LAUREN MORRISON [email protected] 310.993.8567

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LAUREN MORRISON Morrisonl@Google.Com 310.993.8567

LAUREN MORRISON www.laurenmorrison.com [email protected] 310.993.8567 EXPERIENCE ▪ Lead 3D Artist Aug 2018 – Present Google (Contract through Synergis Creative) – San Francisco, CA • Create AR camera effects for Duo by partnering with PMs, engineers, user researchers, and UX designers. • Design, build, and implement 3D assets using industry standard software and proprietary tools. • Provide art direction and technical supervision to agencies through feedback and documentation. ▪ Assistant Professor of 3D Art Sep 2015 – Aug 2018 SAE Expression College – Emeryville, CA • Taught advanced courses in modeling, compositing, lighting and shading, rigging, and effects. • Developed curricula and class schedules and served on faculty hiring committees. • Developed mentorship program pairing senior students with Pixar artists. ▪ 3D Artist Sep 2015 – Present Freelance – San Francisco Bay Area, CA • Build and animate 3D assets for film, television, and tech companies. Clients: Account Spark, Chiodo Bros Productions, Hominid VR, and Alpine Labs. ▪ Compositor Feb 2015 – Aug 2015 Stoopid Buddy Studios – Burbank, CA • VFX design and shot cleanup for stop-motion animated TV show Supermansion and commercials. ▪ 3D Artist Aug 2014 – Jan 2015 Duck Studios – Los Angeles • Modeled, rigged, and animated a flock of birds for the animated feature The Little Prince. ▪ Stop-Motion Artist Feb 2012 – Aug 2014 Freelance – Los Angeles • Built puppets and painted sets for film and television. Clients: Starburns Industries and Screen Novelties. CREDITS 3D Technical Artist: The Little Prince (Film), Hominid VR (VR Short) Director: Viscera (Short), Closed Circuit (Short) Compositor: SuperMansion (TV Show), The Axe Murders of Villisca (Film), Aurora Notte (Film) Scenic Painter: Bratz (Web Series), Elf: Buddy’s Musical Christmas (TV Movie) Puppet Maker: Anomalisa (Film) EDUCATION California Institute of the Arts – Master of Fine Arts, Experimental Animation Sep 2011 – May 2014 • Thesis film Viscera screened at 2015 Slamdance Film Festival and 22 other international film festivals University of Wisconsin-Madison – Bachelor of Fine Arts, Painting Sep 2005 – May 2010 • Competed as a 10-meter platform diver for the University of Wisconsin Diving Team SOFTWARE Maya ZBrush Substance Painter Nuke Marvelous Designer Houdini Arnold Marmoset Toolbag vimeo.com/257786871 laurenmorrison.artstation.com linkedin.com/in/lmorrison05 .

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mn u Ottawa L'UniversiW canadienne Canada's university ITTTT FACULTE DES ETUDES SUPERIEURES 1^=1 FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universite canadienrie Canada's university Lauren Patricia Levesgue AUTEUR DE LA THESE / AUTHOR OF THESIS M.A. (Communication) GRADE/DEGREE Department of Communication FACULTE, ECOLE, DEPARTEMENT / FACULTY, SCHOOL, DEPARTMENT Media Culture, Artifact and Gender Identity: An Analysis of Bratz Dolls TITRE DE LA THESE / TITLE OF THESIS Lise Boily DIRECTEUR (DIRECTRICE) DE LA THESE / THESIS SUPERVISOR Rukhsana Ahmed CO-DIRECTEUR (CO-DIRECTRICE) DE LA THESE / THESIS CO-SUPERVISOR Sherry Ferguson C.harlene Elliott Gar.Y W- .siater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies Media Cuituref Artifact and Gender Identity: An Analysis of Bratz Dolls Lauren Patricia Lewesque Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partiai fulfillment of the requirements For the Master's of Arts in Communication Department of Communication Faculty of Arts University of Ottawa © Lauren Levesque, Ottawa, Canada, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-69044-4 Our file Notre reference ISBN: 978-0-494-69044-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une
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