FALL 2019— SPRING / SUMMER 2020 Fall 2019 — Spring / Summer 2020 WhAt’S In a NaME? CONTENTS

2 Calendar General Information 4 Solve for X 71 How to Register ArtCenter’s 5 What’s New 72 Tuition non-degree programs 6 Student Gallery have all become 73 Refund Policy ArtCenter Extension 12 Portfolio Prep: Explore 74 Advisement (ACX)! Your Creative Potential 74 Scholarships 74 Discounts What hasn’t 76 Grades changed? Course Listing 16 Advertising/Graphic 76 Transcripts Our wide range of hands-on courses Design/Letterpress 76 International Students and workshops, 22 Photography and 77 Map/Directions taught by practicing Imaging/Film 78 About ArtCenter artists and designers. 27 Fine Art/Illustration 79 About ACX 38 Apparel, Surface + 80 Course Index Textile Design 83 Registration Form 40 Business of Art and 84 Survey Design ACX 44 Interaction Design 150 + 46 Entertainment Design college-level courses 50 Industrial Design and weekend Pr oduct and Transportation workshops for Design busy adults Environmental Design ACX Teens Industrial Design Modeling 56 Off-Campus Courses 65 ACX Kids teens +grades classes (9 for –12) 57 Humanities and Sciences 62 Faculty 25 + classes for to discover their kids (grades 4 – 8) creative voices to spark their imaginations

Please note: In this issue, Fall 2019 dates are listed; we will mail you a flier to remind you when artcenter.edu/acx it’s time to register for Spring and Summer 2020, with those course dates and times included. 4 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 5 CALENDAR Studio classes meet for 14 weeks unless otherwise noted in a course description.

Fall 2019 Aug 12 Aug 12 —14 Aug 15 Sep 2 Sep 6 Registration Period Experience ACX Scholarship Deadline Labor Day Last Day to Register Begins Classroom Visits 7– 9 pm Campus Closed Sep 9 Sep 13 Oct 25 Nov 11 Nov 28—Dec 1 Fall Classes Begin; Last Day to Add a Class** Last Day to Drop Veteran’s Day Thanksgiving Day Late Registration* and a Class** Campus Closed Campus Closed Drop Period** Begins Dec 9—11 Dec 14 Fall Experience ACX Fall Classes End 7– 9 pm

Spring 2020 Dec 2 Dec 5 Dec 20—Jan 1 Jan 17 Jan 20 Registration Period Scholarship Deadline Winter Break Last Day to Register Martin Luther King Jr. Day Begins Campus Closed Campus Closed Jan 21 Jan 24 Feb 17 Mar 6 Apr 20 —22 Spring Classes Begin; Last Day to Add a Class** President’s Day Last Day to Drop Spring Experience ACX Late Registration* and Classes meet as usual a Class** 7– 9 pm Drop Period** Begins Apr 25 Spring Classes End

Summer 2020 Apr 13 Apr 16 May 15 May 18 May 22 Registration Period Scholarship Deadline Last Day to Register Summer Classes Begin; Last Day to Add a Class** Begins Late Registration* and Drop Period** Begins May 25 Jul 3 Jul 4 Aug 17 Aug 17—19 Memorial Day Last Day to Drop a Class** Independence Day Fall Registration Summer Experience ACX Campus Closed Campus Closed Begins 7– 9 pm Aug 20 Aug 22 Fall Scholarship Summer Classes End Deadline * Additional $50 per course late fee applies. ** See Refund Policy on page 73. 6 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 7 SOLVE FOR X WHAT’S NEW

Are you looking for a new Inspiring courses “Creativity is an energy. It’s Ready to channel your energy and create some With more than 150 courses in design and the new magic? challenge? visual arts, ArtCenter’s extension program a precious energy, and it’s ofers a world of possibilities. Our Whether you’re interested in learning a new something to be protected. skill, preparing a portfolio to apply to one of Do you need to add a college-level courses and weekend workshops help students acquire the knowledge and A lot of people take for ArtCenter’s full-time degree programs, or finding valuable skill to your art and expertise they need to solve real-world new friends who share your creative passions, problems and thrive in their careers. granted that they’re a ArtCenter Extension (ACX) has an art or design design practice? course for you. Prepare your portfolio creative person, but I know ACX ofers the most compact and direct way New oferings this Fall term include Footwear Or perhaps you’re interested to prepare your portfolio for admission into from experience, feeling Design 1, Seeing through Photographs and in applying to ArtCenter ArtCenter’s full-time degree program; more it in myself, it is a magic; Launching a Start-up. Returning courses include than 30 percent of students accepted into the Children’s Book Illustration with award-winning College of Design’s full-time College develop their portfolios through our it is an energy. And it can’t illustrator Marla Frazee; a 10-week version of courses. See page 12. Designing Pop-up Books; and an analog version degree program? be taken for granted.” of Intro to Creature Design. Tired of looking at Practicing artists and designers screens all day? Check out Intro to Fiber Arts, — Gelatin Printmaking Workshop and Materials Instructors are practicing artists and designers No matter the variable, + Modeling, all which ofer immersive, tactile who understand how to maintain a competitive Ava DuVernay experiences. See the Index (pp. 80–81) to locate ArtCenter Extension (ACX) edge in the creative fields. Rigorous hands-on course descriptions. learning is taught by faculty—many of whom can help you find the also teach in ArtCenter’s degree programs— solution. who base their teaching on their professional Experience ACX experiences. August 12, 13 and 14, 7–9 pm Does all this sound amazing, but you still want Build new relationships to get to know ACX first-hand? Then come to Our courses and workshops ofer a forum Experience ACX! At these informal class visits, for networking with fellow students, many of you can visit select ACX classes* during the last whom share creative passions or come from week of the term, sit in on student presentations similar professional fields. and critiques, see our instructors in action and register for Fall classes. It’s easy Thank you for choosing ACX to achieve your Our program is designed for busy adults, with educational goals. courses held during the day, in the evenings and on weekends. Students can register online Dana L. Walker-Juick at artcenter.edu/acx. Not sure which course Managing Director, ArtCenter Extension is right for you? The ACX counselor can help. Call 626 396-2319 for assistance or to sched- ule an appointment.

* For a list of participating classes, email [email protected] or visit our Facebook page after August 5. 8 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 9 STUDENT GALLERY

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1 2 3 4 MAX CHAU JOSIAH TERSIEFF MACKENZIE HUTH ERIN HARPUR Basics of Digital Photography Typography 1 Abstract Painting and Composition Graphic Design Instructor: John Deyto Instructor: Adele Bass Instructor: Mary Winterfield Instructor: Annie Huang Luck 10 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 11

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4 5 6 7 IAN MCBRIDE KAREN KO ALEXI CURELOP JORGE GARDUNO Intro to World Building Intro to Package Design Intro to Graphic Design Introduction to Filmmaking Instructor: Hao Wu Instructor: Dan Hoy Instructor: Dan Hoy Instructor: Devin Hawker 12 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 13

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8 9 10 SETH ARMSTRONG ROSE WANG JULIE WATSON Printmaking Studio Photographing People Collage and Mixed Media Instructor: Erik Mark Sandberg Instructor: David Sotelo Instructor: Delbar Shahbaz 14 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 15 Not all classes are offered each term. Please see Course Listing (page 15) PORTFOLIO PREP: to see which courses are offered during specific terms. EXPLORE YOUR Advertising Film Introduction to Advertising Introduction to Filmmaking CREATIVE POTENTIAL Design 1 for Graphic Design/Illustration/ Storyboarding Advertising* ADDITIONAL COURSES TO SUPPLEMENT Narrative Sketching YOUR DEVELOPMENT: Introduction to Graphic Design Basics of Digital Photography ADDITIONAL COURSES TO SUPPLEMENT Sound Design for Media YOUR DEVELOPMENT: History of Cinema Digital Design 1 Art of the Movie Trailer Relationship Goals Screenwriting 101 Introduction to Figure Drawing Sketching for Designers Fine Art Typography 1 Collage/Mixed Media Mastering Color for Artists and Designers Making Objects Mastering Composition and Design Introduction to 3D Design Printmaking Studio Graphic Design Abstract Painting & Composition Introduction to Graphic Design Color and Light in Painting Mastering Color for Artists and Designers Design 1 for Photo/Fine Art* Mastering Composition and Design OR ADDITIONAL COURSES TO SUPPLEMENT Design 1 for Graphic Design/Illustration/ YOUR DEVELOPMENT: Advertising* Materials of Art and Design Narrative Sketching* Materials + Modeling Typography 1* OR Essential Typography Introduction to Figure Drawing Graphic Design Composition and Drawing Introduction to Package Design Introduction to Modernism* Take an introductory course to sample a disci- Are you planning on apply- ADDITIONAL COURSES TO SUPPLEMENT pline or, if you’ve already chosen a major, take YOUR DEVELOPMENT: a series of related ACX classes to strengthen Illustration ing to ArtCenter College Creative Sketchbook Introduction to Figure Drawing your portfolio. This variety of options is only Basics of Digital Photography Introduction to Illustration of Design’s full-time degree available through ACX. Letterpress courses Composition and Drawing* Digital Design 1 Introduction to Painting program? If so, you’ll need ArtCenter’s Admissions staf strongly recom- Courses in Photoshop and InDesign Design 1 for Graphic Design/Illustration/ mends you consider ACX for two reasons. First, to commit to a particular Advertising* OR Mastering Color for Artists it is the most compact, intensive and direct and Designers AND Mastering Composition way to prepare your portfolio for admission— Photography and Imaging major beforehand. Basics of Digital Photography and Design 30 – 50 percent of students accepted to the Exploring Light Fundamentals Head and Hands* degree program have developed their portfo- Photographing People Contemporary Illustration Concepts lios through ACX courses. Second, courses Intermediate Photo Methods ADDITIONAL COURSES TO SUPPLEMENT Before making that critical are taught by ArtCenter faculty, who consider Design 1 for Photo/Fine Art* YOUR DEVELOPMENT: the College’s admissions requirements when decision, experience a ADDITIONAL COURSES TO SUPPLEMENT Perspective* structuring assignments and provide you with YOUR DEVELOPMENT: Digital Design 1 range of art and design the skills and personal direction necessary to Courses in Photoshop or Illustrator Head Painting possibilities with ArtCenter develop a great body of work. Creative Sketchbook Materials + Modeling The sequence of courses listed here is a great Extension (ACX). guide for you to plan your ACX educational progress and development. Admissions or ACX staf can assist with course selections. After * Eligible for transfer credit to select majors with grade of B evaluating your current work, they’ll recom- or better. Not applicable to current ArtCenter degree students. mend a path that is particularly right for you. See page 76 for additional details. 16 artcenter.edu/acx 17 Not all classes are offered each term. Please see Course Listing (page 15) to see which courses are offered during specific terms.

Interaction Design Introduction to Interaction Design* Product Design Introduction to Graphic Design Introduction to Product and Transportation Introduction to Communication Sketching Design OR Product Design: Basics AND OR Sketching for Designers Product Design: Process Product Design: Basics Introduction to 3D Design Product Design: Process CoU Sketching for Designers ADDITIONAL COURSES TO SUPPLEMENT Visual Communication and Form Development YOUR DEVELOPMENT: Materials + Modeling Storyboarding ADDITIONAL COURSES TO SUPPLEMENT Brand Experience Design YOUR DEVELOPMENT: Photoshop Rendering for Industrial Design Entertainment Design Perspective Introduction to Figure Drawing Footwear Design 1 Perspective Introduction to Entertainment Design Transportation Design Introduction to Product and Transportation Introduction to Product and Transportation Design Design Character Design for Animation Introduction to Communication Sketching Transpor-Tainment Visual Communication and Form Development RsE Visual Communication and Form Development Transpor-Tainment ADDITIONAL COURSES TO SUPPLEMENT Intermediate Transportation Design YOUR DEVELOPMENT: Materials + Modeling Costume and Fashion Design ADDITIONAL COURSES TO SUPPLEMENT Introduction to Environmental Design YOUR DEVELOPMENT: Basics of Interplanetary Flight Basics of Digital Photography Courses in Photoshop and Illustrator Photoshop Rendering for Industrial Design Perspective Environmental Design Introduction to Environmental Design Introduction to 3D Design Intermediate Environmental Design Branded Environments Furniture Design Lighting Design Materials + Modeling LisT ADDITIONAL COURSES TO SUPPLEMENT YOUR DEVELOPMENT: Courses in Photoshop, Illustrator and Rhino 3D

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. INg See page 76 for additional details. 18 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 19 Introduction to Advertising Art Directing Multidisciplinary Teams ADVERTISING / ACN-040 2 units $830 ACN-470 2 units $830 This course offers a hands-on introduction to the Transitioning from being a designer to the leader of art and business of advertising. Sharpen your con- a creative multidisciplinary team can present many ceptual thinking skills as you brainstorm innovative challenges. In this course, you will explore case GRAPHIC DESIGN / marketing strategies for a range of products and studies of companies revolutionizing the creative services, then create magazine, newspaper and industry, identify change-making role models, inter- billboard campaigns that bring those ideas to life in view creative leaders to better understand your LETTERPRESS a smart, engaging way. An ideal course for students strengths and weaknesses, develop your own brand thinking of applying to the Advertising program at mission, and leave with a network to help guide your ArtCenter, adults contemplating a career change, career. An ideal course for designers or art directors or those just interested in learning how advertising looking to move into greater leadership roles; professionals think and how the ad campaigns we students interested in illustration, graphic design, see every day are created. advertising, industrial design or photography; and individuals interested in seeing what creative FALL / SPRING / SUMMER SOUTH —950 leadership looks like across a variety of fields. THURS 7–10 PM Z GEVORKIAN FALL / SPRING SOUTH —950 THURS 7–10 PM JINI KEASLING ZOPF Relationship Goals ACN-471 2 units $830 Unpack the ever-expanding role of an advertising The Art of the Movie Trailer art director and get into the mind of your future ACN-254 2 units $830 copywriting counterparts. Learn the basic tools Explore the art and evolution of the movie trailer and necessary to express ideas in written form while examine the processes, strategies and techniques discovering what it takes to maintain a successful used to create trailers that generate interest in a copywriter/art director relationship within an agency. motion picture, build excitement and drive box office. Weekly writing projects will cover the creation of out- Examine how trailers condense, distill, package and of-home, print, radio, social and television ads and position a movie into a short, provocative format. include an assignment for a real product or service. An ideal course for writers, copywriters, editors, Off-campus trips to production studios and in-class filmmakers, advertising professionals and anyone visits from advertising professionals will round who wants an inside perspective on how this out the experience. Prerequisite: Introduction to increasingly vital commercial art form is created. Advertising or by permission of an ArtCenter advisor. See page 26 for details. SPRING SOUTH —950 CHASE CONERLY Make It Great: Drawing and Design Concepts ACN-104W noncredit $415 Design 360 This course introduces new and intermediate ACN-007 2 units $830 students to the skill sets needed in the design and illustrative fields. Each week you will be introduced Interested in art or design but not sure where to start? to a variety of core fundamentals necessary to Want to sample each major offered at ArtCenter? succeed in the applied arts. Topics covered include In this course, we will touch on several of the art and an overview of comp sketching (people, places and design disciplines offered in ArtCenter’s degree objects), perspective (to create accurate space and program—advertising, graphic design, photography, dimension in indoor and outdoor environments), filmmaking, fine art, illustration, product design, composition, color theory and visual communication. environmental design, entertainment design and Ideal for those interested in the fields of advertising, transportation design—and explore their principles graphic design and illustration, this course is through projects centered around one major theme. designed to support and reinforce the skills Drawing skills will be emphasized as an essential necessary in the creation of successful content. For way to communicate ideas. A perfect course for more information, visit artcenter.robertpastrana.com. adult students (age 18+) either new to art or design or seeking to expand their creative horizons. FALL / SPRING SOUTH —950 SEP 10–OCT 22 (7 WKS) ROBERT PASTRANA FALL / SPRING / SUMMER SOUTH —950 TUES 7–10 PM SEP 24–DEC 10 (12 WKS) MARK HARVEY TUES 7-10 PM 20 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 21 Introduction to Graphic Design Essential Typography Digital Design 1 Motion Design 2 ACN-030 2 units $830 ACN-175 2 units $830 ACN-101 3 units $1,245 + GMOT-252X 3 units $1,525 + Explore the process of problem solving for graphics Typography is the modus operandi graphic designers $125 lab fee $125 lab fee through realistic design projects. Please note that use to communicate and reinforce the content of This introductory course covers the processes and Explore intermediate/advanced techniques of this is not a computer class but rather a course in their work. With its strong emphasis on the typo- tools involved in digital publishing for print and the 2D/3D motion graphics using Cinema 4D and which you will be introduced to the fundamental graphical grid, this course is a vital foundation for web. Learn to draw, scan and manipulate images Adobe's Creative Suite of applications (i.e., After approaches to graphic design as you develop your editorial design and multi-page layout and ideal for as design elements, using Adobe Photoshop and Effects, Photoshop, Illustrator). Develop a stronger conceptual process, design skills and presentation students and designers looking to use typography Illustrator, to ultimately produce digital files for a understanding of the importance of generative techniques. Logotypes and a range of other design with greater confidence. Gain increased sensitivity print piece and a basic companion webpage. Basic animations through key framing, coded animations projects will be assigned. Prerequisite: It is strongly to the details of typographic form, paragraph format, web structure, vector versus bitmap artwork concepts, and storytelling. This course is part of ArtCenter's recommended that you have access to a computer resolution, color and output will be explored as you undergraduate Graphic Design program. Enrollment page-layout dynamics and the expressive potential and some experience using Photoshop, Illustrator learn techniques required to design and produce for ACX students is extremely limited. Seats available of type. Topics also include type characteristics and InDesign. various assignments. Prerequisite: Mac proficiency. on a first-come, first-served basis. Prerequisites: and nomenclature. Prerequisites: basic computer Motion Design 1 and 3D Motion Graphics, or by FALL / SPRING / SUMMER SOUTH —950/1111 FALL / SPRING / SUMMER HILLSIDE skills in Illustrator and InDesign, or similar graphics permission of an ArtCenter advisor. Videography and MON 7–10 PM DAN HOY MON 7–10 PM JOHN CHAMBERS programs, strongly recommended. Access to a a strong foundation in Adobe Photoshop and Illustrator TUES 7–10 PM WARREN WILSON + computer with a font library is required. is also required. Transferable for prospective Graphic STERLING MARSHALL Design and Illustration/Motion students.* FALL / SPRING / SUMMER SOUTH —950 Motion Design 1 WED 7–10 PM SCOT MOSS ACN-211 3 units $1,525 + FALL / SPRING / SUMMER HILLSIDE Graphic Design $125 lab fee THURS 5–9:50 PM KO MARUYAMA ACN-332 $830 Typography 1 Motion graphics, as incorporated in TV, film or on the Integrate typography and images to magazine internet, is a fast-growing field. In this course, you ACN-125 3 units $960 layouts, posters and transmedia identity systems to will gain a working knowledge of current tools and Designing Pop-up Books Workshop communicate a story, message or marketing idea. Gain the fundamentals necessary for display typo- techniques, allowing you to explore issues of rhythm, ACN-446W noncredit $525 In this concept-oriented course, you will develop graphy, logo design or alphabet (re)design. Become space and time using animation, sound and video. Explore 3D paper engineering mechanisms used problem-solving and research skills that will help familiar with the five basic type families, then Build a repertoire of movements and learn keyframe in the publishing world—everything from children’s you define the appropriateness of a design for its branch out by investigating hybrid, modified, digital editing and interpolation, masking, effects, basic pop-up books, pull tabs and novelty board books intended audience. Prerequisites: Introduction to and hand-drawn typefaces. Properties of scale, sound editing and storyboarding for motion. Adobe to pop-up greeting cards and fine art installation Graphic Design and a typography course such as proportion, figure-ground, cropping and overlap, After Effects for the Mac is used as a teaching tool, environments. In this 10-week course, you will Typography 1 or Essential Typography, or by per- as well as contrasts of weight, width, emphasis and but the skills learned can be transferred to any animate your ideas using paper as your surface and mission of an ArtCenter advisor. Note: This is not direction will be covered. Pencil, pen, brush and ink, application or platform. Prerequisite: Digital Design 1. tool, learn techniques to create movement from a computer class. However, students should have and computer programs will be used, with a focus Transferable for prospective Graphic Design majors 2D to 3D, and develop a concept proposal ready some computer experience, plus access to a com- on personal style and craftsmanship. Prerequisites: and select Illustration tracks.* for submission to your specific genre. Pre-press puter with Photoshop, Illustrator and InDesign, or access to a computer with a font library, plus basic production and publishing submission requirements FALL / SPRING / SUMMER HILLSIDE similar graphics programs. skills in Adobe Photoshop and Illustrator. Transferable will also be covered. Skills learned can be applied WED 7–10 PM DARIO DI CLAUDIO for prospective Graphic Design majors and select across a range of disciplines, including entertainment, FALL / SPRING / SUMMER SOUTH —1111 Illustration tracks.* illustration, graphic design, fine art, product and TBD TBD environmental design. FALL / SPRING / SUMMER SOUTH —950 3D Motion Graphics THURS 2–6:50 PM ADELE BASS GMOT-202X noncredit $1,525 + FALL / SUMMER SOUTH-950 Introduction to Package Design $125 lab fee SEP 19–NOV 21 (10 WKS) TEEN LIU ACN-256 2 units $830 THURS 7–10 PM Creative Letterform Explore general 3D design and animation tech- Explore the exciting and changing realm of package niques using Cinema 4D by creating an animated ACN-133W noncredit $525 design. In this course, you will develop creative project of at least 30 seconds. Learn basic 3D packaging solutions that attract visual attention Learn to use letterforms as design elements and modeling, lighting, textures, effects and animation; through the use of 3D form, packaging materials, as a means of communication to convey verbal, plan the creation of 3D elements to be used typography, color and graphics. The course will also emotional and associative information. Gain an for compositing; and learn the post-treatment explore sustainability issues and emerging techno- understanding of the illustrative and character process of 3D renderings. This course is part of logies that will change consumer interaction with qualities of letterforms and become familiar with ArtCenter’s undergraduate Graphic Design program. packaging in the future. An ideal course for designers the personalities of various letterforms as you Enrollment for ACX students is extremely limited. seeking to add packaging design to their portfolio explore contrast, shape, size, color and direction. Seats are available on a first-come, first-served or increase their awareness of the packaging field. Discover how to create compositions using the form basis. Prerequisite: Motion Design 1. Transferable Prerequisite: Introduction to Graphic Design or by and construction of letters—straights and curves, for prospective Graphic Design majors and select permission of an ArtCenter advisor. verticals and horizontals can produce strong Illustration tracks.* directional movement; thick and thin strokes and FALL / SPRING / SUMMER SOUTH —950 varying weights of letterforms can create textures, FALL / SPRING / SUMMER HILLSIDE WED 7–10 PM DAN HOY patterns and rhythms. THURS 9 AM–11:50 PM KO MARUYAMA THURS 1–3:50 PM KO MARUYAMA FALL SOUTH —950 SEP 12–NOV 14 (10 WKS) GRAHAM MOORE THURS 7–10 PM

