two French books (unbound) in boxes. FIT.
9 HOPE SKILLMAN CO. SAMPLE BOOKS, 20th C Fabric and scrap books. FIT
10 THREE FABRIC SAMPLE BOOKS, 1920’s - 1930’s Two woven silks including ribbons and labels. One printed cotton percales. FIT
11 INTERNATIONAL TAILORING CO. FABRIC SAMPLE BOOK, 1917 - 1918. Large format book, mostly men's suit fabrics, having numerous polychrome men's fashion illustrations. (Most samples removed), overall fair, illustrations excellent.
12 LARGE LOT of LACE and EMBROIDERED FABRIC SAMPLES, 19th - 20th C. White or cream with tone on tone decoration. Fair-excellent.
13 LOT of FABRIC SAMPLES, EARLY - MID 20th C. Mostly polychrome embroidered white or cream linen, some printed. Fair-excellent.
14 TEN SILK JACQUARD FABRIC SAMPLES, 18th - 19th C. Mostly large pieces.
15 LOT of ETHNIC EMBROIDERED FABRIC SAMPLES, 20th C. Various cultures, mostly polychrome decoration, silks, cottons, some metallics. Fair-excellent.
16 LOT of PAISLEY FABRIC SAMPLES, 20th C. Cottons and silks, including a large quantity of silk scarves. Good-excellent.
17 LARGE LOT of FABRIC SAMPLES, 20th C. Mostly silk scarves including designer, designer style graphics and abstracts. Fair-excellent.
18 LOT of ETHNIC EMBROIDERED FABRIC SAMPLES, 19th - 20th C. Various cultures, monochrome and polychrome decoration. Fair-excellent.
19 LARGE LOT of FABRIC SAMPLES. Mostly scarves in silk, cotton and rayon with printed designs of animals and insects. Approximately 100 pieces.
20 LOT of WARP PRINTED FABRIC SAMPLES, 19th - 20th C. Mostly silks, some carded. Fair-excellent.
21 LOT of TOILE FABRIC SAMPLES, 19th - 20th C. Including some large pieces. Fair-excellent.
22 LOT of CONVERSATIONAL FABRIC SAMPLES, 19th - 20th C. Including silk scarves and handkerchiefs. Fair-excellent.
23 LOT of METALLIC FABRIC SAMPLES, 19th - 20th C. Including garments, textile fragments and linens. Fair-excellent.
24 LOT of TRAVEL RELATED CONVERSATIONAL FABRIC SAMPLES, 20th C. Mostly silk souvenir scarves, some maps, Olympics, etc. Good-excellent.
25 LOT of TIE DYED and HAND PRINTED FABRIC SAMPLES, 20th C. Garments and fragments, including some ethnic. Fair-excellent.
26 LARGE LOT of FABRIC SAMPLES. Mostly scarves in nautical themes, some designer, in cottons, silks, rayons, etc. Good-excellent.
27 LOT of ETHNIC EMBROIDERED SAMPLES, 19th - 20th C. Mostly Bedouin. Fair-excellent.
28 INDIAN TEXTILES 18th - 20th C. Including bedcovers and assorted fragments. FIT
29 LOT of EMBROIDERED FABRIC SAMPLES, 19th - 20th C. Mostly ethnic with polychrome decoration. Fair-excellent.
29 TWO BLUE WOOL BOUCLE SHORT JACKETS, MID 20th C. One Hattie Carnegie. One Anna Lise Madrid. Together with a grey skirt suit with square buttons and fur collar. Good-excellent.
30 LOT of PRINTED PAISLEY FABRIC SAMPLES, 19th - 20th C. Silks and cottons, some carded, some scarves, Fair-excellent.
31 LOT of INDIAN and PERSIAN FABRIC SAMPLES, 20th C. Mostly cotton fabric, garments and bedcovers. Fair-excellent.
32 LOT of FABRIC SAMPLES, 20th C. Floral prints, mostly silk scarves. Good-excellent.
33 SIXTEEN SILK JACQUARD FABRIC SAMPLES, 18th - 19th C. Good-excellent.
34 LOT of FABRIC SAMPLES, 20th C. Abstract designs, mostly silk scarves. Good-excellent.
35 LOT of CROSS STITCH FABRIC SAMPLES, EARLY-MID 20th C. Including small textiles, table linens and fragments.
36 LOT OF CENTRAL AND SOUTH AMERICAN TEXTILES, 20th C. Approximately 16 pieces including serape and bags. FIT
37 LOT OF NEEDLEWORK SAMPLES, 18th - 20th C. Twenty pieces, mostly 19th C. Various irregular sizes. FIT
38 LOT of TAMBOUR EMBROIDERIES, 20th C. Lace curtain, lace and linen runners, etc. 5 boxes Fair-very good.
39 DOROTHY LIEBES FABRIC SAMPLES, 1940’s & 1950’s. Approximately 16 samples together with automotive textile samples. FIT
40 LARGE LOT of FABRIC SAMPLES, 1900s - 1960s. All home furnishing fabrics, mostly cotton or linen florals, some landscapes. Fair-excellent.
41 LARGE LOT of COLORWAY FABRIC SAMPLES, 20th C. Colorful prints from Meridian Textiles. Excellent.
42 LOT of HOME FURNISHING FABRICS and LINENS, 20th C. Mostly damask including sheets, tablecloths and napkins, etc. 4 boxes. Good-excellent.
43 LOT of HOME FURNISHING FABRICS, 20th C. Homespun, open weaves, solids, brocades, velvets, large-scale red damask, cottons, etc. some yardage. 7 boxes. Good-excellent.
44 COTTON and SILK QUILTS, QUILT TOP PARTS and FABRICS. 3 boxes. Fair-good.
45 LOT of UPHOLSTERY TRIM, 20th C. Brocaded cord, tassels, galloon, lace and embroidery thread. 5 boxes. Fair-excellent.
46 BLACK LACE and DRESS FRAGMENTS, 20th C. Miscellaneous pieces and fragments including some yardage. 3 boxes. Poor-excellent.
47 MISCELLANEOUS BED and TABLE LINENS. Including matelasse, damask and colored cotton. 5 boxes.
48 A HISTORY of COSTUME by CARL KOHLER, 1870s. Originally printed in German, later edited by Emma Von Sichart and translated by Alexander K. Dallas, 16 color plates and 600 illustrations and patterns. (Some wear to spine ends and corners) very good.
49 FOURTEEN FASHION ILLUSTRATIONS, 1920s. Original ink and watercolor drawings for day dresses on onion skin paper with typed descriptions for Sheray Studios, New York. Fair-good.
50 LOT of BOOKS on TEXTILES and TEXTILE DESIGN.
51 POIRET KING of FASHION MET EXHIBITION POSTER, 2007. Large framed poster with reproduction G. Barbier illustration of two women with Poiret evening gowns in a night garden, from the 2007 Metropolitan Museum show. Excellent.
52 PERSIAN TAPESTRY WEAVE SILK SLIPPER TOPS and BAG FACINGS, EARLY 20th C. Both with stylized floral, the bag with metallic threads. Excellent.
53 MANS PERSIAN METALLIC GOLD and LEATHER SLIPPERS, 20th C. Black leather having curled-up toe and gold decoration, tooled red leather interior. (Soles replaced, trim losses) good.
54 SIX EMBROIDERED TURKISH TOWELS, EARLY 20th C. Polychrome embroidered end borders, some metallic. Good-excellent.
55 SIX EMBROIDERED TURKISH TOWELS, EARLY 20th C. Polychrome embroidered end borders, some metallic. Good-excellent.
56 LOT of TURKISH TOWELS and TOWEL END BORDERS, EARLY 20th C. Polychome embroideries, some metallics. Fair-excellent.
57 THREE TEXTILE PANELS, EARLY 20th C. Two Renaissance design; one with lions, one in velvet of birds within roundels. One silk applique of protea flowers.
58 THREE SILK EMBROIDERIES, 20th C. Two Indian; one square one round. One probably Chinese; round with knotted fringe.
59 LOT of TURKISH EMBROIDERIES, 20th C. Mostly linen with polychrome embroidery, some metallic, including towels, scarves and table linens. Fair- excellent.
60 FOUR LARGE CROSS STITCH EMBROIDERED TOWELS, EARLY 20th C. Linen with decorated end borders and crochet lace trim: Two red and blue, one red and grey, one polychrome. Good-excellent.
61 THREE DECORATIVE ETHNIC VESTS, 20th C. One Middle Eastern cream wool with metallic gold cordwork. One taupe wool having polychrome soutache. One pink velvet with silk and metallic embroidery. Good.
62 LOT of ETHNIC and ETHNIC INSPIRED GARMENTS, 20th C. One cream silk coat with embroidered trim bands inset with mica disks, one velvet tunic with metallic applique, one velvet coat with metallic embroidery. Good.
63 LOT of ETHNIC VESTS and JACKETS, 20th C. Various cultures, decorated with embroidery, soutache, metallic thread, sequins, etc. (7). Fair-excellent.
64 LOT of ETHNIC EMBROIDERED COTTON GARMENTS, MID 20th C. White or cream with polychrome embroidery: Four little girl's dresses and two blouses. Together with a white linen combing jacket with red embroidery and fringe. Good-excellent.
65 FIVE JAPANESE KIMONO, 20th C. Printed and embroidered in silk and cotton.
66 THREE ETHNIC EMBROIDERED GARMENTS, 20th C. One Hungarian shearling kodman, one pair wool trousers, and one Greek wool coat lined with long woolly fur. Good.
67 BEADED HIDE JACKET, MID 20th C. Possibly Native American for the tourist market having polychrome beaded floral and fringe. Together with a modern Native American style leather tunic with beadwork, fringe and metal tassels, and two ladies "Double D Ranch Wear" jackets with silver decoration. Good-excellent.
68 LARGE JAPANESE EMBROIDERED BANNER, EARLY 20th C. Horizontal format with couched cloud bands and embroidered animals. (shattering silk border, tears, embroidery losses and soiling) Poor.
69 TWO PAISLEY SHAWLS, 19TH C Both machine loomed one long format with black center ("L" mend and small hole), Good. One square double sided format with repeating all-over field. (two small areas of abrasion on one side that do not penetrate to other). Good.
70 PAIR of AUBUSSON PILLOWS, 19th C. Fashioned from 19th C tapestry fragments, design of fruits and flowers with blue velvet backing. 16 x 16. Excellent.
71 NEEDLEPOINT CARPET, 19th C. Black wool with floral medallion center and spade shaped corner design. (Worn, repairs) fair.
72 TWO TURKOMAN CARPETS, 20th C. One Pakistan weave.
73 TWO TIBETAN CARPETS, 20th C.
74 VELVET COAT with METALLIC TRIM, ITALIAN, 17th C. Burgundy silk with gold silk and metallic trim bands, having short sleeve, side openings and silk lining. Together with a velvet chasuble fragment and a Spanish purple velvet cape with silver metallic trim. Fair- good. MMA.
75 LOT of ECCLESIASTICAL GARMENTS, 18th - 19th C. Two cream lace surplices, one glazed white silk domino, one sheer muslin shirt with metallic paillettes, one velvet maniple, and one wool pileus. Together with a 17th C Italian silk brocade sleeve. Poor- excellent. MMA.
76 ECCLESIASTICAL TEXTILE, 20th C. Silk with gold galloon and metallic embroidery. Poor.
77 LOT OF ECCLESIASTICAL TEXTILES, 18th-20th C.
78 THREE PAIRS CURTAIN PANELS, 20TH C Copper and metallic silver Renaissance design. Very Good.
79 CHINTZ CURTAIN PANELS, 20th C. Five panels of khaki chintz with green orchid print. Fair-good.
80 SILK BROCADE DRAPERY, 20th C. Copper silk with silver brocade Renaissance style decoration. Six panels, 8 feet x 4 feet. (Lining stained) very good.
81 LOT of STUFFED ANIMALS, 19th and 20th C. Bears, figures, dogs, etc. Fair-good.
82 LOT of DRESSMAKER’S BEADS, EARLY 20th C. Various colors, mostly large hanks, some loose beads. Good-excellent.
83 LOT of METALLIC TRIM, 19th - 20th C. Including some good yardages. Fair-excellent.
84 LOT of BEADED TRIM, EARLY 20th C. Mostly iridill, including a large quantity of bronze trim and appliques, some fragments. Fair-excellent.
85 LOT of BEADED TRIM, 19th - EARLY 20th C. Jet, iridill and metallic, including large applique, tassels, belts, etc. Fair-excellent.
86 LOT of BEADED and SEQUINED APPLIQUES, LATE 19th - 20th C. Some figural, some polychrome. Together with assorted trim and decorated fragments. Fair-excellent.
87 LOT of BEADWORK on NET, 19th - EARLY 20th C. Garment fragments, appliques, etc., some polychrome beading. Together with two fragments of beaded gold lace. Fair-excellent.
88 LOT of LACE and CROCHET TRIM. 2 boxes. Fair-excellent.
89 FIVE LACE CUSHION COVERS, EARLY 20th C. Ecru net with bobbin lace figures, horses and birds. Good-excellent.
90 TWO LACE COLLARS, 19th C. Cream applique lace on net bertha having trefoil decoration with three borders, (Scattered small holes, edge tear). Fine ecru bobbin lace square collar with floral lattice and border of scrolls and roundels, (few tiny breaks). Good-excellent.
91 LOT of ASSORTED LACE, EARLY - MID 20th C. Including three blonde lace mantillas, hankies, collars, sleeves and trim. Fair-excellent.
92 UNPICKED CUTWORK and EMBROIDERED SKIRT, c. 1900. White cotton having floral decoration and scalloped geometric border. (Minor holes and spots) very good.
93 TWO POLYCHROME TAMBOUR EMBROIDERIES on LINEN, EARLY 20th C. One Arts & Crafts valance with stylized floral. One German table cover having nine embroidered squares joined with crocheted bands. Good-excellent.
94 EMBROIDERED BANQUET CLOTH, EARLY 20th C. White linen with elaborate floral embroidery and drawn thread work, 70 x 140. (Two tiny spots) excellent.
95 QUILTED SATIN BEDCOVER with LACE APPLIQUE, 1930s. Ivory satin having appliqued cartouche, swag and two corner flowers of embroidered net on a ground of meandering quilting, long satin skirt on three sides beneath ruffled lace embroidered with pineapple motif, cotton backing. Top 54 x 78 with 22 inch skirt. Together with two lace boudoir pillow shams. Excellent.
96 LOT of STERLING SILVER COSTUME JEWELRY, 20th C. Comprised of Mexican modernist pin with green cabochon, reindeer pin, filigree ring with marcasites, modernist necklace, rope necklace, two chains with pendant, and a link bracelet (8). Good-excellent.
97 TEN LARGE HAT PINS, LATE 19th - EARLY 20th C. Including faceted and cut black glass, etched clear glass, celluloid, lilac stone, and one having oak leaves and purple glass acorns. Together with a lace covered hat pin stand, five smaller hat pins and a black feather bird form hat ornament. Fair-excellent.
98 LARGE LOT of COSTUME JEWELRY, 20th C. Extra long black glass bead necklace, silver ring with cabochon, dress clips and pins in various materials including sterling, pearls, gutta percha, faux jewels, etc. Together with a lot of rhinestone belt buckles, dress clips and a belt fragment. Poor-excellent.
99 THREE PIECES VICTORIAN HAIR JEWELRY. One pin with C scrolls and lock of hair in glass oval. One woven pin with knot and acorns. One braided necklace with ball fringe finials. Good-excellent.
100 SEVEN NARROW BANGLE BRACELETS, 1920s - 1930s. Black and earth tones, five bakelite and two plastic, two mottled, four carved. Excellent.
101 LOT of COSTUME JEWELRY, MID 20th C. Comprised of five bangles with rhinestones, a cuff bracelet, five necklaces including pearls, rhinestones and colored stones, one with matching earings, and two spider pins. Fair-excellent.
102 LOT of COSTUME JEWELRY, MID 20th C. Plastic, ceramic and glass including ring, necklaces, sweater clips, earrings and a pin. (14). Fair-excellent.
103 THREE HAIR ORNAMENTS, MID 20th C. One gold tone bun cover having flower heads with rhinestone centers. Two hair bands: One having bands of pearls flanking gold beads, one gold tone with raised diamonds. Good-excellent.
104 LOT of WOODEN JEWELRY, 20th C. Including pins, bracelets, bangles, ring, necklaces, etc. 13 pieces and fragments. Fair-excellent.
105 FIVE WOODEN BANGLE BRACELETS, MID 20th C. One wide striped mixed woods, and four chamfered hexagons in various woods. Excellent.
106 FOUR WOODEN BELTS, MID 20th C. Including flat links, beads and walnut shell. Together with a 1970s wooden belt buckle and a necklace fashioned from an oversized wooden rosary. Good-excellent.
107 THREE PIECES BILL SMITH ATTRIBUTED PEARL BODY JEWELRY, 1960s - 1970s. All having pearl swags suspended from gold tone link chains: One bib necklace and a pair of large swags, possibly shoulder pieces. (Lacking hooks) good-excellent.
108 PARTIAL METALLIC BROCADE SACQUE DRESS, EUROPEAN, c. 1760. Pink silk faille with metallic gold and polychrome silk floral decoration, sleeveless bodice having Watteau pleats and exaggerated sides. (Soil, light stains, hem wear, embroidery losses) good. MMA.
109 PRINTED COTTON DAY DRESS, FRENCH, 18th C. White printed with red, blue and brown floral sprays, long sleeve bodice with ruched cuff and tiny back peplum, lined in homespun cotton, pleated skirt with cotton hem binding. B-36, W-26, skirt L-34. (Mend and stain on bodice, several holes and stains in skirt near hem) good. MMA.
110 TWO PRINTED COTTON DAY DRESSES, 1820 - 1825. One 2-piece black glazed cotton printed with tiny green foliage, having self piping and hem tucks, bodice lined in natural cotton. One white cotton muslin with patterned pink and blue stripe. (Both with stains and small holes) fair-good. MMA.
111 TWO REGENCY SILK DRESSES, c. 1820. One padded sage and sand changeable silk with round lace collar and figured silk bow, self piping and pieced printed cotton lining. One brown satin, bodice lined in linen. (Underarm stains, watermarks and spots) good. MMA.
112 SILK and VELVET DRESS, 1845 - 1849. Raspberry ribbed silk having applied velvet bands and ruching to bodice, set-in waist, full skirt with gauged gathers and linen lining. (Tiny hole in bodice, large fade marks on skirt) fair. MMA.
113 BROCADE SILK DAY DRESS, 1840 - 1844. Black and pink changeable silk with a brocade floral stripe trimmed with black silk fringe, bodice lined in cotton with small lacing corset band, stiffened skirt lining. (Only traces of fringe remain, some wear to hem binding, few very minor holes) good. MMA.
114 TWO PRINTED COTTON DRESSES, 1820s. One bone chintz printed with abstract devices having gigot sleeve and matching capelet, (tears and mends to sleeves). One girl's cream with floral print, restyled c. 1840 with short sleeve bodice ruched into wide waistband and gathered skirt with applied bands (discolored). Fair-good. LACMA.
115 TWO QUILTED SILK PETTICOATS, MID 18th C. One British in seafoam with linen backing (lacking waistband). One mauve lined with homespun (light stains). Together with a British green silk faille petticoat. Good. MMA.
116 TWO QUILTED PETTICOATS, 18th C. One red cotton calico with velvet hem band, partially lined in printed cotton with leaves. One black silk with cotton lining (worn around waistband, few holes and spots). Good-excellent. MMA.
117 TWO QUILTED SILK PETTICOATS, 18th C. One unpicked pink satin with extremely fine stitch work. One seafoam satin. Together with a white quilted cotton skirt. (Stains and splits) fair-good. MMA.
118 TWO QUILTED PETTICOATS, 19th C. One silk, one cotton. Good.
119 THREE LACE BODICES, 1860s. One black Chantilly type, one cream organdy with ruffled lace trim, and one white embroidered net. Good-excellent. MMA.
120 PRINTED SILK EVENING DRESS with ALTERATIONS, FRENCH, 1856-1857. Ivory moire faille with polychrome floral, decorated with pleats, beaded cord and silk fringe. (Originally 2-piece, joined and zipper added, together with a sleeveless bodice fragment) good. MMA.
121 SILK BROCADE DRESS, 1855-1859. Probably French, blue and silver metallic moire faille brocaded with white floral motif, boned short sleeve boatneck bodice trimmed with lace and satin bow, full skirt having front pleats and gauged gathers at back, decorated with brocade satin bow. (Fabric damaged under arms, scattered rust stains) good. MMA.
122 PLAID SILK VISITING DRESS, BRITISH, 1857-1859. 2-piece silver, cream and purple taffeta, semi-boned peplum bodice trimmed with self pleats and bow having angled wide cuff, slightly trained pleated skirt with tiny waistband pocket and polished cotton lining. (Minor wear, stains on skirt, hemline abrasion, neck bow not original) very good. MMA.
123 PLAID SILK MORNING DRESS, AMERICAN, 1858-1860. 1-piece large-scale colorful satin plaid with narrow pagoda sleeve and ruffled hem with slight train and boned interior cotton corset. (Waist tie not original, light stains and holes under arms, large fade marks to skirt back) good. MMA.
124 PRINTED COTTON DRESSING GOWN, AMERICAN, 1855-1865. 2-piece white muslin with pink and brown geometric motif, full gathered sleeve having ruffle decoration and trained skirt. (Fading and dye burnout) fair. MMA.
125 SILK GAUZE DRESS with SATIN APPLIQUE, 1863-1864. 2-piece cream gauze woven with a windowpane and check pattern, lavishly trimmed with blue satin ribbon with picoted lace. (Splits and stains) fair. MMA.
126 STRIPED SILK DAY DRESS, AMERICAN, 1860s. 3-piece purple taffeta with black pinstripe, semi boned long sleeve bodice decorated with self ruffles, separate peplum and gathered skirt with deep hem ruffle, cotton lining. (Faded under arms, reduced at waistline, drawstring added) good. MMA.
127 STRIPED TAFFETA DAY DRESS, BRITISH, 1862-1863. 1-piece purple and white striped silk having semi-boned long sleeve bodice trimmed with black velvet and lace, with faceted jet domes and China buttons, peplum back, skirt ruffled at hem. (Split, patches, light stain on both sleeves, small hole on bodice front, wear to velvet) good. MMA.
128 TWO PRINTED COTTON DRESSES, AMERICAN, 1860-1864. One 2-piece sheer white muslin printed with a repeat of purple clover, with floral printed trim, matching fichu with narrow ruffle. (Numerous mends and repairs, few spots) fair. One 1-piece white windowpane weave printed with green leaves, decorated with lace trimmed ruffles. (Period mends, some browning, minor splits) good. MMA.
129 STRIPED SILK DAY DRESS, AMERICAN, 1865-1866. 1-piece blue, silver and pink striped taffeta having crocheted buttons and lace cuff, slightly trained skirt with gauged gathers at back, bound hem backed in buckram, polished cotton lining. (Scattered small holes and splits, light stain on bodice) good. MMA.
130 STRIPED SILK DAY DRESS with FLORAL BROCADE, 1860-1862. Brown and white taffeta brocaded with floral sprigs and abstract devices in brown having collared pagoda sleeve with black velvet trim and organdy collar, bodice front and skirt lined in linen. B-32, W-24, L-53. (Faint spots and underarm stains) very good. MMA.
131 PRINTED WOOL DAY DRESS, AMERICAN, 1860-1862. 1-piece printed in red, green and grey abstract stripe trimmed with green cord, lace collar and cuff added at a later date, bodice lined in linen. (Fading, scattered holes, tears to lining) good. MMA.
132 PLAID SILK DAY DRESS and JACKET, MID 19th C. Brown and black taffeta short sleeve dress with deep point, self piping and back laces, matching jacket with bicolor fringe and tassels. (2-piece dress joined at waist, jacket torn under arms, scattered small holes) good.
133 TWO SILK DRESSES, MID 19th C. One purple 2-piece with floral brocade and velvet trim (fading and holes). One taupe bengaline 1-piece having purple satin trim, rosettes and fringe (torn and repaired at waist, scattered stains) good. MMA.
134 TRAINED SATIN AFTERNOON DRESS, AMERICAN, c. 1869. Pale lilac silk 2-piece having 3/4 sleeve with scalloped ruffle, skirt front panel with applied scalloped band, skirt having long scalloped train, front ruffle and self piping. (Light stains, soiled, some open seams) good. MMA.
135 TWO SILK DAY DRESSES, BRITISH, 1865 - 1868. One tan wool/alpaca blend with brown stripe having self ruffles and satin ribbon trim (stains and small holes). One mushroom taffeta figured with white posies having cord and black lace trim (buttons and most trim removed). Good. MMA.
136 WOOL VISITING DRESS, AMERICAN, c. 1868. 1-piece in light grey wool trimmed with black satin ribbon and self sawtooth points. (Trim losses, brown stains on bodice front and skirt) good. MMA.
137 LADYS PRINTED COTTON WRAPPER, c. 1860. Cream, brown and red dotted stripe, tightly gathered into a shaped yoke, high waist set-in at back, decorated with brown soutache in a stylized foliate motif, (wear at neckline, few small holes, soutache losses). Together with a cotton day dress printed with brown and cream check, (fading, wear). Good. LACMA.
138 TRAINED SILK DAY DRESS, c. 1863. 2-piece platinum taffeta having pointed peplum bodice trimmed with tan velvet bands and fringe, gathered skirt with long train bound at hem with fancy braid, stiffened lining. (One button detached, small hole in skirt, scattered stains) good. Together with a steel beaded velvet purse. MMA.
139 TWO STRIPED SILK DRESSES, SECOND HALF 18th C. Both having polychrome floral stripes: One American in off-white moire. One French in pale pink. (Splits to silk, repairs, small tears and fading) fair. MMA.
140 SILK ROBE a la FRANCAISE, FRENCH, 1774 - 1793. Pink satin having back-lacing boned inside corset, short sleeve, open skirt and petticoat all trimmed with lace furbelows and cloth flowers. (Faded, large splits) fair. MMA.
141 TWO SILK DRESSES, EUROPEAN, 18th C. One French in polychrome striped silk taffeta with scalloped furbelows and fan cuff. One British in off- white ribbed silk with polychrome floral stripe and brocaded posies. (Numerous splits) poor-fair. MMA.
142 TWO SACQUE BACKED SILK GOWNS, 1750 - 1780. Both consisting of gown, stomacher and petticoat: One cream taffeta having polychrome brocade floral stripe with harps, cornucopias and lace trim. One pink and white stripe with polychrome floral decorated with floral printed ribbon, lace and cloth flowers. (Fading, soil, significant splits to silk) Fair. MMA.
143 TWO EMBROIDERED GOWNS, 18th - EARLY 19th C. One ivory silk satin embroidered with floral swags, ribbon flowers and sequins (large splits). One deconstructed cream cotton having red and blue serpentine floral (spots and mends). Together with an 18th C printed cotton gown in white with blue floral devices (stains and repairs). Fair-good. MMA.
144 SILK BROCADE SACQUE BACK GOWN, FRENCH, 3rd QUARTER 18th C. Pink and ivory stripe brocaded with polychrome floral sprays having short sleeve decorated with self fabric folded into padded diamond bands and serpentine ovals and bows all edged in lace, boned interior corset with front laces. (Holes, tears and splits) poor. MMA.
145 TWO SILK SACQUE BACK GOWNS, 18th C. Both having pink and cream stripe with polychrome floral brocade: One decorated with ruching and furbelows. One having straw-stuffed pad attached to bodice back point. (Splits and tears, fading, stains) poor-fair. MMA.
146 LOT of BODICES and CORSELETS, 18th and 19th C. Mostly silk, including one metallic brocade (missing sleeve), some velvet. Together with a silk skirt panel with floral brocade. (8). Fair-excellent.
147 FOUR VELVET GARMENTS, CONTINENTAL, 17th - 19th C. Various jewel tones, two dresses, one cape and one coat. Poor-good. MMA.
148 FIGURED SILK DRESS, c. 1820. Ivory with collared long sleeve having wide bands of plush trim, (splits). Together with an 1820s plaid silk taffeta bodice and skirt fragments, and a 19th C purple mohair skirt with quilting. Fair-good. MMA.
149 RESTYLED SILK BROCADE DRESS, c. 1840. Fashioned from an open gown c. 1780 of yellow satin with polychrome floral stripe having two bodices, partially deconstructed. Fair. MMA.
150 THREE WHITE DRESSES, 1840s. One white cotton and silk satin evening dress having silver metallic dots, metallic lace and tinsel trim. Two organdy wedding dresses: One having satin ribbon trim, one having ruffled skirt with tambour embroidery. (Stains and tears) fair. MMA.
151 THREE SILK TAFFETA DRESSES, 1840s. One pink with striped ribbon trim, one striped with cord trim, and one grey plaid. Together with a cream wool day dress having polychrome floral print. (Stains and tears) fair-good. MMA.
152 TWO WEDDING DRESSES, MID 1840s. One grey watered silk with braided cord trim. One off-white silk faille having silk embroidery. Together with an 1830s white satin dress. Good-excellent. MMA.
153 FIVE SILK EVENING BODICES, 1840s. One cream with metallic gold lattice and fringe. One green figured silk and velvet. One purple and white plaid. Two ivory, both with pleats. Good-excellent. MMA.
154 LOT of SILK CAPELETS and PELERINES, 19th C. One brown satin pelerine having polychrome painted floral. One brown and black plaid taffeta pelerine. Two short taffeta capes: One green, one black. Good-excellent. MMA.
155 EIGHT SILK EVENING BODICES, 1850s - 1860s. Four plaid, one aqua faille, and three with lace. Together with a burgundy velvet bodice. Fair-very good. MMA.
156 SEVEN SILK BODICES, 1850s - 1860s. All long sleeve including plaids, stripes and solids with various trims. Together with a printed cotton bodice (lacking front panel). Fair-excellent.
157 FANCY WEAVE SILK DAY DRESS, AMERICAN, 1865-1867. 1-piece gold damask brocaded in a pattern of floral clusters and swags having semi-boned long sleeve bodice with pleated trim and trained skirt. (Scattered splits, hemline worn, skirt lining reinforced at hem) fair. MMA.
158 THREE PRINTED COTTON DRESSES, 1860s - 1880s. One having paisley bands on striped blue ground, (some holes). One brown with polychrome posies and self ruffles. One black and white bustle dress with printed stripe, (stains). Fair-excellent. LACMA.
159 TWO LADIES SILK and WOOL GARMENTS, 1890s. One striped suit trimmed in satin and polychrome ribbon, (ribbon torn). One 3-piece dress consisting of sleeveless bodice and skirt of wool printed with acorns and silk high neck blouse, (fading, alterations). good. LACMA.
160 PRINTED SILK HIGH NECK GOWN, c. 1895. Black with green, yellow and white floral bouquets, cream lace collar and yoke edged in black beads. (Few tiny holes, some browning of lace) good. LACMA.
161 THREE HIGH NECK SILK DRESSES, 1890s. One blue and white stripe with lace trim and Swiss waist, (browning to lace). One printed stripe with black diamond lattice with velvet bodice, (trim losses). One blue velvet and bengaline with chiffon insert, (chiffon torn). Fair-good. LACMA.
162 JET BEADED SILK DAY DRESS, 1890s. Black faille having cream high neck insert with sequins and pearls, bodice and skirt decorated with jet beads and fancy cordwork. (Some whitening of beads and losses) good.
163 THREE PIECE SILK DRESS, c. 1895 Black taffeta bodice, jacket and skirt decorated with black soutache, lace and passementerie, bodice cuffed with cream crochet lace. (Linings shattering, worn at cuffs) good. LACMA.
164 TWO FIGURED SILK DRESSES, c. 1898 and 1904. One pink 3-piece trimmed with chiffon and satin ribbon, (faded). One pale blue 2-piece with ruching and silk lace trim, (hem stained, tears to lace). Fair-good.
165 TRAINED SILK and LACE DRESS, 1896. 3-piece pink and white striped silk having boned long sleeve bodice with puffed upper sleeve, lower sleeve trimmed with lace, separate high neck lace capelet, skirt with pointed train having lace hem band and cotton lining with pleated lace trim. (Small spot on skirt back, hem lightly soiled, trim missing from one sleeve) good. LACMA.
166 WHITE COTTON DRESSING GOWN, LATE 19th C. Decorated with ruching and broderie Anglaise. Together with an early 20th C blue cotton morning dress with lace trim. Good.
167 TWO STRIPED SILK DRESSES, 1850s. Both blue and white taffeta: One British 1-piece with pleated bodice trimmed in lace and black velvet ribbon having back laces (fragile, several tears and stains) fair. One American 2-piece with soutache trim and fancy buttons. (Stains and repairs) good. MMA.
168 EMPIRE PLAID TAFFETA DRESS, AMERICAN, c. 1860. 1-piece tan and cream silk with ribbed lilac stripe having boned boatneck bodice, short puffed sleeve capped with picket shapes edged with black lace and velvet buttons, box pleated skirt, bodice lined in cotton twill, skirt lined in polished cotton. (Scattered small holes, spots and splits). Together with a brown wool challis dress c. 1850 with printed polychrome floral and feather design. (Numerous holes). Fair. MMA.
169 FOUR LADIES VELVET JACKETS, 1860s. One navy blue with cordwork foliage, one black with knotted silk fringe, one black with silk domes, braid and tassels, and one bolero with moire silk and beaded trim. Together with a black velvet cape with embroidery and fringe and a velvet and taffeta spencer with beadwork. Fair-good. MMA.
170 ORGANDY EVENING ENSEMBLE, AMERICAN, 1869. Cream silk trimmed with self ruffles and black velvet ribbon consisting of sleeveless bodice with deep point, ruffled skirt with polonaise over-skirt having pocket and trained underskirt with hem ruffle. (Large tears, scattered stains) fair. Together with a white cotton bodice with tucks and ruffles, excellent. MMA.
171 FIVE SKIRTS, 1860s. One printed white cotton, one shot silk taffeta with train, one purple silk taffeta with matching fichu, one green silk brocade, and one striped silk gauze with beadwork and lace. (Some stains and losses) good- excellent. MMA.
172 TWO SILK BALL GOWNS, 1860s. Both 2-piece: One off-white taffeta having moire ribbon stripe brocaded with polychrome flowers and trimmed with polychrome fringe (large tears in skirt). One ivory taffeta with warp printed floral and aqua ribbon trim (spots). Fair-good. MMA.
173 LOT of LADIES OUTERWEAR, 1840s - 1870s. One red and white wool knit cape. One black wool jacket having polychrome silk embroidery and fringe, One black and orange changeable silk twill with floral motif and braided trim. One black silk satin jacket with lace trim. Fair-excellent. MMA.
174 FIVE SILK DAY DRESSES, 1870s. One grey and white warp print, one blue foulard with white dots, one pink and white taffeta trimmed with fringe, one blue taffeta 3 piece with accessories, and one grey taffeta with brocade trim and fringe. (Stains and splits) fair-good. MMA.
175 SILK and METALLIC BROCADE WEDDING DRESS, EARLY 1870s. 2-piece ivory satin having bodice trim and skirt front in metallic brocade floral (some splits). Together with a pair of silk embroidered wedding shoes, a cream ruched satin bodice and a white taffeta basque trimmed with self rosettes and wax flowers. Good-excellent. MMA.
176 THREE JET BEADED BLACK SILK DRESSES, 1870s. One satin with train, one faille having lace collar and sleeves, and one taffeta with fringe. (Alterations and unfinished seams) good. MMA.
177 THREE TRAINED SILK DRESSES, LATE 1870s. One red and grey satin with woven skirt panel and chenille fringe, one coral silk faille having plush and net trim, and one tan faille with self pleats and ruched satin trim. (Splits and stains) fair. MMA.
178 TWO WEDDING ENSEMBLES c. 1870. One 2-piece tan silk faille with pleated satin and self trim, together with a white net guimpe and silk high button boots with beaded bows. One trained satin gown with beaded belt. Together with five pairs of kid gloves, wax flower ornament and several pieces of Brussels lace trim. Fair-good. MMA.
179 THREE TAN SILK FAILLE DRESSES, 1870s. One having tan and brown striped silk brocade trim, one having day and evening bodices with lace trim, one trimmed with pink figured silk. (Splits and stains) fair. MMA.
180 TWO SILK SATIN GOWNS, 1890s and c. 1900. One sage trimmed with striped silk, lace and heavy metallic cord, (splits). One tea gown with chiffon, lace and silk flowers, (lining shattered). Fair. LACMA.
181 THREE WHITE DRESSES, EARLY 1870s. One cotton morning dress with patterned stripe and overdrape. One striped silk and chiffon with fringe. One organdy having tucks, self ruffles, overskirt and petticoat. Fair-good. MMA.
182 SILK DAY DRESS, 1841 - 1845. Green taffeta having tucked and smocked center panel, cord trim and buttons, gathered skirt. (Bodice repaired, underarm stains) fair. MMA.
183 THREE LADIES VELVET WRAPS, 1850s - 1870s. One purple dolman having metallic beadwork and embroidery. One fringed long black jacket with pagoda sleeve. One embroidered and fringed black mantle. (Losses) good.
184 TWO SILK BUSTLE DRESSES, 1870s. One 2-piece black satin and figured silk. One 1-piece red and green changeable taffeta damask with lace and beadwork trim. Good.
185 TWO APPLIQUED BLACK VICTORIAN CAPES. One black wool decorated with black satin and braid. One silk taffeta capelet with chiffon and beaded net. Good-excellent.
186 WOOL PAISLEY and VELVET EVENING CAPE, 1873 - 1876. Fashioned from a handmade paisley shawl, polychrome embroidered on cream wool having capelet top, green velvet collar and ruched back panel, padded and quilted silk lining. L-60. (Holes to front edge, velvet fragile, soiled) fair. MMA.
187 TWO LADIES BLACK SILK JACKETS, c. 1881 and 1903. One taffeta trimmed with lace and tassels. One satin having white brocade faux vest and cord frogs. Good- excellent. LACMA.
188 PRINTED COTTON DRESS and WRAPPER, 1860s - 1880s. Pink, red and white floral dress, (some fading). Blue wrapper with leaf print. Together with a white cotton nightgown with broderie anglaise (stains). Fair-excellent. LACMA.
189 TWO COTTON DAY DRESSES, c. 1845 and 1855. One blue and white wavy stripe with long sleeve trimmed in narrow lace bands and ruched bodice, (stains). One brown floral gauze and cambric, (large tears to gauze). Fair.
190 LACE TRIMMED AFTERNOON GOWN, 1870s. 2-piece grey-green silk faille having boned bodice with pointed peplum trimmed in black Chantilly lace, skirt having horizontal tucks and lace bands, back decorated with oversized velvet bow. (Repairs, stains) fair. MMA.
191 SILK EVENING ENSEMBLE with CLOTH FLOWERS, c. 1870. Robin's egg blue faille, boned boatneck bodice having self buttons, cap sleeve with ruched chiffon and net trimmed in cream lace and cloth hydrangea blossoms, back bow, trained full skirt with floral swag above bands of pleats. Matching blue silk shoes with silk and lace rosette. (Trim losses, holes to chiffon, shoes worn) good. MMA.
192 SILK HALF MOURNING GOWN, 1879 - 1881. Black faille having scalloped stand collar, tabbed cuff and peplum trimmed in red satin and embroidered with black satin stitch floral, ruffled lace at cuff, trained skirt with embroidered scallops and box pleated hem bands, matching faille and cotton petticoat.(Small holes along fold mark in sleeve, underarms repaired, torn in waist area) good. MMA.
193 VELVET BUSTLE DRESS, 1870s. Deep purple having long bodice with back ruching and cut steel buttons, matching skirt with double layer of box pleats. (Few tears in bodice) good. MMA.
194 SILK DAY DRESS, AMERICAN, c. 1870. 2-piece black satin with bands of green and black stripes, peplum bodice trimmed in back lace, lined in cotton with small bones at front, skirt having gauged gathers, polished cotton lining and wide buckram hem binding. (Underarm stains, some tearing to lace, several small splits in skirt) good. MMA.
195 TRAINED BROCADE SILK BUSTLE GOWN, c. 1880. Ivory satin with gold floral brocade having basketweave satin skirt front, longtrain and lace trim. (Minor stains, numerous unstitched seams) good. PWF.
196 SIX LADIES WOOL CAPES, 19th - EARLY 20th C. One red with ivory soutache, three cream with various pink silk trims, one cream with cording, and one heavy red wool with green trim. Together with a cream silk hooded cape with knotted fringe and a linen coat with scalloped trim and green bindings. Fair-good. MMA.
197 LOT of ASSORTED ACCESSORIES and TRIM, 18th - EARLY 20th C. Consisting of two pair linen shoe bags, cotton stockings, folding fan, fitted case, satin straights, a satin and lace collar, a cotton and linen apron, assorted lace trim and a lot of jet buttons. Fair-excellent. MMA.