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 22 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 23 Introduction to Interaction Design Mastering Composition and Design Design 1 for Graphic Design / Illustration / Valentine Card Letterpress Workshop ACN-200 3 units $960 ACN-127 1 unit $415 Advertising ACN-580W noncredit $200 + Get a hands-on introduction to the elements and Developing a keen awareness of the communicative INT-102X 3 units $960 $25 materials methods behind interaction design—the craft of power of shapes and designing expressive compo- Are your abilities as an artist and professional Design, hand-set and letterpress print your own how people interact with products, systems and sitions are the foundations of visual expression. In expanding? In this course, you will be introduced to unique Valentine cards, notes or gifts using Archetype services. Equal parts thinker and maker, you will this seven-week course, you will learn to use design major design principles as well as to contemporary Press' extensive collection of foundry type, orna- conceive, design and produce simple interactive and compositional elements to enhance the effec- and historical art and design references. Our ments, dingbats and decorative rules. You will be projects by brainstorming different types of user tiveness of your work. See page 37 for details. emphasis will be on problem-solving processes, introduced to the basics of hand-set typography and experiences such as mobile and social applications, analytical thinking and craftsmanship via compo- letterpress printing on the Vandercook proof press. websites, gestural interfaces, games, consumer sitional and color exercises. This course provides a Class meets at ArtCenter’s Archetype Press. electronics, smart products, tangibles and art. An Mastering Color for Artists and Designers solid foundation for students interested in graphic SPRING SOUTH —950 ideal course for students interested in ArtCenter’s ACN-128 1 unit $415 design, illustration and advertising. Enrollment for LESLIE PRUSSIA Interaction Design program, professionals con- ACX students is limited. Seats are available on a first- Color is one of the main communicators in any visual sidering a career change, or anybody interested come, first-served basis. Transferable for prospective endeavor. In this seven-week course, you will learn in this burgeoning field. Prerequisites: fundamental Graphic Design, Illustration and Advertising majors.* design skills recommended but not required. to use color in ways that enhance the aesthetics Type as Image Transferable for prospective Interaction Design and usability of your work. See page 37 for details. FALL / SPRING / SUMMER SOUTH-1111 ACN-543W noncredit $200 + majors.* WED 2 PM–6:50 PM BRUCE CLAYPOOL $25 materials Curious about letterpress printing? In this weekend FALL / SPRING / SUMMER SOUTH —950 Narrative Sketching TUES 7–10 PM JULIAN SCAFF workshop, you will be introduced to the technique INT-120X 3 units $960 Introduction to Letterpress Printing and discover how to use type as object, character Learn how to capture and express ideas visually and ACN-574W noncredit $200 + and pattern. Learn the basics of letterpress printing, $25 materials press fundamentals, typographic concerns, Crafting Your Creative Brand how to compose a sequence of images with notes to explain a specific idea or tell a compelling story. Explore the art of letterpress printing in this hands- impression, and inking control. Create a one sheet ACN-469 2 units $830 Using hand skills—basic pencil sketching, Rapid Vis on workshop. In this course—a great introduction or broadside by choosing a thematic jumping-off In order to get noticed and build a long-term creative marker sketching, perspective drawing and painting to setting and printing metal type—you will take point and creating either a character or a non- career, freelancers and artists must develop their with Photoshop—learn how to draw the figure in a advantage of the more than 2,500 drawers of language based visual story. Explore work by letter- own distinct, marketable brands. In this course narrative context (interacting with the environment foundry type in the Archetype Press collection. Learn press icons like Kurt Schwitters, Laszlo Moholy-Nagy ideal for creative entrepreneurs, aspiring creative and objects), get an understanding of the basics of how to: lead; space; use a pica rule and a composing and Bradbury Thompson for inspiration. At the end professionals, designers, photographers, illustrators proportions and foreshortening, and experiment stick; lay out the California Job Case; mix ink; and of class, you will print an edition large enough to and artists, you will explore your aspirational goals, with a variety of media. Enrollment for ACX students operate a Vandercook proof press. Set, proof and share as a folio of prints. core values and distinct approach as the basis for is limited. Seats are available on a first-come, first- print multiple copies of a poem or a few lines of text. SPRING / SUMMER SOUTH —950 designing your visual brand identity. You will focus served basis. Transferable for prospective Graphic FALL / SPRING / SUMMER SOUTH —950 JANET KUPCHICK on crafting and presenting a consistent visual Design majors.* message relevant to clients, collectors or patrons. SEP 14 + 15 (1 WEEKEND) LESLIE PRUSSIA Approaches to marketing, content creation, curation FALL SOUTH-1111 SAT + SUN 10 AM–5 PM and establishing authorship will be explored. No FRI 8 AM–12:50 PM MIKYUNG (MIKKI) HUNT prerequisite. See page 41 for more details. + MARY YANISH Letterpress Holiday Card Workshop ACN-557W noncredit $200 + Powerful Presentations Sketching for Designers $25 materials ACN-589W noncredit $135 ACN-139 2 units $830 Design, hand-set and letterpress print your own Are nerves preventing you from giving your best Learn to communicate your ideas through quick unique holiday cards, notes or gifts using Archetype’s presentation? Whether you are a creative or a sketching techniques using a variety of mediums— extensive collection of foundry type, ornaments, business professional, you must learn to connect pencil, pen, marker—and develop visual communi- dingbats and decorative rules. You will be intro- effectively with your audience and to communicate cation skills for graphic design, packaging, product duced to the basics of hand-set typography and your ideas in a compelling way. This inspirational and advertising. We will also cover type indication, letterpress printing on the Vandercook proof press. workshop will help you hone one of the most critical 3D form development and observational sketching Class meets at ArtCenter’s Archetype Press. through still life. This is an ideal course for beginning and often overlooked skills that everyone must FALL SOUTH —950 design students, or designers who need to brush up possess: the professional presentation. Learn to NOV 2 + 3 (1 WEEKEND) LESLIE PRUSSIA on freehand drawing skills. present confidently with power and purpose. See SAT + SUN 10 AM–5 PM page 41 for more details. FALL / SPRING / SUMMER SOUTH —1111 THURS 7–10 PM STAN KONG

Brand Experience Design ACN-202 2 units $830 Learn how to collaboratively build successful brands. Use trends and consumer insights research, inter- action design and branding strategy projects to deliver immersive, personalized and enriching experiences for your target audience. See page 45 for details.

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 24 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 25 Basics of Digital Photography and Adobe Conscientious Photography: Social and PHOTOGRAPHY Lightroom Cultural Investigations in Photography ACN-142 2 units $830 + ACN-274 2 units $830 $125 lab fee Social and cultural photography continues to be a AND Take command of your digital camera and get the powerful force in both the commercial industry as results you want! Whether you’re just beginning with well as in the fine art world. In this course, we will photography or need a refresher, this course will focus on how to develop and articulate projects get you started from the ground up. We will cover with a social and cultural awareness . We will IMAGING / FILM basic camera functions, proper exposure, depth of explore the masters of this language, investigate field, composition, lighting and the challenges of the techniques of photography, and discover the shooting in a digital world. We will spend a significant issues and concerns that have the potential to portion of the course focusing on the use of Adobe become powerful photographic projects. You will Lightroom for image adjustment, delivery and asset also develop a final project with a conceptual and aesthetic continuity that shapes your subject into management. Note: This is not a Photoshop class. A a coherent visual statement. Prerequisite: Basics digital SLR camera with manual exposure adjustment of Photography or by permission of an ArtCenter capabilities as well as access to a computer with advisor. Lightroom are required. FALL / SUMMER SOUTH —950 FALL / SPRING / SUMMER SOUTH —950 MON 7–10 PM DAVID SOTELO TUES 7–10 PM JOHN DEYTO

Seeing through Photographs Photographing People ACN-402W noncredit $595 ACN-358 2 units $830 Develop individual projects, strengthen your con- Interested in portrait, fashion and fine art photo- ceptual thinking, and learn valuable skills in this graphy? Gain new insight into your work and photography course emphasizing the creative enhance your technical, conceptual and personal process. With a focus on studio production, we will perspectives. In this intermediate-level course, your consider the many theoretical, historical and formal assignments will focus on the psychological issues of the medium. Hands-on assignments challenges involved in photographing individuals. will focus on applying concepts to practice, from Examining both historical and contemporary conceptualizing and shooting to editing and printing, developments, you will find which photographers all culminating in an art exhibition that you will inspire you, discover what they’re doing, and organize. Screenings, readings, presentations, understand how they’re doing it. You will also create discussions and classroom critiques will round out a personal series of images with the goal of the experience. Prerequisite: Basics of Photography integrating your newfound perspectives on light, or Basics of Digital Photography, or by permission of narrative, intention and exploration. Prerequisite: an ArtCenter advisor. Basics of Photography or Basics of Digital Photography or by permission of an ArtCenter advisor. FALL / SPRING SOUTH —950 SEP 24–DEC 10 (12 WKS) BIA GAYOTTO FALL / SPRING / SUMMER HILLSIDE TUE 7–10 PM TUES 7–10 PM DAVID SOTELO

Mastering Photoshop Intermediate Photo Methods ACN-412 2 units $830 + ACN-311 2 units $830 $125 lab fee Be prepared to have your approach to image making Learn how to manage workflow and deliver high- challenged! Working in black and white or color, end results using Adobe Photoshop, from the traditional film or digital, learn how to produce a opening conversion of a digital file to the finishing portfolio of creative work—an essential tool for of a photograph for print and web purposes. In survival in the rapidly changing contemporary art this new course, you will discover efficient and world. While referencing the history of photography, easy ways to retouch landscapes, skin, texture we will focus on visual communication, strong subject and hair; control and correct colors for universal matter, lighting and composition. Assignments will printing; master selections; and cut for montages. range from portraiture and still-life to advertising Prerequisite: intermediate- to advanced-level and conceptual thinking. A lighting demonstration Photoshop skills, including major tool functions and and a visit to the instructor’s photography studio layer management, as well as an understanding of is included. Bring your portfolio to the first class. masking and resolution. Prerequisite: Basics of Digital Photography or by permission of an ArtCenter advisor. FALL / SPRING SOUTH —950 THURS 7–10 PM CHRISTOPHE DELUY FALL / SPRING / SUMMER HILLSIDE THURS 7–10 PM KEN MERFELD 26 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 27 Photo Book: From Start to Finish DAM! Digital Asset Management for Photo 101: Analog to Digital Design 1 for Photo/Fine Art ACN-395 2 units $830 Photographers ACN-011W noncredit $415 INT-103X 3 units $960 + Are you ready to produce a photo book but don’t ACN-149W noncredit $249 This seven-week crash course in the principles of $125 lab fee know where to start? Weighing the pros and As photographers in the digital age, we produce photography is ideal for anyone who wants to gain Are your abilities as an artist and professional cons of publishing vs. self-publishing? Learn how tens of thousands (if not hundreds of thousands) of confidence in basic camera operations and develop expanding? In this course, you will be introduced to to complete a photo book project from start to images, which makes creating a sensible workflow a strong technical foundation. Techniques and major design principles as well as to contemporary finish, including best practices for editing photos; that protects and optimizes our images crucial. concepts covered include aperture settings, shutter and historical art and design references. Our emphasis collaborating with designers, printers and editors; Learn best practices for managing your image speed, depth of field, film selection/ISO setting and will be on problem-solving processes, analytical printing and production; submitting to a publisher; library, using Adobe Lightroom as your photographic proper exposure for both 35mm film and digital SLR thinking and craftsmanship via compositional and promoting your book; and marketing and sales. workflow hub. Concepts covered in this one-day cameras. Students must have access to a 35mm SLR color exercises. This course provides a solid Create a series from scratch, refine an existing intensive workshop include proper file naming, or digital SLR camera with manual capabilities. No foundation for students interested in photography body of work, or produce a portfolio. Open to organizational structure, archiving and proper darkroom work is required. and fine art. Enrollment for ACX students is limited. photography students of all levels interested in Seats are available on a first-come, first-served backup, metadata, export and delivery, file formats, FALL / SPRING / SUMMER SOUTH —950 producing a photography book. Tuition does not basis. Transferable for prospective Photography and rating and tagging, round-tripping to Photoshop, SEP 10–OCT 22 (7 WKS) GARY MCGUIRE include book publishing or production costs. Fine Art majors.* and building a repeatable workflow structure. Basic TUES 7–10 PM FALL / SPRING SOUTH —950 knowledge of Adobe Lightroom is beneficial. Bring a FALL SOUTH —870 TUE 7–10 PM JONAS KULIKAUSKAS USB hard drive (and cable) containing images. FRI 8 AM–12:50 PM MITCHELL KANE SPRING SOUTH —950 Photo 102: Taking it to the Streets DANA HURSEY ACN-102W noncredit $415 Color in Photography Fine-tune your camera skills and publish a collection Introduction to Filmmaking ACN-401W noncredit $415 of photographs online. Learn how to focus your ACN-152 2 units $830 Delve into a world of color! Explore color theories, Exploring Studio Lighting “photographer’s eye,” discover your photographic Learn the fundamental concepts and practices how color is created, color as a cultural tool and the ACN-126 2 units $895 “nouns”—the persons, places and things that involved in filmmaking while making three short history of color photography. Examine technical and In this hands-on continuation of the Exploring speak to you—and clarify your personal vision as films. In this course, directing and cinematography practical issues such as color balance, additive and Lighting course series, you will become familiar you refresh or continue your visual voyage. You will be closely linked as you explore methods that subtractive systems, proper color correction, color with studio lighting equipment, including studio may choose to shoot traditional or digital imagery. make a film play. Our emphasis will be on effective management and lighting. Classroom discussions strobes, tungsten lighting, grip equipment and more. Prerequisite: Photo 101 or by permission of an communication, storytelling and creative editing will cover a diverse group of artists, including Projects will include still-life, product and portraiture ArtCenter advisor. Access to a 35mm SLR or a digital techniques to enhance the story. Requires access Alfred Stieglitz, William Eggleston, James Welling, photography. Prerequisites: Exploring Light camera with manual capabilities is required. to a digital video camera and editing system James Turrell, Lita Albuquerque, Anish Kapoor, (ArtCenter’s cameras and computer lab facilities are Fundamentals and access to a digital or traditional FALL / SPRING / SUMMER SOUTH —950 Mark Rothko and Yves Klein. Prerequisite: Basics of not available for student use). film camera. Enrollment limited to 10 students. OCT 29–DEC 10 (7 WKS) GARY MCGUIRE Digital Photography or by permission of an ArtCenter TUES 7–10 PM FALL / SPRING / SUMMER SOUTH —950 advisor. Access to a camera (digital preferred) with SUMMER HILLSIDE WED 7–10 PM DEVIN HAWKER manual exposure and color balance controls is RICK UEDA required. Photographic Projects: Delivering Your Big FALL / SPRING / SUMMER SOUTH —950 Basics of Photo for Non-Majors Ideas Screenwriting 101 OCT 30–DEC 11 (7 WKS) CHRISTINE ATKINSON INT-108X 3 units $960 + ACN-247 2 units $830 ACN-421 2 units $830 WED 7–10 PM $125 lab fee Have an idea for a personal photo project but aren’t Move past your fears and begin your first screenplay! This course provides an exceptional introduction sure where to start? In this course, you will learn how Too many screenwriters forget that a blank page can be liberating. It’s actually the best time to Exploring Light Fundamentals for non-photo majors to the world of photographic to write an artist statement; research and plan a image making. Assignments will encourage personal project; put together a budget; and write an on-target experiment and develop writerly instincts. In this ACN-014W noncredit $415 expression, conceptual thinking and new ways proposal to differentiate your work from others. Edit introduction to the world of screenwriting, we’ll Lighting skills are essential to good photography to consider the meaning of images. The methods your images into a cohesive series and/or learn how unpack what’s on the page, such as dialogue, tone practice. In this seven-week course, you will explore learned here can then be carried into digital appli- to make your “good” photos better. Whether you’re and character motivation. We will also explore the potential of light using simple tools to illustrate cations to improve problem-solving ability in all fine interested in street photography, documentary, what’s not on the page, such as concept, genre, and control many aspects of continuous light art and communication design fields. The five-hour taxonomy, found objects or portraits, every project theme, and writing habits. Basic knowledge of sources. Traditional and digital photographers alike format allows time for extended experience in the starts with the big idea and ends with a thoughtful filmmaking for movies and TV is beneficial but not will benefit from the skills taught in this course. No darkroom, in-studio lighting and location shooting. presentation (photo book, exhibition, projection or required. darkroom work is required. Students must have digital delivery). Prerequisite: Intermediate Photo FALL SOUTH —950 access to a 35mm SLR or digital SLR camera and FALL HILLSIDE Methods or by permission of an ArtCenter advisor. WED 7–10 PM JOHNNY NG possess basic camera operation skills. TUES 8 AM–12:50 PM MARK TAKEUCHI SUMMER SOUTH —950 FALL / SPRING SOUTH —950 JONAS KULIKAUSKAS SEP 11–OCT 23 (7 WKS) RICK UEDA WED 7–10 PM

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 28 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 29 Art of Visual Storytelling Storyboarding ACN-369 2 units $830 ACN-165 2 units $830 FINE ART / A cohesive, coherent narrative is critical for exploring Drawing either by hand or with a laptop and Wacom and developing the visual elements of any enter- tablet, explore the mechanics of visual storytelling tainment property, whether it’s a film, game, TV and develop an individual and industry-typical style. show, theatrical production or theme park. Learn the Through discussions, demonstrations and guest foundations of storytelling as well as how to apply speakers, discover different styles and techniques them to your project. Prerequisite: Introduction to of sequential art used in live action, animation Figure Drawing and Perspective, or by permission of and commercial applications. An ideal course for ILLUSTRATION an ArtCenter advisor. students and professionals interested in expanding their skills or developing their portfolios for entry FALL / SPRING / SUMMER SOUTH —1111 into one of ArtCenter’s full-time degree programs. THURS 7–10 PM ORRIN SHIVELY + Prerequisite: Introduction to Figure Drawing or SCOTT WALKER by permisison of an ArtCenter advisor. Access to ArtCenter’s computer facilities not included. You must provide your own equipment and software if Sound Design for Media you wish to work digitally. ACN-427 2 units $830 FALL / SPRING SOUTH —1111 Learn tools and techniques used by sound designers THURS 7–10 PM THOMAS BROERSMA through guided practice in the disciplines of listening, recording, editing, mixing and delivering. In this course, you will practice a variety of sound design techniques and collaborate on several micro-projects designed to strengthen skills and improve your knowledge of the design flow. This is an ideal course for anyone interested in understanding how to design sound for movies, animation, advertising and more. Required: access to a computer (PC or Mac). FALL / SPRING / SUMMER SOUTH —950 TUES 7–10 PM BRIAN WALLACE

The Art of the Movie Trailer ACN-254 2 units $830 Explore the art and evolution of the movie trailer and the processes, strategies and techniques that generate interest, build excitement and drive box office. Examine how trailers condense, distill, package and position a movie into a short, provocative format; learn how these approaches apply to films beyond Hollywood blockbusters; and develop a trailer concept through a proof of concept pitch, which can be verbal, a script, a PowerPoint presentation or a rough edit. An ideal course for writers, editors, filmmakers, advertising professionals or anybody interested in this vital commercial artform. Access to a computer with a word processor and/or basic editing software required. FALL / SPRING SOUTH —950 TUES 7–10 PM DEVIN HAWKER 30 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 31 Introduction to Figure Drawing Composition and Drawing Basics of Painting: Figure Introduction to Painting ACN-009 2 units $830 ACN-160 3 units $960 ACN-115W noncredit $415 ACN-020 2 units $830 The ability to draw the human figure is a vital skill for Strengthen and enhance the concepts introduced Learning to paint the human figure is a natural Ready to dive deep into the fundamentals and academic and professional success in many areas in Introduction to Figure Drawing. We will begin progression from still-life painting. This second motives of painting? In this course we will explore of art and design. This course is an essential first by reviewing skills in gesture, proportion, contour course in the Basics of Painting series uses the figure both traditional techniques and contemporary step for those planning to study fine art, animation, and analysis of form. Later, we will introduce and to explore issues such as composition, proportion, attitudes, with an emphasis on color, composition illustration, costume design, character design and integrate anatomical observation (skeletal structure shape and value. Gaining an understanding of these and form. We will also engage in a series of exercises concept design. While working from a model, exam- and musculature), mechanical function, and fore- essential skills, you will be more confident painting using simple subject matter; study the human figure ine the elements of drawing the human figure and shortening. Finally, we will explore light theory and the figure with conviction. Prerequisite: Basics of to learn painting principles; and develop creative the principles of composition; and develop observa- apply all the concepts gained by practicing with Painting: Still-life or by permission of an ArtCenter approaches. Some prior drawing experience is tional drawing skills by investigating proportion, long poses. This fundamental course emphasizes advisor. recommended but not required. form and gesture. Charcoal, graphite pencil and vari- a thorough practice of the skills required to draw FALL / SPRING / SUMMER SOUTH —1111 FALL / SPRING SOUTH —1111 ous other mediums will be used. the human figure and is vital for illustration or fine OCT 29–DEC 12 (7 WKS) ROB SHERRILL THURS 8 AM–12:50 PM ANNE SAITZYK art students. Prerequisite: Introduction to Figure FALL / SPRING / SUMMER SOUTH—1111 TUES + THURS 7:30–10 PM Drawing or by permission of an ArtCenter advisor. TUES + THURS 7:30–10 PM RONALD J. LLANOS Transferable for prospective Illustration majors.* TUES 8 AM–12:50 PM ANNE SAITZYK Introduction to Painting: Summer Intensive SAT 8 AM–12:50 PM MARY YANISH FALL / SPRING / SUMMER SOUTH —1111 Mixed Media: Figure ACN-016 2 units $830 SAT 8 AM–12:50 PM JENNA GIBSON (FA/SU) ACN-406 2 units $830 Ready to dive deep into the fundamentals and FRI 2–6:50 PM HATAYA TUBTIM (SP) Explore the figure using a variety of mixed media motives of painting? In this intensive summer Introduction to Figure Drawing: Summer techniques! In addition to changing the drawing or course, we will explore both traditional techniques Intensive painting media, a variety of looks can be achieved and contemporary attitudes with an emphasis on ACN-015 2 units $830 Make It Great: Drawing and Design Concepts by altering the surface being worked upon. In this color, composition and form. We will also engage in The ability to draw the human figure is a vital skill for ACN-104W noncredit $415 course, we will work with several approaches a series of exercises using simple subject matter; academic and professional success in many areas This course introduces new and intermediate including watercolor over pen and ink, finishing study the human figure to learn painting principles; of art and design and an essential first step for those students to the skill sets needed in the design and in pastel on watercolor paper; and acrylic over and develop creative approaches. Some prior planning to study animation, illustration, costume illustrative fields. Each week you will be introduced charcoal, finishing in oil on canvas. Prerequisite: drawing experience is recommended but not required. to a variety of core fundamentals necessary to Basics of Painting: Figure or by permission of an design, character design and concept design. In this SUMMER SOUTH —1111 succeed in the applied arts: comp sketching, ArtCenter advisor. intensive summer course you will develop obser- ANNE SAITZYK perspective, composition, color theory and visual vational drawing skills as you investigate proportion, FALL / SPRING SOUTH —1111 communication. See page 17 for details. form and gesture. Working from a model, you will MON + WED 7:30–10 PM ROB SHERRILL examine the elements of drawing the human figure Introduction to Narrative Painting and the principles of composition. Charcoal, graphite ACN-527 2 units $830 pencil and various other mediums will be used. Basics of Painting: Still-life Portraiture in Painting ACN-116W noncredit $415 Learn how to create images with a strong visual SUMMER SOUTH—1111 ACN-405 2 units $830 narrative and build a compelling mood through ANNE SAITZYK This seven-week course explores the fundamentals A painted portrait captures a story about someone composition and color. Discover how to combine of painting using objects and still-life, allowing that is intimate and indescribable. In this step-by- techniques to better integrate storytelling and beginning students to learn basic techniques step course, you will use both traditional and modern visual communication. Free to choose your media, Head and Hands without the pressure that the human figure presents. painting techniques—working in any medium of your each week you will explore a different theme—from ACN-168 3 units $960 You may paint in the medium of your choice: oil, choice—to depict the qualities that make a person’s mythology to space travel—to help develop your acrylic or watercolor. Demystify the complexities of creating a likeness! individuality stand out clearly. An ideal course for story and create clear, engaging and emotionally Learn how to read the primary forms of the face and FALL / SPRING / SUMMER SOUTH —1111 students interested in portraying the character satisfying images. An ideal class for students hands and translate that knowledge into an artistic SEP 10–OCT 24 (7 WKS) ROB SHERRILL of a model, as well as for those looking to improve interested in ArtCenter’s Illustration program and for statement. Learn to draw the head in action—in any TUES + THURS 7:30–10 PM their understanding of composition, color theory, those looking to resolve visual problems in illustration position—with the proper expressions; convey the proportion, lighting and anatomy. Prerequisite: through a better understanding of thematic structure. energy of the pose; and ground your observational Basics of Painting: Figure or by permission of an Prerequisites: Introduction to Figure Drawing and powers through an understanding of the planes ArtCenter advisor. Basics of Painting, or by permission of an ArtCenter advisor. of the head and anatomy. As you realize the SUMMER SOUTH —1111 expressive power of hands, discover how to draw ROB SHERRILL SPRING SOUTH —1111 them dynamically by breaking them down into SHENHO HSHIEH simple forms. Prerequisite: Introduction to Figure Drawing or by permission of an ArtCenter advisor. Transferable for prospective Illustration majors.* SPRING / SUMMER SOUTH —1111 JENNA GIBSON(SP) DENI WOHLGEMUTH(SU) 32 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 33 Best Practices for Oil Painting Direct Painting: Figure Color and Light in Painting Meditation for the Creative Mind Workshops ACN-186W noncredit $249 ACN-020W noncredit $415 ACN-525 2 units $830 ACN-477W noncredit $150 (each part) When it comes to oil painting, many artists never Do you have some painting experience and are Discover how color creates space, mood and light ACN-478W go beyond the basics. Why? Because despite looking to reconnect with paint, color and brush? through the “light keys in nature” approach that There is more to meditation than mindfulness. having been in use for 1,000 years, there is little This seven-week workshop will provide you with originated with American Impressionist Henry For the creative mind, there is also awareness, readily available information on the medium. Some the opportunity to work quickly from live models Hensche, the direct successor to the great Charles insight and vision. In this four-part series, you will artists are scared away, believing the medium to be and complete one or more paintings per session. Hawthorne. Relating to Monet’s ideas on color, in explore how to connect better to the world through complicated and dangerous. This one-day seminar Short presentations will suggest a direction for this course we’ll see how composition and form your senses and learn how to use meditation and will introduce you to the endless possibilities of the day and cover some of the following artists: are expressed through color planes. And using meditation-in-action to create space for something oil paints, and how to use them safely and simply. Lucian Freud, Édouard Manet, Alice Neel, Richard Hensche’s approach as a basis, we’ll examine new to arise. Readings and field trips will enhance Through video demonstrations, presentations Diebenkorn, David Park, Elmer Bischoff and Henri principles of composition as an example of monu- your understanding of the practice. Parts 1 and 2 will and discussions, you will learn how to choose oil Matisse. Prerequisite: Intermediate Painting or by mental space. Some meetings will be held off be offered during the Fall 2019 term, with the series painting mediums and pigments, produce artwork permission of an ArtCenter advisor. campus to facilitate painting the landscape directly continuing in Spring 2020 with Parts 3 and 4 (dates that will last for generations, and take advantage from nature. Reading Hensche’s and Hawthorne’s TBD). Required textbook: Place Your Thoughts FALL / SPRING SOUTH —1111 of recent technological advances. Appropriate for books on painting will be encouraged. Prerequisite: Here: Meditation for the Creative Mind. OCT 31–DEC 12 (7 WKS) ANNE SAITZYK painters of all levels. Introduction to Painting or by permission of an THURS 3–6:50 PM PART 1 ACN-477W ArtCenter advisor. FALL / SPRING SOUTH —1111 FALL SOUTH —1111 SEP 21 (1 SESSION) STEVEN SAITZYK FALL / SPRING SOUTH —1111 SEP 28–OCT 19 (4 WKS) STEVEN SAITZYK SAT 10 AM–5 PM Plein Air Painting WED 2–6:50 PM MARY WINTERFIELD SAT 10 AM–12:50 PM ACN-114W noncredit $415 PART 2 ACN-478W Experience plein-air landscape painting and examine FALL SOUTH —1111 Best Practices for Waterborne Paints the genre’s technical and formal issues. Painting Color in Painting: 3-day Intensive OCT 26–NOV 16 (4 WKS) STEVEN SAITZYK ACN-187W noncredit $249 on location, you’ll see how landscape is more than ACN-189W noncredit $295 SAT 10 AM–12:50 PM When it comes to acrylics and watercolors, many subject matter—it’s a way of organizing visual To focus on color that creates space, mood and artists never go beyond the basics because, sadly, elements to make a dynamic and coherent compo- light, this three-day intensive will use the “light keys so little additional information is available. This one- sition. Color theory, composition and quick painting in nature” approach to color that originated with Business of Art: Getting Started day seminar will introduce you to the vast potential techniques will be the focus of this seven-week American Impressionist Henry Hensche, the direct ACN-485W noncredit $249 of these materials. Discover how to unlock endless course. Atmosphere and depth—crucial elements in successor to the great Charles Hawthorne. Relating Eager to exhibit your work but not sure what steps possibilities for painterly expression when using achieving believability—will be studied extensively. to Monet’s ideas on color, we will examine how to take? This no-nonsense seminar will help get you acrylic, vinyl, watercolor, gouache and egg tempera First class meeting will be held at ArtCenter’s composition and form can be expressed through started. Topics include: setting goals, networking, paints and their respective mediums. Through a Hillside Campus; subsequent meetings will explore color planes. Using Hensche’s approach as a basis, managing time, selling and promoting your work, combination of video demonstrations, slides and various sites around Los Angeles and the San we will also examine principles of composition as an and creating an action plan. Open to students and discussions, learn how to: choose mediums and Gabriel Valley. Prerequisite: Basics of Painting example of monumental space. Students will also emerging artists looking to launch or refocus their pigments; work more safely; produce artwork that or Introduction to Painting or by permission of an be encouraged to read Hensche’s and Hawthorne's art careers. will last for generations; and take advantage of ArtCenter advisor. books on painting. Prerequisite: Introduction to recent technological advances. Appropriate for Painting or by permission of an ArtCenter advisor. FALL / SUMMER SOUTH —950 FALL / SPRING / SUMMER HILLSIDE + OFF CAMPUS painters of all levels. OCT 5 (1 SESSION) ALIX SLOAN SEP 15–OCT 27 (7 WKS) ROB SHERRILL SUMMER SOUTH —1111 SAT 9 AM–4 PM SUMMER SOUTH —1111 SUN 9 AM–4 PM MARY WINTERFIELD STEVEN SAITZYK Creative Process Demystified Abstract Painting and Composition Head Painting ACN-419W noncredit $249 Direct Painting: Still-life ACN-520 2 units $830 ACN-331 2 units $830 Gain a solid understanding of the different stages ACN-017W noncredit $415 Explore the abstract visual principles and processes The “classical method” of the Renaissance and of the creative process in this one-day course for Do you have some background in painting and underlying all traditional art. In this course, we Northern European masters remains unequalled in individuals in the fields of illustration, graphic design, want to get back in touch with paint, color and will examine formalist art theory and the rise its expressiveness and understanding of the human entertainment design and advertising. Whether brush? This workshop will provide you with the of modernism, deep space versus flat space, form. It also provides tools for artists to evaluate you're working on a logo, a website, an illustration opportunity to work quickly from still-life setups monumental space, and color versus field painting. their work and to avoid getting stuck in a painting or an entertainment design-oriented project, you’ll and complete one or more paintings per session. We will also examine traditional abstraction, gone wrong. While using the classical method, in this learn how to generate more creative solutions and Short presentations will suggest a direction for contemporary painters, and work in a variety of course you will gain a well-rounded understanding make better decisions from the earliest sketch to the day and cover some of the following artists: mediums, including watercolor, acrylic and oil. of the painting process; engage in direct painting the final project. Édouard Manet, Giorgio Morandi, Paul Cézanne, Invited artist speakers will share their techniques to strengthen your free handling of color, tone and Marsden Hartley, Vanessa Bell, Gabriele Münter, and processes. In-class exercises will help you line; develop individual techniques and styles; and FALL / SPRING / SUMMER SOUTH —950 Henri Matisse and Nicolas de Stael. Prerequisite: discover your psychological space and tap into enhance your capacity for creative expression. SEP 28 (1 SESSION) ROBERT PASTRANA Intermediate Painting or by permission of an the creative process. The final project will include Prerequisite: Head and Hands or by permission of an SAT 9 AM–5 PM ArtCenter advisor. a painted visual diary. Prerequisite: Introduction ArtCenter advisor; Introduction to Painting strongly to Painting or equivalent, or by permission of an FALL / SPRING SOUTH —1111 recommended. ArtCenter advisor. SEP 12–OCT 24 (7 WKS) ANNE SAITZYK FALL / SPRING SOUTH —1111 THURS 3–6:50 PM FALL / SPRING SOUTH —1111 THURS 2–6:50 PM DENI WOHLGEMUTH MON 2–6:50 PM MARY WINTERFIELD

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 34 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 35 The Next Great Idea—Creativity and Problem Ceramics Printmaking Studio Materials of Art and Design Solving Workshop ART-130X 3 units $960 ACN-367 2 units $830 + INT-158X 3 units $960 + ACN-484W noncredit $249 Discover the endless sculptural opportunities of $85 materials $200 shop fee Uncover the methods that artists, designers and hand-building clay. This beginning course intro- Explore both historical and current digital techniques Enhance your understanding of the inherent copywriters use to grow their creativity. In this one- duces the methods, vocabulary and technical involved in fine art printmaking and image production. characteristics of a variety of materials in order to day workshop you will gain a better understanding information essential to hand-building and glazing Develop an increased appreciation for, and explore their best applications for art or design of the creative process, simplified—from idea to ceramic sculptures. Explore a variety of techniques— knowledge of, printmaking processes such as projects. Broaden your understanding of creative final execution—and how it differs from what most pinching, slab formation, coil building, hump/slump intaglio, silkscreen, woodcut and lithography, as problem solving, originality and analysis of visual people do today. Learn how to produce a wide molds, glazing—as well as surface techniques well as alternative photographic techniques that information. Assignments in this foundation-level range of potential solutions for visuals and/or the and finishes like terra sigillata, sgraffito, and laser include photoengraving, salt printing and cyanotype. course will be experimental to allow you to discover written word and how to put yourself in a creative print decals. Through presentations, classroom Course includes weekly demonstrations, assign- innovative solutions to the development of form, state of mind. Discover the differences between discussions and museum trips, you will learn about ments, presentations and group critiques. Individual structure and texture. Materials may include wood, creative play and creative problem solving, and why both the history of ceramics and current artists projects will emphasize independent thought, plastics, plaster, metal and paper. Topics of both are necessary. Open to students and working working in the field. This course is part of ArtCenter's creativity, problem solving and technical ability. instruction will include the safe operation of professionals interested in advertising, illustration, undergraduate Fine Art program. Enrollment for Class size is limited. Prerequisite: open to beginning- woodworking and some metalworking machines, fine art, graphic design, photography, film and ACX students is limited. Prerequisite: Fine Art to intermediate-level students but previous techniques of mold-making and material safety. product design. Projects or by permission of an ArtCenter advisor. coursework in art, design or photography is strongly Transferable for prospective Fine Art and select recommended. Illustration majors.* FALL / SPRING / SUMMER SOUTH —950 FALL SOUTH —870 SEP 21 (1 SESSION) THURS 8 AM–12:50 PM NICOLA VRUWINK FALL / SPRING / SUMMER SOUTH —870 FALL HILLSIDE SAT 9 AM–5 PM ROBERT PASTRANA WED 6–10 PM ERIK MARK SANDBERG WED 8 AM–12:50 PM ARIEL BRICE

Intro to Fiber Arts Fine Art Projects ACN-416 2 units $830 Printmaking Studio — Additional Lab Time Materials + Modeling ACN-204 2 units $830 This intensive skills-based course will introduce you (optional) ACN-423 2 units $830 + Discover a variety of concepts and processes to a range of techniques associated with fiber arts, ACN-001L noncredit $125 lab fee $100 shop fee specific to the creation of contemporary art. including the basics of crochet, knitting, frame-loom ArtCenter at Night students enrolled in Printmaking Bring your art and design projects to life in Explore contemporary discourses and approaches weaving, natural dyeing, and hand- and machine- Studio may purchase additional lab time to use the ArtCenter’s Technical Skills Center while learning to traditional media such as painting, drawing and sewing. Through readings and classroom discussions, printmaking facilities outside of their scheduled the best and safest application of materials such photography through class projects based on we will learn how artists who work with fiber address class hours. Prerequisite: Concurrent enrollment in as polystyrene, urethane foam and plastic, silicone current, contemporary art exhibitions in Los Angeles. issues of processes and materials; explore ideas Printmaking Studio is required. Note: Space in the rubber, polyester resin and fiberglass. This seven- Through additional assignments, try your hand with involving labor, value, sexual politics and political printmaking lab is extremely limited. Available lab week hands-on course provides an introduction to found objects, collage, textiles, and the processes activism; and consider the ever-shifting relationship time is based on a first-come, first-served basis and the techniques that will allow you to develop and of collaboration and installation. Expand your between craft and art. is limited to the hours listed. execute well-crafted display models and gain an increased awareness of 3D form. Become familiar knowledge and practice of contemporary fine art FALL / SPRING SOUTH —950 FALL / SPRING / SUMMER SOUTH —870 with many of the tools and materials used for a through lectures, discussion, video presentations, WED 7–10 PM CARLY CHUBAK gallery and museum visits, and hands-on art making. FALL LAB HOURS ARE: variety of design projects. Exercises include wood SEP 26–DEC 6 THURS + FRI lathing, vacuum forming and single part RTV mold- FALL SOUTH —950 10 AM–4 PM OR 4–10 PM making. FRI 10 AM–12:50 PM HATAYA TUBTIM Seeing through Photographs ACN-402W noncredit $595 FALL / SPRING / SUMMER HILLSIDE OCT 22–DEC 5 (7 WKS) JESSE ELLICO Develop individual projects, strengthen your con- Making Objects TUES + THURS 7–10 PM Art for Change: Social Practices ceptual thinking, and learn valuable career skills in ACN-385 2 units $830 ACN-468 2 units $830 this photography course emphasizing the creative Discover your creative voice and explore the process. With a focus on studio production, we will Many artists today integrate sociology, psychology various materials used to create three-dimensional Collage and Mixed Media and political philosophy with aesthetics, perfor- consider the many theoretical, historical and objects, including plaster, wire, wood, cotton fabric, mance, activism, engagement and education to formal issues of the medium. Hands-on assign- found objects, resin and foam. In this course, you ACN-372 2 units $830 create work that addresses social issues. Learn ments will focus on applying concepts to practice, will learn to build structures, manipulate materials Develop technical skills and a conceptual under- about artists who use these strategies in an from conceptualizing and shooting to editing and and use sculpting tools safely; set up your artistic standing of contemporary collage. Set up artistic aesthetic as well as artistic practice with the primary printing, all culminating in an art exhibition that you problems; and explore your creative ideas through problems and explore your own creative ideas. This intention of confronting and effecting social change. will organize. Screenings, readings, presentations, readings, discussions and demonstrations. This is course will cover color mixing, collage (traditional Design a project according to your interests and discussions and classroom critiques will round out an ideal course for anybody interested in fine art or and non-traditional), medium transfer, acetone explore ways to utilize (or deepen the already the experience. Prerequisite: Basics of Photography illustration. Prerequisites: Some drawing and basic transfer, painting, drawing, patching and stencil existing) social practices in your work. Prerequisites: or Basics of Digital Photography, or by permission of design skills are recommended but not required. techniques, hand mono-printing, found objects prior coursework in contemporary fine art such as an ArtCenter advisor. and sculpture. Group critiques and visits to local Fine Art Projects, Installation Art, or by permission FALL / SUMMER SOUTH —950 galleries and museums will enrich and broaden your FALL / SPRING SOUTH —950 WED 7–10 PM DELBAR SHAHBAZ of an ArtCenter advisor. SEP 24–DEC 10 (12 WKS) BIA GAYOTTO perspective. Open to students of all levels. SPRING SOUTH —950 TUES 7–10 PM FALL / SPRING / SUMMER SOUTH —950 HATAYA TUBTIM THURS 7–10 PM DELBAR SHAHBAZ

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 36 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 37 Gelatin Printmaking Workshop Children's Book Illustration Costume and Fashion Design Character Design for Animation ACN-456W noncredit $200 + ACN-518W noncredit $525 ACN-223W noncredit $525 ACN-390 2 units $830 $25 materials fee Picture book illustrators tell stories with pictures. Explore the conceptual garment design and Learn the creative process of conceptualizing In gelatin printmaking, a form of monoprinting, each Finding your unique voice is crucial to unlocking illustration methods of the entertainment and fashion iconic characters for the entertainment industry, print you pull is unique. In this two-day workshop, those stories, yet it’s also one of the biggest hurdles design industries. This course will cover design focusing on research, acting, gesture, psychology, you will make your own gelatin plate and use you’ll face as an upcoming illustrator. In this visual foundations, concept development methods, storytelling, originality and other crucial technical water-soluble printing inks and acrylics to create storytelling course, we will see how narrative marker and colored pencil illustration techniques, aspects of character design for animation. Please unique textures, forms and shapes. Learn how to picture-making offers a direct route to this process historic costume research and contemporary note: Although this course uses character design incorporate various mediums—including crayons, of discovery. By learning how to define yourself to fashion. You may use manual or digital methods to methodologies from the world of animation, students gouache, watercolor and pencil—and give your work yourself, you will move toward a more personally execute project concepts and focus on designs will not be animating in this class. See page 47 for added depth by exploring color, pattern, opacity satisfying, creative and marketable illustration for costume, fashion or video game characters. No details. levels, ink layering and multiple impressions. Open voice. Prerequisite: Basic picture-making skills sewing is involved. Ideal for students interested in to students of all levels. recommended but not required. costume design, fashion design and video game character design. Prerequisite: Introduction to FALL SOUTH —950 FALL SOUTH —1111 Introduction to Entertainment Design Figure Drawing or by permission of an ArtCenter SEP 21–22 (1 WEEKEND) DELBAR SHAHBAZ OCT 8–DEC 10 (10 WKS) MARLA FRAZEE ACN-045 2 units $830 advisor. SAT + SUN 10 AM–4 PM TUES 7–10 PM Concept designers for the entertainment industry FALL / SUMMER SOUTH —950 skillfully design and illustrate unique and compelling SEP 24–DEC 10 (12 WKS) YELEN AYÉ characters, environments, vehicles and props for Introduction to Illustration Designing Pop-up Books Workshop TUES 7–10 PM all kinds of stories and eras. In this course, which ACN-380 2 units $830 ACN-446W noncredit $525 offers an introduction to the concept design process, you will create original design solutions Sharpen your conceptual problem-solving abilities Explore 3D paper engineering mechanisms used through sketches and renderings to support a story. as you explore various mediums and techniques— in the publishing world—everything from children’s Fashion and Costume Drawing See page 47 for details. acrylic, watercolor, mixed-media—to illustrate ideas pop-up books, pull tabs and novelty board books ACN-219 1 unit $415 for magazines, newspapers and books. Projects to pop-up greeting cards and fine art installation Working from live fashion and costumed models, in will be editorial in nature; later projects can be self- environments. In this 10-week course, you will this course you will explore transitioning from life directed to reflect individual interests or portfolio animate your ideas using paper as your surface drawing to fashion and costume drawing; rendering Digital Design 1 needs. Visit artcenter.robertpastrana.com for and tool, learn techniques to create movement draped fabric on the figure; drawing garment ACN-101 3 units $1,245 + more information. Prerequisite: some prior drawing from 2D to 3D, and develop a concept proposal details and historic costumes; figure proportion; $125 lab fee experience required. ready for submission to your specific genre. and experimentation with an assortment of media This introductory course covers the processes Pre-press production and publishing submission techniques. This beginning- to intermediate-level and tools involved in digital publishing for print and FALL / SPRING / SUMMER SOUTH —950 requirements will also be covered. Skills learned can course is ideal for students working on college the web. Using Adobe Photoshop and Illustrator, WED 7–10 PM ROBERT PASTRANA be applied across a range of disciplines, including entrance portfolios; fashion and costume teachers; learn to draw, scan and manipulate images as entertainment, illustration, graphic design, fine art, illustrators; fashion and costume designers; and design elements to produce digital files for a print product and environmental design. entertainment artists and designers. A supply list piece and a basic companion webpage. Basic web Contemporary Illustration Concepts will be emailed to enrolled students prior to the structure, vector versus bitmap artwork concepts, FALL /SUMMER SOUTH —950 ACN-228 2 units $830 first class. Digital illustrators welcome, but must resolution, color and output will be explored as you SEP 19–NOV 21 (10 WKS) TEEN LIU bring their own laptops. Prerequisite: Introduction learn techniques required to design and produce Discover an array of possibilities within your own THURS 7–10 PM work! As an artist in a competitive global marketplace, to Figure Drawing or by permission of an ArtCenter various assignments. Prerequisite: Mac proficiency. honing your unique point of view is essential to a advisor. FALL / SPRING / SUMMER HILLSIDE successful and rewarding career. In this course— FALL / SPRING SOUTH —1111 MON 7–10 PM JOHN CHAMBERS ideal for portfolio refinement—you will be challenged Creative Sketchbook ACN-356W noncredit $249 SEP 14–OCT 26 (7 WKS) ROSI GABL to explore new potentials and techniques; learn SAT 1–4 PM about prolific working artists and their individual Develop creative ideas, imagery and your own processes; and create dynamic work for fine art personal style, all within a sketchbook format. The Digital Illustration exhibitions, graphic design, illustration or mixed sketchbook is the most unintimidating place to ILL-258X 3 units $1,245 +