198 LARGE LOT of LADIES ACCESSORIES, 19th - EARLY 20th C. Including fans, beaded bags, curling iron, hat pins, buckle, etc. Together with a photograph on glass and several pairs of eyeglasses. Fair-good. PWF.
199 TWELVE PURSES, 19th - EARLY 20th C. Mostly beaded including three figural, one with jeweled and enameled frame, one painted mesh, etc. Good. PWF.
200 LOT of SILK SASHES and BONNET RIBBONS, EARLY 19th - EARLY 20th C. Three ribbons and five sashes including floral brocades, velvet stripes, plaid, warp printed, etc. Good- excellent.
201 TWO PAIR SILK WEDDING SHOES, EARLY 20th C. Both ivory satin with Louis heel: One decorated with tiny white beads and ribbon ties. One having rhinestone buckle. Good.
202 GOLD LAME EVENING SHOES, EARLY 20th C. Brocade pumps with Louis heel and pointed toe. (Some wear to toes and oxidation) good.
203 TWO PAIR SILK EVENING SHOES with METALLIC LEATHER TRIM, 1920s. One green with jeweled buckle and silver heel. One black with gold trim. Fair-good.
204 LOT of ACCESSORIES, LATE 19th - EARLY 20th C. Four shoe hooks, shoe horn and two razors. Good-excellent.
205 LOT of BEADED BELTS, LATE 19th - MID 20th C. Including leather, felt, velvet, silk and allover beaded rope belts, (20). Fair-excellent.
206 HAND PAINTED “FROCKS” SIGN. Wood panel with black lettering on white ground. (Some paint loss) good.
207 LOT of ELEVEN PURSES, LATE 19th - MID 20th C. Including beaded, silver mesh, painted mesh, petit point and Art Nouveau tooled leather. Fair-excellent.
208 FIFTEEN PAIR LADIES SHOES, 1920s - 1950s. Day and evening styles including leather, silk, lame, brocade, metallic, etc. Fair-good. LACMA.
209 LOT of INTERESTING LADIES GLOVES, EARLY - MID 20th C. Mostly kid including embroidered, cutwork, beaded and appliqued. Together with a pair of leather motoring gloves. (30). Fair-excellent.
210 WARP PRINTED SILK SHAWL, EARLY 20th C. Oversized brown square with polychrome floral and 2-tone knotted silk fringe, backed in amber silk. Very good.
211 THREE SHAWLS, EARLY 20th C. One ivory silk Chinese export with tone on tone embroidery. One black silk with fringe. One large black lace triangle. Good-excellent.
212 PRINTED WOOL SHAWL, EARLY 20th C. Probably Polish, large red challis square having damask stripe, printed with colorful floral repeat within floral borders with fringe. (Few small holes and fringe losses). Good.
213 ART DECO VOIDED VELVET SCARF. Black silk with colored geometric shapes cut to chiffon, having knotted silk fringe. Excellent.
214 EGYPTIAN ASUITE SHAWL, 1920s. White cotton with diamond pattern in hammered silver. Very good.
215 FOUR CHINESE EXPORT EMBROIDERED SHAWLS, 20th C. Two multicolor, one cream tone on tone, one black. (some holes and stains) Fair-Good
216 LOT OF THIRTEEN GENTLEMAN’S VESTS, 20th C. Mostly all white or ivory some with scattered small design elements. Good -Excellent
217 LOT OF THIRTEEN GENTLEMAN’S VESTS, 20th C. Mostly all white or ivory some with scattered small design elements. Good -Excellent
218 LOT OF FOURTEEN GENTLEMAN’S VESTS, 20th C. Mostly all white or ivory some with scattered small design elements. Good -Excellent
219 RED CROSS UNIFORM, ACCESSORIES and DOLL, WWI - WWII. Grey uniform dress, two nurses caps, two enameled pins, assorted headbands, collars and cuffs. Doll having composition face, string hair, leatherette body with red cross and topstitching. Good-excellent.
220 SILK and LACE EVENING DRESS, c. 1901. 2-piece mushroom taffeta, the boned boatneck bodice inset with pink velvet trimmed in cream lace and blue chiffon, elbow length lace sleeve, trained skirt having velvet trimmed self ruffles and lace inserts, blue silk underskirt. (Small hole in chiffon, minor breaks to lace, blue silk shattered) outer dress good. LACMA.
221 TRAINED LACE GOWN with TWO BODICES, c. 1905. Black dotted net over silk taffeta appliqued with black lace and velvet ribbon, day bodice decorated with sequins and fancy cord tassels, evening bodice having metallic gold embroidery. Baltimore label. (Large tears to net at hem of train) good.
222 WARP PRINTED SILK DRESS, c. 1905. 2-piece blue and cream stripe with polychrome floral, having ruched bodice with lace high neck insert and trim, interior boned cotton back-lacing waistband, lace skirt front insert with ruffles. (Velvet waistband torn, lacking underskirt, cuffs removed) fair. LACMA.
223 VELVET and LACE ENSEMBLE, c. 1908. Dove grey dress and jacket lavishly decorated with soutache and cream lace. (Lace discolored, torn on jacket sleeve) good.
224 THREE SILK DRESSES, EARLY 20th C. Two printed pink silk, both having lace trim. One beaded black crepe. Good-excellent.
225 LADYS EDWARDIAN WOOL CAPE. Fingertip length heavy brown felted wool having self applique, topstitching and tab closures. Excellent.
226 WOOL WALKING SUIT, c, 1903. Lightweight black short jacket and skirt decorated with black velvet ribbons, passementerie and dorset buttons. Marshall Field & Co. label. (Button losses, small hole in sleeve, lacking underskirt) good. LACMA.
227 TWO LADIES WRAPS, EARLY 20th C. One grey silk velvet cape with channel stitching, ruching and self ruffles at neck and hem, lined in silk. Excellent. One coral silk coat with metallic gold and silk embroidery, sequins and added metallic lace lower sleeves. (Some splits, losses, lining torn) fair.
228 FOUR LADIES WOOL GARMENTS, EARLY 20th C. All decorated with soutache: One walking suit, one jacket and two coats. Fair-good.
229 VELVET EVENING COAT, EARLY 20th C. Black silk with ruched padded collar and dolman sleeve inset with self ruffle. (Missing button) good.
230 THREE MEN’S FANCY WOOL UNIFORM COATS, EARLY 20th C. One navy with braid and heavy metal clips. One black with heavy metallic gold decoration. One black with elaborate passementerie. Together with a Temple Commander's belt. Good-excellent.
231 SIX MEN’S SUMMER SUITS, EARLY 20th C Ivory or white in cotton and linen. Good-Excellent
232 LOT OF SEVEN DUSTERS, EARLY 20th C. Fair-good.
233 LOT OF SEVEN DUSTERS, EARLY 20th C. Fair-good.
234 FIVE LADIES SUMMER JACKETS, EARLY 20th C. Cotton, linen and silk. Together with a skirt suit. Good-excellent.
235 TWO NATURAL LINEN DRESSES, EARLY 20th C. One long sleeve having tucks, soutache and lace. One short sleeve with eyelets. Together with a white cotton gauze dress figured in black with lace trim. Good-excellent.
236 FOUR SILK DINNER DRESSES, c. 1912. Various trims including beads, metallic lace and embroidery. Fair-good.
237 PRINTED SILK and NET GOWN, c. 1912. Ivory charmeuse printed with polychrome roses beneath ivory net lavishly decorated with soutache and self ruffles, having high waist and short sleeve. (Silk stained near hem, silk panel added at back) good.
238 LADYS EDWARDIAN BATHING COSTUME. Navy wool trimmed with white soutache. Together with a ruched navy cotton bathing cap and a man's black wool swimsuit. Good.
239 THREE WHITE GARMENTS with LACE, EARLY 20th C. One linen dress with bands of lace and embroidery. Two cotton night dresses: One short sleeve having bodice decorated with Val lace and embroidery, one long sleeve with broderie anglaise. Together with a black lace camisole. Good-excellent.
240 FOUR LADIES EMBROIDERED LACE GARMENTS, EARLY 20th C. Cream or white: Two jackets, one dress and one bodice. Good-excellent.
241 LACE COAT, EARLY 20th C. Short sleeve cream cotton embroidered net with crocheted trim. Very good. PWF.
242 THREE LACE GARMENTS, EARLY 20th C. One brown silk cord jacket, one black net long vest with soutache, and one black net jacket appliqued with taffeta and soutache. Good.
243 THREE LACE on NET DRESSES, EARLY 20th C. All cream with embroidery and/or lace insertion, one with sleeveless jacket. (Lacking under-dresses). Good.
244 THREE POLYCHROME EMBROIDERED CREAM GAUZE DRESSES, 1920s - 1930s. One short sleeve with floral worked in French knots. One long sleeve having smocking and satin stitch floral. One sleeveless with smocking, pulled threads and French knots. Fair-good.
245 SILK RIBBON and FLANNEL COAT, 1920s. Fashioned from bands of black ribbon, having ivory felt collar, cuff, deep hem band and lining. Together with a charcoal wool 2-piece dress with double breasted jacket over silk bodice and pleated wool skirt, (stain on skirt). Good.
246 TAMBOUR EMBROIDERED COSTUME, PROBABLY 1920s. Black net blouse and harem pants having metallic gold and polychrome silk embroidery, cropped silk vest with gold embroidery and sequins. (Minor losses and tears) good.
247 CREPE TUNIC and PANTS ENSEMBLE, 1920s. Celadon silk tunic having wizard sleeve, celadon and orange buttons along shoulder and upper sleeve, matching 2-tone sash, wide leg box pleated coulottes in blue silk crepe. (Tunic hem unstitched, scattered light stains) good.
248 TWO SILK DRESSES, 1920s. One sleeveless ombreed pink chiffon with metallic thread mosaic pattern, (stains). One long sleeve blue 2-piece having wrap top with studded and beaded sleeve, (under bodice very torn). Fair.
249 PIECED LACE on NET DRESS, 1920s. Sleeveless cream cotton embroidered and knotted net, (lacking under-dress). Together with a floral printed wool and cotton blend robe having bell sleeve and self tie. Good-excellent.
250 TWO SUMMER DAY DRESSES, 1920s. One 2-piece floral printed chiffon. One embroidered net over nude chiffon. Good. PWF.
251 CREPE DAY DRESS with VELVET APPLIQUE, 1920s. Orchid silk appliqued with purple velvet buttons, asymmetrical neckline gathered into velvet tie and long sleeve with velvet cuff. (Button losses on back). Together with a 1930s sleeveless black lace dress with attached caplet. (Lacking under-dress). Good.
252 TWO VELVET DRESSES, 1920s. Both sleeveless: One rose pink with white beads and pearls. One celedon cut to black chiffon in a Deco pattern. Together with a cutwork bodice with allover crystal beads and metallic threads. (Stains) fair- good.
253 THREE SLEEVELESS VELVET DRESSES, 1920s. One black with rhinestones, one pieced taupe velvet and silk charmeuse, and one turquoise voided velvet with beadwork. Together with a 1930s black velvet dress with beaded nude bodice top. Fair-good. PWF.
254 TWO GOLD LAME DRESSES, 1920s. One sleeveless with chiffon gores and beaded waistband. One long sleeve 2-piece with polychrome roses and geometric shapes. (Losses, alterations) fair-good.
255 TWO RESTYLED BEADED SILK DRESSES, 1920s. One 2-piece black chiffon having large flowerheads of gold and polychrome beads, short sleeve blouse, skirt with wide scalloped hemband of gold lame over colorful abstract print (tear and hole in sleeve, some bead losses). One sleeveless white net over gold lame with an allover pattern of gold beads and metallic threads with gold and silver sequins, dropped waist with tie over front slit, (torn at shoulders and reduced). Good.
256 TWO SILK CHIFFON DRESSES, 1920s. One purple having poet sleeve decorated with crystal beads and rhinestones. One brown sleeveless with attached capelet decorated in white beads and rhinestones. (Underarm stains to both) good.
257 FRENCH SEQUINED TULLE OVERDRESS, 1920s. Sleeveless black cotton net having allover black sequined floral with green and white sequined flower heads with beaded centers, ruffled armhole, "tabbed" waist pattern, deep side slits, tabbed hem. Label: Gds. Margasins Lyonnais Confection Chambery. (Tears to tulle, minor losses) fair.
258 BEADED CHIFFON DRESS FRAGMENT and TABARD, EARLY 20th C. Both black: Edwardian dress fragment having openwork short sleeve with black and crystal beads and black paillettes, (as-is). One 1920s tabard decorated with blue silk applique, cobalt, white and crystal beads, (torn shoulder, losses). Fair-good.
259 TWO SEQUINED NET DRESS FRAGMENTS, EARLY 20th C. One white with iridescent sequins and bugle beads. One blue long skirt and triangular pieces. Useable salvage, good.
260 BEADED DRESS and COAT, 1920s. Sleeveless chartreuse chiffon dress with floral applique and metallic threads, matching velvet opera coat, (large tears, some stains) fair. Together with a sleeveless pale grey silk dress decorated with blue and rose pink beads, (losses) good.
261 THREE DRESSES, 1910s - 1920s. One unusual tan sleeveless long cotton with tucks, lavishly decorated with cord embroidery and tiny fabric covered buttons. One long sleeve printed velvet in brilliant floral cut to brown chiffon. One black velvet with lace bodice top. Together with a steel beaded velvet purse with hinged frame. Fair-good.
262 LOT of LITTLE GIRLS SLIPS and PINAFORES, EARLY 20th C. Seven white cotton with lace, tucks and/or embroidery. One pink silk with crochet trim. Excellent.
263 LARGE LOT of LINGERIE, EARLY - MID 20th C. Including silk, rayon, lace trimmed and embroidered. Good-excellent.
264 TWO CROCHETED DRESSES with BEADWORK, 1920s and 1940s. One black having three quarter sleeve and a floral pattern with blue iridill beads. One blue with short sleeve in a geometric pattern with blue beads and a beaded blue belt, (losses to jeweled buckle). Excellent.
265 THREE SUMMER DRESSES, 1930s. One floral printed silk chiffon with ruffles, (lace bodice insert with velvet trim added). One floral printed cotton having attached capelet and self sash. One with alternating bands of green crepe and lace, (lacking under-dress). Good-excellent.
266 MIXED LACE SUMMER DRESS, c. 1930. Square neck and short sleeve in bands of ivory bobbin lace and crochet, the lower skirt of Irish crochet with raised flowers, lined in silk chiffon. Good.
267 FLORAL PRINTED CHIFFON DRESS, 1930s. Sleeveless pink and green silk with scalloped capelet, gored skirt, chiffon bow and sash. (Lacking underdress, sash and bow added) good.
268 PRINTED CHIFFON GOWN and JACKET, 1930s. Sleeveless grey silk having large-scale red and purple poppy print, wide band at hip, full skirt with lobed hem, self belt., matching long sleeve jacket. B-36, low W-32, L-55. (Some dye transfer, few minor holes) good
269 THREE PRINTED DAY DRESSES, 1930s - 1940s. All long sleeve silk or rayon: One black with polychrome trees and flowers. One purple with black abstract design. One red having stylized black leaf pattern. Good-excellent.
270 THREE BLACK DRESSES, 1930s. One sleeveless crepe with beaded and sequined neckline. One sleeveless damask with rhinestones and matching jacket. One long sleeve crepe with black and silver beadwork. Good.
271 FLORAL PRINTED SILK DRESS, 1930s. Sleeveless with pastel print on white ground, self belt with jeweled buckle, curved hem and ruffled floating side panels. (Underarm stains) good.
272 FRINGED CREPE GOWN and CAPELET, 1930s. Sleeveless black scoop neck with V-back, skirt having angled tiers with long knotted fringe, matching fringed capelet with self tie. Unlabeled. (Poorly sewn side zipper added) good.
273 THREE CREPE DRESSES with FRINGE, 1930s. Two black sleeveless wrap style. One ivory short sleeve with sequins. Good. PWF.
274 FIVE NURSES UNIFORMS, MID 20th C. All white nylon with short sleeve, set-in waistband and patch pockets. Together with a pair of nurses shoes. Excellent.
275 UNUSUAL TRAINED SATIN and LACE WEDDING GOWN, 1930s. Ivory silk bias cut gown having braided strap and back self buttons, worn with overdress having long sleeve lace bodice, long satin and lace skirt with cathedral train. (Some breaks to lace, small spots) good.
276 THIRTEEN SUMMER SPORT COATS, 20th C. Mostly cotton, some occupational coats and 3 shirts. Good-Excellent
277 FOUR MENS COWBOY SHIRTS, MID 20th C. Three having polychrome embroidery: One green, one brown and tan, one black with white fringe. One grey twill. Good-excellent.
278 FIVE MENS TROPICAL PRINTED SHIRTS. Various florals and scenic prints, Hawaiian and Bahaman, in cotton or rayon. Good-excellent.
279 TWO PAIR PRINTED COTTON FLARED PANTS, 1960s - 1970s. One pair black and grey hip huggers with signs of the zodiac in stripes. One brown and cream having herringbone and pinstripes. Together with a pair of wool plaid bell bottoms. Good-excellent.
280 THREE MENS PIERRE CARDIN WOOL SUITS, 1960s - 1970s. All single breasted with flared trouser: One black and white diagonal woven stripe, one blue, red and white plaid, one light brown 3-piece having cream pinstripe. Labeled or signature lining. Excellent.
281 TWO PIERRE CARDIN WOOL SPORTCOATS, 1960s - 1970s. One navy blue double breasted blazer having gilt buttons with "Pierre Cardin" around seahorse. One young man's polychrome houndstooth jacket with patch pockets, labeled. Excellent.
282 LOT of MENS UNIFORMS, 20th C. Mostly wool including miltary cadet, fire co., livery, etc. (7). Fair-excellent.
283 LADYS DENIM SWING COAT, c. 1952. Over the knee length with three quarter sleeve having deep cuff and large self buttons. Label "Flair". Very good. LACMA.
284 TWO BEADED SWEATERS, MID 20th C. One navy with polychrome berries. One black with allover beads and sequins. Together with a cream sweater with floral embroidery. Good-excellent.
285 IRENE WOOL SKIRT and COAT ENSEMBLE, 1955. Black A-line coat with rounded collar, dropped waist and side pleats, over the knee length pencil skirt with deep back vent, black and white printed silk short sleeve blouse with zip front, neck tie and wide tabbed waistband. Labeled. (Lacking three tab buttons). very good. LACMA.
286 TWO SKIRT SUITS, 1940s - 1950s. One black faille trimmed with black cord and beads. One black and pink figured satin jacquard. Excellent.
287 JACQUES HEIM SKIRT SUIT, 1950s. Navy wool long jacket having four pockets, full pleated mid-calf skirt. Actualite label. (Missing two buttons) good.
288 LOT of REGIONAL CONTINENTAL GARMENTS, MID 20th C. Austrian printed cotton skirt with rick-rack bands. French brown wool skirt with polychrome embroidery. Austrian or Swiss wool skirt ensemble (few moth holes).
289 STUDDED WOOL CAPE, MID 20th C. Black fingertip length decorated allover with metallic green, blue and gold discs of varied sizes, quilted pink satin lining. I. Magnin label. Good.
290 FOUR LADIES GARMENTS, MID 20th C. One cap sleeve ruched taupe chiffon cocktail dress. One Stanley Korshak amber satin dress and jacket. Two spring coats: One Stanley Korshak bone silk blend. One pink linen weave with off-center buttons. Good-excellent.
291 AUSTRIAN WOOL SKIRT SUIT and SEPARATES, MID 20th C. Grey suit having double breasted jacket with embroidered green felt trim, horn buttons and ornaments. Brown jacket with green felt trim. Navy skirt having olive trim and belt with horn buckle. Excellent.
292 FOUR BLACK DRESSES, MID 20th C. One with brass studs, one with silver studs and rhinestones, two fringed. Good.
293 SIX PRINTED DRESSES, MID 20th C. Various fabrics and patterns including a Ceil Chapman plaid taffeta. Good-excellent.
294 SIX BLACK VELVET or VELVET TRIMMED DRESSES, MID 20th C. Including appliqued, velvet cut to chiffon, and two decorated with soutache and beads. Fair-excellent.
295 FOUR SILK SUMMER DRESSES, 1950s. All sleeveless with full skirt: Two printed, one with sequins, one with lace applique. Good-excellent.
296 THREE COCKTAIL DRESSES, MID 20th C. One black lace, one black chiffon with sheer bodice top, one ivory faille and red lace. Good-excellent.
297 TRAINA-NORELL CHIFFON COCKTAIL DRESS, 1950s. Sleeveless black silk having V-neck and back over straight cut bodice, ruched cummerbund and layered skirt with handkerchief points. Labeled. (Small holes and mended tears) good.
298 PAULINE TRIGERE PRINTED CHIFFON COCKTAIL DRESS, 1950s. Sleeveless pastel floral silk with full skirt having under-dress with wide salmon ribbon band at waist and hem. Labeled. (Tear under one arm, some stains) good.
299 GALANOS CHIFFON COCKTAIL DRESS, 1950s. Red silk having cap sleeve bodice trimmed with narrow satin bands, set-in waist with self belt, layered full skirt and faille underskirt. Labeled. B-34, W-23, L-41. (Inside edge of sleeve lightly soiled, section of belt missing) good.
300 THREE DRESSES with FULL SKIRTS, MID 20th C. One printed cotton one-shoulder style having polychrome batik inspired print. One pink lace over organdy with short sleeve and satin cummerbund. One sleeveless white cotton printed with black butterflies and studded with rhinestones. Excellent.
301 THREE SUMMER DRESSES, MID 20th C. All sleeveless with full skirt: One chiffon having stylized rose print. One brown organdy with white embroidered rings and scallops. One pale blue embroidered with flowers. Good-excellent.
302 HELENA BARBIERI STRAPLESS SILK PARTY DRESS, 1950s. Bubblegum pink taffeta having semi-boned bodice with dropped waist, full bubble skirt ruched around hips into angled wide three quarter belt with back bow. Labeled. (Few small spots) good.
303 TWO 1950s SATIN PARTY DRESSES. One ivory with cloth flowers and metallic embroidery. One black with lace and tucks. Fair-good.
304 ROSE PRINT CHIFFON DRESS, 1950s. Sleeveless black silk printed in shades of red, having ruched bodice, cummerbund and full skirt. Excellent.
305 THREE BEADED DRESSES, MID 20th C. One pink and turquoise printed chiffon, Saks label. One pink chiffon having net bodice with rhinestones, beads and velvet ribbons. One blue satin with gold brocade floral and beads. Good-excellent.
306 FOUR BLACK DRESSES, MID 20th C. One floral lace with scalloped trim. One Gloria Swanson rayon faille having ruched ribbon bands. One velvet with cord decoration and bead drops. One crepe with allover meandering sequins. Good-excellent.
307 TWO PRINTED SILK SLEEVELESS DRESSES, 1950s. One red and pink floral. One black having rose print and matching capelet. Together with a printed silk shorts and jacket ensemble. Good-excellent.
308 FOUR WARP PRINTED SILK DRESSES, MID 20th C. Two black sleeveless with pink and green floral. One white short sleeve with rose print. One ivory long sleeve with a small repeat of polychrome floral clusters. Good-excellent.
309 BALENCIAGA EISA SILK SKIRT SUIT, MID 20th C. Black twill collarless jacket small turn-back lapel, slightly padded shoulder, elbow length godet flared sleeve, self buttons, narrow skirt having pockets cut as one with front panel. Chamfered Eisa label, hand finished. B-40, W-28, H-38, skirt L-22. (Hemline reduced 2 1/2 inches but uncut, hidden snaps below buttons removed.
310 BELGIAN LABEL METALLIC BROCADE JACKET, 1950s. Double breasted blue silk having metallic brocade roses on an abstact black brocade ground, wide round collar, three quarter sleeve and self buttons, silk lining. Label: Haute Couture Marya Anvers. Excellent.
311 TWO LONG DRESSES, MID 20th C. One black tulle over pink satin and black lace. One blue and white striped button front halter with velvet trim. Good-excellent.
312 TWO LONG DRESSES, MID 20th C. Both having spaghetti strap: One white silk chiffon with sweetheart bodice woven in colored chiffon bands, (wear to bodice top edge). One white organdy with green appliqued and embroidered floral, (tiny holes). Together with a turquoise chiffon cocktail dress, (shoulder faded). Good.
313 SILK ONE SHOULDER GOWN, c. 1948. Pale gold satin having boned bodice with single wide strap and ruched overlay with oversized bow, long circle skirt. Unlabeled. (Minor spots on bow and skirt, hemline soiled) good. MMA.
314 MALLORCA FLAMENCO DRESS, MID 20th C. Heavy black cotton printed with white polka dots having deep V-neck, ruffled short sleeve and multi tiered ruffled skirt. Excellent.
315 ANN LOWE ONE of a KIND APPLIQUED BALL GOWN, 1950s. Sleeveless off-white satin having scoop neck and low back edged in black velvet, ruffled tulle above bust, the satin appliqued with black lace roses, lower half of full skirt in black velvet with self bows, interior corset with padded bust. Labeled. B-32, W-26, L-63. (Torn at shoulders, stain at waist, large watermark on skirt, needs mending) fair.
316 CHIFFON GOWN with BEADED BODICE, 1960s. Sleeveless cream silk with high waist, bodice decorated with allover floral beads. (Stain on skirt back) fair.
317 TWO FEATHER TRIMMED EVENING DRESSES. One George Halley printed silk with velvet brocade. One Jean Louis green chiffon. Together with a dotted net dress with applique and rhinestones. Good-excellent.
318 ESTEVEZ SHIMMERING STRAPLESS EVENING GOWN, 1960s. Black net column having a faux bois pattern in crinkled black lurex threads, semi-boned bodice, floating side panels ruched into waist, deep side slits. Labeled. (Lurex deteriorating) fair.
319 WATERCOLOR PRINTED ONE-SHOULDER GOWN, 1960s. Silk twill having large-scale floral in hot tones with sarong styling and shoulder bow. Bergdorf label. (Several small stains at hem) good.
320 THREE PRINTED RAYON DRESSES, MID 20th C. Various floral prints. Together with a blouse and skirt ensemble. Good-excellent.
321 TWO PRINTED COTTON DRESSES, 1950s. One strapless cream patterned with black scrolls having scalloped hem above deep black velvet band, matching bolero. One ivory having grey and rust hydrangea print, the flowerheads quilted and studded with sequins. Good-excellent.
322 PRINTED RAYON DRESS with EMBROIDERED NET SLEEVES, MID 20th C. Navy with floral print having short balloon sleeve embroidered with same floral design. Good.
323 CAROLYN SCHNURER and CLAIRE MCCARDELL INSPIRED PLAID COTTON DRESSES, 1950s. Schnurer in tan and green with semi-boned strapless bodice having wide self tie across bust, full pleated skirt with large side pocket, labeled. Polychrome madras halter dress with front closure of brass hooks & rings, full gathered skirt having side seam pockets, label: inspired by Claire McCardell introduced by Lord & Taylor. Excellent.
324 VERA MAXWELL and FRUIT of the LOOM PRINTED COTTON DRESSES, MID 20th C. Vera cream shift with slight cap sleeve printed with various Spanish dancers in earth tones, silk lining. Fruit of the Loom short sleeve gingham dress having wide bands in primary colors, set-in waistband with side button, full skirt. Labeled. Excellent.
325 TWO LOUELLA BALLERINO COTTON DRESSES, 1950s. One tone on tone green stripe having strapless semi-boned sweetheart bodice with ruffled top, wide A- line skirt and separate ruffled triangular scarf with long ties. One green and white printed plaid with roses, having ruffled scoop neck and short puffed sleeve, full skirt with hem ruffle, all trimmed with scalloped eyelet, self belt. Labeled. Excellent.
326 HAWAIIAN LABEL TROPICAL PRINT COTTON ENSEMBLE, MID 20th C. Long, sleeveless purple, white and gold floral dress with Mandarin collar and frog closures, worn over wide leg cropped pants, label: Kamehameha. Together with a Thai export white dress trimmed with polychrome stripes and floral insert. Excellent.
327 PRINTED COTTON SMOCK, MID 20th C. Black with polychrome Chinese print, short sleeve, shaped collar and pocket flaps with pistachio trim and buttons. Very good.
328 THREE LADIES PRINTED COTTON GARMENTS, 1950s. One turquoise blouse and quilted circle skirt having metallic gold dots and gilt padlock belt buckle with key. One black quilted circle skirt with rose print. One blue and white dress with printed black "pleats". Good-excellent.
329 FOUR PRINTED COTTON SWIMSUITS, MID 20th C. All 1-piece: One blue and purple with butterflies. One Jantzen brown abstract. One pink and lavender floral. One Hawaiian label with tropical flowers on blue. Good.
330 THREE FLORAL PRINTED SWIMSUITS, 1960s. All 1-piece: One Rose Marie Reid, two Gabar. Good-excellent.
331 FOUR LINEN WEAVE SUMMER GARMENTS, MID 20th C. Linen or cotton: One pink sleeveless wrap top and skirt with topstitching and self buttons. One red and blue printed sleeveless dress. One black short sleeve dress. One tan sleeveless top and skirt with green trim. Good-excellent.
332 THREE SUMMER DRESSES. One Pauline Trigere with dotted net bands. One tulle with embroidery and applique. One Burke-Amey lace with soutache. Good-excellent.
333 THREE WHITE COTTON PEASANT BLOUSES, MID 20th C. One Hungarian with polychrome embroidery. One having bell sleeve and lace insertion. One with eyelet and embroidery. Excellent.
334 ITALIAN RAFFIA COAT, 1960s. Off white having wide collar and elbow length sleeve, crocheted with flower heads and leaves, crocheted buttons, silk lining. Florence label. Good.
335 ADELE SIMPSON METALLIC BROCADE DRESS, 1960s. Long sleeve cranberry, white and metallic gold Persian inspired floral, satin banded neckline and hem. Labeled. Together with an unlabeled 2-piece dress with blue, white and mustard ethnic inspired print with silver lurex threads having spread collar and pleated skirt. Good.
336 FOUR SLEEVELESS METALLIC BROCADE DRESSES, 1960s. One long brown chiffon having brocade bodice and deep hem band. One black mid calf with allover floral brocade and keyhole back. Two short: One with brocade bands, one pale pink with botehs. Good- excellent.
337 TWO DRESS and JACKET SETS, 1960s. One Dynasty pink slubbed silk, the jacket having beaded pockets. One Jean Louis natural linen with polychrome embroidered flowers. Together with a Henri Bendel orange satin wrap dress with aqua cuffs and bow sash, having matching silk shoes (small abrasion on dress trim). Good-excellent.
338 SARMI EMBROIDERED LACE COCKTAIL DRESS, 1960s. Fawn floral with lurex threads. Together with a metallic brocade dress and jacket. Excellent.
339 BOB BUGNAUD BEADED and METALLIC BROCADE PANTSUIT, 1960s. Pink tunic and wide leg pants having silver brocade and beaded trim. with faceted jewels Labeled. Together with a pink dress and jacket set with allover beading and ribbon flowers, and a long pink silk skirt with beaded lace overlay. Good.
340 BEADED TANK DRESS with CHENILLE, 1960s Sheer white fabric having allover tufts of chenille amid a meandering pattern of silver bugle beads, back slit, satin lining. Unlabeled. (Browning at skirt hem and across bust) good.
341 CHRISTIAN DIOR TWO-PIECE LUREX DRESS, 1960s. Pink and silver long sleeve top with front self buttons, worn over sleeveless silk bodice with A-line lurex skirt. New York label. (Some broken metallic threads) good.
342 BROCADE EVENING COATDRESS, 1960s. Pale pink heavily brocaded in an ethnic inspired pattern having tall stand collar, bib style bodice and self button and loop closures over front zipper, full skirt with inverted pleats and satin lining. (Alterations) very good.
343 TWO LILLI ANN KNIT GARMENTS, 1960s. One off-white synthetic jacket with polychrome embroidered flowers and butterflies. One pale pink wool vest decorated with mylar, sequins, beads and plastic domes. Very good.
344 THREE PRINTED VELVET GARMENTS, 1960s - 1970s. One pair elephant bell bottoms printed with frogs and lily pads (small spots). One abstract floral wrap coat. One giraffe print jacket. Good.
345 TWO MR. DINO SCREEN PRINTED ENSEMBLES, 1960s. Both double knit with brightly colored patterns: One Persian inspired tunic with wide leg pants, (minor spots). One floral mini dress with matching tights, (light fading to feet of tights). Good-excellent.
346 MR. DINO FLOWER PRINT PANTS ENSEMBLE, c. 1970 Black and yellow synthetic knit with oversized flower heads, long sleeve top and wide flared pants. Labeled. Excellent.
347 JEAN DESSES BOTANICAL PRINT DAY DRESS, 1960s. Sort sleeve white knit having spread collar printed with ferns and tropical foliage. Labeled. Excellent.
348 THREE FLORAL PRINTED LONG DRESSES, 1960s. All sleeveless having bright whimsical prints on white ground,
349 THREE COLORFUL PATTERNED DRESSES, 1960s. One sleeveless princess line dress with bow detail having polychrome weave with raised flowers and birds, matching jacket (missing buttons). One long sleeve knit with swirling block pattern. One sleeveless bar print with button front and self belt. Together with a black and white dress printed with belts. Good- excellent.
350 TWO SLEEVELESS DRESSES, 1960s. One brown suede zip-front with wide self belt and patch pocket. One black Peruvian label mini with gold and silver metallic embroidery. Together with a Lanvin brown faux leather long skirt with black embroidery. Good-excellent.
351 TWO BONNIE CASHIN JACKETS, 1960s. One bone windbreaker with leather trim. One cream wool jacket with houndstooth and leather trim. Together with a Courreges yellow cotton windbreaker. Good.
352 THREE COLORFUL PATTERNED GARMENTS, 1960 - 1970s. Two woven geometric pattern dresses: One Olga Ruskatex rayon blend long dress. One Joan Leslie heavy cotton. One Seymour Fox double breasted cotton coat with windowpane design. Excellent.
353 THREE LADIES GEOMETRIC PRINTED SILK GARMENTS, 1960s - 1970s. One mosaic pattern dress and coat. One blouse and pleated skirt with dotted and marbleized triangles. One belted dress patterned with diamonds. Good-excellent.
354 EAVIS & BROWN LONDON METALLIC EMBROIDERED SILK MINI DRESS, 1960s. Short sleeve bone satin with empire bodice, lavishly decorated with coiled silver metallic thread and tinsel in a vining floral. Labeled. B-39, W-31, H-37, L-35. (Some darkening of silver and broken threads) good.
355 ADJUSTABLE PLASTIC HOOP SKIRT, c. 1952. Having two expansion bands of hinged plastic bars suspended from a tape waistband by a series of flat braided straps, fitted in a plastic hatbox-shaped case. Label "Bell o' the Ball Hoop". Very good. PWF.
356 STRIPED PAPER TRAPEZE DRESS, 1960s. Sleeveless with colorful print, square neck and back bow. Includes paper insert with illustration of dress from James Sterling Paper Products. Excellent.
357 LOT of HANDKERCHIEFS. Including embroidered linen and lace trimmed, mostly colorful cotton prints including designer. Excellent.
358 NINE LADIES HATS, MID 20th C. Velvet, felt and straw, various trims including fruit, feathers, rhinestones and beads. Together with a small brocade bonnet trimmed with metallic lace. Good-excellent.
359 FIVE RUBBER BATHING CAPS, MID 20th C. Including allover fringed, molded "hair", allover flowers, etc. Together with an allover ruffled fabric hat and drawstring bag. Fair-excellent.
360 UNWORN HAND MADE SUEDE and LIZARD PLATFORM SHOES, 1940s. Ecru suede peep toe sling-backs having peach lizard side insert and high heel. Label: Beleganti Hand Made. (Few minor marks) very good.
361 FOUR PAIR PLATFORM SHOES, 1940s and 1970s. One red open toe with dotted heel. One white with perforated red and navy applique. One black pumps with extreme red platform and colorful piping. One white sandals with colored piping and extreme heel. Fair-good.
362 SIX PAIR LADIES SHOES, 1960s - 1970s. Four David Evins patent leather including one pair by Galanos, Ferragamo silk with rhinestones, and one pair Joseph yellow and orange colorblock leather. Fair-good. LACMA.
363 SIX PAIR LADIES SHOES, 1960s - 1980s. YSL metallic high heel sandals, three pair clear vinyl with colorful wedges, straps or applique, polychrome resort mules with flower, Michel Perry black suede wedge sandals. Fair-excellent.
364 MENS PIECED SUEDE SHOES and BOOTS, 1960s. Lacing flats with polychrome patchwork design. Brown lacing short boots with white topstitching and overcast seams. Excellent.
365 ICON CAMPBELLS TOMATO SOUP SHOES, 1999. Andy Warhol inspired leather flats with side ties. Marked women's size 9. (Some scuffs on toes) good.
366 HERMES LEATHER GLOVES with CHARMS. Bone kidskin with gold tone chain at wrist suspending silver disc with script "H" between gold golf ball and tennis ball, interior stamped "Hermes Paris". Lot includes Hermes glove box. Approximate size 6. (Discs tarnished, box worn at corners) very good.
367 LOT of WOMENS EYEGLASSES and SUNGLASSES. Including YSL, Cardin, Biagiotti, Cassini, snake frames, quilted, etc. (15). Fair-excellent.
368 SIX REPTILE HANDBAGS, MID 20th C. Including two Lucille de Paris, three black, three brown. Together with an embossed leather shoulder bag. Fair-good.
369 LARGE LOT of HANDBAGS, MOSTLY MID 20th C. Various styles including beaded, metallic embroidered, basketweave, leather, etc. (13). Fair-excellent.
370 LOT of SIX HANDBAGS, MID - LATE 20th C. Including crocodile clutch, reptile embossed and suede. Good-excellent.
371 FOUR REPTILE HANDBAGS, MID 20th C. One red Gucci with hinged frame, three black bellows style with center closed compartment flanked by open pockets including one Dofan. Good.
372 LOT of SEVEN HANDBAGS. Mostly reptile or reptile embossed, various colors. Good-excellent.
373 THREE DESIGNER HANDBAGS. One Gucci logo canvas with faux bamboo handle. One small Pucci printed velvet. One Martin Von Schaak silk and velvet with rhinestone decorated twin handles. Good.
374 THREE DESIGNER SHOULDER BAGS. One Mark Cross logo fabric with leather trim. One Lanvin oxblood leather. One Coach taupe leather. Together with a python shoulder bag and a brown vinyl bag having silver ring handles. Good-excellent.
375 DIOR ENVELOPE CLUTCH with OPTIONAL HANDLE. Black calfskin having gold tone corners and decorative bar with gold "Dior" applied to silver tone oval, hinged strap can be tucked inside or removed by unscrewing teardrop loops. Stamped label. 6 1/4 x 10 1/2 with 13 inch handle. (Minor pricks in leather flap) very good.
376 BALENCIAGA PRINTED SILK SCARF. Black twill square printed with large pink butterfly. Together with a Whiting and Davis silver metal mesh clutch. Very good-excellent.
377 HERMES and CARTIER PRINTED SILK SCARVES. Both equestrian themed: Hermes "Aux Champs" on blue ground, artist Caty Latham, issued 1970, (light stain at one border). Cartier having a series of logos within equestrian hardware on bronze ground. Good- excellent.
378 TWO HERMES PRINTED SILK EQUESTRIAN THEME SCARVES, 1970s. Jumping, 1971, artist Philippe Ledoux in earth tones. Gaucho, 1978, artist Caty Latham on light blue ground. (Both with stains) fair-good.
379 TWO HERMES PRINTED SILK SCARVES, 1960s. La Tenue de Venerie, 1964, artist Charles Hallo, cream with burgundy border, depicting hunting costumes, (pulled thread, spots). Perspective, 1968, artist A. M. Cassandre having architectural theme on pale celadon ground, (light stains). Good.
380 FOUR LIBERTY of LONDON PRINTED SCARVES, MID 20th C. One wool paisley. Three silk: One Art Nouveau floral, one ethnic pattern, one abstract. Good-excellent.
381 SEVEN DESIGNER PRINTED SCARVES. Mostly silk including two Valentino, one Gres, one Lanvin, one Yves Saint Laurent cashmere and silk blend, etc. Excellent.
382 LOT of MENS PHOTO GRAPHIC PRINT SHIRTS, 1970s. Allover printed synthetics comprised of seven long sleeved shirts and two T-shirts. Excellent.
383 LOT of LADIES PHOTO GRAPHIC PRINT GARMENTS, 1970s. Allover printed synthetics, comprised of jumpsuit, skirt, two dresses, blouse and two T-shirts. Good- excellent.