media projects. Projects can be tailored to meet explore and is the perfect vehicle for creating the Comic Book Illustration + Graphic Novels $125 lab fee individual needs and instructors are open to working seeds of future projects. It can also become a ACN-229W noncredit $525 Through a variety of skill-based assignments using with you on your desired media goal. Bring samples fascinating work of art unto itself. In this inspiring Learn the ins and outs of comics and graphic novels Adobe Illustrator, develop vector-drawing abilities of recent art projects to the first class meeting. one-day workshop we will explore a variety of media by diving into various illustrative exercises and experi- and learn how to execute technical renderings of and creative exercises, including collage, evidence mental storytelling. Learn how to make dynamic 3D objects. Create logo concepts, cartoon-style FALL / SPRING SOUTH —1111 journaling and collaboration. Great for beginners or page designs utilizing an arsenal of trade tools from characters, two-point perspective architectural TUES 7–10 PM ROB CLAYTON beleaguered professionals longing for some creative graphic design, comics and entertainment design. renderings, packaging, page layout and typography. fun. Bring a new sketchbook, pencils and a box lunch. This course explores character design, pacing, Prerequisite: Digital Design 1. Transferable for Optional supplies: Collage materials/found papers, cinematic design and story development. Each specific Illustration tracks.* acrylic paints, inks, brushes, pastels, glue sticks, student will have the opportunity to produce a solid aluminum foil and blow-dryers. portfolio of work, a self-published book and a website. FALL SOUTH —870 MON 4–6:50 PM DANA DUNCAN-SEIL Prerequisite: Basic drawing skills are mandatory. FALL / SUMMER SOUTH —950 WED 4–6:50 PM DANA DUNCAN-SEIL OCT 13 (1 SESSION) MARY YANISH SPRING / SUMMER SOUTH —950 SUN 10 AM–4 PM ALAN LAWRENCE

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 38 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 39 Digital Painting for Entertainment Basics of Interplanetary Flight Design 1 for Graphic Design/Illustration/ ACN-068 2 units $830 ACN-078W noncredit $350 Advertising Painting can seem complicated, but by understand- Thanks to robot emissaries, humans are exploring INT-102X 3 units $960 ing the medium (in this case, Adobe Photoshop) new worlds for the first time. This raises countless Are your abilities as an artist and professional and combining foundation skills with more lateral design questions: How do you design a spacecraft expanding? In this course, you will be introduced to approaches, you can discover the joy of digital to travel among the planets? Under what conditions major design principles as well as to contemporary painting. This introductory digital painting class is does it have to operate? What information does it and historical art and design references. Our designed specifically for aspiring entertainment send back? You don’t need to know the first thing emphasis will be on problem-solving processes, design, entertainment arts, and illustration students. about space flight to participate in this course. analytical thinking and craftsmanship via compo- See page 47 for details. You only need to be curious about how humans are sitional and color exercises. See page 21 for details. exploring the universe today, and what we’re finding. This interactive survey of interplanetary flight today Digital Sketching using Photoshop includes design-based learning activities, hands-on Mastering Color for Artists and Designers ACN-429 2 units $830 physics, demonstrations, a stellar guest speaker ACN-128 1 unit $415 or two, and much more. For more information, visit Learn to digitally draw (almost) everything using people.artcenter.edu/doody. Color is one of the main communicators in any a variety of techniques employed by professional visual endeavor. In this seven-week course, learn concept artists, storyboard artists, illustrators and SUMMER SOUTH —950 to use color in ways that enhance the aesthetics industrial designers in today’s entertainment design DAVID DOODY and usability of your work. Topics covered industry. Using photographic references, you include: understanding and controlling the three will learn how to approach sketching subjects like characteristics of color; dealing with tonal and color rocks, plants, animals, armor, characters, creatures, Introduction to 3D Design keys; developing proficiencies using the inherent vehicles, environments, film studies and props. This ACN-089 2 units $830 relationships of colors; and the psychology of color. is an ideal course for aspiring concept designers, Explore the basic elements and principles of 3D Class projects will help you become proficient illustrators, animators or students considering design as a means for both artistic expression and in color mixing and deciding which colors work ArtCenter’s undergraduate Entertainment Design design solutions of all kinds. Develop a working best for specific assignments. Ideal for those major. Prerequisites: Introduction to Figure Drawing knowledge of the processes and vocabulary interested in illustration, design, advertising or fine and Digital Design 1 or by permission of an ArtCenter associated with 3D form. Topics include form, art, and may be taken in conjunction with Mastering advisor. space, mass, weight, rhythm, unit forms, structure Composition and Design. For more information, visit SPRING SOUTH —950 and balance. This course focuses on principles and artcenter.robertpastrana.com. KEVIN BLANCHARD elements of design and the design process. While FALL / SPRING / SUMMER SOUTH —950 digital tools may be used, assignments are created SEP 12–OCT 24 (7 WKS) ROBERT PASTRANA by hand and are conceptual in nature. An ideal THURS 7–10 PM Introduction to Blender foundation for beginning- and intermediate-level ACN-410W noncredit $415 students interested in transportation and product design, architecture, 3D modeling, sculpting, 3D software has increasingly become a powerful Mastering Composition and Design concept design tool. This seven-week introductory- environmental design, furniture design, and more. ACN-127 1 unit $415 See page 53 for details. level course covers both the basics of Blender, Developing a keen awareness of the communicative a free and open source 3D creation tool, and power of shapes is foundational for creating any conceptual design foundations such as iconic visual expression, be it a painting, drawing, website shape, detail level, and contrast. Weekly projects Perspective or logo. In this seven-week course featuring open explore hardware modeling based on real world ACN-106 3 units $960 references; architecture/set design; and Blender’s assignments based on your interests, you will Increase your understanding of 3D perception and ideation design process and real-time rendering learn to use design and compositional elements to engine. For the final project, create and model a linear perspective systems. Through a series of enhance the effectiveness and expressiveness of robot of your own design. Prerequisite: intermediate- exercises, you'll develop your technical skills and your work. Composition will be discussed at two to advanced- digital skills. Students required to improve your ability to simulate 3D space on a 2D levels: the micro—managing shapes inherent in the provide their own digital tools (PC laptop with plane. Theories explored in class apply to traditional design process—and the macro—composing on the 3-button mouse recommended; Mac is OK.) Access and digitally generated images. This course—a page. Suitable for anybody interested in illustration, to ArtCenter’s computer labs is not available. foundation course for many majors—is ideal for design, advertising and fine art, and may be taken illustration, industrial and environmental design in conjunction with Mastering Color for Artists and FALL / SPRING SOUTH —950 students. Transferable (Illustration only).* Textbook: Designers. More info: artcenter.robertpastrana.com SEP 9–OCT 21 (7 WKS) HAO WU The Complete Guide to Perspective Drawing MON 7–10 PM FALL / SPRING / SUMMER SOUTH —950 FALL / SPRING / SUMMER SOUTH —950 OCT 31–DEC 12 (7 WKS) ROBERT PASTRANA FRI 1:30–6:30 PM CRAIG ATTEBERY THURS 7–10 PM

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 40 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 41 Intro to Fiber Arts Introduction to Surface Design APPAREL, ACN-416 2 units $830 ACN-258 2 units $830 + This intensive skills-based course will introduce $30 materials fee you to a range of techniques associated with fiber Explore styles and techniques used in surface arts, including the basics of crochet, knitting, design and discover the limitless possibilities—and SURFACE + frame-loom weaving, natural dyeing, and hand- career opportunities—of this burgeoning arena! and machine-sewing. Through readings and Review designer case studies, product categories classroom discussions, you will learn how artists beyond textiles, and themes in demand by manu- who work with fiber address issues of processes facturers. Digitally scan hand-drawn artwork; set and materials; explore ideas involving labor, value, up accurate repeat patterns; change colors, scale sexual politics, political activism; and consider the and textures; and color index for mass production. ever-shifting relationship between craft and art. Finally, develop coordinated surface design TEXTILE DESIGN collections, take a collection from concept through FALL/SPRING SOUTH —950 refinement, and apply designs to products. An WED 7-10 PM CARLY CHUBAK ideal course for advanced students or graphic design, textile design and illustration professionals Prerequisites: Adobe Photoshop and Illustrator Embroidery Arts Workshop skills; basic drawing, color theory, and design; or by ACN-418W noncredit $125 permission of an ArtCenter advisor. Join designer Debra Valencia as she shares some SPRING SOUTH —950 of her favorite tips and tricks for successful needle- DEBRA VALENCIA work projects. In this one-day workshop, you will sew 12 popular embroidery stitches to create unique lines, textures and affects. Make a stitch sampler in the form of a color wheel in the morning; then, Advanced Surface Design in the afternoon, start a second project and take it ACN-436 2 units $830 as far as possible. Everyone takes home their two Interested in pursuing surface design professionally? projects, as well as an instruction guide for later This course will help you develop a signature style reference. All levels welcome! Materials included. and give you an opportunity to work at a deeper Pack a lunch to eat during break. level on various themes. By the end of the course, you will have completed 14 collections (one per FALL SOUTH —950 week) and built a full portfolio suitable for presenting SEP 29 (1 SESSION) DEBRA VALENCIA to potential clients or for applying to jobs in the SUN 9:30 AM–3:30 PM industry. Prerequisite: Introduction to Surface Design. SPRING SOUTH-950 Costume and Fashion Design DEBRA VALENCIA ACN-223W noncredit $525 Explore the conceptual garment design and illustration methods of the entertainment and fashion design industries. This course will cover design foundations, concept development methods, marker and colored pencil illustration techniques, historic costume research and contemporary fashion. You may use manual or digital methods to execute project concepts and focus on designs for costume, fashion or video game characters. No sewing is involved. Ideal for students interested in costume design, fashion design and video game character design. Prerequisite: Introduction to Figure Drawing or by permission of an ArtCenter advisor. FALL / SUMMER SOUTH —950 SEP 24–DEC 10 (12 WKS) YELEN AYÉ TUES 7–10 PM 42 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 43 Art Directing Multidisciplinary Teams Launching a Startup BUSINESS OF ACN-470 2 units $830 ACN-487W noncredit $595 Transitioning from being a designer to the leader of Learn how to take an idea you are passionate about a creative multidisciplinary team can present many and launch your startup venture. In this 12-week challenges. In this course, you will explore case course designed for entrepreneurs and professionals ART studies of companies revolutionizing the creative from across creative industries—service, nonprofit, industry, identify change-making role models, product and more—we will focus on prototyping, interview creative leaders to better understand validating the market, planning a market launch, AND DESIGN your strengths and weaknesses, develop your own and creating a pitch presentation. Gain real-world brand mission, and leave with a network to help experience from guest entrepreneurs. Already have guide your career. An ideal course for designers a company up and running? The skills acquired in or art directors looking to move into greater this course can help you take it to the next level. leadership roles; students interested in illustration, People interested in the circular economy are graphic design, advertising, industrial design or encouraged to apply! photography; and individuals interested in seeing what creative leadership looks like across a variety FALL / SPRING SOUTH —1111 of fields. See page 17 for more details. SEP 11–NOV 27 (12 WKS) MATEO NERI WED 7–10 PM

Social Media for Creatives Powerful Presentations ACN-303W noncredit $415 ACN-589W noncredit $135 Set up the tools and protocols needed to brand, publish and market your work online! In this seven- Are nerves preventing you from giving your best week course, you will create a personal identity, presentation? Whether you are a creative or a edit your work to showcase your talents in a visually business professional, you must learn to connect compelling way, learn to tell the story of who you are effectively with your audience and communicate and what you do, find and grow your audience, and your ideas in a compelling way. This inspirational build an online presence. Learn methods to engage workshop will help you hone one of the most critical with followers and maximize the power of search. and often overlooked skills that everyone must An ideal workshop for any creative with a skill or possess: the professional presentation. Learn to present confidently with power and purpose. Take product to sell. Prerequisites: internet proficiency, your presentation skills to the next level using an interest in social media, and images of work you words, voice, body language and visuals—vital would like to sell or promote. professional skills whether you are a designer, artist FALL SOUTH —950 or entrepreneur. SEP 11–OCT 23 (7 WKS) ANDY ALEXANDER FALL / SPRING / SUMMER SOUTH —1111 WED 7–10 PM OCT 16 (1 SESSION) ANTOINETTE BYRON WED 7–10 PM Law + Business for Designers: In a Nutshell ACN-486W noncredit $325 Crafting Your Creative Brand Are you launching a startup? Do you have questions ACN-469 2 units $830 concerning formation, contracts, copyright, trade- mark, licensing and promotions? Learn about many In order to get noticed and build a long-term creative of the legal steps necessary when starting a career, freelancers and artists must develop their business in this practical step-by-step seminar. We own distinct, marketable brands. In this course will cover issues such as: domain name, trademark ideal for creative entrepreneurs, aspiring creative and corporate name searches; selecting the appro- professionals, designers, photographers, illustrators priate business structure; copyright and trademark and artists, you will explore your aspirational goals, registrations; non-disclosure agreements; work- core values and distinct approach as the basis for for-hire and employment contracts; deal memos; designing your visual brand identity. You will focus and licensing language. Enrolled students will have on crafting and presenting a consistent visual access to the instructor via email for one month message relevant to clients, collectors or patrons. following the seminar to ask questions. Approaches to marketing, content creation, curation and establishing authorship will be explored. No FALL / SPRING SOUTH —1111 prerequisite. OCT 12 (1 SESSION) MICHELLE KATZ FALL / SPRING / SUMMER SOUTH —950 SAT 10 AM-4 PM MON 7–10 PM ALVALYN LUNDGREN 44 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 45 Protect, Sell and License Your Work! The Forming the Dream: Crafting a Meaningful Manufacturing Techniques Legal Side of What To Do and How To Do It Career 2 ACN-298W noncredit $495 ACN-561W noncredit $220 ACN-496W noncredit $249 As a manufacturing center, Los Angeles is a tremen- You’ve labored over your work. Now learn how to So, you’ve completed Crafting a Meaningful Career 1? dous resource for designers. Just about anything protect, sell and license it. This intensive seminar Now go to the next level! In this course, you will you’d want to create or put into production can be covers a full range of intellectual property issues, define your goals; create your vision and mission made here. In this course, you will receive informa- including the language used in contracts that statements; identify your market; research the tion on how to work with a wide range of materials affects the license, sale and creation of designs impact of your concept in the marketplace; develop and industrial processes, including glass, wood, and other original works. We will cover the basics fee structures; and market your concept. To provide metal, plastic and ceramics. Materials, technologies, of copyright law; fair use and copyright defenses; you with a road map to success, you will begin the processes, production, product planning and the trademark law and registration; maintaining process of creating either a business plan or life business context of manufacturing will all be explored. trademark rights and avoiding infringements; and plan. Meet with fellow classmates each week to Design exercises will be given to explore materials patent law. Bring in a sample of your work, and we refine and add value to your concept and discover and manufacturing processes. This course also will practice filing a copyright application, searching how others have met the challenges of creating a includes information about working with vendors in the availability of a trademark and filing a trademark new way of life. Prerequisite: Crafting a Meaningful the United States, outsourcing overseas, life-cycle application. Career 1 analysis, recycling and lean manufacturing methods. FALL / SPRING SOUTH —1111 SPRING SOUTH —950 SUMMER HILLSIDE SEP 21 (1 SESSION) MICHELLE KATZ TONY LUNA KRYSTINA CASTELLA SAT 10 AM-2 PM

Fulfilling the Dream: Crafting a Meaningful Related Courses: Crafting a Meaningful Career 1 Career 3 ACN-481 noncredit $595 ACN-497W noncredit $249 Business of Art: Getting Started Change is inevitable. By some accounts, Americans Building on the first two courses, you are now ready See page 31 for details. today will have seven or more career changes to tackle other matters necessary to begin a suc- during their working lives. Whether big or small, cessful new career. Continuing on the development Creative Process Demystified all career changes involve introspection, risk of your business or life plan, you will address See page 31 for details. assessment, and consideration of the impact your such issues as: forms of management; intellectual decisions will have on those you care about most. property; team building and communication; In this information-packed, vital and enlightening identifying the competition; identifying your com- The Next Great Idea course you will have the opportunity to examine the petitive advantage; location; financing your new See page 32 for details. pros and cons of past employment, deep dive into venture; and defining success. Once finished, you what motivates you, and create a plan to confidently will have the tools to help you proceed, confident move on to the next level. Discover your unique that you have examined the necessary aspects of a purpose, redefine your goals, and connect with a fulfilling career, and ready to embrace a new career growing network of talented people who are living dimension of your own design. Prerequisite: Forming their dreams. the Dream: Crafting a Meaningful Career 2 FALL / SPRING / SUMMER SOUTH —1111 SUMMER SOUTH —950 TUES 7–10 PM TONY LUNA TONY LUNA

Invention Innovation: Manufacturing and Licensing Products ACN-300W noncredit $495 Build the skills independent designers need to develop, produce and distribute their own products. In this course, you will design and develop a product line and a manufacturing company, identify and secure intellectual property, write a business plan, evaluate its feasibility and raise funds. You will then apply that same knowledge to license a product line to an actual manufacturer, as well as generate a business plan and licensing packet to send out to potential licensees. Weekly visual, verbal and writing exercises will help illustrate the similarities between business and design. SUMMER HILLSIDE KRYSTINA CASTELLA 46 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 47 Introduction to Interaction Design Design with Technology: Code INTERACTION ACN-200 3 units $960 ACN-430W noncredit $415 Get a hands-on introduction to the elements and Take your ideas from basic concept to high tech. methods behind interaction design—the craft of how This overview of programming for creative people interact with products, systems and services. technology—the first of two seven-week Design DESIGN Equal parts thinker and maker, you will conceive, with Technology courses—offers hands-on projects design and produce simple interactive projects by exploring microcontrollers, LED displays, sensors, brainstorming different types of user experiences the Internet of Things, and the code (Arduino, such as mobile and social applications, websites, Processing, MicroPython) that makes it all work. gestural interfaces, games, consumer electronics, Prerequisites: No prior knowledge assumed. Access smart products, tangibles and art. An ideal course to a personal laptop during class recommended, for students interested in ArtCenter’s Interaction but not required. A $40 materials fee, paid directly Design program, professionals considering a career to the instructor on the first day of class, covers a change, or anybody interested in this burgeoning microcontroller and initial project materials. More field. Prerequisites: fundamental design skills extensive projects may require purchasing additional recommended but not required. Transferable for supplies that exceed this amount. prospective Interaction Design majors and select FALL / SPRING SOUTH —950 Illustration tracks.* SEP 11–OCT 23 (7 WKS) MARK SWAIN FALL / SPRING / SUMMER SOUTH —950 WED 7–10 PM TUES 7–10 PM JULIAN SCAFF

Design with Technology: Build The Art of UI ACN-431W noncredit $495 ACN-432 3 units $830 + Learn how to build the circuits that connect sensors, $125 lab fee LEDs, and the Internet of Things to microcontrollers Interested in creating user interface art for mobile in this second of two seven-week Design with apps? Create a proof-of-concept prototype using Technology courses. Hands-on projects cover Invision; gain greater insight into UI/UX, mobile the essential components of modern electronics gaming and the internet; and learn what it takes and the building of physical working prototypes. to approach app design in a high-pressure pro- Prerequisites: No prior knowledge assumed. Prior duction setting. Prerequisites: Digital Design 1, enrollment in Design with Technology: Code and plus drawing/illustration skills. Access to an iPhone access to a personal laptop during class recom- required to view and present designs. mended, but not required. A $40 materials fee, paid directly to the instructor at the first class session, SPRING SOUTH —950 covers a microcontroller and initial project materials. JEREMY STEINER More extensive projects may require purchasing additional supplies that exceed this amount. Brand Experience Design FALL / SPRING SOUTH —950 ACN-202 2 units $830 OCT 30–DEC 11 (7 WKS) MARK SWAIN WED 7–10 PM Brands today are more relevant, personal and experiential in their customers’ lives, which means interaction designers now play key roles in determining how brands grow and thrive. Learn how to build successful brands, deliver immersive experiences and use trends and consumer insights research to deliver enriching experiences. An ideal class for design professionals, branding strategists and corporate executives, as well as students applying to ArtCenter’s full-time Interaction Design, Graphic Design, Advertising and industrial design degree programs. Prerequisites: Basic computer skills and access to a tablet or computer. Prior design experience or fundamental design coursework highly recommended, or by permission of an ArtCenter advisor. FALL / SPRING / SUMMER SOUTH —1111 TUES 7–10 PM JAMES CHU