384 LOT of METAL MESH GARMENTS and FRAGMENTS. Including some colored. 10 pieces. Good.
385 THREE FUTURISTIC DISPLAY HEADS, 1960s. White with elongated neck. Good.
386 LOT of EIGHT LADIES SEPARATES. Some designer including Ferre, Moschino and Montana. Good-excellent.
387 TWO DESIGNER ENSEMBLES. Givenchy skirt suit, Courreges dress and jacket. Together with a Bill Blass faux karakul coat. Fair- excellent.
388 TWO GIANFRANCO FERRE BLACK JERSEY GARMENTS. Both featuring large zippers and rows of buttons: One halter top, one jumpsuit. Labeled. Together with a studded chiffon skirt, a Gottex swim dress and an Italian 2-piece romper. Excellent.
389 GROUP of SILK and LACE LINGERIE, MAINLY 1930s. Various colors, all trimmed with ecru lace, consisting of teddy, camisole, nightgown and jacket ensemble, slip and jacket. Good-excellent.
390 FIVE PIECES of GLITZY LINGERIE. All black with various jeweled, sequined, beaded and/or metallic decoration. Good-excellent.
391 LOT of LINGERIE. Including La Perla, Moschino, Ferre and Bluemarine. 9 pieces. Good-excellent.
392 LOT of DESIGNER LINGERIE. Including Dolce and Gabbana, Alexander McQueen, Roberto Cavalli and La Perla. 10 pieces. Good- excellent.
393 SCHIAPARELLI LACE TRIMMED NIGHTGOWN and JACKET SET. Mint green nylon having bodice of ecru lace, lace trimmed hem, matching lace over nylon jacket with wide collar and three quarter sleeve. Labeled. (Lace straps of nightgown splitting). Together with a brown and ecru floral lace dress, (lacking under-dress). Good.
394 THREE PIECES GIANFRANCO FERRE LACE LINGERIE. One crimson gown with sequins, one ivory chemise with laces, and one brown beaded short nightie. Labeled. Good-excellent.
395 TWO ITALIAN BLACK NOVELTY SKIRT SUITS. One satin with sequined and feathered peplum, one crepe with velvet laces. Excellent.
396 THREE COLORFUL SUMMER DRESSES. All sleeveless: One Moschino polka dot, one John Murrough with lightning bolts, one Byron Lars polka dot. Together with a grey Byron Lars dress having military styling. Good-excellent.
397 VALENTINO BEADED and SEQUINED SKIRT. Taupe net over silk chiffon appliqued with lace at waist, heavily decorated in silver, platinum and bronze sequins and beads. Labeled. good.
398 ALESSANDRO DELL’AQUA APPLIQUED and JEWELED MINI SKIRT. Black satin decorated with gold mesh, chains, silver sequins, rhinestones, faceted glass drops, smokey plastic and metallic leather bars. (Few damaged drops) very good.
399 FIVE BEADED and/or SEQUINED SKIRTS. Including allover beaded with fringe, gold lame and chiffon. Fair-excellent.
400 THREE NOVELTY GARMENTS. One Fendi chain mail tunic (losses), one Gaultier printed chiffon and crocheted vest, and one unlabeled Alberta Ferretti polychrome ribbon lace tank with fringe. Good-excellent.
401 TWO DIANE VON FURSTENBERG PRINTED DAY DRESSES, 1970s. One long sleeve navy and white cotton knit A-line with stylized branches. One short sleeve periwinkle silk crepe with pastel floral repeat having self tie cuff and sash. Labeled. Excellent.
402 LACE TRIMMED CHIFFON SUMMER DRESS. Sleeveless white silk decorated with bands of black embroidered net having full skirt with lace and taffeta hem band. Unlabeled. Excellent.
403 PAULINE TRIGERE PRINTED SILK DAY DRESS, 1980s. Black with yellow and gold lattice print, having short sleeve, wide waistband and full pleated skirt. Labeled. Excellent.
404 THREE LADIES DESIGNER BLACK GARMENTS, LATE 20th C. One Saint Laurent Rive Gauche long sleeve day dress, one Armani long sleeve silk dress, one Valentino long taffeta skirt. Excellent.
405 TWO GALANOS STRIPED SILK GARMENTS, 1970s. One skirt and tunic with brightly colored stripes on black ground with gilt buttons and cufflinks. One chiffon sleeveless long dress and jacket in muted polychrome stripe, (jacket back torn). Together with a Galanos purple silk damask blouse. Labeled. Fair-excellent. MMA.
406 GALANOS BEADED SILK EVENING DRESS, 1970s. Cream gazar having long raglan sleeve, jewel neck and full skirt, bib front decorated with white, gold, and crystal beads in a pattern of flowerheads, matching narrow belt. Labeled. (Few small holes on back of sleeves) good. MMA.
407 TWO LADIES DESIGNER SUMMER GARMENTS. One Estevez bare midriff ensemble in crinkled tangerine rayon with black dots, long sleeve cropped top with self sash and matching harem pants. One Bill Blass white silk halter dress with wide collar, long skirt and nautical buttons (non-conforming belt). Labeled. Good-excellent.
408 POLYCHROME PRINTED and METALLIC BROCADE GOWN and CAFTAN, c. 1970. Sleeveless gown of floral print voile and gold brocade leaves with velvet midriff band. Short sleeve silk chiffon caftan having ethnic inspired print and gold brocade spots. (Few broken metallic threads) excellent.
409 THREE SLEEVELESS PRINTED SILK GARMENTS, c. 1970. Two long dresses: One with checked and dotted stripe, one stylized floral. One Italian label abstract printed jumpsuit. Fair-good.
410 TWO OSCAR de la RENTA PRINTED COTTON GARMENTS, 1970s. One pair orange wide leg trousers with polychrome floral (stain near one hem). One red and white sleeveless top with ruffled neckline and matching shorts. Labeled. Together with a yellow linen jumpsuit. Good-excellent.
411 TWO DAY-GLO PRINTED COULOTTE JUMPSUITS, 1970s. Both having wide leg and self sash: One short sleeve V-neck. One sleeveless with scoop back, (few small holes). Together with a day-glo floral blouse and a printed knit long dress and jacket. Good-excellent.
412 TWO BELLBOTTOM COTTON PANT SUITS, c. 1970. One denim with orange topstitching, snap closures and fly, Wild Mustang MFG. Co. label. One Dotti Didit brown corduroy shirt jac and pants with silver studs and pearl snaps. Excellent.
413 PRINTED COTTON MAXI DRESS, 1970s. Sleeveless white duck with bold red, orange and blue diagonal plaid, cutout yoke. (Minor spots) good. Together with a sleeveless blue linen weave cotton wrap dress with yellow trim and self buttons. Excellent.
414 GALANOS WOOL KNIT PANTSUIT, 1960s. Black short sleeve jacket having V-neck and angled pockets with camel trim, hidden buttons, matching wide leg pants. Labeled. B-34, jacket L-31, W-27, H-38, inseam 34. Excellent. MMA.
415 LANVIN PRINTED KNIT MAXI DRESS, 1970s. Black jersey A-line printed with speckled geometric shapes, having long sleeve and wide self sash with fringe. Labeled. Very good.
416 FRENCH LABEL EMBROIDERED SUEDE HALTER MAXI DRESS, 1970s. Pieced blue-grey hide A-line having brightly colored tambour embroidered floral. (Some fading) good.
417 CHANEL COUTURE SKIRT SUIT, 1970s. Pattern weave in shades of pink and plum on cream wool ground. Labeled and numbered. (Buttons possibly replaced, skirt altered, stains) fair.
418 MAGGY ROUFF VELVET DRESS and VEST ENSEMBLE, 1970s. Mauve ribbed velvet long sleeve dress with Mandarin collar, neck slit and button, matching vest with shawl collar, angled pockets and piping. Labeled. Excellent.
419 THREE SAINT LAURENT RIVE GAUCHE JACKETS, 1980s. Two quilted with floral print: One cotton, one wool blend. One wool pattern weave. Good-excellent.
420 TWO GALANOS WOOL JACKETS, 1980s. One camel hair with ruched fold-over collar and cutaway hem. One navy and white houndstooth with shawl collar. Labeled. Excellent. MMA.
421 SAINT LAURENT RIVE GAUCHE COAT and SEPARATES, 1970s. Long black velvet coat, topstitched in a diamond pattern with black lurex threads, having stand collar, self belt and toggle closures. Olive corduroy jacket with black braided trim and dome buttons. Coordinating olive wool full skirt having braided hem and side pockets. Excellent.
422 THREE DESIGNER WOOL JACKETS, 1980s. One Richard Tyler cranberry double breasted with wide collar and novelty buttons. One One Celine slate blue having wide collar, cuffs and pocket flaps with topstitching. One Arabella Pollen, London black with colorful applique.
423 HALSTON WOOL SKIRT SUIT, 1970s. Navy knit collarless jacket with patch pockets, matching wrap skirt, labeled. Together with an unlabeled black wool pantsuit with red trim, having long wrap jacket and wide leg pants. Good-excellent.
424 CORINNE COBSON PARIS WOOL PANTSUIT, 1980s. Polychrome bulky weave, cropped jacket with angled zipper and pockets, puffed upper sleeve, waistband with snap, high waist pants having very wide cuffed leg and logo snap fly. Labeled. (Few pulled threads) very good.
425 TWO COLORFUL PRINTED SAINT LAURENT RIVE GAUCHE ENSEMBLES, 1980s. One skirt and cardigan in geometric pattern. One quilted jacket with blouse, skirt and scarf. Excellent.
426 HALSON THREE PIECE ENSEMBLE, and VALENTINO SUIT, 1970s - 1980s. Halston beige wool sleeveless dress with open shoulder, wrap skirt and belted coat. Valentino black and white wool plaid skirt suit with embroidered arrow details. Excellent.
427 FOUR DESIGNER WOOL GARMENTS, LATE 20th C. One Missoni dress, Missoni and Issey Miyake jackets, and one Givenchy sweater with matching camisole. Good.
428 THREE DESIGNER PANT SUITS, LATE 20th C. One Valentino navy linen, one Issey Miyake white polyester, one Mon-Lize Paris pieced grey warmup suit. Together with a Balenciaga purple wool skirt suit (faded, missing button). Fair-excellent.
429 LADYS CHRISTIAN DIOR LORO PIANA CASHMERE COAT, 1980s. Black double breasted ankle length coat with shawl collar. Labeled. Excellent.
430 JEAN CLAUDE JITROIS PARIS NUMBERED LEATHER JACKET, 1980s Black having double breast with single pair of self buttons at waist, shawl collar, exaggerated shoulder, angled pockets. Label stamped 2052. Excellent.
431 TWO CHRISTIAN DIOR WOOL JACKETS, AUTOMNE - HIVER 1975 and 1980s. One blue-grey heather cropped style with breast pockets, button cuff and side slits, silk lining. Collection label stamped 06359. One red cashmere blend blazer with satin side panels, welt pockets and single Dorset button. Excellent.
432 HERMES and COURREGES MID-CALF SKIRTS, 1970s. One Hermes white linen wrap with leather trimmed belt. One Courreges orange wool A-line. Good- excellent.
433 TWO JEAN MUIR WOOL CREPE DRESSES 1970s. One 2-piece blue peplum top with full three quarter sleeve, button front and self belt, matching accordion pleated skirt. One rust with smocked shoulder and self belt. Labeled. Good-excellent.
434 THREE JEAN MUIR DAY DRESSES, 1970s and 1980s. All long sleeve: One cranberry and blue printed rayon jersey with topstitching. Two red knit wool blend. Labeled. Good.
435 JEAN MUIR WOOL BLEND DAY DRESS, 1970s. Long sleeve puce belted tent pieced in narrow panels, having wide turtleneck and cuff with topstitching, off-center clear dome buttons and banded hem. Very good.
436 PAULINE TRIGERE WOOL DAY DRESS, 1970s. Graphite crepe with long zippered sleeve, deep V-neck and A-line skirt, silk lining. Labeled. Excellent.
437 THREE LONG SLEEVE WOOL DAY DRESSES, 1960s - 1970s. One grey Adele Simpson with studded waistband. One charcoal with red velvet, black cord and beaded trim. One black mini trimmed with pink silk piping and flower detail. Excellent.
438 THREE DESIGNER KNIT DRESSES, 1970s - 1980s. One Albert Nippon blue wrap with polychrome abstract print. One Betsey Johnson red sheath having self laces and peplum. One Angel Estrada black with off the shoulder ruched bodice and sleeve. Excellent.
439 THREE GEOFFREY BEENE GARMENTS, 1960s - 1980s. One yellow cotton day dress with rhinestone buttons. One black silk skirt having woven diagonal white stripe. One black and white wool jacket. Good-excellent.
440 SEVEN BESSI PRINTED JERSEY DRESSES, 1980s. Various prints, two short sleeve, three belted. Labeled. Good-excellent.
441 FIVE LEONARD PRINTED JERSEY DRESSES, 1980s. All long sleeve, two belted, various prints. Labeled. Good-excellent.
442 FIVE LADIES PUCCI SEPARATES, c. 1970. Various colorful prints: Two silk blouses, one cotton blouse, one cotton skirt and one jersey tube dress/long skirt. Fair-excellent.
443 TWO DESIGNER SILK DRESS and JACKET SETS, c. 1970. One Pucci sleeveless dress with pink and gold chain print, matching jacket with ruffled trim. One Bessi polychrome stylized floral jersey dress with matching twill jacket. Together with a Pucci silk and cashmere printed day dress in cool tones. Labeled. Fair-good.
444 FOUR PUCCI PRINTED JERSEY DRESSES, c. 1970. Various prints, one short sleeve, three long sleeve including one having belt with beaded tassels. Labeled. Fair-good.
445 PUCCI PRINTED SILK DAY DRESS with MATCHING TIGHTS, c. 1970. Short sleeve dress with pink and pistachio stylized floral on black ground, matching nylon tights. Labeled. (Fade mark on dress) good, tights excellent.
446 PUCCI PRINTED SILK DAY DRESS, c. 1970. Long sleeve shirtwaist style with a pattern of floral urns in cool tones on white. Labeled. (Few minor spots, lacking belt) good.
447 TWO PUCCI PRINTED SILK JERSEY DAY DRESSES, c. 1970. Both long sleeve A-line with banded spread collar, cuff and hem in a stylized floral print in two color variants. Labeled. (Missing belts, few tiny spots) good.
448 THREE PUCCI PRINTED SILK JERSEY BLOUSES, 1970s. All long sleeve in various prints: Two with back zipper, and one T-shirt style. Good-excellent.
449 THREE PUCCI PRINTED SILK BLOUSES, c. 1970. One with Medieval figures, one with calypso dancers and drums, and one with stylized fish. Labeled. Good.
450 THREE PUCCI PRINTED SILK BLOUSES, c. 1970. All abstract prints with self buttons: One pink and purple. One in cool tones. One orange and gold. Labeled. (Some spots, open seam) good.
451 SIX LADIES DESIGNER PRINTED BLOUSES, 1970s - 1980s. Silk, cotton and wool including YSL, Armani, Escada and Christian LaCroix. Together with a Bessi printed cotton jacket. Labeled. Good-excellent.
452 FOUR LADIES COLORFUL PRINTED GARMENTS, 1980s. One Italian cotton knit dress with nautical theme. One Escada heraldic print cotton blouse. One Paris label rococo print silk blouse. One unlabeled silk blouse and pants printed with antique clocks. Good-excellent.
453 TWO PARIS DESIGNER DRESSES, 1970s. One Givenchy sleeveless black linen shift with wrapped shoulder and back yoke. One Nina Ricci Boutique red and white printed silk gingham day dress with long sleeve and V-neck having collar with white sawtooth border. Labeled. Excellent.
454 FIVE FLORA KUNG HARLEQUIN PRINT SILK SEPARATES, 1980s. All black and white: Double breasted blazer and cropped jacket, three skirts. Excellent.
455 STAVROPOULOS FRINGED SILK JACKET, 1980s. Boxy black silk having raised black stripes over red, black and amber bands with short fringe, labeled. Together with a Jumpin' Jack Flash black satin jacket with random quilting and velveteen collar and sleeve. Good-excellent.
456 TWO LINA LEE BLACK JACKETS, 1980s. One silk crepe having metallic gold embroidered faux cross stitches and S scrolls, velvet trim. One velvet having lace and metallic front panels and sleeve insert decorated with crystal baubles and swags, rhinestones, ribbon and gold cord. Labeled. Excellent.
458 VICTOR COSTA RHINESTONE STUDDED KNIT DRESS, 1970s. Long sleeve cranberry jersey with mock turtleneck, having a bib of rhinestone and gold studded rays, labeled, (unhemmed). Together with a black knit halter top and skirt decorated with gold tone discs. Good.
459 THREE DESIGNER LITTLE BLACK DRESSES. One Hattie Carnegie in satin with elbow length sleeve, notched band detail and full skirt (repair in underarm area). One Bill Blass with wide straps and beaded trim on bodice. One Scaasi taffeta faux wrap with ruched sleeve and satin bow. Good-excellent.
460 TWO DESIGNER FLORAL PRINTED DRESSES, 1960s and 1980s. One Scaasi long sleeve black lace with tulip print. One Vicky Tiel black silk printed with red roses having slit cap sleeve and self swags on skirt. Labeled. Excellent.
461 TWO VICKY TIEL COCKTAIL DRESSES, 1980s. One sapphire blue changeable taffeta with sweetheart bodice and three quarter sleeve, the shoulder and neckline decorated with black floral lace applique, sequins and beads, dropped waist and full skirt. One ruched black net sheath embroidered with gold lurex floral having off the shoulder neckline with layered ruffles. Excellent.
462 TWO NINA RICCI SEQUIN DECORATED DRESSES, 1970s - 1980s. Both black with long sleeve: and V-shaped lace neck insert with sequined decoration: One gown with velvet sleeve, allover sequined body and two wide taffeta hem ruffles. One wool blend trapeze dress with tassel and side slits. Excellent. Haute Boutique label.
463 LARGE SIZE MARY McFADDEN EVENING ENSEMBLE, 1980s. White satin coat having allover topstitching trimmed with gold cord, beads and sequins, long skirt with Fortuny style pleats, and ivory camisole with gold strap and piping. Excellent.
464 UNLABELED PRINTED CHIFFON DRESS, 1980s. Zandra Rhodes style in blue and white with handkerchief points, pearls and star shaped sequins. Excellent.
465 LOT of KOOS VAN DEN AKKER GARMENTS. All wool with printed cotton applique: One suit, one skirt and one sweater. Excellent.
466 FOUR VERSACE LADIES GARMENTS. One floral printed skirt and vest, one pair dotted knit pants, one black and yellow striped dress, and one matching striped chiffon blouse. Good-excellent.
467 GIANNI VERSACE PRINTED WOOL JACKET. Black with yellow and gold baroque floral, collarless style with gilt and enameled buttons, hemline pockets. Labeled. Very good.
468 TWO CHANEL JACKETS. One brown tweed (missing button). One purple leather with patch pockets (missing buttons). Both labeled. Together with a Geoffrey Beene brown plaid jacket with lace trim and a Jacques Tiffeau jacket with polychrome check. Good-excellent.
469 SIX DESIGNER JACKETS. Moschino, Trigere, Dior, Laroche, Givenchy and Saint Laurent, in various fabrics. Good-excellent.
470 FOUR LADIES BLACK JACKETS with CREAM TRIM. Including Moschino, Carla Carini and Annie Riva. Good-excellent.
471 THREE LADIES DESIGNER WOOL JACKETS. One Vivian Westwood charcoal boucle, one Louis Feraud black and white houndstooth, and one Mugler blue crepe with asymmetrical design. Excellent.
472 FOUR THIERRY MUGLER JACKETS. One royal blue with zipper details, one yellow with curved seam details (soiled), one black with metal buckle, and one navy with asymmetrical design. Good-excellent.
473 TWO GAULTIER LADIES JACKETS. One aubergine zip-front with padded hip (fabric puckering on sleeves). One black Eisenhower style. Together with a Moschino taupe jacket having open neckline and off center buttons (stains). Good- excellent.
474 THREE CHLOE JACKETS. One beige silk linen weave with gilt zippers and buttons (missing one button), one natural weave with exaggerated shoulder, and one green taffeta with puffed shoulder. Good-excellent.
475 FOUR MOSCHINO JACKETS. Two black, one grey with black trim, and one black printed with words. Excellent.
476 TWO ALEXANDER McQUEEN JACKETS. Both rayon/acetate blend: One white with exaggerated sleeve, one black with elongated lapel. Together with a pair of Alexander McQueen black cotton pants with laced back slashes. Excellent.
477 THREE JAPANESE DESIGNER SHORT JACKETS. One Yamamoto cotton/linen blend, two Comme de Garcon poly/silk blend, all with various contrasting trims. Excellent.
478 TWO GAULTIER JACKETS with CUTOUT DETAILS. One double breasted brown with pinstripe having detachable sleeves with back wrap open at the armhole. One cream rayon having horizontal slit across bust, (scattered small spots). Labeled. Good- excellent.
479 LADYS HERMES REVERSIBLE PRINTED SILK JACKET. Padded brown and taupe twill, the printed side having coaching theme with large back medallion and vertical welt pockets, reversing to a taupe diagonal rib with patch pockets. Labeled. (Edge wear and mends) good.
480 THREE DESIGNER CHIFFON GARMENTS. One Ferre polonaise blouse in white with black and white woven windowpane. Two Roberto Cavalli black and yellow abstract print: One beaded tunic, one long dress. Good-excellent.
481 THREE HERVE LEGER BANDAGE DRESSES. One gold with black trim, open back and side cutouts (scattered spots), one pink one-shoulder mini, and one green with asymmetrical hem. Good-excellent.
482 JAMES PURCELL SILK DRESS and SEQUINED TANK TOP. Sleeveless black velvet sheath with high off-center front slit. Cropped square neck chiffon tank top with allover black sequins. Labeled. Excellent.
483 JUNKO KOSHINO CUTOUT KNIT SHEATH. Black cotton with shoulder cutout and snaps, curved hem notch to one side. Labeled. (Fade mark on bust) good.
484 TWO MAXI HALTER DRESSES. One black Betsey Johnson with satin collar and front buttons. One unlabeled with colorful wide chevrons having sawtooth edges. Good-excellent.
485 DEADSTOCK BADGLEY MISCHKA LACE APPLIQUED GOWN. Sleeveless black net over chiffon appliqued with lace roses having scalloped neckline and trained hem. Labeled. Excellent.
486 TWO SLEEVELESS CHIFFON EVENING GOWNS. One black Lillie Rubin with spaghetti strap and tiered skirt. One unlabeled white silk 2-piece dress and stole decorated with marabou feathers and bugle beads. Good-excellent.
487 ARMANI ONE-SHOULDER EVENING DRESS. Grey jersey with Grecian styling, having rhinestone decorated strap (some stains and pulls). Together with a Zac Posen jade satin dress with tucks and topstitching. Labeled. Good-excellent.
488 NORMA KAMALI MERMAID GOWN with ILLUSION BODICE, 1980s. Berry stretch jersey knit with sleeveless nude mesh bodice having V-front and deep V-back, dropped waist and mermaid style hem with large gores. OMO Label. (Seam openings, small snags and stain) good.
489 MARY McFADDEN PLEATED SILK TWO-PIECE DRESS. Black tunic with long pointed sleeve and V-neck having self laces, long skirt. Together with a McFadden black lace skirt. Labeled. Excellent.
490 MARY McFADDEN BEADED EVENING DRESS. Black silk having bodice covered in black beads, gold sequins and metallic threads, pleated elbow length gathered sleeve and long skirt. Labeled. Excellent.
491 TWO RHINESTONE DECORATED EVENING GOWNS. Both black with long sleeve: One Victor Costa with graduated rhinestone sunburst. One Chetta B with sheer bodice top above rhinestone band. Together a Givenchy Nouvelle Boutique cocktail dress with rhinestone buttons, (missing one cuff). Fair-excellent.
492 THREE LONG SLEEVE EVENING DRESSES. One Scassi red silk with pleated ruffles. One black velvet wrap with organdy ruffles. One Bill Blass black velvet and satin with fringe. Together with a Pauline Trigere black faille evening skirt. Good-excellent.
493 TWO LADIES DESIGNER WOOL OUTER GARMENTS. One Kenzo plaid coat. One Pauline Trigere herringbone cape. Together with an unlabeled wool cape. Good-excellent.
494 LOT of OUTERWEAR. One Mollie Parnis fur lined ultrasuede coat. One Roberta di Camerino brown leather jacket. One Sybil Connolly reversible houndstooth coat and dress set. One patterned weave tweed coat. Good-excellent.
End of Session I
495 SILK CORSET and STOMACHER, AMERICAN or EUROPEAN, 18th C Green with polychrome floral brocade, the front and back lacing corset having embroidered eyelets and leather waist tabs, matching stomacher, both lined in homespun linen. B-28, W-20, center front L-13, stomacher 9 1/2 x 11. (Minor edge wear and leather losses) excellent. MMA. 600 - 800
496 SILK CORSET and STOMACHER, AMERICAN or EUROPEAN, 18th C. Blue faille with polychrome floral brocade, the corset having straps, white leather tabs and silver metal hooks, blue and white striped lining with leather facings, B-29, W-22, center front L-14. Stomacher trimmed in metallic gold passementerie, padded and backed in printed cotton, 15 x 12. (Edge wear, leather soiled, metallic loss, few holes to stomacher) overall very good. MMA. 800 - 1000
497 BODICE and CORSET ENSEMBLE, EUROPEAN, LATE 18th - EARLY 19th C. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. Bodice B-36, W-26, front L-17. (Losses to ribbon, some edge wear) very good. MMA. 600 - 800
498 METALLIC BROCADE BODICE with STAYS, FRENCH, c. 1750. Plum silk with pink silk and metallic floral brocade, decorated in narrow metallic braid, waist tabs elongated at front, hidden eyelets in linen lining. B-34, W-26, center front L-13 1/2. (Minor wear and soiling, some tab ends replaced) very good. MMA. 600 - 800
499 SILK BROCADE STAYS, ITALIAN, MID 18th C. Polychrome silk floral on brown ground having front and back laces and leather waist tabs, homespun linen lining. B-30, W-20, center front L-13. (Some tab covers replaced, edge wear) very good. MMA. 400 - 600
500 METALLIC EMBROIDERED STAYS, ITALIAN, c. 1780. White silk satin decorated with a repeat of metallic embroidered posies with tiny sequins, having floral vines at center back, front and back lacing, waist tabs in various silk brocades, linen lining and tab facings. B-34, W-24, center front L-13. (Significant edge wear, some abrasion and embroidery losses) fair. MMA. 400 - 600
501 SILK CORSET with FIGURAL HOOKS, AMERICAN or EUROPEAN, 18th C. Brown satin with polychrome floral brocade, having straps with silk ribbon ties, decorated with metallic gold lace, reticulated silver metal hooks with stag, foliage and unidentified creature to lace over a stomacher, homespun linen lining and hip pads. B-32, W-26, front L-15. (Three broken hooks, one missing, worn facings, metallic losses) good. MMA. 600 - 800
502 SILK CORSET, PROBABLY SPANISH, THIRD QUARTER 18th C. Spruce green satin damask and ribbon applique having silver metal hooks in the form of a mythological creature for lacing across a stomacher, straps with eyelets for ties, linen lining and hip pads. B-30, W-20, center front L-11. (Edge wear, exposed leather binding to lower edge, 1-inch spot on lining) good. MMA. 300 - 500
503 METALLIC EMBROIDERED STOMACHER, BRITISH, 18th C. Pieced off-white silk with vertical pleats, decorated with a vining floral in metallic gold thread. 7 1/2 x 12. (Several small tears, scattered tiny holes) fair. MMA. 100 - 200
504 EMBROIDERED STOMACHER, BRITISH, 18th C. Cream cotton with polychrome satin stitch floral on a ground of couched metallic threads in a chevron pattern. 9 1/2 x 13 1/2. (Metallic thread losses) good. MMA. 300 - 500
505 EMBROIDERED STOMACHER, BRITISH, 18th C. Natural linen decorated with polychrome silk satin stitch and couched metallic threads in a pattern of stylized flowers and scrolls. 8 x 11 1/2. (Embroidery losses, three small edge tears) good. MMA. 300 - 500
506 METALLIC STOMACHER, GERMAN, EARLY 19th C. Silver brocade having a floral motif, decorated with silver ribbon and an openwork applique of silver thread and strips depicting a pair of birds flanking a flowerhead, linen backing. 10 x 14. (Minor wear and frayed edges) very good. MMA. 300 - 500
507 EMBROIDERED STOMACHER, EUROPEAN, SECOND QUARTER 18th C. Cream silk having polychrome satin stitch floral with couched metallic treads, bordered in pink satin. 13 x 13 1/2. (Archival backing added, small hole in satin at top edge) excellent. MMA. 500 - 700
508 SILK and LINEN CORSET, AMERICAN, THIRD QUARTER 18th C. Tan homespun linen with green and white striped silk front, green quilting and embroidered eyelets. B- 34, W-22, front L-13. (Stains, edge wear, significant binding losses) fair. MMA. 300 - 400
509 COTTON CORSET, AMERICAN, MID 18th C. Tan bound in white leather at top and bottom edges, having white linen bands, hand embroidered eyelets, originally front and back lacing, joined at front and partially lined and reinforced with natural linen. B-33, W-26, front L-10. (Minor spots and edge wear, some eyelets torn) very good. MMA. 400 - 600
510 LINEN CORSET, AMERICAN, THIRD QUARTER 18th C. Off-white homespun linen bound at top and bottom edge in white leather, having hand embroidered back eyelets. B-32, W-26, front L-12. (Overall tiny, faint rust spots, minor stains, scattered small holes in lining) very good. MMA. 400 - 600
511 SILK BROCADE STAYS and BODICES, ITALIAN, 18th and 19th C. All having polychrome floral: Ivory stays, 18th C, with salmon silk trim, (splits, alterations). Red bodice, 19th C, having elongated front with closely set stays and boned center back, (minor edge wear and soil). White satin bodice, 19th C, with metallic lace trim and front ties, (splits and wear to silk, torn and missing ties, relined). Fair-good. MMA. 300 - 500
512 THREE SILK BROCADE BODICES, AMERICAN or EUROPEAN, 18th C. All polychrome silk and metallic floral with sleeve: One French peach satin having insets of ruched silk and stays. One pale green trimmed with metallic lace. One Spanish off-white trimmed with self pleats and pink satin. (Splits, small holes and spots, brocade losses) fair-good. MMA. 300 - 500
513 TWO SILK BROCADE BODICES, FRENCH, 18th C. Both sleeveless: One blue faille having large-scale floral in blue and silver metallic brocade, back lacing, front buttoning, linen lining with pleated skirt, felt button facing, B-28, W-22, L-18, (buttons removed). One having an overall repeat of blue, white and pink flowers, short peplum with long center point, hook & eye closures and linen lining, B-32, W-24, center back L-17, (small area of hem worn and soiled). Excellent. MMA. 300 - 500
514 SILK BROCADE BODICE, AMERICAN or EUROPEAN, 18th C. Brown tone on tone woven stripe with polychrome floral brocade, having square neck and over the elbow sleeve, the deeply pointed front entirely stiffened with closely set stays reinforced on the diagonal, faux self buttons, short peplum, linen lining, red silk facings and hidden placket with eyelets. B-29, L-21. (Some edge wear, few small holes in lining) very good. MMA. 400 - 600
515 SILK JACKET and VEST ENSEMBLE, AMERICAN or EUROPEAN, 18th C. Yellow moire faille brocaded with a repeat of white floral devices, short collarless jacket with open neck, curved hemline, sleeve trimmed with pleated silk ribbon, pieced 2-tone linen lining and boned front placket with hidden eyelets for laces. Vest having silk yoke and pointed front with center stays, tan linen sides and back with laces. Both pieces B-36, L-18. (Jacket small mend on front, wear to hem at back, one broken stay, vest lacking front ties, one broken stay) good. MMA. 300 - 500
516 PRINTED COTTON BASQUE, FRENCH, LATE 18th C. Salmon ground with a repeat of black, yellow and blue abstract devices, having square neckline, lacing front, hem with four small gores and short back peplum, linen lining. B-30, W-24, L-14. Excellent. MMA. 300 - 500
517 LADYS SILK JACKET, AMERICAN or EUROPEAN, 18th C. Off-white brocaded with tone on tone scrolling foliage and polychrome floral having square neckline, three quarter sleeve and full skirt with slight cutaway front, trimmed in pleated blue satin, sleeves edged in ecru lace ruffles, hook & eye closures, cotton lining. B-34, W-28, center back L-31. (Few small holes and splits, faint stain on sleeve, trim faded, minor dye transfer, small tear in lace) good. MMA. 800 - 1200
518 METALLIC EMBROIDERED SILK VESTMENT, PROBABLY FRENCH, c. 1725. Gold silk, having very finely embroidered polychrome birds, flowers and fruit with metallic gold baskets and cartouches, short gathered sleeve, the neckline, waist and center front banded with gold passementerie, bodice having self ties at back, drawstring waist, lined in pink linen. W-29, L-47. (Losses to passementerie, small splits to pleats at waist, minor spots at hem) excellent. 2500 - 3500
519 SILK BROCADE OPEN ROBE, FRENCH, c. 1738. Ivory damask brocaded with large-scale polychrome floral having short sleeve unstructured bodice with back pleats stitched down to the waist and pleated open skirt with side openings, bodice lined in cotton. B-32, W-28, L-52-57. (Faint watermarks, tiny split) excellent. MMA. 1200 - 1800
520 SILK BROCADE DRESS, FRENCH, c. 1760. Celadon silk with polychrome brocade floral having long sleeve unstructured bodice, dropped waist with point trimmed in silver metallic lace, back-lacing closure set in polished cotton panel, skirt front having gauged gathers, hem edged in metallic lace, bodice lined in cotton. B-28, natural W-21, L-53. (Even fading, cotton panel likely replaced and lacking laces, scattered minor stains) good. MMA. 600 - 800
521 EMBROIDERED SILK ROBE a la FRANCAISE, PARIS, 1760s - 1770s. Ribbed ivory silk sacque back robe, stomacher and petticoat, all decorated with polychrome silk floral embroidery, the robe and petticoat appliqued with embroidered tulle, metallic lace, knotted net, foil flowers, sequins and fringe, traces of feathers remain,partial cotton lining, the stomacher having looped metallic cord and leaf applique. Petersham label "Henriette Favre Rue de la Paix. 5". Robe B-28, W-22, L 57-77, petticoat L- 41.(Robe fragile, mending to top of sleeves, small splits to bodice, splits and large tears to sacque, trim losses, stomacher patched, backing added) sacque back poor, front fair, stomacher good, petticoat very good, displays well from front. MMA. 1200 - 1500
522 METALLIC BROCADE SACQUE BACK GOWN, ITALIAN, 1750 - 1775. Blue-green faille having blue and white silk and metallic silver brocade, trimmed with fancy woven cord and tassels, gown having elbow length sleeve with double fan cuff, bodice having back-lacing boned linen corset, slightly trained skirt with side openings, stomacher with hook attachments, and matching square petticoat panel, linen hem facings. B-34, W-26, L-57-61. (Some metallic and trim losses, bodice lining torn, ties added to front panel) very good. MMA. 3000 - 4000
523 PRINTED COTTON SACQUE BACK GOWN and MITTS, FRENCH, 1750 - 1775. Cream printed with brown meandering ribbons and polychrome floral sprays, open gown having elbow length sleeve with scalloped fan cuff, ruffled neckline and front with stomacher panel, skirt front trimmed with self bows, unlined, matching mitts. B-34, W-24, L 53-62., petticoat L-42. (Few period mends, scattered tiny holes and spots, browning to cuffs, small tear at petticoat waist) very good. MMA. 1800 - 2200
524 BROCADE SILK ROBE a la FRANCAISE, FRENCH, 1750 - 1775. Ivory taffeta brocaded with tone on tone floral swags and polychrome floral sprays, sacque back open robe, petticoat and stomacher trimmed with furbelows, wired net and silk fringe, bodice having elbow length sleeve with double fan cuff and linen lining, skirt side openings, petticoat with deep front ruffle, hem backed in polished linen, unstiffened stomacher edged in fancy cord at top. Robe B-28, W-22, L 58- 63, petticoat L-42. (Bodice front trim partly unsewn, stains, splits and repairs to underarms, scattered splits and tiny holes, trim soiling and losses) good. MMA. 1200 - 1500
525 METALLIC BROCADE ROBE a la FRANCAISE, FRENCH, 1774 - 1793. Cream silk taffeta having woven blue stripe, brocaded with polychrome silk floral with blue and magenta metallic threads, sacque back open robe having elbow length sleeve with double fan cuff, decorated with swags of pleated net with metallic stripe and cloth flowers with glass beads, linen lined bodice with back laces, silk cuff and hem facings, matching petticoat and stomacher with metal stays. B-28, W-22, robe L 47-67, petticoat L-39.(Splits to bodice, few splits in skirt, metallic and trim losses) robe fair, petticoat good. MMA. 1800 - 2200
526 SILK BROCADE SACQUE BACK GOWN, AMERICAN, 1765 - 1780. Blue and white striped taffeta brocaded with a serpentine foliate stripe in white with polychrome floral clusters, robe having elbow length sleeve with triple fan cuff, lace trimmed furbelows and interior boned linen corset with back laces, matching petticoat with deep pleated front panel above furbelows at hem, lot includes detached self bows, trim and petersham labeled "L. Monnay New York". B-26, L 43-60. (Corset laces and petersham replaced, drawstrings added to petticoat waist, wear and faint stains underarms) good. 2000 - 3000
527 METALLIC BROCADE ROBE a la FRANCAISE, FRENCH, 1774 - 1793. Cream silk open robe having silver metallic stripe and polychrome silk floral brocade, elbow length sleeve trimmed in knotted net with silk ribbon and tambour embroidered floral applique, neckline, bodice and skirt trimmed in metallic lace and ribbon flowers, self buttons on bodice back for tying up skirt, skirt having front panels appliqued with horizontal bands of net, lace and floral embroidery decorated with red, blue and silver foil, sacque back, bodice lined in silk. B-34, W-24, L 53-61. (Splits at shoulder, fabric torn around one button, significant metallic losses, hem facing torn) fair. MMA. 2000 - 3000
528 PRINTED SILK OPEN ROBE, FRENCH, 1755 - 1775. Ivory taffeta with polychrome floral sprays trimmed with fancy silk cord and self piping, elbow length sleeve with double fan cuff, cotton bodice lining, separate matching silk and linen pocket and extra fabric strips. B-28, W-22, L-54-78. (Some splits, tears and holes under arms, dye losses to print) fair. MMA. 400 - 600
529 SILK ROBE a L'ANGLAISE, PROBABLY EUROPEAN, 1760 - 1775. Off-white figured satin brocaded with red, green and yellow floral swags, bodice having over the elbow length sleeve and boned back shaped with narrow panels, front and back point, pleated skirt trimmed with furbelows, petticoat having wide band of furbelows at hem, linen bodice lining and petticoat hem facing, silk facing to skirt. B-28, W-22, L 60-67. (Small stain on skirt trim and petticoat, faint underarm stains) excellent. 3000 - 4000
530 SILK BROCADE ROBE a L’ANGLAISE, CANADIAN, 1750 - 1775. Ivory silk brocaded with small tone on tone flowers and larger polychrome floral clusters, semi boned bodice with square-cut neckline and elbow length sleeve, pleated cuff decorated with fancy cord and polychrome tassels, trained open skirt with cord-trimmed furbelows, matching petticoat, bodice lined in cotton and linen. B-30, W-25, L-55-69, petticoat L-41. (Robe having some tearing and light stains under arms, few small spots on skirt back, petticoat having holes and edge wear to hem facing, small faint stain and soiling at hem) very good MMA. 3000 - 4000