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 48 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 49 Introduction to Entertainment Design Art of Visual Storytelling ENTERTAINMENT ACN-045 2 units $830 ACN-369 2 units $830 Concept designers for the entertainment industry A cohesive, coherent narrative is critical for exploring create compelling characters, environments, and developing the visual elements of any entertain- vehicles and props for all kinds of stories. Their ment property, whether it’s a film, game, TV show, work requires a unique combination of industrial theatrical production or theme park. Learn the design and illustration skills—understanding foundations of storytelling as well as how to apply how things are built, and the ability to visually them to your project. Prerequisite: Intro to Figure DESIGN communicate their narrative role. In this course, Drawing and Perspective or by permission of an which introduces the concept design process, ArtCenter advisor. you will create original design solutions through FALL / SPRING / SUMMER SOUTH —1111 sketches and renderings to support a story. An THURS 7–10 PM ORRIN SHIVELY + ideal class for students considering ArtCenter’s SCOTT WALKER undergraduate Entertainment Design major or for those interested in how concepts are created for entertainment-oriented projects. Prerequisites: Introduction to Figure Drawing and Perspective, Introduction to Creature Design or by permission of an ArtCenter advisor. ACN-414 2 units $830 Learn different methods and approaches for FALL / SPRING / SUMMER SOUTH —950 developing believable creatures and monsters for THURS 7–10 PM ERIC NG the entertainment industry. Working from photo- graphic reference of animals and nature, learn how to combine fundamentals of design, anatomy, Digital Painting for Entertainment form, storytelling and character development to ACN-068 2 units $830 create original sketches and renderings of beastly Discover the joy of digital painting through exercises quadrupeds, bloodthirsty bipeds and large-scale covering still life and figure painting, character design, leviathans. With a focus on introductory level 2D landscapes and environmental concept painting. drawing skills, this course is ideal for aspiring Learn how to navigate Photoshop, explore basic concept designers, illustrators, animators or rendering techniques, and experiment with advanced students considering ArtCenter's undergraduate techniques like character/environment concept Entertainment Design program. Students interested design and photobashing. This overview of the in working in digital formats will need to provide medium is designed to build a strong foundation in their own equipment and software. Prerequisite: digital painting and is ideal for aspiring entertainment Introduction to Figure Drawing or by permission of design, entertainment arts and illustration students. an ArtCenter advisor. Required for homework assignments: access FALL / SUMMER SOUTH —950 to a computer with the latest version of Adobe WED 7–10 PM KEVIN BLANCHARD Photoshop, a Wacom tablet, and a digital camera to take reference photos. Prerequisite: Introduction to Entertainment Design or by permission of an ArtCenter advisor. Character Design for Animation ACN-390 2 units $830 FALL / SPRING SOUTH —950 Learn the creative process of conceptualizing WED 7–10 PM HAO WU iconic characters for the entertainment industry, focusing on research, acting, gesture, psychology, storytelling, originality and other crucial technical aspects of character design for animation. Please note that although this course uses character design methodologies from the world of animation, students will not be animating in this class. This course will focus primarily on hand-sketching with live models provided during class. This is an ideal course for aspiring students who are preparing admissions portfolios for the Character Animation track of ArtCenter's Entertainment Design program. Prerequisite: Introduction to Figure Drawing or by permission of an ArtCenter advisor. FALL / SPRING / SUMMER SOUTH —1111 WED 7–10 PM ADAM DIX 50 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 51 Storyboarding Digital Sketching using Adobe Photoshop Introduction to Blender ACN-165 2 units $830 ACN-192 2 units $830 ACN-410W noncredit $415 Drawing either by hand or with a laptop and Wacom Learn to digitally draw (almost) everything using 3D software has increasingly become a powerful tablet, explore the mechanics of visual storytelling a variety of techniques employed by professional concept design tool. This seven-week introductory- and develop an individual and industry-typical style. concept artists, storyboard artists, illustrators and level course covers both the basics of Blender, Through discussions, demonstrations and guest industrial designers in today’s entertainment design a free and open source 3D creation tool, and speakers, discover different styles and techniques industry. Using photographic references, you will conceptual design foundations such as iconic of sequential art used in live action, animation learn how to approach sketching subjects like shape, detail level, and contrast. Weekly projects and commercial applications. An ideal course for rocks, plants, animals, armor, characters, creatures, explore hardware modeling based on real world references; architecture/set design; and Blender’s students and professionals interested in expanding vehicles, environments, film studies and props. This ideation design process and real-time rendering their skills or developing their portfolios for entry is an ideal course for aspiring concept designers, engine. For the final project, create and model a into one of ArtCenter’s full-time degree programs. illustrators, animators or students considering robot of your own design. Prerequisite: intermediate Prerequisite: Introduction to Figure Drawing or ArtCenter’s undergraduate Entertainment Design to advanced digital skills. Students required to by permisison of an ArtCenter advisor. Access to major. Prerequisites: Introduction to Figure provide their own digital tools (PC laptop with ArtCenter’s computer facilities not included. You Drawing and Digital Design 1, or by permission of an 3-button mouse recommended; Mac is OK.) Access must provide your own equipment and software if ArtCenter advisor. to ArtCenter’s computer labs is not available. you wish to work digitally. SPRING SOUTH —950 FALL / SPRING SOUTH —950 FALL / SPRING SOUTH —1111 KEVIN BLANCHARD SEP 9–OCT 21 (7 WKS) HAO WU THURS 7–10 PM THOMAS BROERSMA MON 7–10 PM

Introduction to Maya and 3D Animation Theme Park Design ILL-210X 3 units $1,245 + ACN-236 2 units $830 $125 lab fee Translate your imagination into reality through This course introduces the fundamentals of Related Courses: theme park design, an exciting field that requires character- and motion-based animation, with an a diverse knowledge base of skills and expertise. emphasis on story, acting, camera and animation. Basics of Interplanetary Flight Build an understanding of architecture, engineering, You will use the tools available in the Maya software See page 36 for details. master planning, show set design, production package for the creation of CG animation. Topics design, lighting design, and show operations. Use covered include modeling, basic character set up, Costume and Fashion Design visualization skills to communicate immersive, animation, shading, lighting and rendering. The See page 35 for details. story-driven experiences with responsibility to real- fundamental concepts of digital animation and world building restraints. Projects will include dark storytelling will be emphasized. Prerequisite: Digital Introduction to Figure Drawing ride attraction design, park icon design, and show Design 1. Transferable.* See page 28 for details. set elevations. Don’t miss this rare opportunity to SPRING/SUMMER HILLSIDE begin building a portfolio of themed environments. JOEY JONES Perspective Prerequisite: Introduction to Entertainment Design. See page 36 for details. Digital Painting for Entertainment recommended. Access to a laptop with a current version of Photoshop highly recommended Introduction to Rhino 3D ACN-450 2 units $830 + SPRING / SUMMER SOUTH —950 $125 lab fee WED 7–10 PM LUCAS STEADMAN A versatile 3D modeling software package, Rhinoceros 3D features an easy-to-adapt tool set Transpor-Tainment that makes the learning process more intuitive. Unlike surface modelers, Rhino uses NURBS to ACN-307W noncredit $525 create fast and accurate geometry, allowing you This intermediate-level transportation/entertainment to focus on design and not worry about surface vehicle design course combines the open-minded inconsistencies. This course will provide you with spirit of the entertainment industry with the sense enough information to start modeling in Rhino of realism offered through the fundamentals of and to utilize its Grasshopper visual programming transportation design to explore what it takes to language for extensive parametric capabilities. transport humans (and other creatures) from point Prerequisite: Digital Design 1 or by permission of an A to point B. See page 51 for details. ArtCenter advisor. FALL/SPRING SOUTH —950 THURS 7–10 PM YELEN AYÉ 52 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 53 Intermediate Transportation Design Product and Transportation ACN-353 2 units $830 INDUSTRIAL Design Strengthen and expand your automotive design techniques through the application of color pencil, markers, chalk and gouache. Over the course of DESIGN Introduction to Product and Transportation completing two portfolio-quality design projects, you’ll explore advanced surface indications, warm and Design cool lighting and shading, and vehicle proportions. ACN-050 2 units $830 You’ll also learn basic vehicle packaging, product Interested in product and/or transportation design? planning and strategy, corporate brand imaging, In this course—strongly recommended for beginning basic feasibility issues and other industry information. designers—you will learn the fundamental design Bring your portfolio to the first class meeting. Pre- principles and procedures, drawing techniques, and requisite: Introduction to Product and Transportation presentation methods as they relate to those fields. Design, or by permission of an ArtCenter advisor. In-class sketching demonstrations and exercises FALL / SPRING / SUMMER SOUTH —950 will use pencil, marker, chalk, Prismacolor and THURS 7–10 PM STEVE EASTWOOD gouache. In-class discussions will cover careers and opportunities. FALL / SPRING / SUMMER SOUTH —950 Transpor-Tainment** MON + WED 7–10 PM STEVE EASTWOOD ACN-307W noncredit $525 SAT 9 AM–4 PM RANDALL SMOCK The lines between sci-fi, production, concept and entertainment are becoming blurred. The open- minded spirit of the entertainment industry energizes Introduction to Transportation Design automotive design. Likewise, transportation design Want to become an automotive designer? In this fundamentals provide vehicles designed for enter- off-campus course—strongly recommended for tainment purposes with a sense of realism. In this beginning designers—you will learn the fundamental intermediate-level vehicle design course, we will design principles and procedures, industrial examine buyer/character, usage/theme, ideation drawing techniques, and presentation methods of sketch development and final renderings through the transportation design field. In-class discussions two intensive projects. Prerequisites: Introduction to will cover careers, opportunities and the role and Product and Transportation Design or Introduction to responsibilities of the professional industrial designer. Entertainment Design, or by permission of an ArtCenter advisor. Concurrent enrollment in Introduction to Choose from one of three locations: Communication Sketching or Visual Communication and Form Development strongly recommended. Los Angeles** Class meets in L.A.’s mid-Wilshire area (enrolled ACN-441 2 units $830 students will be emailed additional details.) Class meets in Los Angeles (mid-Wilshire area). SUMMER OFF-CAMPUS Enrolled students will receive location address and RANDALL SMOCK details via email before the term begins. FALL / SPRING OFF CAMPUS SAT 10 AM–1 PM MARK CLARKE

Orange County** ACN-051 2 units $830 Class meets at Mazda Design North America, Irvine. Enrolled students will receive location address and waiver via email. FALL / SPRING /SUMMER OFF CAMPUS WED 7–10 PM MARK CLARKE

Torrance** ACN-055 2 units $830 Class meets at Honda R&D Americas Inc., Torrance; enrolled students will receive location details via email before the term begins. FALL / SPRING /SUMMER OFF CAMPUS TUE 7–10 PM RANDALL SMOCK ** These off-campus classes are taught in professional design firms by ArtCenter alumni. Registration and all inquiries are handled by the ArtCenter Extension office in Pasadena. Please do not contact the locations hosting these classes. If you have questions, please call 626 396-2319 or email your questions to [email protected]. 54 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 55 Advanced Vehicle Design Footwear Design 1 Introduction to 3D Design Visual Communication and Form Development ACN-439 2 units $830 ACN-532 2 units $830 ACN-089 2 units $830 ACN-074 2 units $830 Expand your knowledge of dynamic vehicle design Footwear design is a perfect intersection between Explore the basic elements and principles of 3D Mastering visual communication skills is vital to while increasing your understanding of the creative molded- and soft-goods. In combination, these design as a means for both artistic expression and your academic and professional success as an process in this course ideal for transportation, distinct disciplines translate into valuable skills for design solutions of all kinds. Develop a working industrial designer. This course deals with a variety product and entertainment designers. Break the footwear design industry. In this new course, knowledge of the processes and vocabulary associ- of sketching techniques designed to help you away from traditional industrial design methods you will reimagine footwear, explore designs for ated with 3D form. Topics include form, space, mass, communicate your creative solutions and explore and discover a unique and personal approach to the outdoor and action sports markets, and create weight, rhythm, unit forms, structure and balance. form development as it relates to product design, the process. Work on quick and conceptual mini- designs for the next runner, cross-trainer or, This course focuses on principles and elements of transportation design, and entertainment design. projects, relevant to the changing nature of the perhaps, a hiker for Mars exploration. Explore basic design and the design process. While digital tools Class exercises will be geared toward improving world and its views on transportation. Explore foot function and anatomy; mechanical aspects of may be used, assignments are created by hand and your drawing skills as well as providing a strong contemporary issues such as battery-electric and footwear design, including last production, upper are conceptual in nature. An ideal foundation for foundation in perspective, composition, value, other alternative fuels. In addition to demonstrations pattern making and welding techniques; and discuss beginning- and intermediate-level students inter- craftsmanship and use of graphics in presentations. and lectures, in-class discussions will cover vehicle 3D printing for mass production. Prerequisite: ested in transportation and product design, architec- Emphasis will be placed on rapid ideation to improve history, innovative packaging and future trends. Product Design: Process or by permission of an ture, 3D modeling, sculpting, environmental design, the flow of your ideas on paper. Prerequisite: Prerequisites: Visual Communication and Form ArtCenter advisor. furniture design, and more. Introduction to Product and Transportation Design Development and Intermediate Transportation or Introduction to Entertainment Design. FALL / SPRING SOUTH-950 FALL / SPRING / SUMMER SOUTH —950 Design, or by permission of an Art Center advisor. THURS 7–10 PM RODOLFO SALDAÑA WED 7–10 PM ALVALYN LUNDGREN FALL / SPRING / SUMMER SOUTH —1111 SPRING SOUTH —1111 MON + WED 7–10 PM LEON PAZ RANDALL SMOCK Product Design 1 Introduction to Communication Sketching ACN-386 3 units $960 ACN-038 2 units $830 Introduction to Interaction Design Product Design: Basics Discover the main elements and processes that Learn how to put ideas to paper quickly and convinc- ACN-200 3 units $960 ACN-086 1.5 units $475 make up a product design experience from start ingly. Drawing techniques covered in this intensive This course offers a hands-on introduction to Housewares, appliances, electronics, toys, soft to finish—basic sketching, composition, personal class will help you tackle a variety of subjects and interaction design—the craft of how people interact goods, sporting goods, tools, lighting and other branding and presentation. In this jam-packed everyday objects including products, appliances, with products, systems and services. See page 45 lifestyle products are just some of the items that course, we will focus on brainstorming techniques office equipment, furniture and materials such as for details. product designers create. This seven-week crash (opening our minds in attitude and exploration), wood, metals, plastics and glass. Mediums used will course is designed for beginners looking to learn iconography, infographics, storyboards, protecting include pencil, pen, felt marker and pastel. Emphasis basic industrial sketching and fundamental design your IP, research, and integrating study models into is on mastering basic forms—cubes, spheres and processes through hands-on projects and is ideal your final project. You will present all your work in a cylinders—to produce attractive drawings. for anybody interested in exploring educational and process book at the end of the course. Prerequisite: FALL / SPRING / SUMMER SOUTH —950 Environmental Design career opportunities in product design fields. Product Design: Basics and Product Design: Process. Concurrent enrollment in Introduction to THURS 7–10 PM RANDALL SMOCK FALL / SPRING / SUMMER SOUTH —950 Industrial Design Modeling is recommended but not Introduction to Environmental Design SEP 10–OCT 22 (7 WKS) STAN KONG required. Transferable for prospective Product Design ACN-060 2 units $830 TUES 7–10 PM majors.* Sketching for Designers ACN-139 2 units $830 This foundation course will introduce you to the FALL / SPRING SOUTH —950 broad range of possibilities within environmental WED 2–6:50 PM NATHAN COOKE Learn to communicate your ideas through quick design, a discipline that focuses on a holistic and Product Design: Process sketching techniques using a variety of mediums— ACN-087 1.5 units $475 experiential approach to designing spaces, objects pencil, pen, marker—and develop visual communi- and images. Class projects will range in scope Learn to apply more advanced “design processes” Sewing Lab cation skills for graphic design, packaging, product from the design of overall immersive spaces to the through one intense project in this course created and advertising. We will also cover type indication, detailed elements that define them, focusing on for students with basic skills in product design. In- PRD-278X noncredit $830 + 3D form development and observational sketching $100 lab fee the design and integration of furniture, lighting, class demonstrations of more advanced rendering through still life. This is an ideal course for beginning materials and graphics. Building of basic skills in and presentation techniques will also be covered. Learn to sew, advance your current sewing skills, or design students, or designers who need to brush up concept development and visual communication Recommended for intermediate or returning get help with your apparel and soft goods projects on freehand drawing skills. (including drawings, models and other media) will industrial design students, as well as design in this multi-level course. By the end of week 14, you FALL / SPRING / SUMMER SOUTH —1111 be covered. Weekly presentations and lectures professionals. For students interested in applying to will have completed one or more projects. Come THURS 7–10 PM STAN KONG on significant artists, designers and architects will ArtCenter’s industrial design or Interaction Design to the first class with a proposal and sketches also take place. Visiting design professionals will programs, projects created in this course will be of your idea. This course is part of ArtCenter’s provide tangible insight into career paths within suitable for use as part of an application portfolio. undergraduate Product Design program. Enrollment environmental design. FALL / SPRING / SUMMER SOUTH —950 for ACN students is limited. ACN students will have access to the home sewing machines in class. Access FALL / SPRING / SUMMER SOUTH —950/1111 OCT 29–DEC 10 (7 WKS) STAN KONG MON + WED 7–10 PM CARLOS FERREIRA TUES 7–10 PM to industrial machines will only be considered upon successful completion of all training. Please note: SAT 9 AM–4 PM STELLA HERNANDEZ The first meeting of this course will be September 7. FALL / SPRING / SUMMER SOUTH-1111 SEP 7–DEC 14 SAT 8 AM–12:50 PM KATHLENE LEWIS 56 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 57 Intermediate Environmental Design Furniture Design Design with Technology: Build ACN-458 1.5 units $595 ACN-260W noncredit $625 + Industrial Design Modeling ACN-431W noncredit $415 In this course that builds upon the design funda- $100 shop fee Learn how to build the circuits that connect sensors, mentals and presentation techniques covered Explore the diverse discipline of furniture design Materials + Modeling LEDs, and the Internet of Things to microcontrollers in Introduction to Environmental Design, you will through various projects, such as functional in this second of two seven-week Design with ACN-423 2 units $830 + develop your individual voice and design two furniture, interior systems, hybrid objects and Technology courses. Hands-on projects cover $100 shop fee projects that convey layered messaging. Learn lighting. Learn how to develop a concept into the essential components of modern electronics to distill the essence of abstract concepts and an actual object through exercises in ideation, Bring your art and design projects to life in ArtCenter’s and the building of physical working prototypes. translate them into physical form to define specific sketching, model building and materials exploration. Technical Skills Center while learning the best and Prerequisites: No prior knowledge assumed. Prior emotional experiences and brand philosophies. You will design and develop final models and basic safest application of materials such as polystyrene, enrollment in Design with Technology: Code and Our focus will be on creating portfolio-quality production drawings, and design and fabricate urethane foam and plastic, silicone rubber, polyester access to a personal laptop during class recom- presentations using scale models and drawings, a final 1:1 scale project. Class will meet at South resin and fiberglass. This seven-week hands-on mended, but not required. A $40 materials fee, paid and may include temporary full-size installations Campus for the first few weeks; remaining classes course provides an introduction to the techniques directly to the instructor at the first class session, and mockups of micro-environments. Several will be at the Hillside Campus model shop facilities. that will allow you to develop and execute well-crafted covers a microcontroller and initial project materials. field trips will be planned based on design events, Prerequisites: Introduction to Environmental Design display models and gain an increased awareness More extensive projects may require purchasing exhibitions and location availabilites. Prerequisite: and Introduction to Industrial Design Modeling, or of 3D form. Become familiar with many of the tools additional supplies that exceed this amount. Introduction to Environmental Design 1 or by by permission of an ArtCenter advisor. and materials used for a variety of design projects. FALL / SPRING SOUTH —950 permission of an ArtCenter advisor. Exercises include wood lathing, vacuum forming FALL / SPRING / SUMMER SOUTH —950 + HILLSIDE and single part RTV mold-making. OCT 30–DEC 11 (7 WKS) MARK SWAIN SPRING SOUTH —1111 SEP 11–NOV 27 (12 WKS) DEWEY AMBROSINO WED 7–10 PM CARLOS FERREIRA WED 7–10 PM FALL /SPRING/SUMMER HILLSIDE OCT 22–DEC 5 (7 WKS) JESSE ELLICO TUES + THURS 7–10 PM Introduction to Rhino 3D Model Making Basics Branded Environments ACN-450 2 units $830 + ACN-457W 1 unit $415 ACN-061 2 units $830 Molding and Casting with Silicone RTV + $125 lab fee This seven-week course will introduce you to the A branded environment is one of the most powerful Polyurethane A versatile 3D modeling software package, fundamentals of architectural model making as it ways to engage people in a true brand experience. Rhinoceros 3D features an easy-to-adapt tool set ACN-383W noncredit $249 relates to the field of environmental design. In class, By understanding the brand and its message, it’s that makes the learning process more intuitive. we will focus on manual and analog techniques possible to create a space that combines powerful Get the materials, techniques and physical skills Unlike surface modelers, Rhino uses NURBS to using modeling supplies such as Eaglecell, balsa methods of interaction with an emotional impact. required to replicate a three dimensional object. create fast and accurate geometry, allowing you wood, cardboard and styrene. Designed for those Learn how to turn your brand story into a 3D In this introductory course, you will explore one- to focus on design and not worry about surface who have little or no background in model making, experience using space planning, interior archi- and two-part silicone molds (RTV-Rubber) and inconsistencies. This course will provide you with this course will cover the basics and proceed to tecture, materials, furniture details, lighting, graphics materials for rapid casting, as well as learn safety enough information to start modeling in Rhino an intermediate level. Through assignments and and media. Explore a broad spectrum of projects and environmental considerations for said materials. and to utilize its Grasshopper visual programming in-class work, you will complete two simple study including retail sites, restaurants, offices and No previous shop experience required. language for extensive parametric capabilities. maquettes: one small white study model and one exhibition spaces. By the end of the course, you SUMMER HILLSIDE Prerequisite: Digital Design 1 or by permission of an detailed color model. will leave with a well-conceived branded space. JESSE ELLICO ArtCenter advisor. Prerequisite: Introduction to Environmental Design 1 FALL / SUMMER SOUTH–950 or by permission of an ArtCenter advisor. FALL/SPRING SOUTH —950 OCT 29–DEC 10 (7 WKS) CARLOS FERREIRA THURS 7–10 PM YELEN AYÉ TUES 7–10 PM SUMMER SOUTH —950 Design with Technology: Code STELLA HERNANDEZ ACN-430W noncredit $415 Take your ideas from basic concept to high tech. Photoshop Rendering for Industrial Design Lighting Design This overview of programming for creative technol- ACN-309 2 units $830 + ACN-263 2 units $830 + DIY Like an Architect ogy—the first of two seven-week Design with $125 lab fee $100 shop fee ACN-459W noncredit $195 Technology courses—offers hands-on projects Interested in taking your industrial design rendering Explore lighting design through hands-on Are you a DIY home improvement enthusiast who exploring microcontrollers, LED displays, sensors, skills to the next level? This digital rendering experimentation. In this course—which emphasizes would rather give up your firstborn than let anyone the Internet of Things, and the code (Arduino, course builds upon a fundamental knowledge of a resourceful, innovative approach to materials, else design your dream project? Then this hands-on Processing, MicroPython) that makes it all work. manual techniques and applies it digitally using form and lighting technology—you will quickly make introduction to “architectural thinking” workshop is Prerequisites: No prior knowledge assumed. Access Adobe Photoshop. Learn to use basic Photoshop several experimental and functional lights. For the for you. Through brainstorming exercises like mind to a personal laptop during class recommended, functions such as masking, airbrushing and final project, you will develop a light—from drawing, mapping, collaging and 3D diagraming, you will but not required. A $40 materials fee, paid directly image manipulation to create realistic, 3D-looking to mock-up, to final fabrication. Field trips, guest become familiar with the range of tools an architect to the instructor on the first day of class, covers a products. Materials, textures and lighting will be lectures and presentations will cover a variety employs while moving from concept to solution. No microcontroller and initial project materials. More covered through design projects ranging from of topics including LED, interactive and high-tech prerequisite other than a desire for self-expression. extensive projects may require purchasing additional consumer electronics to automobiles. Prerequisites: lighting; neon and glass; an insider’s view of the supplies that exceed this amount. SPRING SOUTH —950 intermediate-level product and/or transportation lighting industry; and modern and contemporary ALLA KAZOVSKY FALL / SPRING SOUTH —950 design courses, or by permission of an ArtCenter lighting design. Previous coursework in environmental SEP 11–OCT 23 (7 WKS) MARK SWAIN advisor. Prior Photoshop knowledge is helpful, but or product design is recommended, but not required. WED 7–10 PM not required. FALL /SPRING / SUMMER SOUTH —950 + HILLSIDE FALL / SUMMER SOUTH —950 MON 7–10 PM STELLA HERNANDEZ TUES 7–10 PM STEVE EASTWOOD 58 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 59 OFF-CAMPUS COURSES HUMANITIES

Introduction to Transportation Design AND SCIENCES These off-campus courses Want to become an automotive designer? In this off-campus course—strongly recommended for are taught in professional beginning designers—you will learn the fundamental design principles and procedures, industrial design firms by ArtCenter drawing techniques, and presentation methods of the transportation design field. In-class discussions alumni. Registration and will cover careers, opportunities and the role and responsibilities of the professional industrial designer. all inquiries are handled by the ArtCenter Extension Choose from one of three locations: Los Angeles office in Pasadena. Please ACN-441 2 units $830 Class meets in Los Angeles (mid-Wilshire area). do not contact the locations Enrolled students will receive location address and hosting these classes. details via email before the term begins. FALL / SPRING OFF CAMPUS SAT 10 AM–1 PM MARK CLARKE Enrolled students will receive location Orange County address and directions just prior to ACN-051 2 units $830 the start of the term. Class meets at Mazda Design North America, Irvine. Enrolled students will receive location address and If you have any questions, please call waiver via email. FALL / SPRING /SUMMER OFF CAMPUS 626 396–2319 or email your questions WED 7–10 PM MARK CLARKE to [email protected]. Torrance ACN-055 2 units $830 Class meets at Honda R&D Americas Inc., Torrance; enrolled students will receive location details via email before the term begins. FALL / SPRING /SUMMER OFF CAMPUS TUE 7–10 PM RANDALL SMOCK

Transpor-Tainment ACN-307W noncredit $525 The lines between sci-fi, production, concept and entertainment are becoming blurred. The open- minded spirit of the entertainment industry energizes automotive design. Likewise, transportation design fundamentals provide vehicles designed for enter- tainment purposes with a sense of realism. In this intermediate-level vehicle design course, we will examine buyer/character, usage/theme, ideation sketch development and final renderings through two intensive projects. See page 51 for details. 60 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 61 All Humanities and Please check the ACX website for The Entrepreneurial Spirit Neuroscience of Imagination all Humanities and Sciences course HENT-300X 3 units $720 HSCI-330X 3 units $720 Sciences courses meet The dictionary defines an entrepreneur as “a person Seeing, visualizing and dreaming are closely schedules, instructors and classroom who organizes, operates and assumes the risk for related—they are all perceptual experiences. In this locations. a business venture.” However, an entrepreneur is course, we will explore visual imagination and its for 12 sessions, unless also a true innovator who recognizes opportunities related neurological mechanisms. We will compare and organizes resources to take advantage of those imagination with other visual experiences; via brain otherwise noted. Space Exploring Mathematics and Creativity opportunities. This course will provide you with all scan and brain lesion studies, examine visualizing, HSCI-301X 3 units $720 the necessary tools to complete a fully integrated both in its normal state and in its disorders; and, is extremely limited in business plan. Harvard Business School case through psychological studies, investigate the Go beyond the normal curriculum and discover studies will be reviewed and referenced so that you role of visualizing and other forms of imagination where creativity and mathematics meet in this these courses. Seats are can learn from the challenges that real companies in cognition. And since visualizing is a private informative exploration of higher mathematics faced on the road to success. At the end of the experience, we will look at phenomenological and theoretical physics. Under the direction of a available on a first-come, course, you will present your business plan to an analyses and compare them with first-person supervising instructor, study Cantorian infinity, invited group of venture capitalists during a special knowledge. This course will also explore what group theory, algebraic and geometric topology, presentation. Transferable.* happens when we externalize the visual imagination first-served basis. and black holes. This "Alice in Mathematics Land" in sketching, drawing or painting. Transferable.* journey ends with a study of two of the richest, most International students with a native exciting current research areas today—string theory and hologram theory. Grades will be based on a Design for Sustainability language other than English must series of reflection papers and a final PowerPoint HSCI-251X 3 units $720 Environmental Issues score at least 213 on the computer- presentation based on a mathematics topic of “Design” is being redefined and today’s designers HSCI-221X 3 units $720 the student’s choosing. Prerequisite: high school must now use their ingenuity to consider the environ- In this course, we will explore the impact of over- based Test of English as a Foreign algebra. Transferable.* mental consequences of materials, production population, urbanization, pollution, politics and Language (TOEFL) or 80 on the methods, performance and life cycling. In this course, environmental activism on the land, oceans and Internet-based TOEFL (iBT) for you will learn the fundamental principles of the atmosphere. Topics include endangered species, science of ecology; study methods for evaluating biodiversity, human overpopulation, animal rights, Humanities and Sciences classes. Anatomy and Psychology of Perception HSCI-230X 3 units $720 environmental performance of design/product deforestation, desertification, toxic waste, global concepts; and learn current strategies for creating warming, ozone depletion, wetland destruction, Visual perception—both observation and a sustainable interface between design and the ocean threats and overgrazing. Learn to interpret interpretation—ranges from the mere detection of environment. Transferable for non-Environmental complex environmental issues and be better objects to the construction of reality and assess- Design majors.* prepared to have your work, whether fine art or ment of meaning. In this course, we will study the design, reflect the urgent nature of global concerns. anatomical structures involved in seeing—the eye Transferable.* and the visual cortex—and the neuropsychological aspects of visual perception related to “normal” Science and Sustainability seeing, including characteristics of the visual field, HSCI-250X 3 units $720 the perception of color and brightness, the Over the next 100 years, mankind will find itself in a Introduction to Modernism recognition of faces and the perception of depth. life or death race. Can we develop the technology HHIS-110X 3 units $720 We will also look at the psychological processes needed to achieve a sustainable society before we In this course, you will be introduced to the inter- relevant in visual perception, including attention and either deplete the Earth’s resources or irrevocably disciplinary relationships among the arts, intellectual selection, seeing emotional content and the relation damage the environment? In this course, we will and scientific thought, technological progress, and between seeing and thinking. Transferable.* explore the science of sustainability, including topics social and political events from the mid-19th century such as climate change, alternative energy, through the 1960s. Through extensive visual relationships between poverty and sustainability, material, primary source texts and class discussion, Properties of Artistic Materials and the future of the car. Transferable.* we will examine the changing perceptions of reality HSCI-218X 3 units $720 and the corresponding modes of representation in the visual arts, performing arts and literary arts A lack of knowledge of artistic materials is one of in the modern industrial age. Prerequisite: Writing the greatest obstacles to creativity and a successful art career. In this course, we will discuss the physical Studio or completion of a college-level English and chemical properties of Western and Eastern composition course with a grade of B or better. art materials and how to select the right tool for the Transferable.* job. Learn how to unlock creativity using a vast array of materials and how to create a lasting work of art while protecting your health. Transferable.*

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 62 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 63 Please check the ACX website for Nanotechnology + Design: Now to the Future Race And Racism all Humanities and Sciences course HSCI-233X 3 units $720 HSOC-207X 3 units $720 Gain a holistic understanding of nanotechnology Current events make race and racism hard to ignore. schedules and instructors. with no need for prior high-level scientific knowl- This course takes a hard look at both the history edge or mathematics. Lectures, discussions and and the present of race and racism in the Americas. hands-on experimental work, as well as guest ex- We will ask a lot of questions: How is race socially Critical Practice 1 perts and a field trip to the California NanoSystems constructed and experienced? What realities are HCRT-100X 3 units $720 Institute, will immerse you in this exciting topic. created by the idea of race? What might racial Understand how images—whether successful or Then, take what you have learned and relate it to justice look like? This class is not for the faint of not—work to convey the intended meaning of the your own life and art or design practice. For your heart—we will delve deeply into tough issues for artist/designer to a desired audience. Rather than final project, you will develop either: 1) A proposal which there are neither easy nor neat resolutions. asking what images mean, the emphasis of this for an original nanoscience research project; 2) A Transferable.* course will be to provide you with a basic visual product that could be possible in the future due to vocabulary or rhetoric in order to understand how developments in nanoscience/technology; or 3) An images work in a variety of contexts. In other words, art project which uses or critically addresses nano- Human Rights Movements in the U.S. you will learn the rhetoric—a form of persuasion that technology. Transferable.* HSOC-331X 3 units $720 produces an intellectual and physical transformation What circumstances gave rise to the Civil Rights in the viewer—of visual communication. Transferable.* and human rights movements in the U.S.? How The Dream did minority groups—African Americans, Native HSCI-235X 3 units $720 Americans, Latinos/Chicanos, the LGBTQ community, American Politics & Media Dreams create an experience of meaning. In this and more—become aware of themselves as interest HSOC-301X 3 units $720 multidisciplinary course, we will explore the science groups? What were their past and present goals Is the media liberal? Are all politicians in the pockets of dreaming, the structure of a dream, and the way and strategies? What were their challenges and of corporations? Is dissent unpatriotic? Is the U.S. “dream logic” informs the work of writers, artists successes? In this course, we will explore all these a nation to be loved? Or feared? Is it a democracy? and filmmakers. Learn about the physiology of questions and more, as well as examine the events, An empire? Both? How are we, as citizens, to find sleep and sleep disorders and the neurology and actions, arts and expressions of these movements our way through the rhetoric of the left, the right phenomenology of dream content. We will discuss created both by their members as well as by the and the middle? How can we make sense of the earlier ways of analyzing content (i.e. Freudian dominant culture. Prerequisite: Writing Studio or increasing flood of political and cultural information analysis) as well as the contemporary scientific completion of a college-level English composition that bursts from the internet, television, radio, understanding of the narrative structure of dreams. course with a grade of B or better. Transferable.* newspapers and movies? Whom should we believe? We will also explore how artists translate dreams This course seeks to provide the tools to help make into artistic expressions and how artistic works can sense of it all. Transferable.* be accessed through the methods used in making Future of Science & Technology meaning in dreams. Transferable.* HSCI-216X 3 units $720 The future isn't something that simply happens, Introduction to Urban Studies but something that can and should be shaped by HSOC-271X 3 units $720 Intro To Entrepreneurship people with vision. In this course, we will study the If cities are collections of spaces and places shaped HENT-100X 3 units $720 basic science behind the upcoming revolutions by human activity, are 21st-century cities the cure for Gain an understanding of how to create entrepre- in biotechnology, artificial intelligence, and today’s challenges? Or the cause? In this course, we neurial ventures from self-initiated projects. In this quantum science, in order to develop a shared will examine key issues of urban life, both past and course, you will learn how artwork, design and vision of a desirable future. Topics include: present. We will explore the forces determining the products are developed from the entrepreneurial robotics and artificial intelligence; quantum, nano, proliferation, expansion, and even the decline of the standpoint including how designs vary depending and biotechnology; future energy sources; and urban form; study the connections between housing, on the business context. In class, some students mankind's possible future in space. A range of transportation and urban politics; and spotlight will choose to create a new company and develop imminent societal problems and dilemmas will be the modern city in the global context by linking the a start-up strategy to evaluate its feasibility. Others discussed, with an emphasis on climate change. urban to processes of migration, investment and will choose to create products, which can be two- Prerequisite: Writing Studio or completion of a environmental impact. We will also examine how dimensional graphics or illustrations applied to college-level English composition course with a people studied cities in the past and explore how existing product categories; new stylistic designs; grade of B or better. Transferable* might we study them now. Transferable.* entertainment or media properties; brand concepts; or technical inventions. Transferable.*