531 SILK BROCADE ROBE a la FRANCAISE, 3rd QUARTER 18th C. Yellow tone on tone stripe brocaded with polychrome flowers and blueberries having elbow length sleeve with double fan cuff, bodice decorated with furbelows and trimmed with looped cord, lined with linen, skirt having side openings and trained hem. B-30, W-28, L-51-59. (Splits and period mends, soiled, bodice lining repaired, underarm stains) fair. MMA. 400 - 600
532 DECONSTRUCTED METALLIC EMBROIDERED ENSEMBLE, FRENCH, 1774 - 1792. Skirt and bodice of pink silk faille lavishly decorated with couched metallic gold bows, swags and tassels, with a polychrome silk and metallic satin stitch floral, lined in blue silk. Pink silk headdress having allover embroidered decoration in silver and metallic gold with gold cord and tassel. Skirt 38 x 166, B-28, bodice L-15, headdress 6 1/2 x 18. (Faded, period mend on skirt, few small splits, broken metallic threads and wear near hemline) good. MMA. 1000 - 3000
533 METALLIC EMBROIDERED and SEQUINED GOWN, FRENCH, 1774 - 1793. White taffeta finely embroidered with a satin stitch floral in pastel silk, gold metallic thread and sequins, trimmed in silk gauze with leaf applique, back-lacing robe and boned bodice with a pair of triple stitched- down pleats at back, pleated skirt with curved waistline over hip, side openings and trained skirt, matching petticoat with scrolling floral and appliqued hem band. B-34, W-26, skirt L-57-69. (Replaced lace at neckline torn, faint underarm stains, scattered small splits in bodice, gauze trim very torn, leaf and sequin losses, large splits in train) good. MMA. 3000 - 5000
534 SILK BROCADE DRESS, PROBABLY GERMAN, 1790 - 1794. Ivory silk with tone on tone stripe and polychrome silk floral, peplum bodice having long sleeve with self button cuff, boned front, pleated trim and linen lining, pleated skirt with single side opening and pleated hem. B-30, W-24, skirt L-39. (Light underarm stains and repairs, waistband possibly replaced, section of hem pleats unstitched) good. MMA. 600 - 800
535 METALLIC BROCADE DRESS FRAGMENT, PROBABLY AMERICAN, 18th C. Cream silk having stylized floral in metallic gold and polychrome silk, front and sleeves trimmed in gold galloon, linen lining. L-50. (Lacking bodice back and back skirt panel, minor metallic losses) good. MMA. 300 - 500
536 REGENCY PRINTED COTTON GOWN, 1800 - 1805. Cream with scrolling polychrome floral having long sleeve, gathered bodice, high waist with belt loops, flared skirt pieced side gores, muslin bodice lining with front closure. B-32, high W-34, L-53. (Fading and period repairs to shoulder area, light stains, later non-conforming braided wool tie) good. LACMA. 300 - 500
537 REGENCY STYLE SILK GOWN, c. 1815. Cream dobby weave with short puffed sleeve, empire waist with tiny pocket and drawstring back, bodice lined in muslin, slightly trained skirt decorated with pleated satin ribbon bands in two widths. B-32, high W-28, L 47-51. (Light soil on bodice, small hole in sleeve, tiny hole in dress front) good. 300 - 400
538 PRINTED COTTON BODICE, 1820s. Polychrome foliate motif having round collar with ruffle, curved sleeve with pleated band and wide waistband, hook & eye closures, cotton lining. B-34, W-29, L-13. (Light stains, waistband partially unstitched). Together with a pink silk bodice having white floral brocade and white piping. B-28, W-25, L- 12. Good. MMA. 200 - 400
539 METALLIC EMBROIDERED SATIN DRESS, SPANISH, EARLY 19th C. Ivory silk having a stylized floral repeat worked in heavy silver thread, hem decorated with floral vines, square cut sleeve, drawstring neckline and waist, notched shoulder. B-44, W-30, L-52. (1/4 inch hole in skirt back, scattered tiny holes, torn around neckline drawstring, 1/2 inch hole on bodice front, very faint watermarks) good. MMA. 700 - 900
540 EMBROIDERED SILK WEDDING DRESS, FRENCH, 1837. Cream satin having short sleeve bodice with mesh overlay, short sleeve and neckline decorated in silk lace, full skirt embroidered with ivory satin stitch floral. B-25, W-21, L-47. (Several tears to lace, small stain and tiny hole on skirt front) good. MMA. 200 - 300
541 SILK BROCADE EVENING GOWN, 1839 - 1841. 2-piece black silk brocaded with purple vines and scrolls and polychrome floral, the boned bodice having short sleeve with bow and trimmed in black lace, wide neckline above four rows of tucks, size adjustable with side laces, full slightly trained skirt with side pocket. B-30, W-25, skirt L-39-45. (Lace torn, one sleeve missing bow, waistband replaced) very good. MMA. 300 - 500
542 BROCADED SILK DAY DRESS, c. 1845. Mauve satin with dots and polychrome posies having long collared sleeve trimmed in looped cord, pleated V-neck bodice with gentle point and self piping, full skirt having gauged gathers. B-28, W-22, L- 54. (Cuff trim unstitched, small underarm stains, few spots on back) good. -
543 SILK DAMASK AFTERNOON DRESS, AMERICAN, c. 1850. 2-piece gold satin having pleated ribbon and blue lace trim, boned peplum bodice with narrow V-neck and pagoda sleeve, pleated skirt having center front gathers and pocket, lined in polished cotton. B-35, W-25, skirt L-44. (Spots on ribbon trim, peplum and skirt back, few fade marks) very good. MMA. 300 - 500
544 BI-COLOR SATIN AFTERNOON DRESS, LATE 1860s. 2-piece having lilac front-boned bodice with pointed peplum trimmed in purple with bow details, lined in cotton, trained purple skirt with two hem ruffles, lined in polished cotton. B-32, W-24, L-39-46. (Fade mark at hem, tiny light spot on back point, ) very good. MMA. 200 - 300
545 PRINTED COTTON DRESS and FICHU, FRENCH, c. 1850. Cream cotton in woven stripe and printed polychrome floral, ruched boatneck bodice with lace trimmed pagoda sleeve, banded empire waist, back closure and matching lace trimmed fichu. B-32, high W-22, L- 54. (Period mend under one arm, minor splits in skirt stabilized by added lining, holes and splits in fichu) good. MMA. 250 - 350
546 SILK AFTERNOON GOWN, BRITISH, c. 1851. 1-piece brown and copper striped taffeta having polychrome silk fringe, pagoda sleeve, cord work and fancy buttons, cotton lining and silk sleeve facings. B-32, W-25, L-57. (Few tiny holes, two repairs on back, tiny mend and light spots at neckline, lining stained, holes in hem binding) good. MMA. 300 - 400
547 STRIPED SILK DAY DRESS, AMERICAN, c. 1860. 1-piece having allover striped pattern with ribbed chestnut and polychrome warp printed floral, bodice having split pagoda sleeve trimmed in black lace and 2-tone braid with fancy silk tassels, front closure with china buttons, pleated skirt having slight train and bound hem, lined in polished cotton. B-34, W-24, L-57-61. (Splits to lining in bodice, back neck seam unstitched, small hidden tear by one button) excellent. MMA. 400 - 600
548 SILK EVENING DRESS, BRITISH, c. 1866. 1-piece brown and green striped taffeta decorated with ribbon and cord applique, short sleeve bodice with shoulder cap, ruching and lace, slightly trained pleated skirt having self belt and bow decoration. B- 32, W-26, L-55-66. (Minor spots, minor cord loss, some yellowing cord) very good. MMA. 400 - 600
549 PARIS LABEL SILK and LACE WEDDING DRESS, 1866. 2-piece ivory satin decorated with swags of lace on net, short sleeve bodice having self buttons and pleated tulle trim, trained skirt with wide pleated hem band. Petersham label "Mon. Vignon 182. Rue de Rivoli Paris". B-32, W-22, skirt L-41-68. (Wear around buttons and lower edge of bodice, additional lining and reinforcement added to skirt, parts of lace swags on skirt missing) good. MMA. 400 - 600
550 PRINTED COTTON DAY DRESS, AMERICAN, 1864 - 1866. 1-piece cream cotton having red and brown vertical stripes with dots and foliage, ruffled shoulder and cuff, cotton lining with small bones at front. B-32, W-26, L-51. (1/2 inch tear at waist, several museum stabilized holes in back of skirt, small split on shoulder, few brown spots at hem) good. MMA. 150 - 250
551 SHOT SILK DAY DRESS, 1851-1854. 2-piece garnet-black taffeta having long bodice trimmed with black cord, lace and beads, neckline and cuff with ribbon applique, lined in natural cotton. skirt having gauged gathers, bound hem and gauze lining. B-32, W-27, skirt L-42. (Wear around buttonholes, cuff and to cording, small split on back of one cuff, small tears to waistband) very good. MMA. 250 - 350
552 SILK WEDDING DRESS, AMERICAN, 1860. 1-piece striped in brown satin with black and brown checked stripe, having polychrome silk and velvet ribbon trim, pagoda sleeve, cotton lining and silk sleeve facing, slightly trained pleated skirt. B-32, W-23, L 54-59. (Very faint underarm stains, very minor wear to trim) otherwise excellent. MMA. 250 - 350
553 SILK and WOOL WEDDING DRESS, AMERICAN, 1867 - 1869. Ivory 2-piece having boned square-neck bodice with ruched pagoda sleeve and back peplum trimmed with satin ribbon, lace and ribbon medallions with fringed tassels, trained skirt with wide waistband having back gathers and oversized bow detail, inside ties to raise train. B-36, W-24, skirt L-43 - 69. (Very minor underarm stains, lace trim missing from back bow, hemline soiled) very good. MMA. 300 - 500
554 STRIPED SHOT SILK DAY DRESS, EUROPEAN, 1869-1872. Blue, brown and plum taffeta woven stripe with green vertical brocade, bodice trimmed in cobalt satin and knotted fringe, sleeve ruched into a series of puffs, separate fringed apron and cobalt satin sash with large bow. B-28, W-20, L-56. Excellent. MMA. 300 - 500
555 APPLIQUED WOOL JACKET, AMERICAN, c. 1870. Tan with stand collar and cuffed 3/4 sleeve inset with pleated silk having polychrome wool and silk applique and embroidery, center back pleat and silk lining. B-38, W-34, L-23-26. (Light soiling and tears to sleeve inserts) good. MMA. 300 - 400
556 TWO BASQUES, 1870s. One brown velvet and black silk faille having polychrome silk embroidered floral, crenelated collar and cuff, black silk streamers with floral embroidery. B-36, W-31, L-24. (Enamel loss to buttons, three buttons missing, "L" shaped tear in sleeve). One pink and black faille with tabbed hem, pleated peplum and dorset buttons. B-32, W-22, L-24. (One button detached). Good-excellent. MMA. 200 - 300
557 BLACK LACE JACKET, MID 19th C. Long sleeve unlined jacket having wide collar, cutaway front and scalloped hem lengthening at back. B- 40, back L-47. (Tear under collar and small hole on back, snaps added) very good. Together with a mid 19th C silk dress in poor condition (not pictured).MMA. 200 - 300
558 LADYS METALLIC BROCADE JACKET, 19th C. Yellow-gold silk brocaded with a metallic gold floral lattice having silk and metallic floral sprays within the reserves, open neck, collarless style flaring toward the hem, sleeves slit at the wrist, lined in polished cotton. B-30, L-24. (Small stain on back of one sleeve) excellent. MMA. 300 - 500
559 JET BEADED VELVET CAPE, LONDON, c. 1870. Full circle black velvet lavishly decorated with silk applique, rough cut jet beads and faceted jet paillettes in graduated swags amid stylized foliage, stand collar, padded silk lining, hook & eye closures. L-26. (Tear in lining, wear to edge of collar) good. 250 - 350
560 TWO LADIES FRINGED WOOL JACKETS, 1860s. One pale blue with polychrome cord decoration, embroidered faux buttons and striped fringe, hook & eye closures, B-32, L-23. One cream with polychrome tambour embroidery and ball fringe, silk lining, B-36, L- 18. (Scattered tiny moth holes, some damaged ball finials) both very good. MMA. 200 - 400
561 TWO EMBROIDERED WOOL JACKETS, FRENCH, c. 1870. Both navy blue with polychrome silk decoration and patch pockets: One hip length appliqued with embroidered brown suede and wool coat of arms, fleur de lis cuff buttons, B-44, L-23, (some moth holes and embroidery losses) good. One bolero decorated with silver metal buttons, B-18, L-15, (one pocket partially unstitched) excellent. MMA. 250 - 350
562 THREE LADIES JACKETS, 1860s - 1970s. One European dark brown velvet with light faux fur trim, B-34, L-19, (few splits to lining). One French tan wool with black soutache, frogs and faceted buttons, B-36, L-19. One probably American in black wool having polychrome embroidery, B-32, L-21, (relined). Good-excellent. MMA. 250 - 350
563 WOOL CAPE with QUILTED SATIN TRIM, 19th C. Pale yellow wool having quilted gold satin yoke, decorated with white and gold braided silk cord, satin bows, fancy silk tassels and fringe. L-38. (Surface moth damage, silk facings torn, some fringe detached) good. MMA. 150 - 250
564 PIECED WARP PRINTED and CHANGEABLE SILK CAPE, 19th C. Green-bronze taffeta inset on each side with a swag of warp printed paisley scallops, wired stand collar lined in brown silk chiffon and oversized lapels having brown and green fringe, single hook & eye at neck, inside waistband, unlined. L-50. (Tiny holes under lapel) otherwise excellent. 300 - 500
565 PLAID CHANGEABLE SILK DAY DRESS, 1870 - 1871. Blue, silver and white taffeta having peplum bodice with faux collar, deep angled cuff, blue silk trim and back bow, skirt having three silk swags trimmed in black lace and plaid bows, bound at hem with blue braid. B-32, W-24, skirt L-41. (1/2 inch tear in back of skirt) excellent. MMA. 300 - 500
566 MOIRE SILK and VELVET GOWN with EMBROIDERY, c. 1878. Boned garnet velvet bodice having wired collar and self buttons, polychrome embroidered floral and lace trim, trained bustle skirt of tan moire silk with embroidered velvet front panel and lace swags. Petersham label: Mme. Dellac, New York. B-36, W-26, skirt L 42-58. (Lace bodice trim torn) very good. MMA. 400 - 600
567 TRAINED SILK and LACE WEDDING GOWN, 1878. 1-piece having boned bodice of ivory floral damask decorated with embroidered net, pleated sheer collar and cuff on elbow length sleeve, matching skirt having front panel of cream satin with bands of embroidered net and pleated hem, bustle back with long train inset with two panels of satin box pleats. B- 32, W-24, skirt L 39-70. (Collar and lace cuffs torn, small splits underarms, stain on side of skirt, satin streamers detached). Together with a pair of satin wedding pumps. Good. MMA. 300 - 500
568 SILK WEDDING ENSEMBLE, 1879. Ivory satin boned back-lacing bodice trimmed at the neck and cuff with self pleats, cream lace and elbow length sleeve decorated with synthetic orange blossoms, long trained skirt with tulle swags and orange blossoms on front panel, back having large self bow, train edged in pleats and a series of small self bows, matching floral head piece. B-30, W-21, skirt L-40-78. (Tulle very torn, some losses to flowers) good. MMA. 300 - 500
569 STRIPED SILK DAY DRESS, 1875. Black taffeta with white pinstripe trimmed in black satin, long boned bodice having buttons inlaid with mother of pearl flowers, ruched bustle skirt with self bows, satin band and silk fringe. B-36, W-29, skirt L- 40. Excellent. MMA. 200 - 300
570 SILK AFTERNOON DRESS, FRENCH, 1870 - 1871. 2-piece aubergine faille decorated with self pleating and bows, trained skirt with pleated and ruffled front panel. Paris petersham label. B-40, W-32, bodice L-22, skirt L-36-58. (Slight underarm stains) excellent. MMA. 250 - 350
571 WOOL TRAVELING DRESS, c. 1896. 2-piece forest green having a pattern of red, white and rust conjoined rings, boned peplum bodice with gigot sleeve, small collar, gathered shoulder drape tapering to front point, bodice lined in printed cottons, slightly trained skirt having back gathers, cotton lining with wool hem band edged in corduroy. B-38, W- 30, skirt L 40-45. (Few small, faint spots on back of one sleeve) excellent. LACMA 150 - 250
572 SILK BROCADE AFTERNOON GOWN, 1890s. 2-piece tan silk with yellow satin stripe and brocaded serpentine floral in green and purple, boned peplum bodice having gigot sleeve, front and back V inset with ivory lace over yellow satin flanked by self ruffles, lace cuff, stiffened skirt gathered for fullness at back having satin hem band with small ruffle. B- 33, W-22, skirt L-44. (Few small spots, waistband torn, minor hem soil) good. 200 - 300
573 PRINTED SILK HIGH NECK GOWN with LACE TRIM, 1890s. Black 2-piece with looping yellow "ribbon" print, bodice having lace high neck insert and cuff, trimmed with pink velvet and enameled buttons, trained skirt with tiny bustle pad and five hem ruffles edged in gathered black ribbon. B-38, W-34, skirt L 40-50. (Some tears to lace and bodice lining, faded at hem) good. LACMA. 200 - 300
574 FIVE PAGODA SLEEVE BODICES, MID 19th C. One polychrome paisley printed cotton. Four silk: One blue, green and white striped taffeta, one figured blue taffeta with black velvet trim, one floral brocade purple satin, one black, pink and tan plaid taffeta. Very good-excellent. MMA. 250 - 350
575 LARGE CHINESE SILK BROCADE PANEL, 20th C In three joined sections of a repeating pattern of dragons within reserves upon a lattice field. 134 x 88. Excellent. 2000 - 3000
576 CHINESE SILK BROCADE, 20th C Yellow gold brocade with colorful cloud bands and dragons. Selvedge to selvedge, signed. 30 inches x 12 yards. Excellent 1000 - 2000
577 CHINESE SILK BROCADE, 20th C Red with metallic gold decorated with symbols. Full selvedge to selvedge length, signed. 31 inches x 10 yards. Excellent. 1000 - 2000
578 CHINESE SILK BROCADE, 20th C Gold with dragons and vine work. (Scattered stains) 27 inches x 11 yards. 1000 - 2000
579 CHINESE SILK BROCADE, 20th C Gold silk with large scale dragons, flaming pearls and cloud bands. 30 inches x 10 yards. Excellent. 1000 - 2000
580 CHINESE SILK BROCADE, 20th C Cinnamon silk with gold metallic brocade in design of lotus flowers and vines. 31 inches x 10 yards. 1000 - 2000
581 CHINESE SILK BROCADE PANEL, 20th C Red and gold brocade with chrysanthemum border and lotus flowers within lattice. 45 x 17 feet. 2000 - 3000
582 CHINESE SILK BROCADE PANEL, 20th C Black with gold brocade having lui shui border, dragons and Buddhist symbols. 92 x 46. Excellent. 1000 - 2000
583 CHINESE EMBROIDERED BANNER, EARLY 20th C. D shaped banner having black border with symbols and set mica or mirrored "jewels" surrounding a celadon silk field decorated with embroidery of exotic birds and flowers. 45 x 37 (few broken and detached mirrors, soiling, loose threads) Good. 200 - 400
584 CHINESE SILK EMBROIDERED PANEL, 20th C. Black silk with seed stitch design of two dragons. 40 x 54. Excellent. 500 - 700
585 CHINESE EMBROIDERED SKIRT PANEL, 20th C. Decorated with embroidered Chi Chi. (Loose gold threads) good. 100 - 200
586 CHINESE SILK EMBROIDERED PANEL, 20th C. Chi Chi embroidered on a gold silk satin field. 51 x 29. Excellent. 500 - 700
587 CHINESE SILK and METALLIC EMBROIDERED CUSHION COVER, LATE 19th - EARLY 20th C. Lobed black satin having four forward facing dragons in couched metallic threads amid clouds, flowers, bats and symbols, lobes having wave border, edged with applied embroidered band, muslin backing. 42 x 46 1/2. (Some loose couching, thread losses and edge wear) good. 1000 - 2000
588 PAIR OF CHINESE SILK EMBROIDERED PANELS, 20th C. Gold silk with roundels of Phoenix birds. 66 x 19. Excellent. 500 - 700
589 CHINESE SILK EMBROIDERED PANEL, 20th C. Exotic birds and flowers on gold ground. Cut from larger panel, not selvedge to selvedge. 30 x 112 Excellent. 300 - 500
590 CHINESE KESI or KOSSU PANEL, 20th C. Island landscapes on a blue field. 26 x 48 (tears and fragile silk). Fair 150 - 200
591 BROCADE THANGKA, 20th C. Brocade in a "Kesi stye" weave depicting Ushnishasitatapattra a form of the goddess Tara with wrathful deities and attendants. 76 x 40 Excellent. 1000 - 2000
592 TIBETAN THANGKA, 20th C. Applique silk with figure of Tsogkhapa. 55 x 36 500 - 700
593 TIBETAN THANGKA, 20th C Brocade thangka with wall of 1000 Buddhas. 84 x 52. Excellent. 1000 - 2000
594 TIBETAN PRAYER TABLETS OR PANELS, 20th C. Silk on silk embroidered prayers in Sanskrit with various manifestations of Buddha. 46 tablets and silk cover. (minor staining to a few tablets) 1000 - 2000
595 CHINESE EMBROIDERED RANK BADGE, LATE 19th C. Military badge from a surcoat front in gold and silver couched metallic threads depicting roaring lion with coral beaded sun, mounted to handkerchief case with knotted tassels. 11 x 11. (Few broken metallic threads) very good. 150 - 300
596 CHINESE SILK and METALLIC EMBROIDERED ROBE, EARLY 20th C. Copper satin lavishly decorated with couched gold metallic threads and polychrome silk satin and forbidden stitch, having dragons roundels and figures on a floral lattice ground above wave border, green silk lining. 68 x 41. (Collar replaced, some fading, broken metallic threads, minor edge wear) good. 400 - 600
597 CHINESE SILK EMBROIDERED ROBE, EARLY 20th C. Midnight blue satin with blue and white flowers and li shui border, flying insects worked in forbidden stitch, light blue silk damask lining. 64 x 46. (Large seam openings) good. 400 - 600
598 CHINESE SILK EMBROIDERED ROBE Black satin with colorful satin stitch flowers, birds and bats, finely embroidered blue sleeve bands, silk damask lining. 58 x 46. (Pulls to satin and soil at lower corner, lining some tears and stains) good. 400 - 600
599 EMBROIDERED CHINESE ROBE, EARLY 20th C. Pale blue silk brocade decorated in various embroideries with moths and flowers. 70 x 48(some stains, fade marks, small hole and collar fraying) good. 300 - 400
600 CHINESE METALLIC EMBROIDERED SILK SURCOAT, EARLY 20th C. Black satin having couched metallic gold embroidered dragons amid flowers and within roundels with blue and coral silk details, wave border with fish, frog closures, blue figured silk lining. Possibly made for the Western market. 56 x 44. (Few broken metallic threads, small tear in lining) excellent. 100 - 300
601 THREE CHINESE EXPORT EMBROIDERED SILK GARMENTS, 20th C. Black satin jacket with cranes in roundels above wave border with flowers, B-40, L-26. Black cheongsam decorated with floral branches and birds, B-40, L-42. Red satin skirt with floral clusters, W-33, L-23 1/2. Excellent. 200 - 300
602 SILK IKAT CAFTAN, EARLY 20th C. Uzbekistan, woven with large stylized flower heads and S curve motifs. (minor holes and stains). 70 x 56 Very Good. 300 - 400
603 HAND MADE PAISLEY SHAWL, 19th C. Square format with small black center bearing signature of artist, tabbed border. (Several small holes and seam separations) good. 300 - 500
604 INDIAN EMBROIDERED QUILT, 20th C. Pink silk with white border embroidered with gold threads and beads. 104 x 70. Excellent. 200 - 300
605 INDIAN EMBROIDERED PANEL, 20th C. Large horizontal fragment, possibly from a tent hanging. Elaborate colorful cotton embroidery on canvas with couched mica or metal mirrored discs. 24 x 82. Excellent 100 - 200
606 LAKAI EMBROIDERY, 19th C. Usbekistan embroidered square with finely worked diamond and cruciform field. 27 x 27 (few tiny holes in wool header). Excellent. 800 - 1200
607 INDIAN COTTON PALAMPORE, 20th C. Natural cotton printed with large tree, fruits, monkey, exotic birds, tiger and antelope. In two 33 inch sections. 66 x 106. Excellent. FIT 200 - 300
608 LUZON SHAMAN’S BAGS, EARLY 20th C. Northern Luzon, Philippines. Woven cotton bags threaded with shell, bead, and bone in beggars purse style. (one bone and bead segment detached but retained). Excellent. 150 - 250
609 LUZON WOMAN’S KAIN WRAP SKIRT, EARLY 20th C. Kalinga people, Northern Luzon, Philippines. Woven and embroidered silk in pumpkin and indigo stripe with hanging bead and mother of pearl charms. 25 x 42. Excellent 150 - 250
610 BATIK BELANDA SARONG, EARLY 20th C. Cotton batik from North Coast Java, probably Pekalongan, in pinks and greens with airplanes, ships and sea creatures. The Bleriot style airplanes possibly commemorating the 1909 flight of French aviator Louis Bleriot. Signed on one side with large "A" which may be the artists monogram as there is also a smaller signature "Abourte" in one corner of the panel, 42 x 73 inches. Fading and four inch tear, sewn as tube and missing one end border. Fair Together with a batik square in brown and black with mythological birds. 40 x 40 inches. Tear and missing fabric. Fair. 200 - 300
611 SUMATRAN WOMAN’S JACKET, EARLY 20th C Kaure people, Western Sumatra, Indonesia. Short cropped bolero style jacket in pumpkin and red stripe with metallic threads. The embroidered bodice panels with couched "mica stars". Trimmed at cuff and neck with small cowrie shells. Lined with madder dyed printed cotton. Excellent 12 x 56 300 - 500
612 SILK on SILK SUZANI, LATE 19th or EARLY 20th C. Cream color raw silk ground in three sections, having a directional field of two vertical multi-stemmed plants with various stylized flowers. Surrounded by a wide border of repeating medallions of stylized poppies, carnations, other flowers and vine work. Nice brilliant vegetable colors. Fine work. 83 x 56. (few faint stains) Excellent. 1000 - 2000
613 UZBEK SUZANI, 20th C. Natural cotton foundation in four sections decorated in silk with flower heads and vine work. 64 x 42. Some stains, fading. Good. 200 - 300
614 UZBEK SUZANI, EARLY 20th C. Natural cotton foundation embroidered with silk in bright colors having vase of flowers design, surrounded by stylized poppy flower heads. 64 x 58. Excellent. 300 - 500
615 SUZANI, MODERN 20th C. Silk embroidery of stylized poppies and leaves in red, green and gold. 72 x 62. Excellent. 200 - 400
616 RESCHT EMBROIDERY, 19th C. Very elaborate and densely decorated silk on felt design having wide black border with botehs and floral medallions surrounding three border designs and field having cental medallion. 4 feet, 5 inches x 7 feet, 2 inches. (Tears to black border fabric, three small holes in felt guard borders) very good. 1000 - 2000
617 OTTOMAN EMBROIDERED TABLE COVER, 19th C 300 - 400
618 PERSIAN EMBROIDERY, 19th C. 495 SILK CORSET and STOMACHER, AMERICAN or EUROPEAN, 18th C Green with polychrome floral brocade, the front and back lacing corset having embroidered eyelets and leather waist tabs, matching stomacher, both lined in homespun linen. B-28, W-20, center front L-13, stomacher 9 1/2 x 11. (Minor edge wear and leather losses) excellent. MMA. 600 - 800
496 SILK CORSET and STOMACHER, AMERICAN or EUROPEAN, 18th C. Blue faille with polychrome floral brocade, the corset having straps, white leather tabs and silver metal hooks, blue and white striped lining with leather facings, B-29, W-22, center front L-14. Stomacher trimmed in metallic gold passementerie, padded and backed in printed cotton, 15 x 12. (Edge wear, leather soiled, metallic loss, few holes to stomacher) overall very good. MMA. 800 - 1000
497 BODICE and CORSET ENSEMBLE, EUROPEAN, LATE 18th - EARLY 19th C. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. Bodice B-36, W-26, front L-17. (Losses to ribbon, some edge wear) very good. MMA. 600 - 800
498 METALLIC BROCADE BODICE with STAYS, FRENCH, c. 1750. Plum silk with pink silk and metallic floral brocade, decorated in narrow metallic braid, waist tabs elongated at front, hidden eyelets in linen lining. B-34, W-26, center front L-13 1/2. (Minor wear and soiling, some tab ends replaced) very good. MMA. 600 - 800
499 SILK BROCADE STAYS, ITALIAN, MID 18th C. Polychrome silk floral on brown ground having front and back laces and leather waist tabs, homespun linen lining. B-30, W-20, center front L-13. (Some tab covers replaced, edge wear) very good. MMA. 400 - 600
500 METALLIC EMBROIDERED STAYS, ITALIAN, c. 1780. White silk satin decorated with a repeat of metallic embroidered posies with tiny sequins, having floral vines at center back, front and back lacing, waist tabs in various silk brocades, linen lining and tab facings. B-34, W-24, center front L-13. (Significant edge wear, some abrasion and embroidery losses) fair. MMA. 400 - 600
501 SILK CORSET with FIGURAL HOOKS, AMERICAN or EUROPEAN, 18th C. Brown satin with polychrome floral brocade, having straps with silk ribbon ties, decorated with metallic gold lace, reticulated silver metal hooks with stag, foliage and unidentified creature to lace over a stomacher, homespun linen lining and hip pads. B-32, W-26, front L-15. (Three broken hooks, one missing, worn facings, metallic losses) good. MMA. 600 - 800
502 SILK CORSET, PROBABLY SPANISH, THIRD QUARTER 18th C. Spruce green satin damask and ribbon applique having silver metal hooks in the form of a mythological creature for lacing across a stomacher, straps with eyelets for ties, linen lining and hip pads. B-30, W-20, center front L-11. (Edge wear, exposed leather binding to lower edge, 1-inch spot on lining) good. MMA. 300 - 500
503 METALLIC EMBROIDERED STOMACHER, BRITISH, 18th C. Pieced off-white silk with vertical pleats, decorated with a vining floral in metallic gold thread. 7 1/2 x 12. (Several small tears, scattered tiny holes) fair. MMA. 100 - 200
504 EMBROIDERED STOMACHER, BRITISH, 18th C. Cream cotton with polychrome satin stitch floral on a ground of couched metallic threads in a chevron pattern. 9 1/2 x 13 1/2. (Metallic thread losses) good. MMA. 300 - 500
505 EMBROIDERED STOMACHER, BRITISH, 18th C. Natural linen decorated with polychrome silk satin stitch and couched metallic threads in a pattern of stylized flowers and scrolls. 8 x 11 1/2. (Embroidery losses, three small edge tears) good. MMA. 300 - 500
506 METALLIC STOMACHER, GERMAN, EARLY 19th C. Silver brocade having a floral motif, decorated with silver ribbon and an openwork applique of silver thread and strips depicting a pair of birds flanking a flowerhead, linen backing. 10 x 14. (Minor wear and frayed edges) very good. MMA. 300 - 500
507 EMBROIDERED STOMACHER, EUROPEAN, SECOND QUARTER 18th C. Cream silk having polychrome satin stitch floral with couched metallic treads, bordered in pink satin. 13 x 13 1/2. (Archival backing added, small hole in satin at top edge) excellent. MMA. 500 - 700
508 SILK and LINEN CORSET, AMERICAN, THIRD QUARTER 18th C. Tan homespun linen with green and white striped silk front, green quilting and embroidered eyelets. B- 34, W-22, front L-13. (Stains, edge wear, significant binding losses) fair. MMA. 300 - 400
509 COTTON CORSET, AMERICAN, MID 18th C. Tan bound in white leather at top and bottom edges, having white linen bands, hand embroidered eyelets, originally front and back lacing, joined at front and partially lined and reinforced with natural linen. B-33, W-26, front L-10. (Minor spots and edge wear, some eyelets torn) very good. MMA. 400 - 600
510 LINEN CORSET, AMERICAN, THIRD QUARTER 18th C. Off-white homespun linen bound at top and bottom edge in white leather, having hand embroidered back eyelets. B-32, W-26, front L-12. (Overall tiny, faint rust spots, minor stains, scattered small holes in lining) very good. MMA. 400 - 600
511 SILK BROCADE STAYS and BODICES, ITALIAN, 18th and 19th C. All having polychrome floral: Ivory stays, 18th C, with salmon silk trim, (splits, alterations). Red bodice, 19th C, having elongated front with closely set stays and boned center back, (minor edge wear and soil). White satin bodice, 19th C, with metallic lace trim and front ties, (splits and wear to silk, torn and missing ties, relined). Fair-good. MMA. 300 - 500
512 THREE SILK BROCADE BODICES, AMERICAN or EUROPEAN, 18th C. All polychrome silk and metallic floral with sleeve: One French peach satin having insets of ruched silk and stays. One pale green trimmed with metallic lace. One Spanish off-white trimmed with self pleats and pink satin. (Splits, small holes and spots, brocade losses) fair-good. MMA. 300 - 500
513 TWO SILK BROCADE BODICES, FRENCH, 18th C. Both sleeveless: One blue faille having large-scale floral in blue and silver metallic brocade, back lacing, front buttoning, linen lining with pleated skirt, felt button facing, B-28, W-22, L-18, (buttons removed). One having an overall repeat of blue, white and pink flowers, short peplum with long center point, hook & eye closures and linen lining, B-32, W-24, center back L-17, (small area of hem worn and soiled). Excellent. MMA. 300 - 500
514 SILK BROCADE BODICE, AMERICAN or EUROPEAN, 18th C. Brown tone on tone woven stripe with polychrome floral brocade, having square neck and over the elbow sleeve, the deeply pointed front entirely stiffened with closely set stays reinforced on the diagonal, faux self buttons, short peplum, linen lining, red silk facings and hidden placket with eyelets. B-29, L-21. (Some edge wear, few small holes in lining) very good. MMA. 400 - 600
515 SILK JACKET and VEST ENSEMBLE, AMERICAN or EUROPEAN, 18th C. Yellow moire faille brocaded with a repeat of white floral devices, short collarless jacket with open neck, curved hemline, sleeve trimmed with pleated silk ribbon, pieced 2-tone linen lining and boned front placket with hidden eyelets for laces. Vest having silk yoke and pointed front with center stays, tan linen sides and back with laces. Both pieces B-36, L-18. (Jacket small mend on front, wear to hem at back, one broken stay, vest lacking front ties, one broken stay) good. MMA. 300 - 500
516 PRINTED COTTON BASQUE, FRENCH, LATE 18th C. Salmon ground with a repeat of black, yellow and blue abstract devices, having square neckline, lacing front, hem with four small gores and short back peplum, linen lining. B-30, W-24, L-14. Excellent. MMA. 300 - 500
517 LADYS SILK JACKET, AMERICAN or EUROPEAN, 18th C. Off-white brocaded with tone on tone scrolling foliage and polychrome floral having square neckline, three quarter sleeve and full skirt with slight cutaway front, trimmed in pleated blue satin, sleeves edged in ecru lace ruffles, hook & eye closures, cotton lining. B-34, W-28, center back L-31. (Few small holes and splits, faint stain on sleeve, trim faded, minor dye transfer, small tear in lace) good. MMA. 800 - 1200
518 METALLIC EMBROIDERED SILK VESTMENT, PROBABLY FRENCH, c. 1725. 2500 - 3500
519 SILK BROCADE OPEN ROBE, FRENCH, c. 1738. Ivory damask brocaded with large-scale polychrome floral having short sleeve unstructured bodice with back pleats stitched down to the waist and pleated open skirt with side openings, bodice lined in cotton. B-32, W-28, L-52-57. (Faint watermarks, tiny split) excellent. MMA. 1200 - 1800
520 SILK BROCADE DRESS, FRENCH, c. 1760. Celadon silk with polychrome brocade floral having long sleeve unstructured bodice, dropped waist with point trimmed in silver metallic lace, back-lacing closure set in polished cotton panel, skirt front having gauged gathers, hem edged in metallic lace, bodice lined in cotton. B-28, natural W-21, L-53. (Even fading, cotton panel likely replaced and lacking laces, scattered minor stains) good. MMA. 600 - 800
521 EMBROIDERED SILK ROBE a la FRANCAISE, PARIS, 1760s - 1770s. Ribbed ivory silk sacque back robe, stomacher and petticoat, all decorated with polychrome silk floral embroidery, the robe and petticoat appliqued with embroidered tulle, metallic lace, knotted net, foil flowers, sequins and fringe, traces of feathers remain,partial cotton lining, the stomacher having looped metallic cord and leaf applique. Petersham label "Henriette Favre Rue de la Paix. 5". Robe B-28, W-22, L 57-77, petticoat L- 41.(Robe fragile, mending to top of sleeves, small splits to bodice, splits and large tears to sacque, trim losses, stomacher patched, backing added) sacque back poor, front fair, stomacher good, petticoat very good, displays well from front. MMA. 1200 - 1500
522 METALLIC BROCADE SACQUE BACK GOWN, ITALIAN, 1750 - 1775. Blue-green faille having blue and white silk and metallic silver brocade, trimmed with fancy woven cord and tassels, gown having elbow length sleeve with double fan cuff, bodice having back-lacing boned linen corset, slightly trained skirt with side openings, stomacher with hook attachments, and matching square petticoat panel, linen hem facings. B-34, W-26, L-57-61. (Some metallic and trim losses, bodice lining torn, ties added to front panel) very good. MMA. 3000 - 4000
523 PRINTED COTTON SACQUE BACK GOWN and MITTS, FRENCH, 1750 - 1775. Cream printed with brown meandering ribbons and polychrome floral sprays, open gown having elbow length sleeve with scalloped fan cuff, ruffled neckline and front with stomacher panel, skirt front trimmed with self bows, unlined, matching mitts. B-34, W-24, L 53-62., petticoat L-42. (Few period mends, scattered tiny holes and spots, browning to cuffs, small tear at petticoat waist) very good. MMA. 1800 - 2200
524 BROCADE SILK ROBE a la FRANCAISE, FRENCH, 1750 - 1775. Ivory taffeta brocaded with tone on tone floral swags and polychrome floral sprays, sacque back open robe, petticoat and stomacher trimmed with furbelows, wired net and silk fringe, bodice having elbow length sleeve with double fan cuff and linen lining, skirt side openings, petticoat with deep front ruffle, hem backed in polished linen, unstiffened stomacher edged in fancy cord at top. Robe B-28, W-22, L 58- 63, petticoat L-42. (Bodice front trim partly unsewn, stains, splits and repairs to underarms, scattered splits and tiny holes, trim soiling and losses) good. MMA. 1200 - 1500
525 METALLIC BROCADE ROBE a la FRANCAISE, FRENCH, 1774 - 1793. Cream silk taffeta having woven blue stripe, brocaded with polychrome silk floral with blue and magenta metallic threads, sacque back open robe having elbow length sleeve with double fan cuff, decorated with swags of pleated net with metallic stripe and cloth flowers with glass beads, linen lined bodice with back laces, silk cuff and hem facings, matching petticoat and stomacher with metal stays. B-28, W-22, robe L 47-67, petticoat L-39.(Splits to bodice, few splits in skirt, metallic and trim losses) robe fair, petticoat good. MMA. 1800 - 2200
526 SILK BROCADE SACQUE BACK GOWN, AMERICAN, 1765 - 1780. Blue and white striped taffeta brocaded with a serpentine foliate stripe in white with polychrome floral clusters, robe having elbow length sleeve with triple fan cuff, lace trimmed furbelows and interior boned linen corset with back laces, matching petticoat with deep pleated front panel above furbelows at hem, lot includes detached self bows, trim and petersham labeled "L. Monnay New York". B-26, L 43-60. (Corset laces and petersham replaced, drawstrings added to petticoat waist, wear and faint stains underarms) good. 2000 - 3000