* Eligible for transfer credit to select majors with grade of B or better. Not applicable to current ArtCenter degree students. See page 76 for additional details. 64 Fall 2019 — Spring / Summer 2020 65 Andy Alexander MFA, ArtCenter College of Design; Antoinette Byron National Institute of Dramatic Art, BA, University of California, Los Angeles. Owner/founder: Australia; Flinders University, Australia. Public speaking coach Grim Wreather, Goodworkandy, Werk.by. Sixteen years and director of ABPresentations. Worked as a professional of entrepreneurial experience. Former creative director, actress for 20 years in U.S., Europe and Australia and taught Napster. Brand and marketing consultant: Napster, Beatport, speech and acting for nine years at the Australian Institute Gobbler. Course: Social Media for Creatives of Dramatic Arts, Hollywood. Clients include: Goldman Sachs, ITV, RTKL, UCLA, Univision. Course: Powerful Presentations Dewey Ambrosino BFA, University of Illinois; MFA, California Institute of the Arts. Recent design projects: Krystina Castella BFA, Rhode Island School of Design. The gardenLAb experiment, ArtCenter College of Design; Product and environmental designer. Owner: K Monster Eyedentity Optical; Rudolf Schindler’s 1938 Yates House & Company, a product development, manufacturing and remodel; The Project L.A. Selected exhibitions: The Shed; licensing company. Projects include children’s museum Momenta Art, New York; George’s; Oulu International Film exhibition play spaces, water-play environments, sets for Festival, Finland; Nueva Cinema Festival, Japan. Course: children’s television, and public school education programs Furniture Design that inspire invention, play and creativity. Clients: Generra Sportswear, Walt Disney Imagineering, Brooklyn Children’s Christine Atkinson BA, Brooks Institute of Photography; Museum, Los Angeles Children’s Museum, L.A.County MFA, School of the Art Institute of Chicago. Photographer/ High School for the Arts. Courses: Invention Innovation; artist whose works have been included in various shows Manufacturing Techniques across the United States. Recently included in Focus Photo LA, curated by Charlotte Cotton, Nicholas Fahey and Wendy John W. Chambers Instructor, ArtCenter College of Posner and 2017 Left Coast Annual, curated by Susan Sayer Design. Artist/consultant. Owner, Conceptual Designs. Batton. Course: Color in Photography Clients: Southern California Edison, Southern California fa Gas Co., Six Flags, Metropolitan Water District, Walt Disney Craig Attebery BFA, ArtCenter College of Design; MFA, Imagineering, Apple, McDonald’s, Volvo, Mazda USA. Author Otis Art Institute. Artist/illustrator. Exhibitions: American of Inside Director 5 with Lingo (New Riders Publishing). Academy of Art, Chicago; Lizardi/Harp Gallery; California Course: Digital Design 1 State University, Fullerton and Los Angeles; Mt. San Antonio College. Clients: Time, Newsweek, Popular Mechanics, James Chu BS, ArtCenter College of Design; BS, University McDonnell Douglas, Jet Propulsion Laboratory. Course: of Southern California. Industrial designer, branding Perspective strategist, educator, speaker. Creative director, IDE8 (viaOrange), a multi-disciplinary boutique design consultancy. Yelen Ayé BFA, ArtCenter College of Design. Graphic Clients include Solteras, Motorola, Monster Music, Verizon designer and illustrator. Co-founder of MIUstudios (stop- Wireless, Lennar Homes and Beijing Olympics Village. motion playground). Pasadena City College, Visual Arts Previously: Senior branding strategist/creative lead, Belkin Department. Courses: Costume and Fashion Design; International; creative lead, Nokia; retail/branding creative Rhino 3D lead, Vertu; senior lead designer, Nike (created the inter- national Nike Store prototype/program). Course: Brand Brett Barker University of Nebraska; BFA, University of Experience Design New Mexico; BA, Claremont McKenna College. Founder and principal artist behind the Brett Barker Design Studio, Carly Chubak BA with honors, University of California, Sprocketeria, and Peace, Love, Shibori brands. Textile and Berkeley; BFA, ArtCenter College of Design. Spent several surface designer for high-end/runway apparel, luxury home years as a test engineer in the optics industry, analyzing décor, and stationery/gift items. Author of the best-selling distortion in space-borne telescopes. An artist whose Color and Composition for the Creative Quilter. experience in science and academia informs her practice, CuL which focuses on research-based work, an interest in Adele Bass BA, State University of New York at Binghamton; labor, and a feminist perspective. Her works are heavily BFA, MFA, ArtCenter College of Design. Graphic design analytical, emphasizing the historical and cultural meanings consultant. Owner: AB & Co. Design. Clients: Los Angeles of materials and processes alongside more formal and Zoo, City of Pasadena, Rockwell, USC, Beverly Enterprises. conceptual concerns. Course: Introduction to Fiber Arts Publications: The Best of Brochure Design, The Best of Business Card Design. Awards: Print, Golden Mirror, Golden Mark D. Clarke BS, ArtCenter College of Design. Consultant Eagle. Course: Typography 1 for transportation and product design companies. Formerly: director, exterior design, Fisker Automotive; design manager Kevin Blanchard BFA, ArtCenter College of Design. USA, Porsche Design Studio; transportation design director, Concept artist and designer whose clients include Create Porsche Design GmbH, Austria; assistant chief designer, Advertising Group, Fox, Sony Pictures, Apple, NBC Universal, Porsche Engineering Services; design project leader, Linden Lab, Disney Imagineering, Hettema Group and Mattel. BMW AG; senior designer, BMW Technik GmbH. Course: Courses: Introduction to Creature Design; Digital Sketching Introduction to Transportation Design Using Photoshop Rob Clayton BFA with honors, ArtCenter College of Design. Thomas Broersma BFA, ArtCenter College of Design. Artist currently working on a new body of work exploring Illustrator, sculptor, comic guy and fine artist. Published in the ideas of self and the process of creating environmental TapCab Books, Pasadena Weekly, OC Weekly, FIND Art. sculptural and painting. Utilizing skills learned over the Exhibitions in Los Angeles, Orange County, and San Diego. past 20 years of teaching, he recently started to explore Clients Include: Mattel, SpinMaster, Hasbro, Jakks Pacific. unconventional means of fabrication generated in a true Course: Storyboarding DIY spirit. The focus of his new body of work is pushing the ideas and concepts of narrative and/or illustrative content. Ty Course: Contemporary Illustration Concepts 66 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 67 Chase Conerly Pasadena City College. Copywriter/ Dave Doody BS, Loyola Marymount University; MA BSEE Rosi Gabl Central Saint Martins College of Art and Design, Dan Hoy BA, California State University, Northridge. creative director, Walton Isaacson; Uniworld, N.Y.; Muse equivalence, UC Davis; Pacific Oaks College, U.S. Air Force London; School of Art and Design, Basel, Switzerland. Designer/consultant. Former designer, Ramone C. Muñoz Cordero Chen; The True Agency. Clients: ArtCenter College technical school. Senior engineer, Caltech Jet Propulsion Freelance costume illustrator. Creates and produces Design Associates. Clients: Micro Matic USA, Siemens of Design, HBO, Jim Beam, Lexus, Miller Brewing Co., Nike, Laboratory. Member of the Advanced Mission Operations costumes for film and television. Credits include: Moneyball; Solar, Baskin-Robbins, Buildit Engineering, Epax Systems Nissan, Pepsi, TRUTH and Universal Pictures. Course: section since 1987. Presently flight operations lead engineer. XXX State of the Union; John Carpenter’s Ghosts of Mars; Inc. Courses: Introduction to Graphic Design; Introduction Relationship Goals Previously: systems engineer with Cassini Realtime Mission to Mars; Don’t Stop the Carnival (theatre); L’Oreal; to Package Design Operations; operations engineer and deputy mission control Janet Jackson Tour 2001. Creator of the Best of Rosi Nathan Cooke BS, ArtCenter College of Design. Product team chief, Magellan and Voyager mission control teams. collection, which includes a line of purses. Featured in Shenho Hshieh BFA, ArtCenter College of Design. designer idealist who uses design to work with others and Proprietor, Space Craft International, maker of scale-model Omage 08 group exhibition, Track 16 Gallery, Bergamot Editorial illustrator based in Los Angeles. Clients include: create a tangible effect on people’s lives. Co-founder and kits of real space-exploring machines. Course: Basics of Station and DIFFA’s AIDS Benefit, Pacific Design Center. Los Angeles Times, Dallas Observer. Course: Introduction product developer of Sanergy, a social enterprise based in Interplanetary Flight Course: Fashion and Costume Drawing to Narrative Painting Nairobi, Kenya, with the mission of making hygienic sanitation affordable and accessible, and which recently received a Dana Duncan-Seil BFA, ArtCenter College of Design. Bia Gayotto MFA, University of California, Los Angeles. Dana Hursey BFA, ArtCenter College of Design. Photo- Flextronics Economic Development Award from The Tech Freelance graphic designer and illustrator. Creative mind Photographer and video artist whose work has been grapher. Owner, Dana Hursey Photography. Clients include: Museum of Innovation. Course: Product Design 1 behind D-Squared Design. Clients: Academy of Motion featured in many exhibitions nationally and internationally. UnitedHealthcare, American Express, Botox, Chevrolet, Picture Arts and Sciences, Cyrano Sciences, California She has received numerous awards, including the City of Citibank, Disney, Four Seasons, GM, Google, Kohl’s, Lexus, Laura Cooper BA, UC San Diego; MFA, California Institute School of Culinary Arts, L.R. Baggs Electronics for Stringed Los Angeles (C.O.L.A) Fellowship and Individual Artist Grants Mastercard, Microsoft, Mike’s Hard Lemonade, MTV, The of the Arts. Artist. Recent exhibitions: The Sleep Piece, Instruments, Xoom Software, Hot Topic and more. Former from The City of Pasadena Cultural Affairs. She was an New York Times, Samsung, Sparkletts, Volkswagen. Course: Angles Gallery, Santa Monica; L.A. Post-Cool, San Jose senior graphic designer, ExhibitGroup/Giltspur. Awards: artist-in-residence at The Banff Centre, Canada; Threewalls, DAM! Digital Asset Management Museum of Art; Ben Maltz Gallery, Otis College of Art and Ventura County Addy, ArtCenter Great Teacher. Course: Chicago; and Montalvo Arts Center, Saratoga, CA. Course: Design. Course: Introduction to Modernism Digital Illustration Seeing Through Photographs Joey Jones MS, ArtCenter College of Design; BA, Ohio State University; National Science Foundation’s Entrepre- Allison Dalton BA, University of California, Santa Cruz; Steve Eastwood BS, ArtCenter College of Design. Owner, Errol Gerson BS, University of Southern California; MBA, neurial Fellowship Program, California Institute of Technology. MFA, Columbia University. Dalton has been teaching writing S-E-Design. Industrial designer and digital automotive Harvard University. President and COO, VidRev Technologies VP, creative director of CGI/character animation, Ayzenberg; to art and design students for the past eight years. Course: illustrator. Clients: Flint, Inc./BTO, Prisma Design, Alpine Inc., a publicly traded company that develops video con- Disney, Mattel, Paramount Pictures. Course: Introduction to The Graphic Novel Electronics, Maisto International, Sony, Callaway Golf. ferencing and broadcasting software. Former director of Maya and 3D Animation Publications: Road & Track, AutoWeek, European Car, new media, Creative Artists Agency, representing Fortune Christophe Deluy Owner, PIXRETOUCH, a high-end Speed Vision, Auto Extremist, Detroit Auto News, The Car 500 companies. Co-founder, president of Cow. Eight years Gloria Kondrup BA, City University of New York; MFA, retouching company. Clients: Beats, Apple, Amazon, Heineken, Connection, Fresh Alloy. Courses: Introduction to Product in public accounting and business management at Gerson, ArtCenter College of Design. Professor, graphic design. Adidas, Nike, Le Coq Sportif, L’Oreal, Garnier, Toyota, Harman and Transportation Design; Photoshop Rendering for Schur and Sugarman. Business management instructor at Director, Archetype Press. Proprietor, VERO designand- Kardon, Dita, Brighton, Thom Browne, YMI, Netflix, HBO, Industrial Design; Intermediate Transportation Design ArtCenter for 35 years. Course: The Entrepreneurial Spirit letterpress. Author, A Sustainable Process. Selected EPIX, Universal Pictures, Colombia Pictures, Warner Bros., exhibitions: Dressing the Test: Fine Press Artists Books; Nicole Kidman, Anthony Bourdain, Zoe Saldana, Gary Oldman, Jesse Ellico BSME, USC. Aerospace engineer, Orbital Z Gevorkian BFA, ArtCenter College of Design. Senior AIGA: The Greening of Design; American Women Book Lewis Hamilton, Kobe Bryant, John Oliver, JJ Abrams, John ATK, Minister of technology and master of the press, art director. Clients include: Call of Duty: Black Ops II; Call Artists, New Zealand. Awards: AIGA, Communication Arts. Travolta, Christopher Walken, Joaquin Phoenix. Finisher for Century Guild LLC, an award-winning graphic design studio of Duty: Modern Warfare 3; Playstation Portable (PSP); Leroy and Rose, Observatory, Imaginary Forces, (Aquaman, specializing in letterpress invitations, books and identity Land Rover; Nissan; TAP Project; Tobacco Free Living; Stan Kong BS, ArtCenter College of Design. Design Warcraft, Get Shorty, Gotti, Our Souls at Night.) Course: systems for the special events industry. Clients: The Renaissance Hotels. Course: Introduction to Advertising consultant. Faculty: Pasadena City College, Institute for Mastering Photoshop Osbournes, Sony, IBM, USC, Nickelodeon, Christian Slater, Educational Advancement. Community service: Armory Paxson Offield, Ruben Postaer and Associates. Courses: Devin Hawker BFA, ArtCenter College of Design. Center for the Arts, board of directors; Rowe and Gayle John Deyto BFA, ArtCenter College of Design. Over 16 Materials + Modeling; Molding and Casting with Silicone RTV Freelance entertainment advertising writer/copywriter/ Giesen Trust, board of trustees; Pasadena Arts and Culture years experience in developing brands and creating web producer. Veteran of 600 motion picture advertising Commissioner; Visual Arts and Design Academy, advisory and mobile products. Partial list of clients: Ralph Lauren, Carlos Ferreira BFA, College for Creative Studies, Detroit. campaigns over the past 20 years, including Men in Black board. Courses: Sketching for Designers; Product Design: Pepsi, Levi’s, Yahoo!, OWN (Oprah Winfrey Network), United Founder, Sketchtank, a design collective. Extensive environ- 1, 2 and 3, Seabiscuit, Despicable Me 1 and 2, Tangled, Basics; Product Design: Process Nations, Gilt Groupe and LinkedIn. Courses: Basics of Digital mental design background includes residential and branded Stranger Than Fiction and Zero Dark Thirty. Co-founder, Gas Photography and Adobe Lightroom spaces, graphics, branding strategy, exhibits for museums Station Zebra motion picture advertising agency. Courses: Jonas Kulikauskas BFA, Otis Art Institute of Parsons and trade shows, lighting design and furniture design. Recent Introduction to Filmmaking; Art of the Movie Trailer School of Design. Award-winning artist, photographer, and Dario DiClaudio New York Institute of Technology. Motion projects: Electric Run 5K Fun Run, $5M luxury residence author. Exhibited nationally and internationally, including a graphics designer for web, broadcast and film. Senior in Hawaii. Courses: Introduction to Environmental Design 1; Mark Harvey BFA, Virginia Commonwealth University; solo show at the National Ciurlionis Gallery of Art, Lithuania. designer, Sleepwalker Dezign. Course: Motion Design 1 Intermediate Environmental Design; Model Making Basics MFA, Maryland Institute College of Art. Graphic designer, Publisher of A Thousand Words Press. Featured in The photographer, and artist living in L.A. Edits, designs New York Times, CNN, Photo District News. His most recent Adam Dix Academy of Art University. Character designer, Marla Frazee BFA, with distinction, ArtCenter College of and self-publishes Fluxion, an independent arts journal. series, Yosemite People, is being entered into the National DreamWorks TV Animation. Former character designer Design. Two-time Caldecott Honor medalist for A Couple of Currently works as a freelance photographer and graphic Museum of American History, Smithsonian. Awards: two-time and visual development artist, Disney TV Animation, where Boys Have the Best Week Ever and All the World. Her word- designer through his own studio Fluxion Media. Co-director awardee, Samsung Faculty Enrichment Grant, ArtCenter. he designed characters for Ducktales, Sofia the First and less picture book The Farmer and the Clown won the 2015 of Keystone Gallery. Previously: art director, The Advocate; Courses: Photographic Projects: Delivering Your Big Idea Elena of Avalor. Former concept and production artist, Boston Globe Horn Book Award for Picture Book and a designed DVD packaging and theatrical movie posters with and Photo Book: From Start to Finish Disney Interactive group, where he designed characters, Best in Book Illustration Award from the National Cartoonist Kustom Creative for Sony Pictures Home Entertainment, props, environments and mini-games. Storyboard artist Society. Other books include The Boss Baby (adapted Sony Pictures Classics, MGM, Lions Gate Films, and others. Teen Liu BFA with honors, ArtCenter College of Design; for Ancestry.com and Ebay. EPX Conference speaker at by DreamWorks into a feature film) and the picture book Course: Design 360 Vanderbilt University. Director and founder, Paper Engine University of Iowa; guest lecturer at Cal State Fullerton. It Takes a Village by Hillary Clinton. In addition to several Creative. Clients include: Museum of Modern Art, Lucasfilm Course: Character Design for Animation publishers, her clients include NFL, Mattel, McDonalds and Stella Hernandez BS with honors, ArtCenter College of Ltd., Simon and Schuster, Scholastic, Penguin Publishing, Disney Studios. Course: Children's Book Illustration Design; BA, Xavier University, Bogota, Colombia. Industrial UPS, Vogue, The Today Show, TED. Exhibitions: NCCIL and environmental designer. Owner, StellaH Design. Interior Museum, Chicago; Eric Carle Museum; Seibu Gallery, Japan; architecture, exhibition, furniture/lighting design and Space 38/39 Gallery; Figures Futur Salon du Livre, Montreuil, architectural model making. Currently designing high-end France. Course: Designing Pop-up Books + More residential and commercial spaces. Awards: recipient of an ArtCenter grant; first place, AIA interior architecture student competition; Loft project exhibited at Architecture and Design Museum, L.A. Courses: Lighting Design; Branded Environments; Introduction to Environmental Design 68 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 69 Ronald J. Llanos BFA with honors, ArtCenter College Gary McGuire BFA, ArtCenter College of Design. Owner: Robert Pastrana BFA, ArtCenter College of Design. Erik Mark Sandberg BFA, ArtCenter College of Design; of Design. Illustrator, artist, teacher. Clients: Metro (MTA), Gary McGuire Photography. Clients: Apple Computer, Nike, Illustrator, author. Clients include: Amazon, Forbes, Geffen, AAS, Art Institute Minneapolis. Atelier under former Gemini Kitchen Sink Magazine, Los Angeles Journal. Exhibitions: Chevrolet, Mazda Motors, Pioneer Electronics, Mitsubishi General Motors, Kaiser Permanente, Kaufman and Broad, Gel Master Printer Anthony Zepeda. Clients: Time, Field AIGA/DESIGN/LA, Ghetto Gloss Gallery, Black Maria Gallery, Electronics, Sony, Toshiba Computers, Epson, DIRECTV, Los Angeles Times, Louisiana Pacific, Microsoft, Oracle, & Stream, SPIN, Continental Airlines, New York University, Polytechnic School, ON Gallery, ANDlab, Nucleus, Avenue Countrywide Funding, Acura, GTE, Mattel, Northrop, Nestle, Playboy, Rolling Stone, Scholastic, Sunset, Us Weekly, Visa. The New York Times, Los Angeles Times, Playboy, Harvard 50 Studio, The Drawing Club, Angel City Gym, Eagle Rock 3M, Lexus, Wells Fargo Bank, Delta Airlines, IBM, Visa, Author, Simplifying Perspective. Awards: Communication Business Review, Harper Collins Publishers, The Village Community Center, Cactus Gallery, ON Gallery. Publications: Infiniti, Honda, Nissan. Courses: Photo 101: Analog to Digital; Arts, Print, Graphis, The Society of Publication Designers, Voice, LA Weekly, Budweiser, Absolut Vodka, United Society of Illustrators; CMYK; Pasadena Weekly; Los Angeles Photo 102: Taking It to the Streets Illustrators Only. Courses: Mastering Color for Illustrators Airlines, Fallon London, TBWA Paris. Awards: Gold Medal, Journal; Bluecanvas; Glendale News-Press; The Good Things and Designers; Mastering Composition and Design; Make Los Angeles Society of Illustrators; Silver Medal, New York About America. Course: Introduction to Figure Drawing Jeff McMillan BFA with honors, ArtCenter College of It Great: Drawing and Design Concepts; Introduction to Society of Illustrators. Publications: Society of Publication Design. Illustrator, painter and instructor. Exhibited in New Illustration Designers, Communication Arts, American Illustration. Annie Huang Luck BFA, ArtCenter College of Design. York, San Francisco and Los Angeles. Publications: Disney Course: Printmaking Studio Creative director, Bocu & Bocu. Former senior designer, consumer products, Elle, Esquire, Runner’s World, Look- Leon Paz BS, ArtCenter College of Design. 3D modeling Bon Appétit. Clients: NBC, Los Angeles Dodgers, W Look Magazine, L.A. Weekly. consultant for Technicon Design. Designer with expertise in Julian Scaff BA, Pitzer College; MA, UCLA; MFA, Dutch Hotels, DIRECTV, USC, Pasadena Tournament of Roses, 3D CAS automotive design. Course: Visual Communication Art Institute. Design director, Interactivism, with expertise International Perfume Bottle Association, Condé Nast Ken Merfeld BFA, ArtCenter College of Design; BS, and Form Development in UX, UI, IxD, and creative strategy. Previously: designer, Publications, San Diego Padres, World Shoe Association. University of California, San Diego. Owner: Ken Merfeld NASA/JPL and Idealab; creative director, JobTrak, Monster. Awards: Communication Arts, Print, Print Typography. Photography. Clients: American Express, Apple, Pioneer Dennis Phillips BFA, California Institute of the Arts; MFA, com and Blue Planet United. For the past decade Julian Course: Graphic Design Stereo, Gucci, Mattel, The Walt Disney Co., Nike, Toshiba, Antioch University, Los Angeles. Author of 12 books of has taught interactive media and design at universities in Nintendo, Sparkletts, Panavision, Redken Cosmetics, Laura poetry (including Arena, Credence and Navigation) and a the Netherlands, Beirut, Qatar, St. Louis, and L.A. Speaking Tony Luna BA, California State University, Los Angeles. Ashley, Jordache, Helene Curtis, Kaiser Permanente, Goodyear, novel (Hope). His commentaries and poetry appear regularly engagements include: “Designing Change for Good” TEDx Creative consultant and founder, Tony Luna Creative Hilton Hotels, Suzuki, America West Airlines, Warner Home in national and local poetry journals. Editor of Joyce on Talk and the keynote address at the Wonder Women Tech Services. Artist representative/executive producer, Wolfe Video. Publications: Vogue, Harper’s Bazaar, Mademoiselle, Ibsen. Founding editor of Littoral Books. Formerly: director, conference on the need for gender equality in the tech and Company Films/Wolfe Air Aviation. Instructor and Glamour, Town & Country, Cosmopolitan, N.Y. Apparel News, Beyond Baroque Literary Arts Center; poetry editor, New industry. Course: Introduction to Interaction Design lecturer on business issues for commercial artists. Author Los Angeles, Victoria. Course: Intermediate Photo Methods Review of Literature. Course: American Politics & Media of Mastering the Business of Photography and How to Delbar Shahbaz MFA, ArtCenter College of Design; MFA, Grow as a Photographer: Reinventing Your Career. Member, Graham Moore HND, Wimbledon School of Art, London; Leslie Prussia BA, University of California, Berkeley; Tehran Art University. Artist in residence, The Wassaic working and curriculum committees for ArtCenter/Caltech College of Technology East Ham, London. Clients: Neiman Parsons School of Design. Owner, Leslie Prussia Design. Project (2015). Solo exhibitions include: Terrain of Absence, Entrepreneurial Fellowship Program. Member: Advertising Marcus, JCPenney, Samsung Music. Has worked in various Letterpress printer with 23 years of experience. Courses: ArtCenter (2014); Seyhoun Gallery, Tehran (2012). Recent Photographers of America; Advertising Club/L.A. design studios and advertising agencies in London, Dallas Introduction to Letterpress Printing; Letterpress Holiday group exhibitions include: Gallery CLU, Los Angeles; The Contributor to three volumes of Chicken Soup for the Soul. and Los Angeles as an art director/graphic designer. Card Workshop; Valentine Card Letterpress Workshop. Gallery Tally Poster Project, Woman Made Gallery, Chicago; Courses: Crafting a Meaningful Career 1, 2 and 3 Freelance designer for independent record companies, Two Hours of Video-Art from Iran, Festival Du Nouveau producing packaging and promotional material. Awards: Anne Saitzyk MFA, Claremont Graduate University; BFA, Cinema, Montreal. Awards: Contemporary Painters Influenced Alvalyn Lundgren BFA, ArtCenter College of Design; BA, Certificate of Excellence, Print Design Annual. Course: ArtCenter College of Design. Artist, teacher. ArtCenter by Persian Painting prize, Imam Ali Museum, Tehran; first California State University, Northridge. Independent designer, Creative Letterform faculty member since 1994. Recently a guest artist/teacher prize, Iranian women’s workshop, Tehran. Courses: Collage illustrator, instructor and business mentor. Creative pro- at Chung Ang University in Seoul, Korea. A student and and Mixed Media; Making Objects; Gelatin Printmaking prietor: Alvalyn Creative, a firm with 35 years experience Scot Moss BFA, ArtCenter College of Design. Principal practitioner of meditation and the integration of meditation Workshop creating visual communications for businesses, nonprofits, graphic designer, Walt Disney Imagineering. Provides and art since 1995. Courses: Introduction to Figure Drawing; corporations, publishers and entrepreneurs. Awards: GDUSA signage, graphics and concept design for Disney theme Introduction to Painting; Direct Painting Workshops Robert Sherrill BFA, ArtCenter College of Design; Awards for publication design, logo and identity design. parks domestically and internationally. Previous experience Riverside Community College. Painter. Art director, Global Clients include: health care, manufacturing, real estate, retail, and projects: Landmark Entertainment Group (Star Trek: Steven Saitzyk Adjunct professor of humanities and Entertainment Industries. Former art director, Wildfire publishers, engineering, education, beauty, construction, The Experience), M&M’s Academy at M&M’s World; Caesar’s sciences, ArtCenter College of Design. Painter, art materials Lighting & Visual Effects. Exhibitions: Beaux Arts Gallery, financial services, utilities and government agencies. Courses: Magical Empire; and StarQuest Pavilion at Tejon Korea 1993 consultant, former biochemist. Author: Art Hardware: The Thousand Oaks Library. Clients: Dance Magazine, Playboy Introduction to 3D Design; Crafting Your Creative Brand World Expo. Former designer, Hunt Design Associates, Definitive Guide to Artists’ Materials and Place Your Thoughts Jazz Festival, various private portrait and landscape where his projects included Culver City City Hall and Porto Here: Meditation for the Creative Mind. International director, commissions. Courses: Basics of Painting; Plein Air Painting; Sterling Marshall BFA, ArtCenter College of Design. As Europa, Japan. Awards: SEGD Merit Award 1996 Caesars Shambhala Art, a nonprofit that integrates meditation into Portraiture in Painting; Mixed Media: Figure a senior graphic designer at Strategic Partners Inc. (SPI), Magical Empire. Course: Essential Typography the creative process. Practiced and taught meditation he expands brand identity of current Scrub Wear products internationally for more than 40 years. Courses: Best Orrin Shively BS, ArtCenter College of Design. Director of and establishes brand identities for new products. Eric Ng BS, ArtCenter College of Design. Concept design Practices for Oil Painting; Best Practices for Waterborne art and design, Disney Online Studios, Disney's Interactive Tradeshow displays, packaging, advertising and marketing consultant. Clients: Walt Disney Imagineering, Rhythm & Hues, Paints; Properties of Artistic Materials; Meditation for the Media group. Formerly executive director of creative and materials. Owner, Sterling Designs, whose projects include Design Studio Press, BRC: Imagination Arts, Mattel Hot Creative Mind new business development, Walt Disney Imagineering advertising, packaging, websites, brochures, logos, POP Wheels, Buena Vista Games and Sony Online Entertainment. Research and Development. Previously spent 12 years in the and Standees. Clients include Nelson Rigg Motorcycle Course: Introduction to Entertainment Design Rodolfo Saldaña BS, ArtCenter College of Design. Senior theme park division at Walt Disney Imagineering in a variety accessories, 805 Magazine, select Downtown Disney industrial designer working in the field of outdoor and action of creative roles, working on attractions for parks in Tokyo, Food Carts, Givefitness Gym, Beachbody Fitness. Course: Johnny Ngo BA, University of California, Riverside; MFA, sports industries. Developed products, specifically footwear Paris and Orlando. Prior to Disney, designed advanced Introduction to Graphic Design ArtCenter College of Design. Screenwriter. Selected for and outdoor equipment, for brands such as Alpinestars, concept vehicles, specializing in motorcycles, as part of CAPE'S 2017 New Writers Fellowship Program, and for The North Face, Fox Racing, Nike and Five Eleven Tactical. Honda’s research and development team. Course: The Art Ko Maruyama Clients: Disney, Warner Brothers, Paramount Oriental Dreamworks 2017 Artist in Residence Program Freelance design consultant at large. Entrepreneur and of Visual Storytelling Television. Commercials and promos: MTV, Skechers, in Shanghai. As executive assistant to the president of brand creator: Catella Cycling, LLC., a cycling performance Toyota, Coca-Cola, Fox Kids. Music videos: Goo Goo Dolls, production at Vendome Pictures, assisted in film and TV apparel brand based on a Southern California lifestyle. Alix Sloan BA, California State University, Northridge. Train, Jay-Z, Hole, Wheatus, Bone Thugs-n-Harmony, development, performed script coverage and analysis. Course: Footwear Design 1 Owner/founder: Sloan Fine Art, a contemporary art Toni Braxton. Contributing writer, Digital Media Networks. Assisted creatively on What Happened to Monday (Netflix); gallery and full-service agency for artists, collectors Publications: STUDIO|monthly, Millimeter and Post. Awards The Take (Focus/Universal), Oh My Ghost, a half-hour and businesses. Published Launching Your Art Career: A include several Emmy nominations and BDA/Promax Gold. dramedy series (CW/CBSP); and Headhunter, a one-hour Practical Guide for Artists and created the Practical Artists Courses: 3D Motion Graphics; Motion Design 2 drama series. Course: Screenwriting 101 resource companion website. Previously: director, La Luz de Jesus Gallery, Los Angeles; private dealer, consultant and curator; television/film production coordinator, marketing and advertising copywriter. Lectured and joined panel discussions at SVA, Parsons, NY Academy of Art, Maryland Institute of Contemporary Art, and ArtCenter College of Design. Course: Business of Art: Getting Started 70 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 71 Randall Smock BS, ArtCenter College of Design. Senior Debra Valencia Artist, designer and entrepreneur whose Holland’s leading portrait painters. Commercial clients: exterior designer, Honda R&D Americas. Prior studio surface designs blend florals, paisleys, geometric and Harper Collins, History Channel, A&E, Samuel Goldwyn experience includes: Honda Advanced Design, Pasadena; decorative motifs. Creates branding, packaging and product Company, Academy of Motion Picture Arts and Sciences. Honda Design HQ Wako-shi, Toyko; and Honda R&D- design for clients like Hasbro, Disney and MGM Grand Courses: Head and Hands; Head Painting Acura Division, Los Angeles. Notable works include 2012 Hotels. Designed books for artists (Mark Ryden, Liz McGrath); Acura RDX, 2008 TSX/EU Accord, 2007 Acura Sports museums and galleries; and book publishers. Her work has Brice Wong BS, ArtCenter College of Design, Pasadena. Concept, various parts on 2009 Acura RL, 2006 Honda been featured in Time, Print and ID and has received awards Experienced industrial designer specializing in transportation Pilot and 2006 Honda Accord 4dr. Courses: Introduction from professional organizations like AIGA and STA. Author design in the L.A. area. Currently works for the Power Sports to Transportation Design, Torrance; Introduction to of Sewing Pretty Bags: Boutique Designs to Stitch & Love. Division of Honda R&D Americas, Inc. Has served as a Communication Sketching; Transpor-Tainment; Introduction Courses: Introduction to Surface Design; Advanced Surface consultant for various companies and projects including: to Product and Transportation Design Design: Embroidery Arts Workshop Sphere One Limited, designing concept cars for military- based companies in China; and design concepts for Tesla David Sotelo BFA, ArtCenter College of Design; BA, Lauren Volk BFA and MFA, ArtCenter College of Design; Motors through Prime Wheels. Former lead designer, University of California, Santa Barbara. Owner, David Otis College of Art and Design; Slade School of Fine Art, Andus R&D Inc., a satellite design studio which designs Sotelo Photography. Courses: Photographing People; Platt College, Royal College of Art. Teamwork Design; cars for production in China. Course: Intro to Product and Conscientious Photography Society of Illustrators (London). Owner, LV Design Studio, Transportation Design Marina del Rey. Course: Surrealist Pen and Ink Lucas Steadman BFA, Brigham Young University– Hao Wu BS, ArtCenter College of Design. American con- Idaho. Concept designer and art direction for themed Scott Walker BA, Old Dominion University; BA, Virginia ceptual designer with more than a decade of experience entertainment, including: Thinkwell Group; Universal Studios, Commonwealth University; MBA, University of Southern in the entertainment design industry. His work ranges from Hollywood; Disney Imagineering; Favilli Studio; The Hettema California—Marshall School of Business. Storyteller and character design on feature films to video games, design, Group. Selected projects include: Shanghai Disneyland; world builder. Co-founded Brain Candy, LLC, which launched and art direction for theme parks. Notable projects and Monkey King Theme Park, Beijing, China; Warner Bros. the participatory entertainment property Runes of Gallidon. clients include: Disney Imagineering, Disney Interactive, Studio Tour: The Making of Harry Potter, London; Dinosaur Designed and produced live-action role-playing experiences Disney Publishing, Universal Motion Pictures, Universal Themepark, China; Ferrari World, Abu Dhabi; Nature Quest, that provided improvisational narrative experiences for Creative, MNC Indonesia, National Basketball Association, Fernbank Museum, Atlanta; Robotland, South Korea. Honors participants. Co-founded Transmedia Los Angeles, launched Fox, Dreamworks, Technicolor, Titmouse, Colgate, Samsung, and awards: Thea Awards for The Making of Harry Potter, Shared Story Worlds website, co-created Star Wars Remix NASCAR, Ferrari World. Courses: Digital Painting for and Nature Quest. Course: Theme Park Design website. Course: The Art of Visual Storytelling Entertainment; Intro to Blender