527 METALLIC BROCADE ROBE a la FRANCAISE, FRENCH, 1774 - 1793. Cream silk open robe having silver metallic stripe and polychrome silk floral brocade, elbow length sleeve trimmed in knotted net with silk ribbon and tambour embroidered floral applique, neckline, bodice and skirt trimmed in metallic lace and ribbon flowers, self buttons on bodice back for tying up skirt, skirt having front panels appliqued with horizontal bands of net, lace and floral embroidery decorated with red, blue and silver foil, sacque back, bodice lined in silk. B-34, W-24, L 53-61. (Splits at shoulder, fabric torn around one button, significant metallic losses, hem facing torn) fair. MMA. 2000 - 3000
528 PRINTED SILK OPEN ROBE, FRENCH, 1755 - 1775. Ivory taffeta with polychrome floral sprays trimmed with fancy silk cord and self piping, elbow length sleeve with double fan cuff, cotton bodice lining, separate matching silk and linen pocket and extra fabric strips. B-28, W-22, L-54-78. (Some splits, tears and holes under arms, dye losses to print) fair. MMA. 400 - 600
529 SILK ROBE a L'ANGLAISE, PROBABLY EUROPEAN, 1760 - 1775. Off-white figured satin brocaded with red, green and yellow floral swags, bodice having over the elbow length sleeve and boned back shaped with narrow panels, front and back point, pleated skirt trimmed with furbelows, petticoat having wide band of furbelows at hem, linen bodice lining and petticoat hem facing, silk facing to skirt. B-28, W-22, L 60-67. (Small stain on skirt trim and petticoat, faint underarm stains) excellent. 3000 - 4000
530 SILK BROCADE ROBE a L’ANGLAISE, CANADIAN, 1750 - 1775. Ivory silk brocaded with small tone on tone flowers and larger polychrome floral clusters, semi boned bodice with square-cut neckline and elbow length sleeve, pleated cuff decorated with fancy cord and polychrome tassels, trained open skirt with cord-trimmed furbelows, matching petticoat, bodice lined in cotton and linen. B-30, W-25, L-55-69, petticoat L-41. (Robe having some tearing and light stains under arms, few small spots on skirt back, petticoat having holes and edge wear to hem facing, small faint stain and soiling at hem) very good MMA. 3000 - 4000
531 SILK BROCADE ROBE a la FRANCAISE, 3rd QUARTER 18th C. Yellow tone on tone stripe brocaded with polychrome flowers and blueberries having elbow length sleeve with double fan cuff, bodice decorated with furbelows and trimmed with looped cord, lined with linen, skirt having side openings and trained hem. B-30, W-28, L-51-59. (Splits and period mends, soiled, bodice lining repaired, underarm stains) fair. MMA. 400 - 600
532 DECONSTRUCTED METALLIC EMBROIDERED ENSEMBLE, FRENCH, 1774 - 1792. Skirt and bodice of pink silk faille lavishly decorated with couched metallic gold bows, swags and tassels, with a polychrome silk and metallic satin stitch floral, lined in blue silk. Pink silk headdress having allover embroidered decoration in silver and metallic gold with gold cord and tassel. Skirt 38 x 166, B-28, bodice L-15, headdress 6 1/2 x 18. (Faded, period mend on skirt, few small splits, broken metallic threads and wear near hemline) good. MMA. 1000 - 3000
533 METALLIC EMBROIDERED and SEQUINED GOWN, FRENCH, 1774 - 1793. White taffeta finely embroidered with a satin stitch floral in pastel silk, gold metallic thread and sequins, trimmed in silk gauze with leaf applique, back-lacing robe and boned bodice with a pair of triple stitched- down pleats at back, pleated skirt with curved waistline over hip, side openings and trained skirt, matching petticoat with scrolling floral and appliqued hem band. B-34, W-26, skirt L-57-69. (Replaced lace at neckline torn, faint underarm stains, scattered small splits in bodice, gauze trim very torn, leaf and sequin losses, large splits in train) good. MMA. 3000 - 5000
534 SILK BROCADE DRESS, PROBABLY GERMAN, 1790 - 1794. Ivory silk with tone on tone stripe and polychrome silk floral, peplum bodice having long sleeve with self button cuff, boned front, pleated trim and linen lining, pleated skirt with single side opening and pleated hem. B-30, W-24, skirt L-39. (Light underarm stains and repairs, waistband possibly replaced, section of hem pleats unstitched) good. MMA. 600 - 800
535 METALLIC BROCADE DRESS FRAGMENT, PROBABLY AMERICAN, 18th C. Cream silk having stylized floral in metallic gold and polychrome silk, front and sleeves trimmed in gold galloon, linen lining. L-50. (Lacking bodice back and back skirt panel, minor metallic losses) good. MMA. 300 - 500
536 REGENCY PRINTED COTTON GOWN, 1800 - 1805. Cream with scrolling polychrome floral having long sleeve, gathered bodice, high waist with belt loops, flared skirt pieced side gores, muslin bodice lining with front closure. B-32, high W-34, L-53. (Fading and period repairs to shoulder area, light stains, later non-conforming braided wool tie) good. LACMA. 300 - 500
537 REGENCY STYLE SILK GOWN, c. 1815. Cream dobby weave with short puffed sleeve, empire waist with tiny pocket and drawstring back, bodice lined in muslin, slightly trained skirt decorated with pleated satin ribbon bands in two widths. B-32, high W-28, L 47-51. (Light soil on bodice, small hole in sleeve, tiny hole in dress front) good. 300 - 400
538 PRINTED COTTON BODICE, 1820s. Polychrome foliate motif having round collar with ruffle, curved sleeve with pleated band and wide waistband, hook & eye closures, cotton lining. B-34, W-29, L-13. (Light stains, waistband partially unstitched). Together with a pink silk bodice having white floral brocade and white piping. B-28, W-25, L- 12. Good. MMA. 200 - 400
539 METALLIC EMBROIDERED SATIN DRESS, SPANISH, EARLY 19th C. Ivory silk having a stylized floral repeat worked in heavy silver thread, hem decorated with floral vines, square cut sleeve, drawstring neckline and waist, notched shoulder. B-44, W-30, L-52. (1/4 inch hole in skirt back, scattered tiny holes, torn around neckline drawstring, 1/2 inch hole on bodice front, very faint watermarks) good. MMA. 700 - 900
540 EMBROIDERED SILK WEDDING DRESS, FRENCH, 1837. Cream satin having short sleeve bodice with mesh overlay, short sleeve and neckline decorated in silk lace, full skirt embroidered with ivory satin stitch floral. B-25, W-21, L-47. (Several tears to lace, small stain and tiny hole on skirt front) good. MMA. 200 - 300
541 SILK BROCADE EVENING GOWN, 1839 - 1841. 2-piece black silk brocaded with purple vines and scrolls and polychrome floral, the boned bodice having short sleeve with bow and trimmed in black lace, wide neckline above four rows of tucks, size adjustable with side laces, full slightly trained skirt with side pocket. B-30, W-25, skirt L-39-45. (Lace torn, one sleeve missing bow, waistband replaced) very good. MMA. 300 - 500
542 BROCADED SILK DAY DRESS, c. 1845. Mauve satin with dots and polychrome posies having long collared sleeve trimmed in looped cord, pleated V-neck bodice with gentle point and self piping, full skirt having gauged gathers. B-28, W-22, L- 54. (Cuff trim unstitched, small underarm stains, few spots on back) good. -
543 SILK DAMASK AFTERNOON DRESS, AMERICAN, c. 1850. 2-piece gold satin having pleated ribbon and blue lace trim, boned peplum bodice with narrow V-neck and pagoda sleeve, pleated skirt having center front gathers and pocket, lined in polished cotton. B-35, W-25, skirt L-44. (Spots on ribbon trim, peplum and skirt back, few fade marks) very good. MMA. 300 - 500
544 BI-COLOR SATIN AFTERNOON DRESS, LATE 1860s. 2-piece having lilac front-boned bodice with pointed peplum trimmed in purple with bow details, lined in cotton, trained purple skirt with two hem ruffles, lined in polished cotton. B-32, W-24, L-39-46. (Fade mark at hem, tiny light spot on back point, ) very good. MMA. 200 - 300
545 PRINTED COTTON DRESS and FICHU, FRENCH, c. 1850. Cream cotton in woven stripe and printed polychrome floral, ruched boatneck bodice with lace trimmed pagoda sleeve, banded empire waist, back closure and matching lace trimmed fichu. B-32, high W-22, L- 54. (Period mend under one arm, minor splits in skirt stabilized by added lining, holes and splits in fichu) good. MMA. 250 - 350
546 SILK AFTERNOON GOWN, BRITISH, c. 1851. 1-piece brown and copper striped taffeta having polychrome silk fringe, pagoda sleeve, cord work and fancy buttons, cotton lining and silk sleeve facings. B-32, W-25, L-57. (Few tiny holes, two repairs on back, tiny mend and light spots at neckline, lining stained, holes in hem binding) good. MMA. 300 - 400
547 STRIPED SILK DAY DRESS, AMERICAN, c. 1860. 1-piece having allover striped pattern with ribbed chestnut and polychrome warp printed floral, bodice having split pagoda sleeve trimmed in black lace and 2-tone braid with fancy silk tassels, front closure with china buttons, pleated skirt having slight train and bound hem, lined in polished cotton. B-34, W-24, L-57-61. (Splits to lining in bodice, back neck seam unstitched, small hidden tear by one button) excellent. MMA. 400 - 600
548 SILK EVENING DRESS, BRITISH, c. 1866. 1-piece brown and green striped taffeta decorated with ribbon and cord applique, short sleeve bodice with shoulder cap, ruching and lace, slightly trained pleated skirt having self belt and bow decoration. B- 32, W-26, L-55-66. (Minor spots, minor cord loss, some yellowing cord) very good. MMA. 400 - 600
549 PARIS LABEL SILK and LACE WEDDING DRESS, 1866. 2-piece ivory satin decorated with swags of lace on net, short sleeve bodice having self buttons and pleated tulle trim, trained skirt with wide pleated hem band. Petersham label "Mon. Vignon 182. Rue de Rivoli Paris". B-32, W-22, skirt L-41-68. (Wear around buttons and lower edge of bodice, additional lining and reinforcement added to skirt, parts of lace swags on skirt missing) good. MMA. 400 - 600
550 PRINTED COTTON DAY DRESS, AMERICAN, 1864 - 1866. 1-piece cream cotton having red and brown vertical stripes with dots and foliage, ruffled shoulder and cuff, cotton lining with small bones at front. B-32, W-26, L-51. (1/2 inch tear at waist, several museum stabilized holes in back of skirt, small split on shoulder, few brown spots at hem) good. MMA. 150 - 250
551 SHOT SILK DAY DRESS, 1851-1854. 2-piece garnet-black taffeta having long bodice trimmed with black cord, lace and beads, neckline and cuff with ribbon applique, lined in natural cotton. skirt having gauged gathers, bound hem and gauze lining. B-32, W-27, skirt L-42. (Wear around buttonholes, cuff and to cording, small split on back of one cuff, small tears to waistband) very good. MMA. 250 - 350
552 SILK WEDDING DRESS, AMERICAN, 1860. 1-piece striped in brown satin with black and brown checked stripe, having polychrome silk and velvet ribbon trim, pagoda sleeve, cotton lining and silk sleeve facing, slightly trained pleated skirt. B-32, W-23, L 54-59. (Very faint underarm stains, very minor wear to trim) otherwise excellent. MMA. 250 - 350
553 SILK and WOOL WEDDING DRESS, AMERICAN, 1867 - 1869. Ivory 2-piece having boned square-neck bodice with ruched pagoda sleeve and back peplum trimmed with satin ribbon, lace and ribbon medallions with fringed tassels, trained skirt with wide waistband having back gathers and oversized bow detail, inside ties to raise train. B-36, W-24, skirt L-43 - 69. (Very minor underarm stains, lace trim missing from back bow, hemline soiled) very good. MMA. 300 - 500
554 STRIPED SHOT SILK DAY DRESS, EUROPEAN, 1869-1872. Blue, brown and plum taffeta woven stripe with green vertical brocade, bodice trimmed in cobalt satin and knotted fringe, sleeve ruched into a series of puffs, separate fringed apron and cobalt satin sash with large bow. B-28, W-20, L-56. Excellent. MMA. 300 - 500
555 APPLIQUED WOOL JACKET, AMERICAN, c. 1870. Tan with stand collar and cuffed 3/4 sleeve inset with pleated silk having polychrome wool and silk applique and embroidery, center back pleat and silk lining. B-38, W-34, L-23-26. (Light soiling and tears to sleeve inserts) good. MMA. 300 - 400
556 TWO BASQUES, 1870s. One brown velvet and black silk faille having polychrome silk embroidered floral, crenelated collar and cuff, black silk streamers with floral embroidery. B-36, W-31, L-24. (Enamel loss to buttons, three buttons missing, "L" shaped tear in sleeve). One pink and black faille with tabbed hem, pleated peplum and dorset buttons. B-32, W-22, L-24. (One button detached). Good-excellent. MMA. 200 - 300
557 BLACK LACE JACKET, MID 19th C. Long sleeve unlined jacket having wide collar, cutaway front and scalloped hem lengthening at back. B- 40, back L-47. (Tear under collar and small hole on back, snaps added) very good. Together with a mid 19th C silk dress in poor condition (not pictured).MMA. 200 - 300
558 LADYS METALLIC BROCADE JACKET, 19th C. Yellow-gold silk brocaded with a metallic gold floral lattice having silk and metallic floral sprays within the reserves, open neck, collarless style flaring toward the hem, sleeves slit at the wrist, lined in polished cotton. B-30, L-24. (Small stain on back of one sleeve) excellent. MMA. 300 - 500
559 JET BEADED VELVET CAPE, LONDON, c. 1870. Full circle black velvet lavishly decorated with silk applique, rough cut jet beads and faceted jet paillettes in graduated swags amid stylized foliage, stand collar, padded silk lining, hook & eye closures. L-26. (Tear in lining, wear to edge of collar) good. 250 - 350
560 TWO LADIES FRINGED WOOL JACKETS, 1860s. One pale blue with polychrome cord decoration, embroidered faux buttons and striped fringe, hook & eye closures, B-32, L-23. One cream with polychrome tambour embroidery and ball fringe, silk lining, B-36, L- 18. (Scattered tiny moth holes, some damaged ball finials) both very good. MMA. 200 - 400
561 TWO EMBROIDERED WOOL JACKETS, FRENCH, c. 1870. Both navy blue with polychrome silk decoration and patch pockets: One hip length appliqued with embroidered brown suede and wool coat of arms, fleur de lis cuff buttons, B-44, L-23, (some moth holes and embroidery losses) good. One bolero decorated with silver metal buttons, B-18, L-15, (one pocket partially unstitched) excellent. MMA. 250 - 350
562 THREE LADIES JACKETS, 1860s - 1970s. One European dark brown velvet with light faux fur trim, B-34, L-19, (few splits to lining). One French tan wool with black soutache, frogs and faceted buttons, B-36, L-19. One probably American in black wool having polychrome embroidery, B-32, L-21, (relined). Good-excellent. MMA. 250 - 350
563 WOOL CAPE with QUILTED SATIN TRIM, 19th C. Pale yellow wool having quilted gold satin yoke, decorated with white and gold braided silk cord, satin bows, fancy silk tassels and fringe. L-38. (Surface moth damage, silk facings torn, some fringe detached) good. MMA. 150 - 250
564 PIECED WARP PRINTED and CHANGEABLE SILK CAPE, 19th C. Green-bronze taffeta inset on each side with a swag of warp printed paisley scallops, wired stand collar lined in brown silk chiffon and oversized lapels having brown and green fringe, single hook & eye at neck, inside waistband, unlined. L-50. (Tiny holes under lapel) otherwise excellent. 300 - 500
565 PLAID CHANGEABLE SILK DAY DRESS, 1870 - 1871. Blue, silver and white taffeta having peplum bodice with faux collar, deep angled cuff, blue silk trim and back bow, skirt having three silk swags trimmed in black lace and plaid bows, bound at hem with blue braid. B-32, W-24, skirt L-41. (1/2 inch tear in back of skirt) excellent. MMA. 300 - 500
566 MOIRE SILK and VELVET GOWN with EMBROIDERY, c. 1878. Boned garnet velvet bodice having wired collar and self buttons, polychrome embroidered floral and lace trim, trained bustle skirt of tan moire silk with embroidered velvet front panel and lace swags. Petersham label: Mme. Dellac, New York. B-36, W-26, skirt L 42-58. (Lace bodice trim torn) very good. MMA. 400 - 600
567 TRAINED SILK and LACE WEDDING GOWN, 1878. 1-piece having boned bodice of ivory floral damask decorated with embroidered net, pleated sheer collar and cuff on elbow length sleeve, matching skirt having front panel of cream satin with bands of embroidered net and pleated hem, bustle back with long train inset with two panels of satin box pleats. B- 32, W-24, skirt L 39-70. (Collar and lace cuffs torn, small splits underarms, stain on side of skirt, satin streamers detached). Together with a pair of satin wedding pumps. Good. MMA. 300 - 500
568 SILK WEDDING ENSEMBLE, 1879. Ivory satin boned back-lacing bodice trimmed at the neck and cuff with self pleats, cream lace and elbow length sleeve decorated with synthetic orange blossoms, long trained skirt with tulle swags and orange blossoms on front panel, back having large self bow, train edged in pleats and a series of small self bows, matching floral head piece. B-30, W-21, skirt L-40-78. (Tulle very torn, some losses to flowers) good. MMA. 300 - 500
569 STRIPED SILK DAY DRESS, 1875. Black taffeta with white pinstripe trimmed in black satin, long boned bodice having buttons inlaid with mother of pearl flowers, ruched bustle skirt with self bows, satin band and silk fringe. B-36, W-29, skirt L- 40. Excellent. MMA. 200 - 300
570 SILK AFTERNOON DRESS, FRENCH, 1870 - 1871. 2-piece aubergine faille decorated with self pleating and bows, trained skirt with pleated and ruffled front panel. Paris petersham label. B-40, W-32, bodice L-22, skirt L-36-58. (Slight underarm stains) excellent. MMA. 250 - 350
571 WOOL TRAVELING DRESS, c. 1896. 2-piece forest green having a pattern of red, white and rust conjoined rings, boned peplum bodice with gigot sleeve, small collar, gathered shoulder drape tapering to front point, bodice lined in printed cottons, slightly trained skirt having back gathers, cotton lining with wool hem band edged in corduroy. B-38, W- 30, skirt L 40-45. (Few small, faint spots on back of one sleeve) excellent. LACMA 150 - 250
572 SILK BROCADE AFTERNOON GOWN, 1890s. 2-piece tan silk with yellow satin stripe and brocaded serpentine floral in green and purple, boned peplum bodice having gigot sleeve, front and back V inset with ivory lace over yellow satin flanked by self ruffles, lace cuff, stiffened skirt gathered for fullness at back having satin hem band with small ruffle. B- 33, W-22, skirt L-44. (Few small spots, waistband torn, minor hem soil) good. 200 - 300
573 PRINTED SILK HIGH NECK GOWN with LACE TRIM, 1890s. Black 2-piece with looping yellow "ribbon" print, bodice having lace high neck insert and cuff, trimmed with pink velvet and enameled buttons, trained skirt with tiny bustle pad and five hem ruffles edged in gathered black ribbon. B-38, W-34, skirt L 40-50. (Some tears to lace and bodice lining, faded at hem) good. LACMA. 200 - 300
574 FIVE PAGODA SLEEVE BODICES, MID 19th C. One polychrome paisley printed cotton. Four silk: One blue, green and white striped taffeta, one figured blue taffeta with black velvet trim, one floral brocade purple satin, one black, pink and tan plaid taffeta. Very good-excellent. MMA. 250 - 350
575 LARGE CHINESE SILK BROCADE PANEL, 20th C In three joined sections of a repeating pattern of dragons within reserves upon a lattice field. 134 x 88. Excellent. 2000 - 3000
576 CHINESE SILK BROCADE, 20th C Yellow gold brocade with colorful cloud bands and dragons. Selvedge to selvedge, signed. 30 inches x 12 yards. Excellent 1000 - 2000
577 CHINESE SILK BROCADE, 20th C Red with metallic gold decorated with symbols. Full selvedge to selvedge length, signed. 31 inches x 10 yards. Excellent. 1000 - 2000
578 CHINESE SILK BROCADE, 20th C Gold with dragons and vine work. (Scattered stains) 27 inches x 11 yards. 1000 - 2000
579 CHINESE SILK BROCADE, 20th C Gold silk with large scale dragons, flaming pearls and cloud bands. 30 inches x 10 yards. Excellent. 1000 - 2000
580 CHINESE SILK BROCADE, 20th C Cinnamon silk with gold metallic brocade in design of lotus flowers and vines. 31 inches x 10 yards. 1000 - 2000
581 CHINESE SILK BROCADE PANEL, 20th C Red and gold brocade with chrysanthemum border and lotus flowers within lattice. 45 x 17 feet. 2000 - 3000
582 CHINESE SILK BROCADE PANEL, 20th C Black with gold brocade having lui shui border, dragons and Buddhist symbols. 92 x 46. Excellent. 1000 - 2000
583 CHINESE EMBROIDERED BANNER, EARLY 20th C. D shaped banner having black border with symbols and set mica or mirrored "jewels" surrounding a celadon silk field decorated with embroidery of exotic birds and flowers. 45 x 37 (few broken and detached mirrors, soiling, loose threads) Good. 200 - 400
584 CHINESE SILK EMBROIDERED PANEL, 20th C. Black silk with seed stitch design of two dragons. 40 x 54. Excellent. 500 - 700
585 CHINESE EMBROIDERED SKIRT PANEL, 20th C. Decorated with embroidered Chi Chi. (Loose gold threads) good. 100 - 200
586 CHINESE SILK EMBROIDERED PANEL, 20th C. Chi Chi embroidered on a gold silk satin field. 51 x 29. Excellent. 500 - 700
587 CHINESE SILK and METALLIC EMBROIDERED CUSHION COVER, LATE 19th - EARLY 20th C. Lobed black satin having four forward facing dragons in couched metallic threads amid clouds, flowers, bats and symbols, lobes having wave border, edged with applied embroidered band, muslin backing. 42 x 46 1/2. (Some loose couching, thread losses and edge wear) good. 1000 - 2000
588 PAIR OF CHINESE SILK EMBROIDERED PANELS, 20th C. Gold silk with roundels of Phoenix birds. 66 x 19. Excellent. 500 - 700
589 CHINESE SILK EMBROIDERED PANEL, 20th C. Exotic birds and flowers on gold ground. Cut from larger panel, not selvedge to selvedge. 30 x 112 300 - 500
590 CHINESE KESI or KOSSU PANEL, 20th C. Island landscapes on a blue field. 26 x 48 (tears and fragile silk). Fair 150 - 200
591 BROCADE THANGKA, 20th C. Brocade in a "Kesi stye" weave depicting Ushnishasitatapattra a form of the goddess Tara with wrathful deities and attendants. 76 x 40 Excellent. 1000 - 2000
592 TIBETAN THANGKA, 20th C. Applique silk with figure of Tsogkhapa. 55 x 36 500 - 700
593 TIBETAN THANGKA, 20th C Brocade thangka with wall of 1000 Buddhas. 84 x 52. Excellent. 1000 - 2000
594 TIBETAN PRAYER TABLETS OR PANELS, 20th C. Silk on silk embroidered prayers in Sanskrit with various manifestations of Buddha. 46 tablets and silk cover. (minor staining to a few tablets) 1000 - 2000
595 CHINESE EMBROIDERED RANK BADGE, LATE 19th C. Military badge from a surcoat front in gold and silver couched metallic threads depicting roaring lion with coral beaded sun, mounted to handkerchief case with knotted tassels. 11 x 11. (Few broken metallic threads) very good. 150 - 300
596 CHINESE SILK and METALLIC EMBROIDERED ROBE, EARLY 20th C. Copper satin lavishly decorated with couched gold metallic threads and polychrome silk satin and forbidden stitch, having dragons roundels and figures on a floral lattice ground above wave border, green silk lining. 68 x 41. (Collar replaced, some fading, broken metallic threads, minor edge wear) good. 400 - 600
597 CHINESE SILK EMBROIDERED ROBE, EARLY 20th C. Midnight blue satin with blue and white flowers and li shui border, flying insects worked in forbidden stitch, light blue silk damask lining. 64 x 46. (Large seam openings) good. 400 - 600
598 CHINESE SILK EMBROIDERED ROBE Black satin with colorful satin stitch flowers, birds and bats, finely embroidered blue sleeve bands, silk damask lining. 58 x 46. (Pulls to satin and soil at lower corner, lining some tears and stains) good. 400 - 600
599 EMBROIDERED CHINESE ROBE, EARLY 20th C. Pale blue silk brocade decorated in various embroideries with moths and flowers. 70 x 48(some stains, fade marks, small hole and collar fraying) Good. 300 - 400
600 CHINESE METALLIC EMBROIDERED SILK SURCOAT, EARLY 20th C. Black satin having couched metallic gold embroidered dragons amid flowers and within roundels with blue and coral silk details, wave border with fish, frog closures, blue figured silk lining. Possibly made for the Western market. 56 x 44. (Few broken metallic threads, small tear in lining) excellent. 100 - 300
601 THREE CHINESE EXPORT EMBROIDERED SILK GARMENTS, 20th C. Black satin jacket with cranes in roundels above wave border with flowers, B-40, L-26. Black cheongsam decorated with floral branches and birds, B-40, L-42. Red satin skirt with floral clusters, W-33, L-23 1/2. Excellent. 200 - 300
602 SILK IKAT CAFTAN, EARLY 20th C. Uzbekistan, woven with large stylized flower heads and S curve motifs. (minor holes and stains). 70 x 56 Very Good. 300 - 400
603 HAND MADE PAISLEY SHAWL, 19th C. Square format with small black center bearing signature of artist, tabbed border. (Several small holes and seam separations) good. 300 - 500
604 INDIAN EMBROIDERED QUILT, 20th C. Pink silk with white border embroidered with gold threads and beads. 104 x 70. Excellent. 200 - 300
605 INDIAN EMBROIDERED PANEL, 20th C. Large horizontal fragment, possibly from a tent hanging. Elaborate colorful cotton embroidery on canvas with couched mica or metal mirrored discs. 24 x 82. Excellent 100 - 200
606 LAKAI EMBROIDERY, 19th C. Usbekistan embroidered square with finely worked diamond and cruciform field. 27 x 27 (few tiny holes in wool header). Excellent. 800 - 1200
607 INDIAN COTTON PALAMPORE, 20th C. Natural cotton printed with large tree, fruits, monkey, exotic birds, tiger and antelope. In two 33 inch sections. 66 x 106. Excellent. FIT 200 - 300
608 LUZON SHAMAN’S BAGS, EARLY 20th C. Northern Luzon, Philippines. Woven cotton bags threaded with shell, bead, and bone in beggars purse style. (one bone and bead segment detached but retained). Excellent. 150 - 250
609 LUZON WOMAN’S KAIN WRAP SKIRT, EARLY 20th C. Kalinga people, Northern Luzon, Philippines. Woven and embroidered silk in pumpkin and indigo stripe with hanging bead and mother of pearl charms. 25 x 42. Excellent 150 - 250
610 BATIK BELANDA SARONG, EARLY 20th C. Cotton batik from North Coast Java, probably Pekalongan, in pinks and greens with airplanes, ships and sea creatures. The Bleriot style airplanes possibly commemorating the 1909 flight of French aviator Louis Bleriot. Signed on one side with large "A" which may be the artists monogram as there is also a smaller signature "Abourte" in one corner of the panel, 42 x 73 inches. Fading and four inch tear, sewn as tube and missing one end border. Fair Together with a batik square in brown and black with mythological birds. 40 x 40 inches. Tear and missing fabric. Fair. 200 - 300
611 SUMATRAN WOMAN’S JACKET, EARLY 20th C Kaure people, Western Sumatra, Indonesia. Short cropped bolero style jacket in pumpkin and red stripe with metallic threads. The embroidered bodice panels with couched "mica stars". Trimmed at cuff and neck with small cowrie shells. Lined with madder dyed printed cotton. Excellent 12 x 56 300 - 500
612 SILK on SILK SUZANI, LATE 19th or EARLY 20th C. Cream color raw silk ground in three sections, having a directional field of two vertical multi-stemmed plants with various stylized flowers. Surrounded by a wide border of repeating medallions of stylized poppies, carnations, other flowers and vine work. Nice brilliant vegetable colors. Fine work. 83 x 56. (few faint stains) Excellent. 1000 - 2000
613 UZBEK SUZANI, 20th C. Natural cotton foundation in four sections decorated in silk with flower heads and vine work. 64 x 42. Some stains, fading. Good. 200 - 300
614 UZBEK SUZANI, EARLY 20th C. Natural cotton foundation embroidered with silk in bright colors having vase of flowers design, surrounded by stylized poppy flower heads. 64 x 58. Excellent. 300 - 500
615 SUZANI, MODERN 20th C. Silk embroidery of stylized poppies and leaves in red, green and gold. 72 x 62. Excellent. 200 - 400
616 RESCHT EMBROIDERY, 19th C. Very elaborate and densely decorated silk on felt design having wide black border with botehs and floral medallions surrounding three border designs and field having cental medallion. 4 feet, 5 inches x 7 feet, 2 inches. (Tears to black border fabric, three small holes in felt guard borders) very good. 1000 - 2000
617 OTTOMAN EMBROIDERED BOCHE/TURBAN COVER, 19th C Red velvet square heavily embroidered in gold and silver metallic threads depicting walled city with flags and minarets just visible over the walls. (Some wear to velvet) otherwise excellent. 300 - 400
618 PERSIAN EMBROIDERY, 19th C. Silk embroidery on cotton foundation in an eight pointed star center medallion with smaller medallions in the field, Surrounded by traditional main and guard border arrangement. Some oxides colors, worn silk and small holes. Good. 300 - 400
619 PERSIAN KALAMKARI OR PALAMPORE, 19th or EARLY 20th C. Printed cotton with exotic birds, peacocks, tigers, game, stylized mountain and cypress trees, all within mihrab. Surrounded by lozenge border and vine work guard border. Cotton calico backing. 74 x 44. Oxidized holes, small repairs, tears and stains. Fair. 300 - 400
620 CAPE with METALLIC EMBROIDERY, LATE 19th - EARLY 20th C. Possibly for a religious figure, pink with a Middle Eastern inspired pattern worked in polychrome silk and metallic thread with metallic gold fringe, lined in white satin. L-17. Excellent. MMA. 100 - 200
621 METALLIC BROCADE SILK ROBE, MIDDLE EASTERN, 18th C. Seafoam green faille front having tone on tone and metallic gold floral brocade with metallic trim, slit neck, sleeve open on the underside and decorated with metallic buttons, back of green linen with silk brocade hem band, front and back neck ties. Ch-38, L-50. (Few tiny holes, small spots, broken metallic threads) good. MMA. 300 - 400
622 METALLIC EMBROIDERED SILK ROBE, LATE 19th C. Blue satin lavishly decorated with metallic gold embroidery and sequins with tucks and self braiding, cream lace trim at neck and cuff, muslin lining. B-40, L-52. (Few broken metallic threads, repair at back of neck, minor worn spots) good. 300 - 500
623 EMBROIDERED LINEN VESTMENT, PROBABLY GREEK, 19th C. Natural linen having V-neck appliqued with a cross front and back having a deep hem band of polychrome embroidery with mythical birds, animals and figures. Center back L-50. (Repair and small stain on back, applique losses) good. MMA. 200 - 400
624 GREEK ISLANDS EMBROIDERY, 19th C. Linen with silk embroidered geometric designs. Tasseled corners. 25 x 25 (center linen panel with tears). Fair. 100 - 200
625 MOROCCAN EMBROIDERED ARID ENDS, 18th - 19th C. Two picket shaped mattress decorations of colorful silk on linen embroidery in pumpkin, yellow, green, blue and gold. 24 x 10. Excellent. Together with an 18th C. Persian silk brocade panel. 36 x 25. (Stained) good. FIT 400 - 600
626 CONTINENTAL EMBROIDERY, 17th C. Horizontal panel of couched and woven silver metallic thread, embroidered with a border of floral and foliate vinework surrounding a field embroidered with exotic fruiting and flowering trees. 33 x 78. Excellent. 1500 - 2500
627 EMBROIDERED EPITRACHILION, 16th-17th C Blue silk satin embroidered in gold and silver thread with pearls and painted silk human likenesses. The Orthodox Christian vestment probably Moldavian and depicting the ancestors of Christ, also known as the " Tree of Jesse". The Tree of Jesse is the first known example of a "genealogical tree". 55 x 11 1/2. (some splitting of silk) very good. Framed. BUYER RESPONSIBLE FOR ALL SHIPPING ARRANGEMENTS IF SHIPPED IN FRAME. 1000 - 1200
628 EMBROIDERED EPIGONATION, 17th-18th C. Square lozenge format embroidery in heavy raised gold and silver metallic threads with pearls and painted silk human likenesses. The central scene depicting the ascension of Christ, attended by angel, Mary and Mary Magdalene and three soldiers. A red silk border with floral and foliage embroidery with apostles at the corners. 11 1/2 x 11 1/2. (few loose threads) Excellent. 500 - 700
629 COPTIC TUNIC INSERT FRAGMENT, 4th - 5th C. Finely worked wool tapestry weave, the center section patched with a polychrome figural weaving of the same period, 5 x 5 3/4. Fair. 100 - 200
630 LOT of ECCLESIASTICAL TEXTILES, 17th and 18th C. Pair of Italian stoles with polychrome embroidery, one fringed, L-34. One silk brocade maniple with metallic trim, L-87. One vestment in polychrome silk and metallic brocade with metallic passementarie and fringe, 13 x 56. Together with a small metallic embroidered capelet, 10 x 25, and a small purple silk square with metallic embroidery. Fair-excellent. MMA. 200 - 300
631 SILK BROCADE CHASUBLE, 18th C. Grey with large-scale polychrome floral brocade and metallic gold passementerie, lined in pink linen. 46 x 27. (Small stain and light wear) very good. MMA. 200 - 300
632 BROCADE and EMBROIDERED SILK CHASUBLE, CONTINENTAL, 19th C. Pieced from floral brocade, silk and metallic embroidery with metallic gold trim, back appliqued with coat of arms, linen lining. 44 x 30. (Splits at shoulders, significant losses, soiled) fair. MMA. 150 - 250
633 SILK BROCADE CHASUBLE, EUROPEAN, 16th C. Red and gold silk pieced and trimmed with metallic gold threads and lined in natural linen. 43 x 29. (Overall losses, broken metallic threads) fair. MMA. 200 - 400
634 METALLIC BROCADE CAPE and CAPELET, 18th C. Ivory silk demilune heavily brocaded with polychrome silk trees and metallic silver floral, matching short cape with metallic lace trim, both lined in silk. 53 x 63 and 22 x 30. (Heavy metallic losses, some breaks to lace, silk linings torn) fair. MMA. 150 - 250
635 PAIR of SILK DALMATICS, ITALIAN, 19th C. Red and pink damask with large-scale floral and red linen lining. 54 x 45. (Light stains and wear) good. MMA. 200 - 300
636 BROCADE COPE, 19th C. Black silk with brocade of fruits and flowers. 70 x 96. (Loose threads and fraying). Good. 100 - 200
637 FRAMED PRE-COLUMBIAN TEXTILE FRAGMENT. Tapestry weave of stylized bird repeat. Probably Peruvian in frame with three textile tools. (tears). 6 1/2 x 17. Fair. 200 - 400
638 PERUVIAN PRE-COLUMBIAN TEXTILE SAMPLE. Framed fragment in tapestry weave of stylized animals. 8 x 6. (Stained). Fair 75 - 100
639 FRAMED PERUVIAN TEXTILE SAMPLES. Mostly pre-Columbian. Nine various samples. 11 x 14 largest, 3 x 4 smallest. Very Good. BUYER RESPONSIBLE FOR ALL SHIPPING ARRANGEMENTS. 500 - 700
640 CREWEL EMBROIDERY, 1797. Narrow homespun band of natural cotton having serpentine floral of polychrome wool crewel work, dated in cross stitch 1797. (Some losses) good. 100 - 200
641 AUBUSSON TAPESTRY FRAGMENT, 19th C. Wool tapestry having tree with letter A in red at base. 59 x 30. Excellent. 100 - 300
642 PAIR OF AUBUSSON PILLOWS, 19th C. Fashioned from 19th C tapestry fragments, design of fruits and flowers with blue velvet backing. 16 x 16. Excellent. 100 - 150
643 NEEDLEWORK TAPESTRY, 19th C. Wool needlepoint depicting two women in Mediterranean costume at spring with jug of water. 80 x 60.(Backing shattered) otherwise very good. 300 - 500
644 ART DECO CHINESE CARPET, 20th C. Red and blue design. 36 x 69. Good. 100 - 200
645 KERMAN RUNNER, 20th C. Ivory field, broken border design. Low pile. 31 x 74. 100 - 200
646 MALAYER CARPET, 20th C Small hole, end border loss. 63 x 120. Good. 250 - 350
647 TURKOMAN CARPET, 20th C. 44 x 63. Excellent. 150 - 250
648 TURKOMAN CARPET, 20th C Ten gul design. 36 x 48. Very good. 150 - 250
649 KARABAGH CARPET, 20th C. 53 x 69. (End border losses) good. 200 - 300
650 KERMAN CARPET, 20th C Open field design. 34 x 72. (Corner and edge wear) fair. 150 - 250
651 TURKOMAN PRAYER RUG, EARLY 20th C Typical design and palette. 54 x 46. (Minor end border loss) very good. 200 - 400
652 MAHAL CARPET, 20th C. Room size. Very good. 400 - 600
653 TABRIZ CARPET, 20th C. Room size. Very good. 300 - 500
654 SILK HIGH NECK GOWN, c. 1900. Sapphire blue damask 2-piece having boned, pigeon-breasted bodice trimmed with blue velvet, cream lace and an insert of pleated green satin and chiffon, cotton lining, slightly trained skirt with three narrow hem ruffles and green satin lining. B-34, W-24, skirt L 40-45. (Small spots on satin pleats and scattered light spots on skirt) good. LACMA. 150 - 250
655 PARIS LABEL TRAINED SILK and LACE GOWN, 1908. Platinum silk draped in chiffon, bodice trimmed with black lace bands, polychrome silk flowers, pink ribbon and cream lace, neckline and under-sleeve edged in crystal beads and paste stones, trained skirt decorated with chiffon swags and cloth flowers above a wide black lace hem band, pink sash with bow and corsage. Petersham label: Reverdot 53, Rue Vivenne Paris. B-34, W-22, L 57-65. (Lower skirt shattering, large tear in train, light stains and small holes under arms) fair. 400 - 600
656 PARIS LABEL EMBROIDERED WOOL WALKING SUIT, EARLY 20th C. Brown wool with velvet trim and lavish silk embroidery, long jacket having crossed angled front panels with velvet buttons & loops, long A-line skirt with front pleat, small side gores and narrow back insert. Label: Henriette Favre 5 Rue de la Paix 5. B-36, Jacket L-32, W-27, skirt L-39. Excellent. 300 - 400
657 LINEN DRESS with CUTWORK, 1909-1910. 2-piece cream linen having long sleeve princess-line tunic with elaborate cutwork and shaped hem of varied lengths trimmed with crocheted baubles, matching long skirt with cutwork and crochet side panels. B-36, W-26, skirt L-43. (Light spots on sleeves) very good. 300 - 400
658 LUCILE LADY DUFF GORDON APPLIQUED SILK "HAPPINESS DRESS", c. 1916 Pink faille trimmed in blue and lilac satin, having appliqued self fabric lilies of the valley gathered into bow-form mechlin lace insertions edged in metallic thread, sleeveless bodice over long sleeve chiffon under-bodice, having lace neck insert decorated with silk flowers, open skirt having a serpentine band of furbelows, tulle underskirt inset with lace bows over a silk and chiffon underskirt with a cluster of silk flowers. Label "Lucile Ltd. 37 & 39 West 57th St. New York". B-34, W-26, L-52. (Some fading and splits to silk, few tiny holes to chiffon, few spots on silk underskirt near flowers) fair. 2000 - 3000
659 SILK WEDDING DRESS TRIMMED with SEQUINS, c. 1917. Ivory charmeuse tunic and skirt having bands of chiffon to cape collar, gathered long sleeve and hems, neckline and cuff trimmed in embroidered net with opalescent sequins, self sash having beaded and sequined tassels. (Small spot and tiny hole near tunic hem) very good. 150 - 250
660 FORTUNY SILK GAUZE and VELVET TUNIC, EARLY 20th C. Square cut celadon silk with delicate open weave having stenciled gold border with large foliate devices, dusty rose velvet lining, trimmed in clear and white striped Murano glass beads, single bead and loop closure. 40 x 42. (Tears along front edge above closure, scattered small holes) good. Ex Schenectady Museum. 1000 - 1200
661 MARIA GALLENGA STENCILED VELVET COAT, 1920s Black silk stenciled in a metallic silver and gold Medieval pattern having dogs, birds and griffins, narrow pointed sleeves, self tie at neck with metallic gold and silk tassels, green silk faille lining having stenciled border signed "Maria Monaci Gallenga". B-52, L-52. (Lining very torn and detached from neckline) lining poor, velvet excellent. 500 - 700
662 STENCILED VELVET CAPELET, EARLY 20th C. Blue silk having a repeat of foliate diamond shapes, velvet ruffle and self tie, chiffon lining. Unlabeled, possibly Gallenga. L-18. (Large tears to chiffon) velvet excellent. 200 - 300
663 METALLIC EMBROIDERED CHIFFON JACKET, 1920s. Kimono cut black silk having gold floral in tambour embroidery and sequins with inserts of gold lame with gold cord and blue beads, gold cord tie with tassels. B-40, L-34. (Few small holes) good. 250 - 350
664 LIBERTY PARIS PRINTED and METALLIC BROCADE EVENING COAT, 1920s. Printed silk having a polychrome poppy pattern brocaded in metallic gold, with wide trim bands and lining of deep crimson silk velvet, flared short sleeve cut as one with front and back of coat. Chamfered label: Liberty. Paris/ 3, Bld des Capucines, over illegible tape. (Few broken metallic threads) excellent. 500 - 700
665 ANNE MORROW LINDBERGH SILK and LAME EVENING COAT, c. 1920. Floral pattern in pink and gold silk with silver and gold lame, narrow stand collar, self piping, no closures, lined in pink silk. Label: Best & Co. Paris and New York. B-44, L-40. Gifted to consigner's mother by Mrs. Lindbergh. Excellent. 600 - 800
666 EMBROIDERED DAY DRESS, 1920s. 2-piece black silk having tunic embroidered in a pale pink Orientalist floral with birds, long sleeve with five self buttons at cuff, worn over a sleeveless dress with pleated skirt embroidered at hem. B-36, low W- 38, L-42. (One missing and one damaged button) very good. 100 - 200
667 BEADED CREPE AFTERNOON DRESS, 1920s. Black silk having cobalt three quarter sleeve gathered into a black cuff shaped with pleat, decorated with sprays of cobalt beads and bow detail at back neckline. B-40. L-44. (Tiny hole in skirt, two faint spots on sleeve, some bead losses) very good. 100 - 200
668 THREE PIECE CREPE de CHINE ENSEMBLE, EARLY 1920s. Pumpkin silk overblouse having poet sleeve and V-neck with self tie, appliqued with polychrome floral print of the pleated skirt attached to sleeveless nude bodice. Matching black crepe de chine coat lined in the skirt fabric having self tie at neck and two buttons. B-44, low W-40, L-47. (Sleeveless bodice stained under arms) otherwise excellent. 300 - 500
669 RARE and UNUSUAL STEIN & BLAINE SILK ENSEMBLE, 1920s. The first store to use the in-house designer's name (E.M.A. Steinmetz). Pieced dress having black crepe shoulder and long sleeve with pumpkin crepe and ecru charmeuse cuff decorated with black and ecru ovals of padded embroidery and black buttons, square neckline with pumpkin band above a front panel of Fortuny type pleats, charmeuse back. Sleeveless crepe coat with decorated collar and attached embroidered scarf , closely spaced buttons, floating chiffon back panel, self belt. Labeled. B-38, L-47, coat L-45. (Spotting on back of dress, few light stains on front, some buttons faded, coat collar soiled. Good. 800 - 1200
670 FRENCH BEADED CREPE DRESS with PEACOCKS, EARLY 1920s. Sleeveless brown silk decorated with rose pink, blue and gold beads and sequins, having a pair of confronting stylized birds on the skirt front and back. B-38, L-47. (Minor bead loss, one shoulder unstitched) very good. 500 - 700
671 SILK and METALLIC ROBE de STYLE, 1920s. Grey-green silk gauze having variegated velvet stripe, cap sleeve bodice inset with silver metallic lace over tulle, full skirt with hip panniers, front lace panel flanked by bands decorated with cloth flowers, metallic ribbon and lace hem, chiffon lining. B-38, W-28, L-44. (Significant oxidation, torn at shoulders, minor underarm stains, dime sized hole in back waistband) fair. 800 - 1000
672 PRINTED LAME and METALLIC LACE ROBE de STYLE, 1920s. Pink, blue and metallic silver floral, sleeveless bodice and pannier skirt decorated with silk ribbon roses and bow at one shoulder and large bow and roses on skirt front, the lower skirt of silver metallic floral lace, panniers suspended in cotton net, silk facings and under-dress trimmed at hem with silver lace. B- 34, W-28, L-40. (Minor darkening of lame, some tearing to silk ribbon and facings, some breaks to lace, side zipper added) good. 500 - 700
673 SEQUINED VELVET and LAME DANCE DRESS, 1920s. Sleeveless black silk velvet bodice having small gold lame collar, gold lame skirt with scalloped hem, black tulle overskirt decorated with black sequins and beads, front velvet streamer with beaded fringe. B- 36, W-31, L-45. (1/2 inch tear at one armhole, armhole facings torn, slight wear in shoulder area, velvet faded behind fringe) good. 400 - 600
674 METALLIC LACE TABARD, 1920s. Sleeveless black and gold net having V-neck and back, open sides, bodice and deep scalloped hem decorated with a series of stylized lily pads. B-40, L-54. (Few small breaks, underdress not included) very good. 400 - 600
675 BEADED GOLD LAME OVER-DRESS, c. 1920. Decorated with large-scale floral in gold bugle and seed beads, sleeveless surplice bodice having peplum above three wide streamers with angled point, unadorned straight cut back panel with hem point flanked by beaded panels joined to below the hip. Unlabeled. B-open, W-34, center back L-59. (Alterations, lacking under-dress) good. 600 - 800
676 BRADLEY'S EGYPTIAN INFLUENCED BEADED LAME EVENING DRESS, LONDON, 1923. Sleeveless gold lame with metallic gold lace yoke, side and back streamers, long lace panels with a repeating pattern decorated in lavender beads and gold sequins having picketed hem opening to a center panel with rows of gold bugle bead fringe, jeweled lame waistband having blue and green prong-set stones and gold beads, fringed hem. Design influenced by the discovery of King Tut's tomb. Label: Bradley's Chepstow Place Ltd. London W2. B-36, L-50. (Minor tearing in yoke area and small oxidized spot, some fringe loss, taken in at one side but uncut) very good. 1200 - 1500
677 OMBREED and VOIDED VELVET DINNER DRESS, 1920s. Sleeveless pale pink silk deepening to salmon at hem, cut to nude voile in a geometric pattern, neckline trimmed in beaded lace, rhinestone studded insert, dropped waist with smocked front panel. B-42, L-45. (Losses to trim, scattered tiny holes in upper bodice) good. 300 - 400
678 TRAINED SILK WEDDING GOWN with LACE and ORANGE BLOSSOM TRIM, 1920s. Ivory charmeuse pleated and wrapped bodice having gauze short sleeve and bodice insert trimmed in needle lace with orange blossom corsage, open skirt over gathered front panel of gauze on silk decorated at hem with a wavy band of self ruffles, silk piping and orange blossoms, long square train. Petersham label: Jennie & Co. New York. B-34, W-24, H-38, Front L-56, back L-69 plus 42 inch train. (Losses to flowers, some wax melted onto bodice, lining shattering, stain on train) good. 200 - 300
679 JEAN LANVIN COUTURE CREPE COAT with SUSPENSION, 1929. Lightweight navy wool, the back and sleeve having a diamond pattern suspended on chiffon lining, front panels with three lines fanning from shoulder to hem. Label: Ete 1929 Jeanne Lanvin Paris 20 Frg St Honore, over inked tape 98863. (Holes and splits in chiffon, white mark near hem, small tear in lining) good. 300 - 500
680 FORTUNY DELPHOS GOWN, c. 1930. Sleeveless raspberry silk having silver stenciled belt, armholes and sides trimmed in striped Murano glass beads on silk cord. Labeled on selvedge. Lot includes partial box from Elsie McNeill. L-59. (Hemline reduced 5 inches, fabric retained with spare beads, silk splitting around neckline, small faint stain, box missing bottom and taped on top) dress fair but displays well, box poor. 1000 - 2000
681 PANNE VELVET EVENING DRESS with RHINESTONES, 1920s. Bone silk sleeveless bodice draped with two swags having diamond lattice of prong-set rhinestones and crystal beads, the back having V-shaped band terminating in black oval set in studded waistband of black skirt with cream center back gore. B-44, low W-40, L-46. (Chiffon facings torn) very good. 300 - 500
682 TWO SILK and LACE TEA DRESSES, 1920s. Both sleeveless: One ivory embroidered net over blush charmeuse having wide seafoam silk sash with bow. B-38, L-44. (Small hole in sash, straps reduced) good. One with cream bands of filet lace and embroidered net over mint green silk under-dress. B-38, L-44. (Minor wear to neck binding) excellent. 300 - 400
683 PIN CUSHION with PINHEAD DESIGN and INSCRIPTION, ENGLISH, 1816. Probably a christening gift, ivory satin squat cylinder with looped fringe around side seams, gathered into a drawstring at back, decorated in embedded pins with leaf, hearts, diamonds and verse "Welcome thou little darling heir, Of heavenly bliss and mortal care, Oh may they Parents live to see, Their fondest hopes fulfilled in thee" and dated 1816. 8 x 4. (Small worn spots on sides) good. Ex collection of Doris Langley Moore and referred to in her 1953 book The Child in Fashion. 100 - 200
684 SET of PIERCED METAL ACCESSORIES, SPURS and BUTTONS, HUNGARIAN, LATE 19th - EARLY 20th C. Consisting of belt and belt attachment comprised of rectangular filigree silver metal links with raised medallions, belt L 35-40 1/2, matching medallion hat clip, matching narrower belt attachment and coat closure, pair of spurs, 2 1/2 x 4, three matching sets of buttons consisting of nine 1 1/8 inch, nine 1 inch, and twenty-four 7/8 inch (one decorative cap detached), and one extra filigree link. Good-excellent. 1000 - 2000
685 LADYS WOVEN STRAW SLIPPERS, EARLY 19th C. Natural straw straights and flats with fancy woven straw and silk trim, having vamp bow, silk lining. Ex. Doble Collection, Tufts University. 2 1/8 x 9 1/2. (Losses to silk ribbon, minor breaks to straw trim, one toe and small areas of trim darkened, lining stained) fair. 300 - 500
686 EIGHT VICTORIAN JET HAT ORNAMENTS. Consisting of four roundels, one spray, pair of wings, one foliate design, and a large medallion. Good- excellent. 100 - 200
687 LARGE LACE FAN with MOTHER of PEARL STICKS and SPANGLES, 19th C. Cream bobbin lace fan leaf decorated with variform silver spangles, mother of pearl sticks and guards having silver inlay, fancy silk tassle. 14 x 26. Excellent. 100 - 200
688 INDONESIAN FOLDING FAN, 19th C. Pierced buffalo hide with black and metallic gold painted Wayang Golek figures, baleen stays. 10 x 20, (some paint loss). Together with a folding fan having gilt reticulated wood sticks and blue silk leaf with spangles, (losses), and a celluloid folding fan dance card with pencil holder and finger ring, (missing pencil). Good. 100 - 200
689 BEADED HIGH BUTTON BOOTS, 19th C. Black leather with twenty four narrow cut-outs decorated with iridill beads, scalloped buttonholes and mother of pearl buttons, Louis heel, marked MILLER on sole. 10 x 9 1/4 with 2 1/2 inch heel. (One button detatched but retained, few missing beads) excellent. 200 - 300
690 UNUSUAL CAMMEYER HIGH LACING BOOTS, 1890s. Deep brown leather having black toe cap, Louis heel, knee high shaft with speed laces and pair of buckles at top applied with spade shaped leather straps. Labeled on sole. 2 3/4 x 9 3/4 x 15. (Overall wear, leather losses on heels, scuffs) good. 200 - 400
691 GLASS NEEDLE CASES, 19th C Five decorated glass needle cases together with two carved bone lace bobbins. Cases 3-4 inches bobbins 4-7 inches. Excellent. FIT. 100 - 200
692 VENETIAN and MURANO GLASS BOBBINS, 19th-20th C. Hand blown glass bobbins from the collections of Gertrude Whiting and Miss De Witt C. Cohen. Nine bobbins (one broken) All approximately 9 inches. FIT 300 - 400
693 MICRO BEADED BAG with JEWELED FRAME, EARLY 20th C. Large bag with polychrome beaded floral, hinged embossed gold tone frame decorated with filigree, enamel, faux jewels and semi-precious stones, large filigree push-back clasp and pendant, chain handle. 10 x 7 3/4. (Silk lining torn, bead losses at one hinge). Together with two silver metal mesh bags with tassel: One sterling with square top and chain, one cathedral frame with mesh handle. Very good 250 - 350
694 EGYPTIAN REVIVAL HEADPIECE with PEARL BEADS, 1920s. Three adjustable gold tone hammered metal bands joined at circular ear piece in Egyptian Revival style with loop strand of pearls and enameled lotus blossom pendant. Excellent. 250 - 350
695 GOLD BOUILLON HIGH STYLE CLOCHE WIG with TIARA, 1920s. Metallic flossed "hair" in a fashionable style of the 1920s having cropped bangs and sides with up-swept crown of pointed curls, topknot and a tiara of paste jewels, lined in net over cotton. Unlabeled, probably French. Approximately 22 inches inside diameter, overall 8 1/2 x 9. (Some oxidation and broken metallic threads) good. 500 - 700
696 RARE CAROLINE THIEF of BAGHDAD TURBAN, c. 1924. The first example of movie studio merchandise. Polychrome repeat of stylized Middle Eastern faces printed on cotton ground, white pique bow at back. Labels: Authentic Thief of Bagdad Turban; Original Caroline Paris New York. 8 x 15. (Minor fading, mesh lining damaged) good. 200 - 300
697 CUTWORK and EMBROIDERED DRESS YARDAGE, 1920s. Cream voile having polychrome satin stitch embroidery and binding to large-scale cutwork pattern, in two pieces for skirt and bodice. Skirt panel 56 x 86, bodice panel 56 x 40 marked with pattern lines. (Some small, light spots at hem of skirt panel) very good. 100 - 200
698 EMBROIDERED VOILE DRESS YARDAGE, 1920s. Blue cotton embroidered with polychrome abstract devices and stylized floral. 40 inches wide x 3 1/3 yards. Excellent. 100 - 200
699 UNCUT FRENCH TULLE DRESS FABRIC with SPANGLES, c. 1900. Deadstock brown silk net decorated with copper spangles, metallic gold tambour embroidery and cloth of gold applique for bodice front and back, and trained skirt. (Few tiny holes at edge of net) dress parts excellent. 1200 - 1500
700 SILK LACE SKIRT, c. 1825. Unpicked black net having embroidered floral with scalloped double hem ruffles. 47 x 116. (Some tears in lace area, scattered small holes) good. MMA. 300 - 500
701 BEADED and SEQUINED SHAWL, EARLY 20th C. Black tulle triangle decorated with stylized floral having beaded loop tassels. 26 x 54. (Few missing beads, unfinished edges) very good. 200 - 400
702 EMBROIDERED TULLE STOLE, EARLY 20th C. Black silk decorated with repeating flower heads in various bright hues, scalloped border. 35 x 92. (Scattered tiny holes and pulls in tulle) very good. 200 - 300
703 DRAWN THREAD ALTAR FRONTAL, SPANISH, 17th C. Off-white linen with stylized animals, trees and flowers. 10 x 136, folded in half and sewn to orchid silk. (Three small spots, few tiny holes, small mend) very good. 300 - 400
704 OVERSIZED HONITON LACE PANEL, 19th C. Irregular shaped panel of cream handmade lace in a scrolling floral with scalloped border. Widest-65 inches, longest-120 inches. (One corner sewn into a "cap") otherwise excellent. MMA. 500 - 700
705 WIDE LACE YARDAGE, EARLY 20th C. Cream net decorated with floral clusters above a serpentine band with scalloped border. 35 x 3 1/3 yards. (Few small holes) very good. 300 - 500
706 WIDE BRUSSELS LACE YARDAGE, EARLY 20th C. Cream net with scalloped edge decorated with swags, scrolling ribbons, floral clusters and sprays. 19 1/2 inches x 8 1/2 yards. (Few small holes to net) excellent. 800 - 1000
707 DIRIGIBLE COMMEMORATIVE LACE SHAWL, c. 1900. Black lace over white silk chiffon with ends trimmed in black silk satin. The propeller driven dirigible woven into this shawl is very similar to a famous machine designed by the French engineers Gabriel You and E. Delamarne. The fantastic looking machine was immortalized after the flight around the Eiffel Tower by the Brazilian flyer Albert Santos-Durmont. It was after this flight in 1901 that images of the flying machines appeared in fabric and other textile designs. Imagery of this type is quite rare in lace. 108 x 26 Excellent. 300 - 500
708 BOBBIN LACE STOLE, c. 1900. White cotton with floral pattern. 20 x 94. (Few small holes) very good. 200 – 300
708.1 SILK LACE STOLE, c. 1900. Ecru bobbin lace with pattern of scrolls in floral border. 16 x 116. Excellent. 100-200
709 HEWNOAKS PRINTED PANEL, EARLY 20th C. Printed cotton with design of birds, fountains and tree of life. Hewnoaks was the home of the Douglas Volk family in Center Lovell, ME. It was also an art colony and Arts and Crafts Community frequented by many of America's most well-known artists at the turn of the 20th Century. 51 x 50. Very good. 400-600
709.1 A SABATOS RUG, EARLY 20th C. Wool on wool foundation with signature "S" for Sabatos. The Sabatos rugs were woven at Hewnoaks, the home of the Douglas Volk family in Center Lovell, ME. It was also an art colony and Arts and Crafts Community frequented by many of America's most well known artists at the turn of the 20th Century. 47 x 14. (Torn and missing area on side selvedge) fair. 300-400
710 HEWNOAKS HAND PRINTED PORTIERS, EARLY 2Oth C. A pair of portiers, one side in cotton with fanciful woodland landscape border and repeating medallions of stylized plants. Verso in yellow silk with repeating medallions, fountains, bridges and trees. Hewnoaks was the home of the Charles Volk family in Center Lovell, ME. It was also an art colony and Arts and Crafts Community frequented by many of America's most well known artists at the turn of the 20th Century. (Tears to silk side, stains) fair. Each 86 x 94. 1000 – 2000
710.1 VIENNA SECESSIONIST TABLE COVER, EARLY 20th C. A cotton double jacquard loom weave producing a "summer/winter" effect. 43 x64.(Some stains) good. 100-200
711 HEWNOAKS PRINTED TAPESTRY, EARLY 20th C. Silk twill Persian inspired design prayer rug design in with peacocks. The names of the women who worked on the panel are hidden in various places throughout the design. Hewnoaks was the home of the Charles Volk family in Center Lovell, ME. It was also an art colony and Arts and Crafts Community frequented by many of America's most well known artists at the turn of the 20th Century. 70 x 44 (stains, tears, fragile areas) Fair. 400 – 500
711.1 KATE GREENAWAY APRONS, LATE 19th C. Printed cotton from Kate Greenaway illustrations. Kate Greenaway was a children's book author and illustrator, whose first book "Under the Window" was such a success that Liberty of London adapted the illustrations to children's clothing. These aprons come from the Estate of Jane Byrd McCall Radcliffe- Whitehead, one exhibited at the American Textile History Museum in Lowell, MA in the show entitled Reflections: Fashion, Dolls, and the Art of Growing Up. 41 inches wide exclusive of ties. (Some open seams and torn ties) very good. 200-300
712 LOUIS VUITTON STEAMER TRUNK, 19th C. Early Louis Vuitton in striped canvas (1876-1888), wood strapping and metal corner and edge supports. The interior having ribbon quilted lid and three striped cotton ticking covered trays, one with two covered compartments. The canvas straps with brass buckles dated 1884. Pasted paper label on rear of interior compartment, stenciled 1 rue Scribe, L. Vuitton, Paris in two places on bottom of trunk. The trunk belonged to Josephine A. Dater of Montclair NJ and was given to Anne Barnes Charlesworth on the occasion of her marriage to Harry Prescott Charlesworth, VP of Bell Telephone Co. Letter of provenance, copies of newspaper articles and photograph of Mrs. Charleswort will accompany this lot. (Scuffing and a few stains on back, minor wear to interior commensurate with age) very good. 40 x 23 x 27. PURCHASER RESPONSIBLE FOR ALL SHIPPING ARRANGEMENTS. 2000 - 3000
713 GOYARD FLAT TOP STEAMER TRUNK, 19th C. Brown canvas covered trunk with wooden and metal banding. Pasted paper interior fitted with three trays. Original E. Ggoyard Aine pasted paper label intact. Sides stenciled with owner name E. A. Cotton, Boston USA. 43 x 22 x 20. Minor scuffing otherwise excellent. PURCHASER RESPONSIBLE FOR ALL SHIPPING ARRANGEMENTS. 400 - 600
714 GOYARD DOMED TRUNK, 19th C. Grey canvas covered trunk with wooden and metal banding, brass tack decoration, fitted pasted paper interior with two trays and two partition dividers. Pasted Goyard label intact. Stenciled owners name J. French, Boston, USA on both sides. 36 x 23 x 27. Scuffing, one missing tack, bent hasp, detached center leather strap, one tray missing wooden stretcher. Very Good. PURCHASER RESPONSIBLE FOR ALL SHIPPING ARRANGEMENTS. 400 - 600
715 TWO VICTORIAN SILVER CHATELAINES. One unmarked filigree belt clip having seated figure and foliate scrolls, assembled with five fancy chains, 2 1/8 x 8 1/2. One sterling pin with floral relief and mask head, five chains suspending various items: pencil, vesta, clip and two heart shaped pendants, 3 1/4 x 6 1/4. Excellent. 300 - 400
716 BERTHOLD LOFFLER NICKEL SILVER and ENAMEL PIN/ BUCKLE, c. 1910. Hostess pin/buckle designed for the Cafe Fledermaus in Vienna. 1 1/4 x 1 1/4. (Some minor scratches to enamel) excellent. 300 - 500
717 DAGOBERT PECHE WIENER WERKSTATTE SILVER BROOCH, c. 1920 Oval brooch in finely hammered silver of stylized vines and grape cluster with ebony or rosewood background. Marked with WW and 900. 2 X 1 1/8. Excellent. 600 - 800
718 SCHWESTERN FLOGE , WIENER WERKSTATTE, COUTURIERS SIGN, c. 1908 Textured composition to resemble leather sign with gold stenciling of their label. "Floge Sisters" Emilie and Pauline Floge were Austrian couturiers and had a very fashionable salon designed by Josef Hoffman where they presented clothing in the style of the Wiener Werkstatte movement. Emilie was the lifelong companion of Gustav Klimt and is pictured in many of his paintings. It is believed to be Emilie who is pictured with Klimt in his famous painting "The Kiss". 12 X 9. Excellent. 500 - 700
719 LOT OF WIENER WERKSTATTE EPHEMERA, c. 1908 Paper coupons (4), WW logo paper (10), art show tickets designed by Berthold Loffler (2), and stationary with design by Carl Otto Czeschka (3). 19 pcs. Excellent. 300 - 500
720 PAUL POIRET COLLECTION WOOL HEAD SCARF, 1920. Hand woven ivory toile de laine decorated with a stylized floral in chocolate brown, the center having a row of four medallions flanked by wide borders along the selvedges. 45 1/2 x 58. (Two minor moth holes) very good. Ex collection Paul and Denise Poiret. 800 - 1200
721 PAUL POIRET COLLECTION WOOL VEST, c. 1920. Geranium red, woven by Rodier in the style of a Moroccan rug having ivory selvedgeS and front borders in geometric shapes, the crossed front closes to left side with three flat galalith buttons inset with copper rivets, very slightly flared peplum. B-36 1/2, L-21 1/2. (Three small mends on back) good. Ex collection Paul and Denise Poiret, see photograph of Denise Poiret wearing vest in La Creation en Liberte, page 135. 1000 - 2000
722 PAUL POIRET COLLECTION WOOL TRAVEL SHAWL, c. 1920. Hand woven beige cashmere with a Moroccan inspired pattern having three wide bands consisting of a zigzag flanked by straight lines, coral silk chiffon lining. 41 x 79. (Scattered moth holes and tiny rust spots, tears in chiffon) fair. Ex collection Paul and Denise Poiret. 800 - 1200
723 KING of FASHION THE AUTOBIOGRAPHY of PAUL POIRET, FIRST EDITION, 1931. Translated by Stephen Haden Guest, published by J. B. Lippencott Company. (Some edge ware to cover especially at corners, headcap and tail, textblock edge darkened) good. 100 - 200
724 POIRET EXHIBITION and AUCTION CATALOG BOXED SET, 2005. Univers de Paul et Denise Paul Poiret, original two volume boxed set from Paris auction of personal clothing and home furnishings of Paul and Denise Poiret sold by Piasa Auction House May 10 and 11, 2005. Two paperback volumes, extensively illustrated, numerous color photos. 8 1/4 x 11 x 1 1/2. Excellent. 150 - 250
725 ROYAL PERSIAN & KASHMIR BROCADES, FIRST EDITION, 1975. By Rahim Anavian, Senshoku to Seikatsusha Publishing, Ltd., Kyoto. Text in English and Japanese, 104 full page color plates, with slip case and original box. Book 10 x 14 1/2. (Few dents in outer box) new condition. 200 - 300
726 THREE FRANK LLOYD WRIGHT ORIGINAL DRAWINGS, 20th C. Designed at Taliesin. Matted with Taliesin logo, named pattern design and "Frank Lloyd Wright". Designs for Clooney House, Ennis House and Princeton Lectures (a book cover). 8 1/2 x 11. Excellent. FIT 600 - 800
727 FRANK LLOYD WRIGHT ORIGINAL DRAWING, 20th C Designed at Taliesin. Matted and signed with Taliesin logo, FLWAA stamp and "From a Rug Design, Frank Lloyd Wright". Excellent. FIT 800 - 1000
728 SIX FRANK LLOYD WRIGHT ASSOCIATED ARCHITECTS DESIGNS, 20th C. All by Ling Po. Bearing Taliesin logo and FLWAA stamp. Each approx. 8 1/2 x 11, one 15 1/2 x 21. Excellent. FIT 300 - 400
729 EIGHT FRANK LLOYD WRIGHT ASSOCIATED ARCHITECTS DESIGNS, 20th C. Various Taliesen artists including Tachovsky, Frederick Bingham, Susan Lockhart, Allen Davison. 17 x 27 largest, 7 1/2 x 4 smallest. Excellent. FIT 300 - 400
730 TWO FRANK LLOYD WRIGHT ASSOCIATED ARCHITECTS DESIGNS, 20th C. Both by Cornelia Brierly. Bearing Taliesin logo and FLWAA stamp. 9 x 14. Excellent. FIT 200 - 300
731 EGYPTIAN ASUITE SHAWL, 1920s. White cotton having hammered silver diamond pattern with end borders. 25 x 80. (Slight darkening of narrow fold line, small spot) very good. 100 - 200
732 CHINESE EXPORT SHAWL, c. 1930 Multicolor silk embroidery of various exotic flowers. 60 x 60 with 24 inch knotted fringe. (few small stains and several loose threads, missing some fringe) good. 200 - 250
733 CHINESE EXPORT SHAWL, c. 1930 Brilliant red field with ivory embroidery of peony and butterflies. 48 x48 with 18 inch fringe. Excellent. 150 - 250
734 OVERSIZED BATTENBURG LACE BEDCOVER, EARLY 20th C. Cream cotton tape lace having central floral within foliate oval in a field of leaves and flowers, border design with C scrolls, piping appliqued and embroidered rings to center and border. 104 x 100. (Some broken brides) very good. 200 - 400
735 OVAL MIXED LACE TABLECLOTH, EARLY 20th C. White linen with cutwork, embroidery and insertions of floral needle lace and figural filet, scalloped filet border. 80 x 135. Excellent. 300 - 500
736 FIGURAL CUTWORK and EMBROIDERED TABLECLOTH, c. 1930. Large linen rectangle with cutwork floral, drawn thread work and satin stitch embroidery having reserves with figures in period dress, tabbed border. 158 x 64. Excellent. 300 - 500
737 ITALIAN FIGURAL NEEDLE LACE TABLECLOTH, EARLY 20th C. Decorated with finely worked flying birds, flowers and acorns. 60 x 120. Together with a matching runner, 16 x 41, and ten placemats 11 x 16 1/2. Excellent. 200 - 400
738 FORTUNY CURTAIN PANEL, FIRST HALF 20th C Large panel in two sections of rust color printed cotton with silver metallic stenciling. Thistle or "a Griccia" variant. 75 x 152. Lead weighted hem. Unmarked. Excellent. 500 - 700
739 THREE LARGE FORTUNY PANELS, 20th C. Pale blue cotton with darker blue Renaissance design. 96 x 92, 80 x 94, 108 x 96 Very Good- Excellent, together with assorted small Fortuny swatches and several yards of gold stenciled narrow trim. 300 - 400
740 CALLOT SOEURS FRINGED CREPE EVENING GOWN, WINTER 1932 - 1933. Large size sleeveless black silk with V-neck and back, bodice gently gathered into waist, skirt having two layers of long silk fringe angled into a V at front, wide chiffon hem band. Labeled. B-44, W-38, H-48, L-60. (Missing belt, small tear to one armhole binding, interior waistband and label torn) good. 300 - 400
741 FLORAL PRINTED CHIFFON GOWN, 1930s. Bias cut black silk printed with whimsical polychrome flower heads, sleeveless bodice having collar and shoulder ruffle falling along V-back to waist tie, 100 - 200
742 BIAS CUT FLORAL PRINTED GOWN, 1930s. Black crepe having stylized floral in bright hues, cap sleeve V-neck bodice ruched below bust into an attached curving self sash, trumpet flared skirt. Unlabeled. B-37, W-27, L-59. (Few pinholes) excellent. 100 - 200
743 TRAINED METALLIC BROCADE EVENING GOWN, EARLY 1930s. Sleeveless rust silk with dusty rose and gold lame floral, having applied bands to bodice, cutout at center back waist, gored skirt with handkerchief point hem and fishtail train. Unlabeled. B-38, W-32, H-38, L 49- 73. (Small repair in point of train) very good. 300 - 500
744 BEADED EVENING GOWN, 1930s. Black crepe having draped sleeveless bodice decorated in a floral pattern of red beads and metallic gold embroidery, front self tie with long beaded tassels, tucked midriff band, back self buttons, trumpet flared hem with slight train. B-34, W-24, H-36, L 58-63. Excellent. 300 - 500
745 JEAN PATOU ADAPTATION EVENING DRESS, 1930s. Black silk crepe having tiny cap sleeve, curved tulle yoke edged with two wide sequined bands, curved high waist above side darts, flared long skirt pieced in angled panels with curved notch at front hem. Labeled. B-38, W-30, H-40, L-56. (Braided silk belt not original, two tiny holes in net) good. 200 - 300
746 FLORAL PRINTED CHIFFON DRESS, 1930s. Sleeveless apricot and green silk having pleated cap sleeve, self flower, tucks, pleated skirt and self belt with rhinestone buckle. B-34, W-30, L-50. (Lacking under-dress)very good. 100 - 200
747 TRAINED HAWAIIAN LABEL GOWN, 1940s. Green rayon with grey and white pineapple print having short sleeve gathered at shoulder, trumpet flared skirt with hem ruffle and long train and finger loop for dancing. Honolulu label. B-40, W-30, H-48, L-57-84. Excellent. 200 - 300
748 1939 WORLDS FAIR UNIFORM JACKET and HAT. Tan wool twill with blue and orange felt trim, shoulder patch with Trylon and Perisphere logo, orange bakelite logo buttons, satin lining, blue felt pillbox hat having embroidered logo patch and grosgrain ribbon trim. B-36, W-29, Sh-14, Slv-23, L-23. (Ornament possibly missing from hat) excellent. 100 - 150
749 PAINTED WORLD WAR II BOMBER FLIGHT JACKET. Brown leather, the back having hand painted woman with "Hell Iz Here", swastika and 31 bombs lettered with target city names, quilted lining. Ch-46, L-27. (Some wear and paint loss, few moth holes and mend to knit waistband, lacking snap-in fur collar) good. 200 - 400
750 TWO MENS ASIAN EXPORT GARMENTS, MID 20th C. One black wool zip-front jacket having back embroidered with polychrome dragons, satin lining embroidered with eagle and Mt. Fuji. Ch-40, L-23. (Small hole in lining). One black silk long sleeve shirt with polychrome kimono print. Size Large, Ch-48. Excellent. 100 - 200
751 ADRIAN ASYMMETRICAL SKIRT SUIT, 1940s. Pale grey-green wool having collarless jacket with faux buttons over angled snap closures, half belt at front with buckle, right sleeve with overlay and buckled strap detail, A-line skirt with matching half belt. Labeled. B-38, Sh-17, Slv-22, W-24 1/2, H-36, skirt L-28. (Skirt shortened but uncut, buckles worn at corners) good. 200 - 400
752 IRENE WOOL SKIRT SUIT, c. 1959. Blue and grey striped jacket having angled seam details with hidden pockets, triple back vents and silk lining, matching over the knee pencil skirt with kick pleat. Labeled. B-36, Sh-16 1/2, Slv-22 1/2, W-24, H- 36, skirt L-28. Excellent. LACMA. 100 - 200
753 SARMI FUR TRIMMED SKIRT SUIT, 1950s. Olive green princess line jacket having brown beaver elbow length sleeve and rounded neck band and matching over the knee length pencil skirt. Labeled. B-40, jacket L-24, W-30, H-38, skirt L-25. Excellent. 200 - 300
754 BALENCIAGA EISA WOOL SKIRT SUIT, MID 20th C. Red and black plaid boxy jacket with three quarter sleeve and faux pockets, narrow A-line skirt having single pleat on either side of front, hidden zipper, silk lining. Labeled. B-40, W-26, H-38, skirt L-27. (Missing one button) very good. 200 - 300
755 MADRID LABEL ORIENTAL PATTERN SILK BROCADE COAT, 1950s. Double breasted midnight blue silk having brocade pattern of trees, pagodas and figures, wide collar, three quarter sleeve, hidden pockets and large fancy cord buttons, silk lining. Chamfered label "Anne Lise". B-48, L-44. Excellent. 100 - 200
756 SCAASI LARGE SIZE WARP PRINTED SWING COAT, 1950s. Short sleeve crimson silk with deep red, green and black floral, having notched cape collar and green silk lining. Labeled. B-52, L-45. (Tiny spot of edge wear on sleeve)excellent. 200 - 300
757 JACQUES HEIM TRAINED ONE-SHOULDER EVENING GOWN, 1950s. Blue satin with allover dashes of metallic gold thread, having boned bodice with one wide strap, shaped with pleats, curved midriff band with self belt, wrap front circle skirt curving from left hip to trained back. Actualite label. B-36, W-24, L 57-67. (Minor underarm stain, light stain on skirt, hemline darkened but could be hemmed out) good. 250 - 350
758 EISENBERG ORIGINALS BEADED CREPE GOWN, c. 1950. Black cap sleeve bodice slightly gathered into a set-in waist, draped around hip with swag and streamers over A-line skirt with slit, bodice top having gold beaded loops set in diagonal bands of sequins and bugle beads. Labeled. B-36, W-28, H-38, L-62. (Two loops missing on right shoulder) excellent. 200 - 300
759 HATTIE CARNEGIE STRAPLESS LACE EVENING GOWN, 1950s. Plum lace over cream tulle having corset bodice with layers of scallops, full skirt gathered at hip level on sides angled toward back below a wide plum band on tulle underskirt, back bow detail. Labeled. B-34, W- 24, L-52. (Lace torn at back waist, browning to top edge of bodice) good. 200 - 300
760 RARE ANN LOWE ONE of a KIND TULLE and VELVET BALLGOWN, 1950s. White tulle with appliqued red velvet trim and oversized bows, fitted cap sleeve bodice and voluminous layered skirt, interior corset and stiff under-skirt. Labeled. Ann Cole Lowe was the first successful African American fashion designer, creating Jackie Kennedy's wedding gown in 1953. B-32, W-26, L-60. (Several small holes and tears to tulle, mend near hem) good. 300 - 500
761 SCAASI STRAPLESS SILK EVENING GOWN, 1950s. Dull black satin having boned bodice and narrow tucks from below waist widening towards a deep ruffled hem. Labeled. B-34, W-26, L-50. Excellent. 300 - 500
762 FRANK STARR FLORAL PRINTED PARTY DRESS, 1950s. Sleeveless white organdy printed in red, pink and green, decorated with opalescent sequins, low neckline cut to contour of print, self piping at armhole and waist, circle skirt, satin lining. Labeled. B-36, W-26, L- 44. (Faint underarm stains and very faint spot on skirt) good. 100 - 200
763 CHRISTIAN DIOR PARIS NUMBERED CREPE COCKTAIL DRESS, 1958 - 1961. Sleeveless puckered black silk with curved V-neck above shirred center front seam, bodice having a draped peplum effect, narrow A-line skirt, black silk lining with boned under-bodice. Paris label stamped en verso 18102. B-34, W-24, H-38, L-43. Excellent. 300 - 500
764 OLEG CASSINI STRAPPY COCKTAIL DRESS, 1950s. Sleeveless black silk comprised of narrow panels fitted through the boned sweetheart bodice, flaring into a full skirt having four inverted pleats stitched at hem to taper skirt, bodice having a series of asymmetrical straps joined at left shoulder bow, short crinoline underskirt. Labeled. B-34, W-24, L-44. Excellent. 200 - 400
765 TRAINA NORELL FAILLE COCKTAIL DRESS, 1950s. Black rayon having shirt style bodice with long zippered sleeve and self buttons, set-in waist, upper skirt fitted, full lower skirt over crinoline. Labeled. B-36, W-27, H-44, L-47. (Possibly missing belt) otherwise excellent. 100 - 200
766 OFF-THE-SHOULDER SILK COCKTAIL DRESS, 1950s. Oyster silk having boned empire bodice with ruching and self bows, full skirt with bubble hem. Memphis label. B-34, high W-24, L-36. Excellent. 100 - 200
767 TRAINA-NORELL SILK COCKTAIL DRESS, 1950s. Black faille with long zippered sleeve, self button front, set-in waist, flaring through the hip, full lower skirt having crinoline. Labeled. B-36, W-29, H-44, L-46. Excellent. 100 - 200
768 MOLLIE PARNIS LITTLE BLACK DRESS, 1950s. Sleeveless silk twill boatneck having front bow detail, angled armhole and three self buttons at back, full skirt with crinoline underskirt. Labeled. B-36, W-26, L-46. Excellent. 100 - 200
769 STANLEY KORSHAK CRYSTAL EMBELLISHED WOOL DRESS, MID 20th C. Black short sleeve boatneck decorated with crystals set in silk loops closely spaced at neckline and spreading out toward hem, silk lining. Labeled. B-38, W-29, H-38, L-40. Excellent. 200 - 300
770 TRAINA-NORELL PRINTED SILK DRESS, 1950s. Polychrome floral in hot hues having sleeveless bodice with shoulder ties, shallow V-neck, pleated full skirt and self belt. Labeled. B-36, W-26, L-43 1/2. (Cracks to belt and tears to buckle) belt fair, dress excellent. 200 - 300
771 MOLLIE PARNIS PRINTED CHIFFON DRESS, 1950s. Sleeveless floral printed silk in shades of brown having wide waistband and attached self tie with bow, full skirt over crepe underdress with spaghetti strap. Labeled. B-36, W-26, L-44. (Underdress light stain on skirt) very good. 100 - 200
772 METALLIC PRINTED SILK DRESS, 1950s. Platinum silk organza having polychrome and metallic gold stylized floral, pleated V-neck and back, crinoline over satin underskirt. Unlabeled. B-36, W-26, L-48. Excellent. 150 - 250
773 LANVIN-CASTILLO PRINTED SILK COWL DRESS, 1950s. Red and navy abstract printed twill having short sleeve and wide cowl cut in one piece with bodice front and draping over back neckline, set-in waist shaped with darts, straight skirt, silk lining. Maria Carine Paris label. B-40, W-30, H-40, L-44. (Two large faded spots on skirt) good. 100 - 200
774 HATTIE CARNEGIE SILK DRESS, MID 20th C. Black bengaline having three quarter sleeve and shallow V-neck, both decorated with self buttons and piping, Y-shaped darts below bust, wide A-line skirt. Labeled. Very good. 100 - 200
775 PRINTED RAYON CHIFFON DRESS, 1950s. Sleeveless fitted bodice with stylized red and green floral print on white ground, circle skirt layered over organdy and satin. Unlabeled. B-34, W-24, L-45. Excellent. 100 - 200
776 RAW SILK and RAFFIA HALTER DRESS with STOLE, 1950s. Butterscotch silk bodice with square neckline and ruched midriff, full skirt with synthetic raffia bands, matching silk stole, Bonwit Teller label. B-36, W-24, L-50, stole 78 x 20. Very good. 100 - 200
777 CEIL CHAPMAN FAUX RAFFIA SUMMER DRESS, 1950s. Off-white having sleeveless bodice with scoop neck and back, set-in waist and full skirt flaring into a wide bell shape, boned, strapless net over satin underdress. Labeled. B-32, W-22, L-47. (Very slight discoloration around armholes, few breaks, one strap missing 2 inches of raffia edge at back, small spot near hem) good. 150 - 250
778 METALLIC PRINTED PATIO HALTER DRESS, 1950s. Mint green cotton sweetheart bodice with gold floral print having wide halter ties attached below ruched bust with boned cups, circle skirt in black iconic 1950s print beneath the gold floral. B-36, W-28, skirt L- 28. (Very faint stain on halter) excellent. 100 - 200
779 CAROLYN SCHNURER EMBROIDERED COTTON DAY DRESS, 1950s. Cream cotton having floral embroidery in black and shades of green, fitted sleeveless bodice with wide strap, gentle scoop neck and three green midriff bands having bows at back, full skirt. Labeled. B-34, W- 24, L-44. (Soiled around neckline, tiny spots near hem, label torn) very good. 100 - 200
780 CAROLYN SCHNURER FIRST COLLECTION SERRANO PRINTED DAY DRESS, 1950s. Ethnic inspired salmon pink with stylized floral in red, white and black, cap sleeve bodice having crossed front panels and banded trim, accordion pleated circle skirt. Labeled. B-36, W-26, L-44. Excellent. 100 - 200
781 ADELE SIMPSON PRINTED COTTON SUMMER DRESS and SCARF, 1950s. Butterfly print in shades of blue and green, sleeveless bodice with V-neck and back, set-in waist, full skirt over A-line underskirt, wide self belt, matching triangular scarf. Labeled. B-36, W-26, H-38, L-41. (Small holes in scarf, belt backing stiff) good. 100 - 200
782 FLORAL PRINTED SUMMER DRESS, 1950s. Black cotton with pink and white pansies having wrap style bodice with velvet binding and bows, wide midriff band, stiffened underskirt. Label: Alex Colman. B-36, W-28, L-46. Excellent. 100 - 200
783 CHRISTIAN DIOR PARIS COUTURE SILK SKIRT SUIT, AUTOMNE - HIVER 1981. Black faille with wide and narrow bands of heavier ribs, jacket having large "bow" collar, flaring slightly from waist, pockets with shaped flap, faceted buttons, narrow skirt with back slit, silk lining. Label stamped 14931. B-38, Sh-14 1/2, Slv-21, W-28, H-39, skirt L-23. 300 - 500
783 NELLY de GRAB POLKA DOT ROMPER and OVER-SKIRT, 1950s. Baby blue cotton sateen with random white dots, princess line sleeveless romper having narrow strap and self buttons, worn with button-front full skirt quilted with a repeat of cartouches, single side seam pocket. Labeled. B-39, W-29, H-41, romper L-29 1/2. skirt W-25, L-24 1/2. (Bottom button missing from skirt) very good. 100 - 200
784 TINA LESER PRINTED COTTON ONE-SHOULDER DRESS, 1950s. Blue on blue floral print having semi-boned bodice with angled tucks and darts, wrap around band with knotted cotton fringe drapes over right shoulder and buttons to bodice top, circle skirt having fringed streamer gathered into waist at left. Labeled. B-34, W-26, L-42. Excellent. 100 - 200
785 TINA LESER PRINTED COTTON SARI WRAP DRESS, EARLY 1950s. Red and plum plaid with silver dotted decoration, strapless bodice bound at top with silver metallic brocade ribbon having pleated drape over one shoulder, side closure with silvertone buttons, full bias-cut skirt with pleats, self belt. Labeled. B-36, W-26, L from bodice top-37. Excellent. 100 - 200
786 TINA LESER PRINTED and METALLIC BROCADE GOWN, 1960s. Long sleeve white gauze A-line with India inspired polychrome floral and gold brocade, floating over- panel on skirt. Labeled. B-37, W-30, H-38, L-58. (Few broken metallic threads) very good. 100 - 200
787 ACAPULCO PRINTED COTTON RESORT ENSEMBLE, 1960s. Polychrome whimsical Mexican print with flora, fauna, masks, etc., long sleeve bare midriff top with tie under bust, matching sarong skirt. Label: Utes Jacal Acapulco Mexico. B-38, sarong 44 x 41. Excellent. 100 - 200
788 TAMBOUR EMBROIDERED RESORT DRESS, 1960s. Navy cotton with ruffled elbow length sleeve and pleated full length skirt having allover stylized floral in white and gold embroidery. Caracas label. B-36, W-26, L-56. Excellent. 100 - 200
789 SUZY PERETTE WOOL DAY DRESS, c. 1960. Black knit long sleeve mock turtleneck bodice with faux wrap skirt in woven black and white herringbone, trimmed in 2-tone fringe, skirt lined in satin. Labeled. B-34, W-27, L-42. Excellent. 100 - 200
790 GALANOS THREE PIECE ENSEMBLE, 1960s. Black wool gabardine jacket with wide lapel and patch pockets, matching A-line skirt with topstitched inverted front pleat, dotted black chiffon blouse having overlay of net with smaller dots and fringed neck tie. Labeled. B-36, Sh-15, Slv-25, W-25 1/2, H-36, skirt L-27. Excellent. MMA. 100 - 200
791 DONALD BROOKS FLOWER POWER SKIRT SUIT, 1960s. Black silk satin with abstract floral in bright hues, jacket having stand collar, three quarter sleeve with mink cuff, self button and loop closures, narrow skirt with side slit. Labeled. B-38, Sh-14, jacket L-27, W- 32, H-38, skirt L-38. (Few tiny faint spots on sleeves, skirt shortened but uncut) very good. 200 - 300
792 INEZ SILK BROCADE SKIRT SUIT, 1960s. Olive green satin with black paisley design, trimmed in black braid and folded soutache, jacket having faux frog closures, hidden hooks & eyes, matching A-line skirt. Labeled. B-34, jacket L-19, W-28, H-40, skirt L-28. Excellent. 200 - 300
793 GIVENCHY WOOL SKIRT SUIT, 1960s. Double breasted jacket in green and red plaid having stand collar, faux pocket flaps and leather buttons, matching A-line skirt, silk lining. Nouvelle Boutique label. B-36, Sh-15, Slv-23, jacket L-25, W-24, H-38, skirt L-27 1/2. Excellent. 200 - 300
794 GALANOS HOUNDSTOOTH SKIRT SUIT, 1960s. Purple and gold wool jacket having wide lapel, angled novelty pockets and single button & loop closure, matching wide A-line skirt with inverted front pleat, single side seam pocket and purple suede belt, fully lined in silk. Galanos for Nan Duskin label. B-34, Sh-41 1/2, Slv-23, jacket L-20, W-26, skirt L-27. Excellent. 200 - 300
795 BONNIE CASHIN LEATHER TRIMMED SKIRT SUIT, 1960s. White wool jacket with woven navy windowpane and navy leather trim, notched at hem, turnbuckle closures and knitted lining, matching A-line skirt with leather trim and side seam pockets. Sills label. B- 34, jacket L-19, W-26, H-40, skirt L-21. (Very minor trim wear) otherwise excellent. 100 - 200
796 BONNIE CASHIN HOUNDSTOOTH COAT, 1960s. Polychrome wool in woven pattern having blue leather trim and attached shoulder bag/pocket with dog leash clasps, opposite side seam pocket and turnbuckle closures. Sills Label. B-38, L-39. Excellent. 150 - 250
797 CHRISTIAN DIOR NUMBERED RUSSIAN STYLE JACKET, 1960s. Grey wool tweed textured weave having faux curly lamb trim, self frogs and buttons, silk lining. Boutique label stamped 537/801. B-36, Sh-16, Slv-21, L-20. Excellent. 150 - 250
798 ROGER FRERES PARIS METALLIC BROCADE EVENING COAT, 1960s. Gold flecked ivory cloth brocaded with gold and silver metallic flower heads, having short batwing sleeve, stand collar and hidden snaps, side slits, satin lining. Labeled. B-42, L-48. Excellent. 100 - 200
799 GALANOS PRINTED SILK SUMMER GOWN, 1960s. Black crepe with stylized floral in yellow, orange and green having spaghetti strap, scoop neck and low back with buttons to waist, skirt gathered into curved front waistline and flaring into weighted hem. Labeled. B-34, W-22, L-60. (Very minor dye transfer above center waist) otherwise excellent. MMA. 300 - 400
800 BEADED SILK SHEATH, c. 1960. Sleeveless black crepe having allover black seed beads with scoop neck and back banded in black bugle beads, satin lining. Unlabeled. B-34, W-26, H-34, L-39. Excellent. 100 - 200
801 EVENING DRESS and JACKET with SOUTACHE and SEQUINS, 1960s. Sleeveless yellow empire bodice and cropped jacket, both decorated with a floral pattern of white soutache, silver sequins and beads, layered white silk chiffon skirt. Martha label. B-38, high W-28, L-57, jacket L-16. (Faint spot on chiffon skirt, hidden in pleats) very good. 100 - 200
802 CHIFFON EVENING DRESS with FEATHER SKIRT, 1960s. Sheer black bodice having long sleeve gathered with self tie and and slit with tie at back of neck, narrow crepe A-line skirt covered in black rooster feathers. Unlabeled. B-36, W-26, H-40, L-57. (Some feather loss, lacking belt) good. 200 - 300
803 BEADED COCKTAIL DRESS, MID 20th C. Black lace over nude crepe decorated with black beads and lurex threads having boatneck, short sleeve and narrow skirt. Unlabeled. B-34, W-26, H-40, L-44. Excellent. 100 - 200
804 MALCOLM STARR BEADED COCKTAIL DRESS, 1960s. Cap sleeve ivory wool A-line with hidden vertical pockets, decorated with pink beads, pearls, silver sequins, opalescent diamond shapes and silver metallic threads. Labeled. B-36, W-33, H-38, L-35. (Minor losses) very good. 200 - 300
805 SARA FREDERICKS BEADED COCKTAIL ENSEMBLE, 1960s. Sleeveless ivory satin dress in an allover geometric pattern of prong-set rhinestones with white and crystal beads, having square neckline and narrow skirt, matching boxy jacket. Labeled. B-34, W-30, H-36, L-36, jacket L-19. (Minor losses, jacket lining soiled) very good. 250 - 350
806 BOB BUGNAND PARIS SEQUINED TULLE COCKTAIL DRESS, MID 20th C. Sleeveless white tulle having a geometric repeat in gold sequins, slightly gathered skirt and satin cummerbund over a boned under-dress. Labeled. B-36, W-26, L-40. Excellent. 200 - 300
807 BEADED SILK COCKTAIL DRESS, 1960s. Sleeveless black crepe having nude bodice top beneath black net appliqued and beaded in a diamond lattice with plastic tassels, layered hem. Unlabeled. B-34, W-26, H-36, L-42. (Minor losses) very good. 100 - 200
808 COCKTAIL DRESS with FLORAL APPLIQUE, c. 1960. Sleeveless black silk with deep pink and green satin roses appliqued to shoulder and neckline, narrow A- line skirt with folded back gore bound at hem with synthetic horse hair. Label: Philip Robertson Original for Joan. B-32, W-22, L-37. (Zipper partly unstitched, some flowers re-attached) good. 100 - 200
809 PARIS LABEL LACE COCKTAIL DRESS, 1960s. Black A-line with allover lace scallops appliqued with sheer ribbon ruffles, flared three quarter sleeve, scoop neck and high waist with silk ribbon bow. Label: Creations Francoise Georges Paris. B-34, natural W-27, H-38, L-39. (Lace torn under one arm, few small holes in sleeves) good. 200 - 300
810 ESTEVEZ SILK DRESS with APPLIQUE, 1960s. Sleeveless black slubbed weave with jewel neck and narrow V-back, having a wide cream organdy hem ruffle with black embroidered scallops, flowers and appliqued flowerheads, stiffened with gathered net. Labeled. B-34, W-25, H-34, L-43. Excellent. 100 - 200
811 OSSIE CLARK JERSEY DAY DRESS, 1960s. Black lustrous knit having mock turtleneck, bodice and skirt ruched into center front band, flared hem. For Radley label. B-34, W-28, H-36, L-39. Excellent. 200 - 300
812 BEADED and SEQUINED NET DRESS, 1960s. White net shift with three quarter sleeve, boatneck front and scoop back, having an allover diamond lattice of white beads and edge-mounted white and iridescent sequins. Unlabeled. B-36, W-34, H-36, L-38. (Few loose threads, lacking under-dress) very good. 200 - 300
813 GEOFFREY BEENE LINEN DAY DRESS, 1960s. Sleeveless cream A-line having self button & loop at shoulders, front seams creating channels for wide polychrome striped belt and hidden vertical pockets. Labeled. B-35, W-up to 30, H-38, L-37. Excellent. 100 - 200
814 OP-ART VINYL DRESS, 1960s. Black and white printed pattern A-line with banded neckline, yoke and zip-front with ring pull, side pockets. Unlabeled. B- 40, L-35. (Minor soil, hem let out) very good. 200 - 300
815 FLOWER POWER MINI DRESS with LEATHER APPLIQUE and SEQUINS, 1960s. Long sleeve black stretch mesh top having leather sunflowers appliqued on bust with sequined centers, dropped waist mini skirt with allover sequins. Unlabeled. Unstretched B-30, W-23, H-32, L-30. (Hemline reduced) otherwise excellent. 150 - 250
816 PAULE NELSON ROMA MOD DAY DRESS, 1960s. Long sleeve cream wool having shaped yoke above front silvertone buttons, curved patch pockets and topstitched details. Labeled. B-38, W-32, H-40, L-44. (Tiny surface hole in sleeve, few tiny spots) good. 100 - 200
817 PIERRE CARDIN WOOL MAXI DRESS with CUTOUTS, LATE 1960s - EARLY 1970s. Sleeveless navy blue crepe having slit neckline joined by satin bow above round cutout on bust, set-in waist, very slightly gathered skirt with crescent cutouts forming a band of circles above hem, satin lining. Labeled. B-36, W-30, H-38, L-53. (Two small holes in skirt front, one in back) good. 400 - 600
818 SUEDE TRIMMED HIPPIE TUNIC, 1960s. Ethnic inspired polychrome woven cotton A-line having pointed flared sleeve, trimmed with embroidered ribbon and purple suede. Label: The Village Crafter Greenwich Village N.Y. Provincetown, Mass. B-38, L-30. Excellent. 100 - 200
819 TWO PAKISTANI EXPORT EMBROIDERED LONG DRESSES, 1960s. Both cotton: One pink with floral embroidery inset with mica discs, B-36, W-32, L-53, (some fading). One blue having floral print and embroidered bib, B-36, W-31. Together with (not pictured) an Afghan floral print green blouse with embroidered yoke, (large hole in collar). Fair-excellent. 100 - 200
820 JOE EULA/ CESAR CHAVEZ BENEFIT INVITATION, 1968. Framed Eula poster invitation to meet Cesar Chavez for a fundraiser to build a clinic for migrant workers hosted by Gloria Steinem and Amy Greene, signed "Eula 68". Eula was a fashion designer, illustrator and former creative director at Halston. 18 x 24. (Pasted paper repair over the word "migrant") good. WILL NOT SHIP IN FRAME. 100 - 200
821 THREE MIGRANT WORKERS OVERALLS. Distressed farm worker clue denim overalls: Dee Cee brand, Red Ball and Liberty. (Patches, tears, stains, holes, mends) as-is. 200 - 300
822 THREE PAIR APPLIQUED SUEDE BELL BOTTOMS, 1960s. One brown with tan scrolling, triangular snap fly, wide belt loops and patch pockets, W-28, inseam 32. One blue with brown and grey scalloped applique, asymmetrical snap closure with metal discs, English label: Cordoba, W-25, inseam 32. One brown leather and suede flame pattern with snap fly, wide belt loops and patch pockets, W-31, inseam 31. (Light soil and wear) good-excellent. 200 - 300
823 PIECED SUEDE MAXI COAT, c. 1970. Brown and rust free-form pieces stitched with blue leather, flared sleeve, cross stitch edging, large domed buttons with braided loops, satin lining. Unlabeled. B-32, L-49. (One button loop needs repair) very good. 100 - 200
824 EAST WEST MUSICAL INSTRUMENTS METALLIC LEATHER JACKET, 1960s. Silver "Sue Fly" design appliqued with blue and rose gold fly on shoulders, zip front and patch pockets with flap. Labeled. B-32, Sh-14 1/2, Slv-22, W-28, L-20. Excellent. 300 - 500
825 GENOCIDE PUNK ROCK BAND STAGE COSTUMES and ALBUM Large lot consisting of Genocide double vinyl album with picture discs Down to Kill/Submission and Reign of Terror/ Guttercat with illustrated booklet. distressed leather duster, painted sleeveless denim jacket, sleeveless motorcycle jacket, two pair leather pants, leather messenger bag decorated with coins, various accessories, some decorated with spikes and/or skulls including belts, collars, spurs, guards, etc. Album mint. Clothing and gear fair-excellent. 100 - 200
826 METALLIC WOVEN EVENING SANDALS, 1930s. Gold with red, blue and green stripe having sling back with gold leather strap, knotted vamp, 3 1/2 inch heel, original "Exquisite Footwear" box. Size 39 insole 10 x 3. (Insole stained, minor wear to straps) shoes good, box fair. 100 - 200
827 NOVELTY LUCITE GLADIATOR SANDALS, 1930s. Curving lucite sole with scrolled cylindrical heel, lacing with beige silk grosgrain ribbon. Approximate size 8, 3 1/2 x 10 1/4 with 2 1/2 inch heel. (Ribbons torn but easily replaced, losses to felt pads on soles) good. 200 - 300
828 SUEDE and SNAKESKIN PLATFORM SANDALS, 1940s. Black suede slingback with ankle strap, pieced with black and off-white python, cutout vamp, peep toe, 2- tone 1 3/8 platform and 4 1/2 inch heel, label: Jerry's Shoe Salon Miami Beach New York. Approximate size 8 1/2, insole 3 x 9 3/4. (Slight staining at bottom of heels) very good. 100 - 200
829 MARIA STRANSKY VIENNA SILVER FRAMED PETIT POINT BAG, 1940s. Very fine hand worked pastoral scene having hinged filigree 900 silver frame set with marcasites, S link chain, pink satin lining with two open pockets, satin framed mirror and coin purse. 8 x 7 with 6 1/2 inch drop. Includes original glass topped felt covered box. Box good, bag excellent. 200 - 300
830 FOUR GLASS BEAD NECKLACES, 1920s. One green, one blue and white braided with tassel, one grey and one blue rope with tassels. Together with a necklace of opalescent plastic beads, and a string of painted pottery beads. Shortest L-17, longest L-27 inches. Excellent. 100 - 200
831 FIVE GREEN BAKELITE BANGLES, 1920s - 1930s. Various shades, two mottled, two carved, one solid. Together with a green and white plastic bangle. Approximately 2 1/2 inch inside diameter. Excellent. 100 - 150
832 TWO-TONE CARVED BAKELITE BANGLE, 1920s - 1930s. Gold band within outer red band deeply carved in a foliate pattern. 7/8 wide, inside diameter 2 9/16. Together with a translucent green molded plastic bangle with floral pattern. 5/8 wide x 2 1/2 inches. Excellent. 100 - 150
833 SIX BAKELITE BANGLES, 1920s - 1930s. Various warm tones, including two mottled, two carved, three wide. Inside diameter approximately 2 1/2 inches. Excellent. 100 - 150
834 LOT of COSTUME PINS and NECKLACES, 1950s. Two large rhinestone starburst pins, one with clear stones, one purple, diameter 4 1/2 inches. Three necklaces with matching ear clips: One Lisner with blue Aurora Borealis stones, one Art floral in clear and smokey rhinestones (one stone missing from ear clip), one set having pink stones. Very good-excellent. 60 - 100
835 FIVE RHINESTONE TIARAS, MID 20th C. Various designs, three with attached combs. Excellent. 100 - 200
836 WILLIAM de LILLO OVERSIZED PENDANT BROOCH, 1960s. Turquoise colored cabochons set amid gold tone flower heads with rhinestone centers, joined by links, all suspended from a bar pin, signed en verso: Wm. de Lillo. 3 x 8 1/4. (One rhinestone missing) very good. 200 - 300
837 PIERRE CARDIN FUTURISTIC NECKLACE, 1960s. U-shaped silvertone pendant flanked by brushed finish trapezoids inset with red and blue cabochons, suspended on rope chain. Signed en verso. Pendant 3 x 2 3/4, overall L-10 1/2. 200 - 300
838 LANVIN PARIS DEADSTOCK NECKLACE and EARRINGS with BOX, 1970s. Rectangular pendant inset with two faceted crystal squares suspended from bar on a chain of cylindrical links. Matching domed ear clips with three inset squares. Oval "Lanvin Paris" metal tag on necklace, hang tags on both. Original cylindrical box with logo included. Necklace 13 inches plus 2 1/2 x 3/4 pendant, Excellent. 300 - 500
839 BES-BEN CHICAGO BEE in HER BONNET HAT, 1950s. Scalloped black straw cap wrapped with coiled black plastic tubing forming a cone around a suspended chenille bumblebee having feather wings above opening in crown, black honeycomb net. 7 x 9. Labeled. Excellent. 250 - 350
840 JEAN PATOU PARIS STRAW BEEHIVE HAT, 1960s. Woven black synthetic straw mounted on a folded wide band of silk gazar with large scale straw net., inside straw cap. Labeled. 11 x 11. Excellent. 100 - 200
841 YVES SAINT LAURENT PARIS BEEHIVE HAT, 1960s. Navy blue synthetic straw scales covered in navy net, grosgrain underbrim, interior velvet crescent shaped support. Labeled. 8 x 8 1/2. (Some flaking of straw and tears in net) good. 100 - 150
842 TWO CHRISTIAN DIOR SUMMER HATS, MID 20th C. One brimmed black synthetic horsehair having crushed crown and grosgrain ribbon with front bow. One mauve silk covered in tan net bands and satin petals. Both labeled: Christian Dior Chapeaux Paris-New York. Very good. 100 - 200
843 ROBERTA di CAMERINO VELVET HANDBAG. Blue with green, gold and black stripes, voided "R" logo, black leather frame and heavy brass hardware: slide clasp having lock and key. Interior stamped label. 7 x 8 1/4 x 3 with 4 inch handle. 150 - 250
844 ROBERTA di CAMERINO VELVET HANDBAG, MID 20th C. Green velvet having a raspberry center band cut to a black sun roundel, black leather frame, trim and interior, heavy silver metal hardware with slide clasp, padded handle, three inside pockets. Stamped Made in Italy by "Roberta di Camerino". 9 1/2 x 6 x 5 with 4 inch handle. (Small mark in velvet behind hinged pull tab, minor wear to frame) very good. 100 - 200
845 ASYMMETRICAL VINYL HANDBAG, 1960s. Oversized graphite grey having hinged gold tone frame with push back clasp and braided handle, gold satin lining and two interior pockets. Unlabeled. 14 x 3 x 11 with 7 inch handle. (Stain on lining where label was removed, small abrasion on clasp) very good. 200 - 300
846 SPACE AGE VINYL HANDBAG, 1960s. Oversized platinum trapezoid having hinged gold tone frame with push back clasp and twisted circular handle, lined in gold satin, two interior pockets. Unlabeled. 15 3/4 x 4 x 9 3/4 with 6 inch handle. (Stain on lining where label was removed, minor scuff) very good. 200 - 300
847 MARY QUANT CONVERTIBLE DADDY LONG LEGS BOOTS, 1960 - 1965. quant afoot line in citrus yellow plastic having zip-on shaft available in a variety of colors, see-through sole and heel with logo bottom, outside shaft zipper, felted lining. US size 7M. Together with original box and Quant plastic shopping bag. (Shaft stained on one boot) good, box poor, bag excellent. 300 - 500
848 FISHNET PATTERN OVER THE KNEE BOOTS, 1960s - 1970s. Black patent upper with black vinyl narrow shaft printed with white fishnet pattern, 1 1/2 inch heel. Unlabeled. 10 x 3 1/4 x 24 1/2. (Few tiny scuffs) excellent. 100 - 200
849 TWO PAIR SEE-THROUGH GO GO BOOTS, 1960s. One white patent leather knee high with square toe, chunky heel and clear mesh zip-front narrow shaft, unlabeled, size 7, 9 3/4 x 3 x 16, (some scuffs, glue line visible around sole). One black patent leather mid calf having clear vinyl wide shaft and back zipper, tapered heel, Featherlite label, size 9, 10 3/4 x 3 1/4 x 13 1/2, (some scuffs). Good. 100 - 200
850 BILL SMITH BODY JEWELRY CHAIN HALTER and SKIRT, 1968. Halter bra of gold tone chain links with neck and back hook closure, floor length skirt having long chain loops suspended from rivets in suede waistband with fringed ties. B-up to 38, W-26, skirt L-43. (Losses to tie fringes) very good. 300 - 400
851 RARE BILL SMITH BODY JEWELRY WATERFALL CAPE, 1969 - 1970. Long "cape" constructed of pearl bead loops suspended from a lattice yoke of pearl beads and rhinestone globes, having chain closure with silk tassel. L-42. Excellent. 400 - 600
852 BILL SMITH ATTRIBUTED SUEDE and BRASS BODY JEWELRY, 20th C. Assembled bib and "skirt" of brass link chains in varied lengths with suede tassels suspended from suede band with rivets, bib tassels having cone shaped caps, skirt tassels with dome shaped caps. Bib L-16, skirt W- up to 30, L-16. (Skirt possibly missing two chains on either end, one rivet missing, some shredding of tie tassels on skirt) good. 300 - 400
853 BILL SMITH BLACK BEADED BODY JEWELRY, c. 1969. Bodice/capelet having strands of black beads suspended from gold tone link chain, chain arm openings and chain hem with large black silk tassels. L-16. Excellent. 200 - 300
854 RARE BILL SMITH BODY JEWELRY PEARL WRAP SKIRT, 1969 - 1970. Allover pearl beads having hem and side panel trimmed with rhinestone globes and grosgrain ribbon tie closure. Overall 39 x 15 1/2. (Minor losses) very good. 200 - 400
855 RARE BILL SMITH BODY JEWELRY RHINESTONE BRA, 1969 - 1970. Comprised of strands of prong-set rhinestones bordered with larger stones, halter style neck and back with hook closures and silk tassels. Museum numbered tag attached. Fits up to bust size 36. Excellent. 150 - 250
856 BILL SMITH BODY JEWELRY COIN and CHAIN HALTER, 1969. Gold tone link chain swags decorated with pierced "coins" having embossed Minerva heads, neck and back chains with hook closures. (Minor coin losses) very good. 200 - 300
857 BILL SMITH BODY JEWELRY COIN and CHAIN BODICE, 1969. Gold tone chain swags suspended from the neck and decorated with pierced faux coins embossed with Minerva heads attaching to center back dome with drop and attached waistband. Numbered museum tag attached. (Minor coin losses) very good. 200 - 400
858 RARE BILL SMITH BODY JEWELRY PEARL BRA, 1969. Pearl bead swags suspended by gold tone link chains with neck and back hook closures. Fits up to bust size 34. Excellent. 150 - 250
859 RARE BILL SMITH BODY JEWELRY, 1969. Bodice made of strands of pearl beads joined to gold tone link chain having silk tassels at bottom edge. Museum numbered tag attached. L-14. Excellent. 200 - 400
860 BILL SMITH ATTRIBUTED CHAIN LINK BODY JEWELRY, 20th C. Short bodice comprised of a series of brass link chains joined at neck and hem with larger links, two enameled beads at neckline, hook closure. L-10 1/2. (Enamel losses to beads) otherwise excellent. 200 - 300
861 BILL SMITH BODY JEWELRY RHINESTONE VEST, 1960s - 1970s. Comprised of swags of prong-set rhinestones having two hook and chain closures with rhinestone globe finials. Fits up to bust size 38. (One stone missing from globe tassel) otherwise excellent. 300 - 400
862 BODY JEWELRY CHAIN LINK HALTER TOP, 20th C. Heavy brass oval links suspended between gold tone disks with reflective circles having rhinestone effect. Fits bust up to size 36, L-28. Excellent. 200 - 300
863 ONE of a KIND MIXED MEDIA BODY JEWELRY. Black yoke comprised of a faceted black bead and gilt ring lattice suspending elastic and leather bands having black studs, gold beads and rings with bead and chain swags. B-up to 36. (Minor wear) very good. 100 - 200
864 MANS PYTHON PLATFORM BOOTS, 1970s. Green short boots having square toe, platform and wood stacked heel, scalloped self applique and side zipper. Attributed to Granny Takes a Trip. Approximate size 8 1/2 - 9. 11 x 3 1/2 with 2 3/4 inch heel. Unlabeled. (Some scuffs and missing scales, relined) good. 200 - 300
865 MAN'S PINK MARYJANE SHOES, c. 1970. Pink leather with ankle strap having abalone button and stacked wood heel. Attributed to Granny Takes a Trip. Marked size 9-10. (Scuffs to leather) good. 100 - 200
866 THREE PAIR GLITTER PLATFORM SANDALS, 1970s. All having crossed strap , 2 1/2 inch platform and 4 1/4 inch heel: Two pair size 8, one silver, one gold, (straps somewhat stiff) good. One pair gold size 8 1/2, (insoles lifting, straps stiff, glitter loss) fair. 100 - 200
867 LADYS ITALIAN TRI-COLOR CUTWORK OXFORDS, 1980s - 1990s. Bone and tan having coral backed cutouts and decorative lacings. Label: Mosquitos. Size 39, 3 5/8 x 10 1/2. Excellent. 100 - 150
868 ALEXANDRE NARCY PARIS YSL MAITRE BOTTIER OVER the KNEE BOOTS. Cinnabar patent leather having black wool knit knee insert with silver metallic threads, square toe, flattened black 3 1/2 inch heel, inside half zipper. Gold stamped label. Size 37, 10 x 3 x 26 1/2. (One shaft discolored, few dark spots near sole) good. 100 - 200
869 ROGER VIVIER PARIS CORDELLA PLATFORM WEDGE SANDALS. Gold, blue and white slingbacks with open toe and brass buckle engraved "RV". With original box and dust bag. Size 41. Box faded, sandals excellent. 100 - 200
870 DEADSTOCK YOHJI YAMAMOTO Y3 for ADIDAS PLATFORM SNEAKERS. Black fabric upper with black patent trim, wide laces wrap around foot through opening in patent platform, grooved rubber sole echos white Adidas stripes on heel. Labeled. Size 8 1/2. (Tiny scuff on one platform) excellent. 100 - 200
871 CHRISTIAN DIOR CANNAGE QUILTED LEATHER HANDBAG. Brown twin handled bag with brass logo hardware, feet and DIOR letter charms, zippered closure with brass logo pull, red cannage lining and zippered inside pocket. 9 x 19 x 4 with 5 inch handle. (Small tear on one handle, minor wear to corners) good. 150 - 250
872 TWO JUDITH LEIBER BLACK REPTILE BAGS with CABOCHONS. One clutch decorated with colored stones set in a brass framework, hinged brass frame with pull clasp, optional hinged shoulder strap, Leiber comb, mirror, change purse and dust bag. 12 x 6 1/2. One shoulder bag with snap flap, the strap having hinged brass sections with inset with rhinestones and colored stones. 8 1/4 x 5 1/2 with 19 1/2 inch handle. Both signed. Excellent. 200 - 300
873 MCM GERMAN TWIN HANDLED TOTE BAG, 1980s. Embossed white leather with black logo repeat having long handles and zippered top, logo brass rivets, outside pocket with brass logo plaque numbered T0548, inside zippered pocket and leather label. 10 1/2 x 15 x 5 with 17 inch handle. (Minor soil, minor scratches to plaque) very good. 100 - 200
874 HERMES PRINTED SILK LES OISEAUX DU ROY SCARF, ISSUED 1977. Falconry subject with crimson border, labeled within design and signed (Caty) Latham. 33 1/2 x 35. Excellent. 100 - 200
875 THREE FERRAGAMO PRINTED SILK SCARVES. One exotic floral design. One having geometric architectural theme. One with flowers, bows and cornucopias (small spot on border). 34 x 34. Good-excellent. 100 - 200
876 HERMES PRINTED SILK SCARF, LES CLEFS, ISSUE DATE 1965. Depicting keys on white twill with burgundy border, artist Caty Latham. 34 x 35. (Tiny faint spots in one corner) very good. 100 - 300
877 GUCCI and HERMES PRINTED SCARVES. Gucci pink silk twill square decorated with poppies, labeled and signed "Gucci" within design, 34 x 34, (few small, very faint watermarks). Hermes brick red cotton square having polychrome print of pumpkin changing into a carriage, Artist Sophie Koechlin, signed "Hermes-Paris" within design, 26 x 26 1/2. Together with a green and white striped oblong silk scarf (not pictured). Good-excellent. 150 - 250
878 ONE of a KIND JEWEL ENCRUSTED TREASURE CHEST. Large lift lid wooden box covered in faux jewels and trinkets, bail handles and fancy hasp, felt lining. 11 x 17 x 12. Excellent. 300 - 500
879 VICTOR COSTA APPLIQUED LACE COCKTAIL DRESS, 1970s. Strapless plum lace appliqued with bands of black satin, lace and chenille with red embroidery, skirt fitted below the waist to hip. Labeled. B-34, W-25, L-44. (Tear in lace on skirt back above hem) very good. 100 - 200
880 BILL BLASS STRAPLESS METALLIC BROCADE GOWN, 1970s. Nude silk chiffon having semi-boned ruched bodice with black printed and metallic gold leopard pattern, layered sarong skirt with front wrap having stylized tiger stripes and spots. Labeled. B-34, W-25, H 34- 40, L-55. Excellent. 200 - 300
881 GEORGE HALLEY STRAPLESS SILK EVENING DRESS, 1970s. Short black A-line with boned interior corset beneath full sheer ankle length dress flowing from a satin bandeau with large bow. Labeled. B-34, W-32, H-38, L-53. Excellent. 200 - 300
882 CHIFFON EVENING DRESS with JEWELED COLLAR, c. 1970. Trapeze style sleeveless brown silk having stand collar decorated with rhinestones, crystal beads, orange sequins and bellflower drops, front self buttons, layered chiffon over crepe under-dress. Unlabeled. B-34, W-30, H-40, L-55. (One button detached but retained, small spot on back hidden in draping) very good. 100 - 200
883 PAULINE TRIGERE SILK EVENING GOWN and BOLERO, 1970s. Black organza having fold-over bodice top, the narrow strap and self belt decorated with a row of rhinestones set in silver discs, full skirt with silk lining, jacket having full sleeves gathered into wide cuff and joined by a square panel gathered at center into a rhinestone band. Labeled. B-34, W-26, L- . (One broken disc on belt and jacket, some wear to belt, several splits in jacket) dress good, jacket fair. 150 - 250
884 HALSTON SEQUINED CHIFFON MAXI DRESS, 1970s. Sleeveless pale seafoam silk covered with iridescent sequins, shirt style bodice with angled armhole, hidden snaps and self belt, chiffon lining. Labeled. B-34, W-30, H-36, L-59. (Some sequin loss on skirt and under arms) good. 150 - 250
885 THEA PORTER SEQUINED and EMBROIDERED SILK GOWN, 1970s. Long sleeve black chiffon having a short sleeve peplum over-bodice with stand collar decorated with green embroidered vines and fuchsia sequined birds and flowers, slightly gathered layered A-line skirt. London label. B-34, W-28, L-52. Excellent. 200 - 400
886 DEADSTOCK SAINT LAURENT RIVE GAUCHE FLORAL PRINTED CHIFFON DRESS. Black silk with large polychrome "watercolor" floral, having off the shoulder neckline, three quarter sleeve and dropped waist all with black chiffon ruffle, high-low hem decorated with chiffon and organdy ruffles. B-38, W-28, H-38, L 38-44. (Small light spot hidden by sash) excellent. 300 - 500
887 CHRISTIAN DIOR PRINTED ORGANDY GOWN, 1970s. Sleeveless tangerine silk with large-scale polychrome floral, having deep scoop neck with layered ruffles, layered A-line skirt. New York label. B-34, W-26, L-59. Excellent. 300 - 400
888 CHRISTIAN DIOR COUTURE CHIFFON GOWN, PRINTEMPS - ETE 1977. Sleeveless orchid silk with brush stroke stripes in grey and shades of purple, dropped waist bodice with wide strap having self ruffle and tie at neckline, full skirt with crepe underdress, Ruffled capelet with elastic neckline and self tie. Label stamped 08891. B-40, W40, H-42, L-54. (Capelet small hole and elastic shot) good, dress excellent. 200 - 300
889 CHRISTIAN DIOR DOTTED CHIFFON LONG DRESS and OVERBLOUSE, 1970s. Tan silk A-line with random white dots having spaghetti strap, side seam pockets and side slits, tissue crepe under-dress, matching full overblouse gathered into yoke, self neck sash and long gathered sleeve. Pret-a-Porter label. B-31, W-28, L-36, blouse B-40, L-29. Excellent 100 - 200
890 ADELE SIMPSON MIDI HALTER DRESS, 1970s. Black jersey knit with ruched bodice front incorporating neck ties above keyhole opening, set-in waist with self tie, gathered full skirt. Labeled. B-34, W-24, L-55. Excellent. 200 - 300
891 TRAINA BOUTIQUE SMOCKED MAXI DRESS, 1970s. Brown knit having smocked empire bodice with high neck and bare shoulder, wide wrap-front skirt with side pockets. Labeled. B-36, high W-30, L-59. Excellent. 200 - 300
892 ROBERTA di CAMERINO TROMPE L'OEIUL MAXI DRESS, c. 1970. Long sleeve polyester jersey in shades of grey having collar and French cuff with gilt logo cufflinks, printed with tie, lapels, belt, pockets and logo. Labeled. B-36, W-32, H-40, L-59. Excellent. 100 - 200
893 OSSIE CLARK RAYON KNIT MAXI DRESS, 1960s. Brown V-neck with gathered long sleeve, high waist with attached self belt and smocked details, bell skirt. Radley label. B-open, high W-34, L-55. Excellent. 100 - 200
894 JEAN MUIR PRINTED JERSEY MAXI DRESS, 1970s. Long sleeve black rayon with polychrome printed flower heads and pink topstitched details, front button placket with self tie. Labeled. B-32, W-32, H-36, L-49. Excellent. 100 - 200
895 JEAN PATOU SILK PANTS ENSEMBLE, 1970s. Navy blue raw silk having scoop neck blouse and long sleeve pieced with wide bands in bright hues, matching wide leg trousers with side seam pockets. Boutique label. B-34, blouse L-26, W-24, inseam-29 1/2. Excellent. 100 - 200
896 YVES SAINT LAURENT PARIS DOTTED CHIFFON DRESS, 1970s. 2-piece black and red silk, the blouse having slit neckline with double self ruffle and tie, sheer full sleeve with ruffled cuff, full skirt with two ruffled tiers over three layers of chiffon. Label stamped 41143. B-40, W-26, skirt L-30. Excellent. 300 - 400
897 OSCAR de la RENTA PRINTED COTTON PEASANT DRESS, 1970s. Red with stylized ethnic print having scoop neck, poet sleeve, faux front buttons, gathered A-line skirt and self belt with rope tie. Boutique label. B-35, W-27, L-52. Excellent. 150 - 250
898 THREE PUCCI PRINTED SILK BLOUSES, c. 1970. One abstract print in pale pastel colors, B-36. One foliate pattern, B-36. One pink and gold chain print, B- 40, (faints stains). Labeled. Good-excellent. 100 - 200
899 THREE PUCCI PRINTED SILK BLOUSES, c. 1970. One pink and grey geometric, B-40. One fishscale pattern, B-36. One pink and green tulip design, B-36. Labeled. Very good-excellent. 100 - 200
900 PUCCI PRINTED COTTON BLOUSE and SKIRT, c. 1970. Stylized floral on green ground, short sleeve blouse with wide collar and banded trim, matching long A- line skirt with front and back slits. Labeled. B-36, W-26, H-39, skirt L-38 1/2. (Two small spots on skirt back) very good. 150 - 250
901 PUCCI PRINTED SILK JERSEY DAY DRESS, c. 1970. Long sleeve with abstract pattern in vibrant hues. Labeled. B-36, W-32, H-38, L-36. (Two tiny pulls and tiny spots) good. 150 - 250
902 PUCCI COTTON VELVET MAXI DRESS, c. 1970. Black long sleeve empire bodice with V-neck, cuff and A-line skirt having a diamond and chevron pattern in cool tones. silk lining. Labeled. B-36, high W-30, H-38, L-56. (Two tiny marks near hem) excellent. 200 - 400
903 PUCCI PRINTED SILK JERSEY DAY DRESS, c. 1970. Long sleeve with pleated silk collar in an abstract fish scale pattern in cool tones. Labeled. B-34, W-31, H- 36, L-36. (Hem partially un-stitched, tiny pin hole in back) good. 100 - 200
904 PUCCI PRINTED VELVETEEN DAY DRESS, c. 1970. Long sleeve cotton V-neck with oversized chrysanthemum pattern and banded trim with foliage, fully lined in silk. Labeled. B-34, W-26, L-39. Labeled. (Two tiny spots near hem) very good. 200 - 300
905 PUCCI PRINTED SILK CHIFFON RESORT PONCHO, c. 1970. Pink and grey geometric "Emilio" print, square cut with wide V-neck and open top seams. Label removed. L-47. (Tiny faint ink mark) otherwise excellent. 200 - 300
906 THREE PUCCI PRINTED COTTON BLOUSES, c. 1970. All long sleeve with banded trim: One pink and brown, B-34. One yellow and green, B-34. One with brightly colored flowers, B-38. Labeled. Very good-excellent. 100 - 200
907 THREE PUCCI PRINTED SKIRTS, c. 1970. One brown wool with tan and pink ostrich plumes gathered into banded waist, unlabeled, W-24, L-31. Two cotton with brightly colored prints: One abstract wide A-line, labeled, W-26, L-28. One long with front snaps and slit, unlabeled, W-32, H-40, L-38, (stain). Good-excellent. 100 - 200
908 PUCCI PRINTED SILK CREPE JUMPSUIT, c. 1970. Polychrome abstract pattern with three quarter flared sleeve, V-neck above front zipper, wide leg having front and back inward facing pleat. Labeled. B-34, W-30, H-36, L-50. (Hem facings unstitched, minor fading along fold line on sleeve) very good. 200 - 300
909 THREE PUCCI PRINTED COTTON SKIRTS, c. 1970. All wrap style: One pink and yellow, W-28, L-27. One blue and green, W-28, L-22. One light blue and lilac, W-28, L-27. Labeled. Excellent. 100 - 200
910 TWO BICYCLE PRINT PANTSUITS, c. 1970. Cotton/poly blend with whimsical bicycles, one red on white, one navy on cream, jeans style short jackets having breast pockets and banded waist, flared pants having patch pockets and yoke with extra wide belt loops. Red B-38, W-27, inseam 28. Navy B-37, W-26, inseam 28. Excellent. 200 - 300
911 ZANDRA RHODES HAND DECORATED JEAN JACKET, 1970s. Grey denim having black, gold and grey painted design, the yoke appliqued with fringed bands of chains and rhinestones. Labeled. B-38, W-29, L-18. Excellent. 100 - 200
912 COURREGES KANGAROO POCKET DAY DRESS, 1970s. Cream wool having short kimono sleeve with gusset, wide midriff bands, the lower with kangaroo pocket, back closure with mother of pearl buttons, topstitched seam details, acetate lining. Labeled. B-34, W-30, H-35, L-41. Excellent. 200 - 300
913 MOLLIE PARNIS WOOL DRESS with SOUTACHE, 1970s. Long sleeve dark brown crepe having V-neck, angled high waist and self belt with bow, A-line skirt, decorated with bands of looping black soutache, silk lining. B-39, high W-30, H-44, L-40. Excellent. 100 - 200
914 BILL BLASS ORIENTALIST PRINT MAXI COAT, 1970s. Cinnabar double knit printed with blue and green stylized characters, having stand collar, flared sleeve, self frogs, side seam pockets and green silk lining. Labeled. B-36, Sh-16, Slv-25, L-57. (Minor spot on lining) excellent. 300 - 500
915 COURREGES, PARIS WOOL and MOHAIR SKIRT SUIT, c. 1970. Pink cropped jacket with cotton/polyester trim, having stand collar, cuff and knit front panel with ring buckles and straps, faux zipper on sleeve, A-line skirt with knit front panel, side seam pockets and logo waistband. Labeled. B-42, Sh- 18, Slv-20, jacket L-21, W-28, H-40, skirt L-27. Excellent. 300 - 500
916 RARE CHRISTIAN DIOR DIORLING SKIRT and VEST ENSEMBLE, c. 1970. Black velvet vest trimmed with coils of heavy wool soutache, having hidden snap closures, matching below the knee length A-line skirt. London label. B-34, vest L-17, W-24, H-38, skirt L-25. Excellent. 200 - 300
917 SAINT LAURENT RIVE GAUCHE QUILTED JACKET, c. 1970. Double breasted black satin having wide notched collar and angled pockets. Labeled. B-38, Sh-16 1/2, Slv-22, L-30. Excellent. 150 - 250
918 CHRISTIAN DIOR COUTURE WOOL SKIRT SUIT, PRINTEMPS - ETE 1977. Black bengaline collarless double breasted jacket with hemline pockets and two self buttons at neck and angled at hem, slightly gathered wide A-line skirt with front pockets and wide python belt, silk lining. Label stamped 08119. B-36, Sh-15, Slv-21, jacket L-20, W-28, H-40, skirt L 23 1/2. (Lining lightly soiled at neck) excellent. 200 - 300
919 CHRISTIAN DIOR COUTURE PINSTRIPE SKIRT SUIT, AUTOMNE-HIVER, 1974. Navy wool double breasted square-cut jacket with red and white pinstripe and patch pockets, matching wrap skirt with side seam pockets and silk lining. Labeled and stamped 004782. B-38, Sh-15, Slv-21, jacket L-22, W-26, H-38, skirt L-24. (Missing belt) otherwise excellent. 200 - 300
920 CHRISTIAN DIOR PARIS COUTURE SKIRT SUIT, AUTOMNE-HIVER 1978. Black and white wool herringbone jacket having shawl collar, the upper half of grey suede, patch pockets, narrow skirt with suede belt, side slit and side pockets, silk lining. Label stamped 0I0639. B-36, Sh-15, Slv-20 1/2, jacket L-24 1/2, W-26, H-36, skirt L-25 1/2. Excellent. 200 - 300
921 COURREGES WOOL SKIRT SUIT, 1970s. Navy blue waffle-weave cropped jacket having faux breast pockets, button placket and waistband, matching A-line skirt with front pleats and back pocket flap details. Paris label stamped 58027. B-34, Sh- 13 1/2, Slv-22, jacket L-19, W-24, H-34, skirt L-23. Excellent. 200 - 300
922 CHANEL NUMBERED THREE PIECE SILK SKIRT SUIT, 1970s. Double breasted tomato red matelasse jacket having self buttons, black lapel and lining with red and metallic gold stripe, chain weighted hem, A-line skirt with inverted front pleat, matching striped shell having off-center hidden buttons and chain weighted hem. Label "Chanel" over tape numbered 37416. Shell B-36, jacket B-38, Sh-15, Slv-23, W-30, skirt L-24. (Shell has broken metallic threads at back of neck binding and light underarm stains, one button detached, three small spots on jacket) good. 200 - 300
923 GEOFFREY BEENE SATIN TRAPEZE DRESS, c. 1990. Long sleeve black silk, front button closure, hip pockets with button and topstitched details. Labeled. B- 38, L-37. Excellent. 200 - 300
924 TWO SCAASI RHINESTONE DECORATED COCKTAIL DRESSES, 1970s - 1980s. Both long sleeve black chiffon: One having sheer balloon sleeve and banded design. B-34, W-24, L-41. One having applied reflective windowpane design with various rhinestone shapes. B-36, W-26, L-39. Both labeled. Excellent. 200 - 300
925 NO LOT
926 DEADSTOCK NINA RICCI STRAPLESS SILK DRESS, 1980s. Pewter and white abstract floral having interior corset, bodice with ruffled bandeau top, asymmetrical ruffled midriff band and full pleated skirt with stiffened hem. Haute Boutique label. B-36, W-32, L-38. Excellent. 100 - 200
927 CHRISTIAN LACROIX PARIS FLORAL PRINTED SILK DRESS, EARLY 1990s. Polychrome printed chiffon having a shiny gold under-dress creating a subtle sparkling effect, sleeveless bodice with stretch self ruffled off the shoulder neckline, fitted skirt with pleated center back gore and hem point, boned hip-length interior corset, beautifully tailored. Labeled. B-34, W-26, H-34, L-44. Excellent. 200 - 300
928 HANAI MORI PRINTED SILK ORGANZA DRESS, 1980s. Large-scale purple and raspberry roses on an ombreed striped ground, having short puffed sleeve, moire belt with rose and gathered open skirt over narrow purple underskirt. Labeled. B-36, W-26, H-38, L-41. Excellent 100 - 200
929 GALANOS SILK EVENING SHEATH, 1984. Sapphire blue crepe having exaggerated shoulder, plunging neckline to waist and wrap back with triangular cutout at waist, long zippered sleeve ruched below elbow with satin cuff, long narrow skirt with deep front slit, lined in silk satin, wide ribbed belt with oversized silvertone square buckle. Labeled. B-36, W-25, H-38, L-61. (Light stain on interior satin lining). Together with an unlabeled green silk satin scarf. Excellent. MMA. 200 - 300
930 TERRENCE NOLDER STRAPLESS EVENING DRESS, 1980s. Pewter satin acetate with black velveteen rib and large polka dots, boned sweetheart bodice with pointed waist trimmed with wide velvet bands and back bow, full skirt with layered underskirts. Labeled. B-32, W-24, L-50. Very good. 100 - 200
931 SCASSI STRAPLESS VELVET on NET EVENING DRESS, 1980s. Black velveteen tulip pattern on heavy net, having boned and ruched bodice with ruffled neckline, angled waistline and angled tiered full skirt, synthetic horsehair binding and crinoline over crepe lining and underskirt. Boutique label. B-34, W-26, L-37-51. Excellent. 200 - 300
932 VICKY TIEL PRINTED SILK FALCON DRESS, c. 1980. Bias cut V-neck tent having narrow self ties at shoulder, printed with flying falcons on a backround of waves. Labeled. B-34, L-44. (Unhemmed) very good. 100 - 200
933 ZANDRA RHODES PRINTED RAYON DRESS, 1980s. Blue with pink and purple print decorated in pink beads and rhinestones, having short sleeve and high- low hem of Van Dyke points, crossed back panels with ties, knit under-dress. Labeled. (One back hem point torn) good. 100 - 200
934 ZANDRA RHODES PRINTED CHIFFON COCKTAIL DRESS. Red with black and grey print trimmed in red beads, rhinestones and self ruffles, having square neckline with crossed ties, elbow length sleeve, open back and pointed hem, knit under-dress. Labeled. B-34, L-54. (Damaged bead at hem point) excellent. 200 - 300
935 YOHJI YAMAMOTO RAYON SKIRT SUIT, 1980s - 1990s. Long black jacket having padded shoulder, extended collar and lapel buttoning below waist, angled hip pockets with wide flap and hidden button tab, matching high waisted mid-calf skirt with oversized angled patch pockets, back self belt and single patch pocket, gored lower skirt joined in three places at hem. Labeled. Size M, jacket W-28, L-38, adjustable skirt W up to 31, H-38, L-35. Excellent. 300 - 500
936 MICHAELE VOLLBRACH SUNNY SIDE UP APRON DRESS, 1980s. Black and white plaid silk having bib front, full skirt printed with whimsical breakfast tableau, black and gold sequined accents, silk lining. Labeled within design. W-27, L-61. (Few missing sequins) very good. 200 - 300
937 THIERRY MUGLER DEADSTOCK COTTON HALTER DRESS. White pique bodice having rounded collar and self snaps, charcoal lightweight denim circle skirt with wide waistband, self belt, and large, angled patch pockets at sides. Labeled. B-36, W-26, L-51. Excellent. 150 - 250
938 GIORGIO ARMANI SEQUINED and EMBROIDERED JACKET, 1980s. Sheer black stretch mesh blazer having allover abstract pattern in black and white sequins, satin stitch and tambour embroidery, satin lapel and bindings, unlined. Black label. B-36, Sh-15, Slv 23 1/2, L-27. Excellent. 200 - 300
939 GIORGIO ARMANI SEQUIN and CRYSTAL EMBELLISHED SKIRT SUIT, 1980s. Black silk long jacket having four patch pockets with self button, cream satin cuff, studded allover with crystals, and silver sequins joined by metallic threads, A-line skirt having pleats stitched down through the hip. Black label. B-36, jacket L-32, W-24, skirt L-28. Excellent. 100 - 200
940 GIORGIO ARMANI PRINTED SILK JACKET with SEQUINS, 1980s. Black chiffon with polychrome floral print having allover clear sequins, short sleeve, fancy silk cord trim and frog closures, chiffon lining. Labeled. B-40, L-20. Excellent. 100 - 200
941 THIERY MUGLER SHIMMERING EVENING JACKET, 1980s. Short sleeve black reflective fabric having matte white collar and extended lapel, exaggerated hip with angled flap pockets, rhinestone and acrylic ornament at waist, hidden snaps. Labeled. B-34, Sh-14 1/2, W- 25, L-25. Excellent. 100 - 200
943 JACQUES FATH PARIS NUMBERED DINNER SUIT with APPLIQUE, c. 1990. Long jacket in aqua silk having black and white striped lapel and scrolling applique, single jeweled button, matching striped pencil skirt. Jacket label stamped 11452, skirt 09588. B-36, Sh-15, Slv-20 1/2, jacket L-27, W-23, H-35, skirt L-25. Excellent. 300 - 500
945 THIERRY MUGLER COTTON PIQUE SKIRT SUIT, 1980s. White collarless jacket with black trim having four patch pockets, epaulettes integrated in sleeve panel and self snaps with silver star studs, matching narrow skirt. Labeled. B-36, Sh-15 1/2, Slv-23 1/2, jacket L-27, W-24, H-36, skirt L-18. (Needs cleaning, skirt hem reduced) very good. 150 - 250
946 THIERRY MUGLER PIQUE SKIRT SUIT, 1980s. White cotton princess line jacket with reflective coral collar and cuff trim, having topstitched yoke and seam details, self snaps, matching pencil skirt with front and back center panels. Labeled. B-35, W-25, H- 34, skirt L-20 1/2. Excellent. 150 - 250
947 LARGE SIZE CHANEL WOOL DAY DRESS, 1980s. Straight cut black long sleeve dress woven in a diagonal rib, the front button placket, cuff and vertical pockets all having pierced gilt logo buttons, cream satin bow detail and inner cuff. Boutique label. B-42, L- 48. Excellent. 250 - 350
948 CHRISTIAN DIOR TEXTURED WEAVE SHIRTDRESS, 1980s. Black challis with long cuffed sleeve, small collar and off-center button placket, stitched panels on front flaring below the hip into four box pleats, side seam pockets, self belt. Paris Boutique label. B-38, W-38, L- 44. Excellent. 200 - 400
949 SAINT LAURENT RIVE GAUCHE PRINTED WOOL and SILK ENSEMBLE, 1980s. Polychrome abstract floral consisting of quilted wool jacket having black velvet trim, stand collar, button & loop closures and silk lining, pleated wool skirt, silk blouse with single patch pocket at breast. Labeled. B-38, Sh-15, Slv-23, jacket L-22, W-26, skirt L-27. Excellent. 200 - 300
950 YVES SAINT LAURENT RUSSIAN STYLE FUR TRIMMED PLUSH JACKET. Black faux karakul having fur stand collar, cuff and hem, princess seams, faceted buttons, satin lining. Variation label. B-36, Sh-25, Slv-24, L-26. (Label marked with ink) otherwise excellent. 300 - 400
951 CHANEL PLAID BOUCLE BLAZER, 1980s. Polychrome wool cotton/nylon blend having angled double breast, four patch pockets and gilt logo buttons, silk logo lining. Boutique label. B-36, Sh-16, Slv-23, L-29. Excellent. 100 - 200
952 CHRISTIAN DIOR AUSTRIAN INSPIRED WOOL SKIRT SUIT, AUTOMNE-HIVER 1993 - 1994. Long green jacket with velvet trim, three angled flap pockets and suede frog closure, matching pencil skirt and striped satin lining. Boutique label, jacket stamped 18802, skirt stamped 38709. B-38, Sh-17 1/2, Slv-24, jacket L-30, W-28, H-40, skirt L-23. (Very minor corner wear to pocket flaps) otherwise excellent. 200 - 300
953 SAINT LAURENT RIVE GAUCHE WOOL SKIRT SUIT, 1980s. Boxy jacket in navy with red and white pinstripe having three welt pockets, matching over the knee length skirt with angled pockets and inverted front pleat. Labeled. B-40, Sh-16 1/2, Slv-23, W-28, H-44, skirt L-29. Excellent. 100 - 200
954 CHRISTIAN DIOR COUTURE WOOL SKIRT SUIT, AUTOMNE-HIVER, 1980. Grey with alternating narrow and wide black stripe, double breasted jacket with wide extended lapel and welt pockets, matching pencil skirt with angled front pockets, silk lining. Labeled and stamped I398I. B- 38, Sh-15, Slv-21, jacket L-27, W-27, H-38, skirt L-23 1/2. (Missing belt) otherwise excellent. 200 - 300
955 CHRISTIAN DIOR NUMBERED WOOL SKIRT SUIT with BEADS and BEES, 1980s. Black collarless jacket having gold beaded neckline with swags and jeweled bee ornaments, hemline flap pockets, hidden snaps, matching pencil skirt with angled pockets, silk lining. Boutique label stamped 11811. B-38, jacket L-22, W-28, H-38, skirt L-24. Excellent. 300 - 500
956 CHRISTIAN DIOR COUTURE NAUTICAL SKIRT SUIT, PRINTEMPS - ETE 1984. Navy wool twill pullover jacket having V-neck with slit and single breast pocket, side zipper, wrap skirt with leather belt and brass arrow buckle. Label stamped 18401. B-38, Sh-15, Slv-21, jacket L-20 1/2, W- 27, skirt L-24. Excellent. 200 - 300
957 CHRISTIAN DIOR COUTURE WOOL SKIRT SUIT, AUTOMNE - HIVER 1985. Cardinal red double breasted peplum jacket with single pair of buttons at waist, matching pencil skirt with side seam pockets and off-center front vent, silk satin lining. Label stamped 20428. B-36, Sh-15 1/2, Slv-24, jacket L-27, W-26, H-36, skirt L-18 1/2. (Missing belt) otherwise excellent. 200 - 300
958 CHRISTIAN DIOR NUMBERED HERRINGBONE DINNER SUIT, 1990s. Black with white wool blend having woven pattern, satin collar, wide pocket flaps, rhinestone hook & loop closures and beaded cuff, matching over the knee A-line skirt, silk lining. Boutique label stamped 87369. B-40, Sh-17, Slv-25, jacket L-28, W-28, H-38, skirt L-26. Excellent. 200 - 300
959 CHRISTIAN DIOR DEADSTOCK NOVELTY WEAVE SKIRT SUIT, 1980s. Brown cotton blend having white and ivory woven pattern of scrolls with cannage fillings, long jacket with rounded lapel and front hem, welt pockets and knotted cord buttons, matching pencil skirt. Boutique label stamped 84761. B-42, Sh-18, Slv-24, jacket L-31, W-29, H-40, skirt L-23. Mint. 300 - 400
960 CHANEL BOUCLE SKIRT SUIT. Navy blue wool collarless square cut jacket trimmed with cranberry and blue braid, 3/4 sleeve, patch pockets, pierced gold tone logo buttons and chain weighted hem, faux wrap A-line skirt, silk lining. Boutique label. B-40, jacket L-21, W-26, H-35, skirt L-24. Excellent. 150 - 250
961 OSCAR de la RENTA SILK DINNER SUIT. Winter white satin jacket with curved collar and rhinestone buttons, matching full skirt with wide waistband and hidden vertical pockets, taffeta lining. Labeled. B-36, Sh-15 1/2, Slv-22, W-28, skirt L-26. (Two small spots on back of collar, two tiny rhinestones missing) very good. 100 - 200
962 JACQUES FATH CHECKED SKIRT SUIT, 1980s. Black and white diamond check in silk and wool blend having long jacket with open collar and lapel, pointed pocket flaps integrated with side panels, matching narrow skirt. Labeled. B-36, Sh-16, Slv-24, jacket L-29, W-24, H-36, skirt L-18. Excellent. 100 - 200
963 HANAI MORI HOUNDSTOOTH SKIRT SUIT, 1980s. Cream and black wool jacket having crossed curving front panels with two black tie closures and black trim, mid-calf pencil skirt with back slit. Boutique label. B-38, Sh-17, Slv-23, jacket L-25, W-28, H-38, skirt L-29. Excellent. 100 - 150
964 TWO DESIGNER GRAPHIC PRINTED BLAZERS, 1980s. One Moschino Cheap and Chic black rayon with oversized red and white numerals. Labeled. B-36, L-28. One Pauline Trigere white cotton with repeating oversized "PAULINE TRIGERE". Unlabeled. B-38, L-26. Excellent. 150 - 250
965 THREE SAINT LAURENT RIVE GAUCHE BLAZERS, 1980s. One cream, navy and red wool plaid, size 38. One double breasted cream linen with black dots, size 38, (small stain on cuff). One silk blend black and white houndstooth, size 34. Labeled. Very good-excellent. 150 - 250
966 JEAN CHARLES CASTELBAJAC LOONEY TOONS VELVET and LEATHER JACKET. Brown velvet hunter style jacket with leather collar, back panel, sleeve insert and side straps with D- rings, patch pockets having appliqued suede diamonds embroidered with the Roadrunner and Wile E. Coyote. Labeled. B-36, Sh-15 1/2, Slv-24, L-27. Labeled. Excellent. 100 - 200
967 HERMES REVERSIBLE SILK JACKET. Black quilted twill in Les Clefs pattern having stand collar, off center self button and loop closures reversing to black silk and rayon ottoman with welt hemline pockets. Labeled. B-36, Sh-16, Slv-23, L-23. (Tiny pull on silk side) excellent. 300 - 400
968 DONALD BROOKS PRINTED SILK SHORTS ENSEMBLE. Moorish inspired print in red and gold consisting of jacket with spread collar and self sash, side seam pockets and gilt buttons, matching shorts with back zipper, fully lined in gold silk. Boutique label. Jacket B-40, L-36, shorts W-26, H-40, inseam 7. (Missing cuff buttons) otherwise excellent. 100 - 200
969 DEADSTOCK YVES SAINT LAURENT RIVE GAUCHE SILK ENSEMBLE. Striped silk organdy in vibrant hues consisting of wrap halter top shaped with pleats, long full skirt having deep hem ruffle and wide self sash. Labeled. B-36, W-26, skirt L-33. Pristine. 300 - 500
970 GIANNI VERSACE BACKLESS CHIFFON HALTER DRESS with LEATHER WAISTBAND. Grey crinkled silk chiffon printed with red, olive and black ostrich plumes, asymmetrical angled wide grey leather waistband having rows of topstitching, flared skirt, grey silk crepe under-dress. Label: Gianni Versace Couture. B-34, W-26, H-36, L-43 1/2. Excellent. 300 - 400
971 BETSEY JOHNSON PRINTED CHIFFON WRAP DRESS. Sleeveless brown silk printed with colorful butterflies, flowers and ladybugs, ruffled neckline having self ties at slit shoulder, self belt, lace trimmed polyester under-dress. Labeled. B-32, W-30, L-43. Excellent. 100 - 200
972 GIORGIO di SANT’ANGELO RUCHED STRETCH DRESS and SLEEVES Strapless red stretch mesh sheath, ruched into side seams, knit lining, optional sheer off the shoulder long sleeves. Labeled. Size small. Excellent. 100 - 200
973 VICKY TIEL FLORA TAFFETA MINI DRESS. Black silk/rayon blend 1950's style with ruched short sleeve sweetheart bodice and full skirt, stiffened underskirt, silk lining. "Couture" label. B-36, W-28, L-35. Excellent. 150 - 250
974 FABRICE STRAPLESS SILK COCKTAIL DRESS. Black semi-boned sheath with bodice top and hem of ruffled handkerchief points having meandering sequins. Labeled. B-34, W-26, H-36, L-31. Excellent. 100 - 200
975 JEAN PAUL GAULTIER SHEER SILK CHIFFON MINI DRESS. Black with sleeveless blouson bodice, wide midriff band having diamond shapes set in elastic ladders, box pleated mini skirt. Labeled. Marked size 38. Excellent. 100 - 200
976 CHANEL STRAPLESS CHIFFON COCKTAIL DRESS White silk having semi-boned ruched bodice trimmed around the top in black satin ribbon, satin bow and flower detail at waist, back having twelve gilt portrait buttons marked "Coco Chanel Paris France", full skirt with layers of chiffon and net. Boutique Label. B-32, W-24, L-34 1/2. Excellent. 400 - 600
977 DEADSTOCK HANNAH MARSHALL ORGANDY BATWING COCKTAIL DRESS. Sheer black top and stretch knit high waist narrow skirt. B-open, W-29, H-40, L-41. Excellent. 100 - 200
978 VIVIAN WESTWOOD SATIN HALTER DRESS. Black with double narrow strap, curved neckline, wide A-line having inverted front pleat with self bows. Labeled. B-30, W-26, H-36, L-44. Excellent. 100 - 200
979 SCAASI APPLIQUED SUMMER DRESS. Short sleeve white net having allover applique of black and white flower heads, satin sash and full skirt with slightly dipping hem at back. Labeled. B-34, W-24, H-41, L-37-40. (Few minor spots) very good. 100 - 200
980 SCAASI APPLIQUED COCKTAIL DRESS with RHINESTONES. Black patterned silk cut to tulle over nude silk, appliqued with rhinestone studded petals, having squared boatneck, flared short sleeve and A-line skirt with satin sash, silk and tulle underskirts. Labeled. B-34, W- 26, H-38, L-41. Excellent. 200 - 300
981 VALENTINO LINEN SWAROVSKI CRYSTAL BUCKLE DRESS. Black sleeveless A-line with buckled straps crossed behind shoulders, two straps across open back, the square buckles inset with crystals. Labeled, buckles marked Valentino. B-34, W-26, H-36, L-42. Excellent. 100 - 200
982 ALEXANDER McQUEEN PADDED SHOULDER DRESS. Olive green cotton canvas having high neck with V-front and attached faux bolero with padded exaggerated cap shoulder, back kick pleat, crepe lining. Labeled. B-34, W-28, H-38, L-42. (Small opening in side seam and below zipper) otherwise excellent. 300 - 500
983 COMME des GARCONS WOOL SWEATER. Finely knit wool sweater having a random pattern of polychrome blocks. Labeled. B-38, L-25. Very good. 100 - 150
984 CHANEL SEQUINED JACKET and SHELL. Aubergine synthetic/wool blend with pink sequins and metallic thread, collarless jacket pieced in blocks of vertical and horizontal stripes, two button closure, matching shell with back buttons, both lined in logo silk, buttons impressed "Chanel Paris". Labeled. B-36, Sh-15, Slv- 20, L-23, (few broken threads). Together with a Saint Laurent Rive Gauche velvet skirt flaring from stitched-down pleats to mid-calf. Labeled. W-22, L-33. Excellent. 200 - 300
985 GIANFRANCO FERRE SHEER EVENING JACKET with CORSETED PEPLUM. Black organdy with a vertical stripe pattern of lace, sequins, metallic threads and patent strips, having long sleeve with wide cuff, wide collar and lapel and a boned mesh peplum with front laces, beaded lattice design and sequined bands, picoted and beaded trim. Labeled. B-up to-36, W-smallest-24, L-21. (Minor losses, some broken picots, some wear to laces) very good. 300 - 400
986 THIERRY MUGLER WOOL OFF the SHOULDER JACKET. Black with architectural seam details having pale pink satin lining and shoulder cap, off-center hidden snap closures, back peplum. Labeled. B-36, Slv-24, W-26, L-21. Excellent. 100 - 200
987 JEAN PAUL GAULTIER MOIRE FAILLE JACKET. Army green silk blend having exaggerated square-cut peplum falling to points at side with buttons for optional back "bustle", single breast and angled hip pockets with flap, satin lining. Labeled. B-36, Sh-16, Slv-22 1/2, W-24, L-27. Excellent. 200 - 300
988 GUCCI FITTED JACKET with LEATHER PIPING. Black cotton/nylon blend with stand collar, zip front and pointed peplum having piped leather large-scale windowpane. Labeled. B-35, Sh-14 1/2, Slv-25 1/2, L-25. Excellent. 100 - 200
989 GIANFRANCO FERRE PYTHON BLOUSE with SHEER BACK. Sheer silk appliqued on front and elbow length sleeve with bands of python skin, open neck having 2-way zip front and nude back panel. Labeled. B-35, W-29, H-38, L-27. Excellent. 200 - 300
990 GIANFRANCO FERRE PIECED LEATHER CORSET JACKET. Openwork brown leather flowers having wide collar, stylized kimono sleeve with mesh insert, boned stretch mesh waist with large zipper, back having V-shaped mesh insert and lacing side panels. Labeled. B-36, W-28, L-33. Very good. 200 - 300
991 JEAN PAUL GAULTIER MATADOR STYLE BOLERO. Brown silk chiffon decorated in green and gold soutache with corded globe buttons, having long shaped sleeve with open underside and shoulder cutout. Labeled. B-36, L-14. Excellent. 100 - 200
992 TWO JIWAN PARK SILK CORSET-CAMISOLES. Both chiffon with boned and quilted satin panels and lace insertion: One black having ruched cups and sleeve. B-34, W-26, L-33 (sleeve hems partly unstitched). One pale pink with stitched cups and buckle details. B-32, W-26, L-32 (minor soiling). Labeled. Good. 100 - 200
993 COMME de GARCONS MIXED MEDIA JACKET. Matelasse cotton bodice having double lapel with aubergine velvet, sheer mesh midriff panel embroidered with white flowers over padded cotton peplum with ruffled tulle and hook & eye closures. B-36, Sh-16, Slv-23, W-30, L-28. Excellent. 200 - 300
994 GIANFRANCO FERRE METAL MOSAIC SWING STYLE JACKET. Off-white cotton having a diamond lattice of silver metal studs, collar and front encrusted with silver beads, metallic cord and rhinestones, 3/4 length wide sleeves decorated at hem with starbursts, side vents, burgundy and printed silk linings. Labeled. B-42, L-23. (Very minor losses) otherwise excellent. 300 - 500
995 GIANFRANCO FERRE STUDDED LEATHER JACKET. Black lambskin having open seam to the undersleeve joined with two zippered elastic panels, front and sleeves covered with silver metal disks, back and side panels joined by leather laces with studded "D" rings. Labeled. B-34, Sh-15 1/2, Slv-26, W-26, L-23 1/2. (Disk losses, 2 inch tear at back of right sleeve, left sleeve unstitched at back. Fair. 100 - 200
996 GIANFRANCO FERRE FUR TRIMMED DENIM JACKET. Black and white cotton blend with distressed herringbone pattern, traditional fitted denim jacket details with middy collar and ruched upper sleeve, snap-in pieced fur collar and front lining, herringbone silk interior. Labeled. B-36, Sh-16, W-26, Slv-26, L-26. Excellent. 200 - 300
997 ISAAC MIZRAHI LIMITED EDITION 7-UP CAN TUNIC. Sleeveless green silk covered in large discs cut from 7-UP cans, gently scalloped hem, one of 50 made. Labeled. B-34, L-32. (Some disc losses and detached discs) good. 300 - 400
998 BERNARD PERRIS SILK FISHTAIL SKIRT SUIT. Red satin peplum jacket with hidden self buttons and floor length fishtail in black and red satin having tulle overlay appliqued with stylized long leaf forms in ruched tulle and silk, matching narrow miniskirt. Labeled. B-34, jacket front L-27, back L-62, W-24, H-36, skirt L-17 1/2. Excellent. 100 - 200
999 NORMA KAMALI STUDDED CROP TOP and MICRO MINISKIRT. Black stretch knit cotton blend decorated with incised nickel discs of various sizes, long sleeve boatneck top and body-con skirt. OMO label. Size small. (Skirt shortened from waist, small holes at shoulder) good. 100 - 200
1000 ALEXANDER MCQUEEN KNIT DRESS with OMBREED APPLIQUE. Brown rayon jersey with empire bodice decorated with pleated and ombreed organdy having raw edge, racer back and circle skirt. Labeled. B-38, L-44. Excellent. 400 - 600
1001 GAELYN and CIANFARINI ECO FASHION RECYCLED BIKE TUBE FETISH DRESS, SPRING 2003. Strapless black rubber sheath comprised of bicycle inner tubes having laces over an insert of pale blue parachute material with ruffled hem. Labeled. Size S adjustable with laces, rubber L-39. (Insert seams open and fraying at hem) otherwise excellent. 300 - 500
1002 YOHJI YAMMAMOTO WOOL SKIRT SUIT. Black crepe short jacket having yoke, shoulder and back panel cut as one, overlapping side panels, narrow mid-calf skirt with center back notch in hem. Labeled. B-36, jacket L-21, W-26, H-35, skirt L-33 1/2. Excellent. 100 - 200
1003 COMME des GARCONS SATIN DINNER JACKET and PRINTED COULOTTES, 1980s. Black rayon/silk blend jacket with notched collar, draped side panels and patch pockets, having shorter back hem. White rayon full coulottes with wide closed center panel, hand printed in black with Medieval figures including court jesters. Labeled. Jacket B-up to 38, Sh-16, Slv-20, L-26, skirt W-25, L-32. Excellent. 600 - 800
1004 JACQUES FATH AVANT GARDE DAY DRESS. Charcoal silk and wool stretch blend having folded neckline, knit sleeves and full skirt with stacked pleats. Labeled. B-34, W-26, H-36, L-44. Excellent. 300 - 400
1005 COURREGES RIBBED TRAPEZE COAT. Lightweight navy wool having funnel neck, cuffed sleeve with clear plastic button, zip-front with clear plastic logo pull tab, breast pocket, angled pockets incorporated in side panels, French seam details, damask logo lining. Labeled. B-46, L-37. Excellent. 200 - 300
1006 COURREGES COTTON and VINYL OVERALLS. Orchid vinyl bib top having patch pocket inset with white logo, silvertone buckles and logo snaps, cotton waist adjustment at back, white denim straight leg pants with angled front pockets and rear patch pockets. Labeled. W-32, H-40, inseam 28 1/2. (Pants unhemmed, light soil) very good. 100 - 200
1007 ALAIA PARIS LEATHER TRENCH COAT. Double breasted green leather with raglan sleeve, wide collar and lapel, self belt with wide loops, vertical pockets and deep back vent. Labeled. B-48, L-51. Very good. 200 - 300
1008 CHRISTIAN LACROIX WOOL JUMPSUIT with CRYSTAL BUTTONS. Black crepe with large collar and exaggerated lapel, double breasted front having faceted dome buttons set in a long V, faux breast pockets, long sleeve with button cuff, stretch waist, center front and wide leg cut as one and forming front pockets. Pret-a-Porter label. B-34, W 24-28, H-38, L-58. Excellent. 200 - 300
1009 CHRISTIAN DIOR PARIS HAND BEADED EVENING DRESS. Strapless ivory silk mesh column, the bodice top decorated with tulips worked in polychrome and crystal beads with silver sequins, long leaves and stems of green, white and crystal beads with silver and white sequins continue toward hem having deep back vent, interior boned corset. "Haute Couture" label. B-32, W-26, H-35, L-51. (Small loop of beads unstitched on skirt, minor bead losses, two tiny, faint spots at hem) very good. 600 - 800
1010 STRAPLESS STRIPED SILK EVENING DRESS with STREAMERS. Satin and matte graduated stripes in wide bands of tone on tone cream alternating with black and cream, dress fitted from boned straight-cut bodice to the knee, flared lower skirt, oversized back bow having large triangular streamers creating a pointed train, fully lined. Unlabeled. B-34, W-26, H-38, L-52 with 15 inch train. Excellent. 100 - 200
1011 OSCAR de la RENTA SAMPLE BALL GOWN. Long sleeve red silk matelasse with notched boatneck, bodice and skirt front shaped with stitched-down pleats, flaring into a circle skirt with stiffened hem and underskirt. Labeled. B-34, W-26, L-55. Excellent. 200 - 400
1012 SCAASI STRAPLESS GOWN with APPLIQUE. Navy organza having asymmetrical boned bodice appliqued with large-scale tropical flowers in white cotton and red embroidery, dropped waist and full skirt with pleats, crinoline and silk underskirts. Labeled. B-32, W-26, L-58. Excellent. 300 - 400
1013 NORMA KAMALI REFLECTIVE BALLGOWN. Platinum nylon having sleeveless princess line fitted bodice with V-neck and back, flaring into a voluminous skirt with layered crinoline, machine washable. OMO Label. B-34, W-24, L-63. (Small abrasion and few light marks near hem) good. 200 - 300
1014 PAMELA DENNIS TAFFETA FISHTAIL GOWN. Gold silk having semi boned bodice with adjustable spaghetti strap, fabric ruched into self ornaments with gold sequins having fishtail hem. Labeled. B-32, W-24, H-36, L-up to 57. Excellent. 200 - 300
1015 STEPHANO PILATI for YVES SAINT LAURENT SEQUIN DECORATED EVENING GOWN. Sleeveless pewter silk having empire bodice with abstract foliage design in cutwork, chiffon, raffia, sequins and tiny beads, side seam details at waist, A-line skirt with flaring back panels and slight train, chiffon lining. Edition Soir label. The identical dress was worn by Kathryn Bigelow at the 2010 Academy Awards. B-38, W-30, H-42, L 59-62. Excellent. 300 - 400
1016 JOHN GALLIANO KNIT EVENING DRESS with ILLUSION BODICE. Extremely fitted cream pattern knit with trained trumpet flared hem having sleeveless tulle upper bodice over plunging back tambour embroidered with butterflies, flowers and bow in pastel shades. Labeled. Unstretched measurements: B-34, W-26, H-34, L-64-70. Excellent. 400 - 600
1017 SCAASI DOTTED SILK GOWN and JACKET. Strapless white crepe gown with red polka dots, semi-boned sweetheart bodice ruched into center seam opening into petal shaped hem, matching sleeveless bubble jacket having self banded neckline and waist with bow, side slit arm openings, both lined in silk. Labeled. B-34, W-26, H-36, L-51. Excellent. 200 - 300
1018 NINA RICCI PARIS SILK MERMAID GOWN. Cerulean blue striped weave having boned satin corset beneath slightly gathered bodice top with notched neckline, ruched satin band, center bow and wide "V" straps, long skirt with fishtail back, silk lining. Haute Boutique label. B-36, W-28, H-38, L 58-61. Excellent. 300 - 500
1019 LARGE SIZE JEAN LOUIS SCHERRER NUMBERED BEAD TRIMMED PANT SUIT. Black wool having gold bugle bead edging, shoulder and long zippered sleeve inset with a band of black mesh flanked by beads, flap pockets, matching trousers with mesh and bead side seam, angled front pockets, fully lined in silk. "Couture" label stamped 13870. Size 50, B-42, Sh-17, Slv-22, jacket L-31, W-35, inseam 31. Excellent. 100 - 200
1020 CHRISTIAN LACROIX PARIS CREPE JACKET with BROCADE TRIM. Rayon blend in variegated ivory and olive stripe having crossed angled front panels, V-neck and angled pockets, trimmed with wide bands of ethnic inspired polychrome brocade, snap closure having gilt rococo ornament with chains and baubles. Labeled. B-38, Sh-16, Slv-24. L-27. Excellent. 150 - 250
1021 ALEXANDER McQUEEN EMBROIDERED CUTOUT BLAZER. Ivory silk/rayon/cotton blend, the right side and back having a large mesh insert embroidered with ivy leaves, mother of pearl buttons with fancy AM monogram, lined in blue satin logo damask. Labeled. B-36, Sh-15, Slv-25, W-27, L-27. (Few minor spots) very good. 150 - 250
1022 VERSACE WOOL SKIRT SUIT with BUCKLES and JEWELED BUTTONS. Black crepe having collar and hip pocket flaps tipped in embossed gilt metal with Medusa heads, triangular breast pockets with enameled and jeweled buttons to flap, three buckled straps over front button closure, cuff buckle above buttons, pencil skirt slit at back. "Couture" label. B-34, Sh-15, Slv-21, W- 24, H-34, skirt L-23 1/2. Excellent. 200 - 300
1023 CHRISTIAN LACROIX PARIS APPLIQUED WOOL SKIRT SUIT. Red with white stripe, the jacket having wide collar and lapel appliqued with black, red and white organdy flowers, shaped patch pockets, carved red and white buttons, printed silk lining, matching pencil skirt. Labeled. B-34, jacket L-22, W-24, H-34, skirt L-23. Excellent. 150 - 250
1024 COURREGES LOGO PATTERN SKIRT SUIT. Oatmeal and brown wool blend jacket having faux leather turn-back cuff, facings and pocket ties, narrow skirt pieced in horizontal panels, slightly flared at hem, satin lining. Labeled. B-34, jacket L-21, W-24, H- 34, skirt L-22. Excellent. 150 - 250
1025 VERSACE EMBELLISHED WOOL SKIRT SUIT. Black fitted jacket having leather patch pockets decorated with black and gold beads, leather braiding and logo Medusa studs, high-waisted mid calf pencil skirt with deep back slit and hand sewn interior waistband. Atelier label. B-36, Sh-15, Slv-22, jacket L-21, W-25, H-36, skirt L-31. Excellent. 200 - 300
1026 VIVIAN WESTWOOD LINEN SKIRT SUIT. Natural linen trimmed with torn self fringe, jacket having wide lapel, flared sleeve, angled buttons, welt pockets and hem points, matching skirt with front point and back slits. Labeled. B-36, W-24, H-38, skirt front L-24, back L-17. Excellent. 100 - 200
1027 TIERRY MUGLER FRINGED SKIRT SUIT. Flamingo pink jacket in synthetic raffia having princess seams, shaped hemline and crimped fringe, matching silk blend crepe skirt. Labeled. B-36, Sh-15, Slv-22, W-24, H-36, skirt L-17. Excellent. 200 - 300
1028 ITALIAN PRINTED SATIN SKIRT SUIT with MINK COLLAR. Midnight blue rayon printed with large-scale roses, long double breasted jacket with padded shoulder, welt pockets and green fur collar, matching short skirt. Label: Cassoli. B-36, Sh-16, Slv-24, jacket L-28, W- 24, H-37, skirt L-18. (One welt partially unstitched) otherwise excellent. 100 - 200
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