Jeremy Steiner BFA with honors, ArtCenter College of Brian Wallace BA, Cal State Long Beach. Musician and Mary Yanish BFA, ArtCenter College of Design. Illustrator. Design; Moorpark College. Senior UI/UX designer, Disney studio producer known for his saxophone work with a wide Exhibitions: Folk Tree Gallery, American Illustration Show; Consumer Products and Interactive Media. Formerly digital variety of West Coast artists. Produces sound for film, music Art Directors Club (N.Y.); Society of Illustrators (L.A.). designer, Imagicademy (Mickey’s Magical Math World); and artists at Majestic Sound Studios. Also works under Clients: Bon Appétit, Mattel, California Museum of Science UI artist/UX and designer/2D artist, Disney Interactive the name Dubrobot and enjoys a long term association with and Industry, Daniel Freeman Memorial Hospital, Modern Worlds (Club Penguin); 2D assets and concept design, Scientist as his mix assistant. Mastered The Expanders’ Maturity, Los Angeles, Teleflora. Courses: Introduction to Slot Revolution (Konami). Art lead/designer, Sony Pictures Old Time Something Come Back Again Vol. 2 (2017), which Figure Drawing; Creative Sketchbook; Narrative Sketching Interactive (Hotel Transylvania social game UI), and reached #1 on the Billboard reggae chart. Dubrobot’s art websites/games (Cloudy with a Chance of Meatballs). car houses Wallace’s dub mixing sound system and attracts Jini Keasling Zopf BFA with honors, Art Center College Awards: Tillywig Toy Award Sterling Fun; Tillywig Toy Award musicians from all over the world. Course: Sound Design of Design. Senior manager, Hot Wheels Packaging Design Brain Child. Course: The Art of UI for Media (Marvel, Star Wars, Hot Wheels). Third generation designer with more than 15 years experience in branding, packaging, Mark Swain BA, California State University, Chico. Owner Warren Wilson BS, Washington State University; BFA, product design, style guide creation and design leadership and designer, Rocket Kitchen creative consultancy, which ArtCenter College of Design. Principal graphic designer, at Disney, Airstream Inc., LEGO and Mattel. Course: Art works with engineers and inventors to advance their designs Walt Disney Imagineering (WDI). Leads the WDI-Anaheim Directing Multidisciplinary Teams through 3D printed and laser-cut working prototypes and graphics group, providing signage, graphics and concept models. Senior technical director, Disney Feature Animation. design for the Disneyland Resort. Project work includes On-set motion capture supervisor, Palomar Pictures. environmental graphics for motion picture backlots, pedes- Animator and technical director, Colossal Pictures. Notable trian promenades, hotels, health care facilities and theme clients: Intel, Nike, McDonalds, Disney’s Animal Kingdom, parks in addition to corporate identity, print and collateral Tangled. Awards: Emmy for Special Visual Effects, Babylon design. Holder of U.S. Patent, Height Measurement System, 5 TV movie. Formally trained chef and high-tech cooking through The Walt Disney Company. Course: Introduction to gadget enthusiast. Course: Design with Technology Graphic Design

Hataya Tubtim BFA, ArtCenter College of Design; MFA, Mary Winterfield BS, University of Wisconsin, Madison; Otis College of Art and Design; New York Academy of Art. MA, Universidad del Zulia, Maracaibo, Venezuela; Art Artist. Recent projects: 1000 Wildflowers and the Women of Students League of New York, New York; Cape School of Arvin, California. Exhibitions: Obscured Lines, Contemporary Art under Henry Hensche, Provincetown, MA. Artist whose Drawing in Los Angeles, LAVC Art Gallery; Armory Show work has been shown in more than 250 private and museum and Tell, The Armory Center for the Arts. Courses: Fine Art collections. Solo exhibitions include Georgetown Gallery of Projects; Composition and Drawing; Art for Change: Social Art, Washington, D.C.; New York Society of Illustrators, New Practices York; Museum of Contemporary Art, Venezuela. Illustrator, books for Editorial Monte Avila, Caracas, including Los Rick Ueda BFA, ArtCenter College of Design; BA, Colores Ocultos by poet Vicente Gerbasi. Courses: Abstract California State University, Long Beach. Partner: Oe/Ueda Painting and Composition; Color and Light in Painting Studio. Clients: Castle & Cooke, Citizen, The Walt Disney Co., Dole, Hoechst Celanese, Honda, Neutrogena, Potlatch, Deni Wohlgemuth Ponty Royal Academy of Fine and Sharp, Sizzler, Toshiba, Tropitone, UCLA, Water Pik, Watson Applied Arts; The Hague, Holland; Otis Art Institute; ArtCenter Pharmaceutical. Course: Exploring Light College of Design. Artist. Studied with Jan Hoowij, one of 72 Fall 2019 — Spring / Summer 2020 73 Courses without the required minimum enrollment, Registration dates as determined by the program director, will be cancelled one to three days before the first class meeting. Students enrolled in a cancelled course Fall will be notified by an ACX staff member. Online registration forms are accepted seven days a Aug 12 – Sep 6, 2019 week. In-person registration forms must be submitted during office hours. See In-person Registration (below) for details. Spring Late registration forms will be accepted the first week of the term for courses with available seats. Late registration forms can be submitted online, in person gEn Dec 2, 2019 – Jan 17, 2020 at the ArtCenter Extension office, by fax or by email with credit card payment. Once the term begins, a non-refundable late registration fee of $50 per course will be charged. Note: This does not apply to Summer shorter workshops or for courses that begin later in Apr 13 – May 15, 2020 the term. Priority Online Registration We recommend using our secure online registration process as the fastest way to register and pay for ACX courses.

Priority registration is given to students who register online through ACX’s secure online registration process (artcenter.edu/acx). This is the quickest way to register and pay for courses. Online registration can only be used if you are paying tuition by credit card eR (Visa, MasterCard, Discover or American Express). Calendar and Schedule The dates for Fall, Spring and Summer terms are located on page 4. Studio courses meet for 14 weeks, Returning students: You will need to log in to your unless otherwise noted. Look for shorter sessions account using your ArtCenter username and among specialized workshops and Humanities and password before registering. Please contact the Sciences offerings (see Course Index on page 80 Help Desk at [email protected] if you have for more information). forgotten your username and password. New students who register online will receive a How to Register registration confirmation letter by email, along with The ArtCenter Extension (ACX) office, located at an ArtCenter username and password. Please ArtCenter’s South Campus (950 building) in save this information as you will need it to check your Pasadena, handles registration and inquiries course schedule, drop courses online, check your regarding all ACX courses. The following information grades or view an unofficial transcript. To ensure details important registration procedures, including your confirmation email is not blocked, add how to use our online registration process. Phone [email protected] to your address book or registration is not available; however, we are happy contacts list. to answer any questions you may have by phone. In-person Registration For courses with prerequisites, if you meet the require- Students may register in person during office hours ments, please list the courses you have taken and at the ACX office. Tuition may be paid with a personal Al the school where you took them in the “prerequisites or company check, money order or credit card. Cash completed” section on the registration form. is not accepted.

Prior to registration, if you have questions about your In-person registration forms received after 5 p.m. eligibility or course prerequisites, call 626 396-2319. will be processed the next business day. Your space It may be necessary to meet with or submit samples in class is not guaranteed until your registration has of your artwork to the ACX counselor. See Advisement been processed. (page 74) for details. Students who have already completed prerequisites for a selected course are If you register in person, you will receive a registration exempt from this requirement. confirmation letter by mail, along with an ArtCenter student username and password. Please save this Registration forms and course tuition must be information as you will need it to check your course received by the Friday preceding the start of the schedule, drop courses online, check your grades or term; however, your early registration reserves view an unofficial transcript. your seat in class and helps ensure your course INFo selections meet required enrollment levels. 74 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 75 Registration by Mail 1098-T Statement Refund Policy Adding or Dropping a Course Although you may mail your registration form to us, Colleges and universities are required to issue a Tuition refunds are based on the date your online or For 14-week courses, the last day to add a course to your class selection may fill before we receive and 1098-T Tuition Payments Statement for the purpose signed program change request is received in the your schedule is the first Friday of the term. are able to process your paperwork. of determining a student’s eligibility for the Hope ACX office. Program changes may be submitted by and Lifetime Learning education tax credits. If you fax, by email, in person or online at artcenter.edu/acx If it is necessary to drop any or all of your courses, Please complete the registration form (page 83) and would like to receive a 1098-T Tuition Statement, you (see Adding or Dropping a Course below for details). you must notify ACX in writing or by dropping mail it, along with a personal or company check, or must provide your Social Security Number when you You will need your username and password in order the course online. Program changes may also be money order made payable to “ArtCenter College of register for courses. Your statement will be provided to use the online drop process. If you drop a course submitted by fax, by email or in person. Design” for the full course tuition payment to: to you online, via your ArtCenter Student Account. before the first day of the term, you will receive a ArtCenter Extension full refund. The refund schedule is as follows: See the above Refund Policy for important dates P.O. Box 7197 Please consult an accountant to determine whether and refund percentages. The effective date of the Pasadena, CA 91109–7197. it is appropriate for you to file the 1098-T statement Fall 2019 drop is the day the faxed, in-person or online add/ with your taxes. For more information, visit irs.gov. 10 – 14 week courses drop request is received, not the last day of your Do not mail cash. By September 6 100% attendance in the course. Failure to drop a course Parking September 9 – 20 80% officially will result in a failing grade for that course. Students who register by mail will be mailed a South Campus students September 23 – 27 60% registration confirmation letter. New students will During the first two weeks of classes, pick up your September 30 – October 4 40% If you decide to withdraw (or are dismissed) from a also receive an ArtCenter username and password. parking hangtag from ArtCenter Security at the October 7 – 11 20% course, your tuition will be refunded according to the Save this information as you will need it to check information desk located on the first floor of South October 14 – 25 0% refund schedule. If you have not paid all tuition and your course schedule, add and drop courses online, Campus (950), which is staffed from 7 a.m. to 11:30 October 25 – Last day to drop a course fees, you may owe a balance to ArtCenter regardless check your grades or obtain an unofficial transcript. p.m. Please bring your current course schedule, of when you withdraw. vehicle registration and license plate number. Spring 2020 To pay by check or money order, we strongly recom- 10 – 14 week courses Online mend submitting your registration form and payment Hillside Campus students By January 17 100% Log in to your account using your ArtCenter username to us in person in the ACX office. Or pay by debit or During the first two weeks of classes, please pick up January 20 – 31 80% and password, then go to “My Account” and “Add/ credit card through our secure online registration your parking hangtag at the Hillside reception desk February 3 – 7 60% Drop Classes.” process (artcenter.edu/acx) as the fastest way to (located in the Student Gallery), which is staffed from February 10 – 14 40% register and pay for ArtCenter Extension courses. 7 a.m. to 11:30 p.m. Please bring your current course February 17 – 21 20% By fax or email schedule, vehicle registration and license plate number. February 24 – March 6 0% To drop a course, request a Change of Program Registration by Fax or Email March 6 – Last day to drop a course form from the ACX office by calling 626 396-2319 or You may fax your registration form with credit card Students enrolled in short workshops (1–3 sessions) emailing [email protected], sign it, and return it via information to 626 396-4219. Or you may email Please print out a copy of your course schedule and Summer 2020 fax or email. It is your responsibility to follow up with your registration form with credit card information place it on the dashboard of your vehicle. 10 – 14 week courses the ACX office to ensure that we received your fax to [email protected]. For a digital copy of the By May 15 100% or email and that it is legible. Your faxed or emailed registration form, please visit: artcenter.edu/acx/pdf/ Change of Program form must include the following Tuition May 18 – 29 80% acx_regform.pdf. It is your responsibility to follow up June 1 – 5 60% information: with the ACX office to ensure that we received your Your completed registration form and full payment are required to hold your place in a course. Studio June 8 – 12 40% fax or email and that it is legible. June 15 – 19 20% _ Student’s full name course tuition is $415 per credit unit with the exception _ Student ID# of select foundation studio courses denoted as June 22 – July 3 0% Your space in class is not guaranteed until your July 3 – Last day to drop a class _ Name of the course(s) being dropped (including registration has been received and processed. “transferable.” Transferable studio courses carry 3 course # and section #) units, range from $320–$415 per credit unit and offer _ We highly recommend using our secure online For shorter courses, if you drop a course before the Student’s signature registration process as the fastest way to register the potential to transfer to one of ArtCenter’s full-time _ Submission date of the request degree programs. Please See page 76 for information first day of the class, you will receive a full refund. and pay for ACX courses. The refund policy for shorter courses is as follows: regarding course transferability. Humanities and In Person Students who register by fax or email will be mailed Sciences courses are $240 per credit unit. The cost To drop a course, stop by the ACX office during of noncredit workshops and special course offerings Four– to seven-week courses a registration confirmation letter. New students will Before class begins (one day) 100% office hours and complete and sign a Change of receive an ArtCenter username and password. Save varies. See individual course descriptions for fee Program form. information. One to seven days after class starts 80% this information as you will need it to check your course Eight to 14 days after class starts 20% schedule, add and drop courses online, check your Fifteen to 21 days after class starts 0% For Fall term, the last day to drop a course is grades or obtain an unofficial transcript. Though we strive to keep course tuition as low as October 25. For Spring term, the last day to drop possible, we must occasionally increase course One- to seven-day courses a course is March 6. For Summer term, the last Registration Confirmation tuition to adjust for increases in operational costs. day to drop a course is July 3. We will notify enrolled students of tuition increases Before class begins (one day) 100% If your in-person, by mail, fax or email registration After class begins 0% is received within a week of the start of the term, as early as possible. Course Changes and Cancellations you may not receive your confirmation letter before If you are enrolled in a shorter workshop or a course ArtCenter reserves the right to cancel any course, classes begin. It is your responsibility to confirm Federal and state financial aid programs are not applicable to ACX tuition. that begins after the first week of classes, consult the limit course size, change times, dates or locations or your registration and course schedule with our ACX office for the refund schedule. substitute instructors for those listed in the course office. You may pick up your confirmation letter in schedule as necessary. Course cancellations will not the ACX office during the first week of class. Limited scholarships are available. See page 74 for details. Please note: we cannot process faxed, emailed or be announced until the end of the registration period. in-person add/drop requests on Saturdays, Sundays If the College must cancel a course for which you ACX Student ID Cards Tuition and fees are due in full at the time of regis- or campus holidays when the ACX office is closed. have registered, you will receive a full refund for that Student ID cards are available to enrolled students tration. Any unpaid tuition and fees as a result course. by request. If you would like an ID card, please call, of returned checks, account holds, etc., are due Refunds will be processed within six weeks after the email or stop by the ACX office during office hours. immediately. start of the term.

A $20 fee will be charged for any returned checks. 76 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 77 Advisement Scholarship Decisions Prior to registering online ACN-007 Design 360 To qualify for a discount, please complete a Discount The ACX counselor is available by appointment at Applicants will be notified by mail approximately two ACN-009 Introduction to Figure Drawing South Campus (950) to assist you in selecting courses weeks after the scholarship deadline. Scholarship Verification Form available through the ACX office appropriate for your skills and goals. Advisement applicants are encouraged to pick up submitted or online at artcenter.edu/acx/discounts and email it ACN-116W Basics of Painting: Still-Life to [email protected] or fax to 626 396-4219 along hours are by appointment, Monday through work after receiving a scholarship decision letter. ACN-115W Basics of Painting: Figure Thursday from 5 – 8 p.m. Call 626 396-2319 to make with the required documentation. Online registration an appointment. Students who do not receive a scholarship and wish forms submitted prior to this verification process ACN-020 Introduction to Painting will be processed at the non-discounted course to subsequently enroll should be aware that courses ACN-030 Introduction to Graphic Design Advisement by phone or email is also available. You fill quickly. We can only guarantee class spaces for tuition rate. may email questions along with three to five JPG scholarship recipients. ACN-040 Introduction to Advertising Please note: Discounts do not apply to lab fees or or PDF files of your artwork to [email protected], ACN-256 Introduction to Package Design or call 626 396-2319 and leave a message with your Although every precaution is taken, ArtCenter late fees, which must be paid in full at the time of telephone number and the best time to reach you, and ACX cannot be responsible for lost or stolen registration. Discounts cannot be combined with ACN-142 Basics of Digital Photography scholarships, or any other discounts or offers. and the counselor will return your call. portfolios. ACN-151 Introduction to Filmmaking Digital Media courses Donor Support ArtCenter College of Design Alumni Discount ACN-380 Introduction to Illustration If you have questions about your eligibility for Motion ArtCenter gratefully acknowledges the following ArtCenter offers its degree-earned alumni a tuition ACN-101 Digital Design 1 Design courses or other digital classes or are trying endowed funds that support student scholarships, discount of 50 percent on courses offered through to waive prerequisites for these courses, please and donors who have contributed $1,000 or more to ACX. Please indicate your major and year of gradua- ACN-200 Introduction to Interaction Design email questions along with three to five relevant ArtCenter Extension between July 1, 2018 and June tion on the registration form. ACN-087 Product Design: Process digital files of your artwork to [email protected]. 30, 2019. Donors may choose to designate their gifts Digital files should include all layers or channels. for general support or to specific programs within Senior Discount ACN-086 Product Design: Basics ArtCenter Extension. A tuition discount of 25 percent is available to ACN-050 Introduction to Product and ArtCenter degree programs individuals age 62 and older, with identification Transportation Design The Admissions counselors are available during _ Ramone C. Munoz (BFA 77, MFA 90) and (driver’s license or other official documentation) that business hours at Hillside Campus to provide you Tom Jacobson indicates date of birth. ACN-038 Introduction to Communication with portfolio requirements and specific information _ The Ahmanson Foundation Sketching regarding the bachelor’s and master’s degree pro- _ Richard and Jean Coyne Family Foundation Military Discount ACN-060 Introduction to Environmental Design grams. To schedule counseling appointments for _ Rowe and Gayle Giesen Trust A tuition discount of 25% is available to active-duty, these programs, call the Admissions office at 626 _ The Lenart Art Education Foundation veterans and retired military service members, their ACN-045 Introduction to Entertainment Design 396-2373. _ The Rose Hills Foundation Scholarships spouses, registered domestic partners, and children _ Dwight Stuart Youth Fund over the age of 18. Note: This discount does not apply to lab fees or _ ACX Endowed Scholarship for Hispanic Students late fees, which must be paid in full at the time of ACX Scholarships _ registration. Through the continuing support and generosity of ACX Teens Endowed Scholarship for To qualify for this discount, please present your numerous organizations and individuals, ACX is Hispanic Students Military ID in person along with a completed regis- _ pleased to offer a limited number of scholarships to David and Judith Brown Endowed Scholarship for tration form to the ACX office. The first time you Policies and Procedures deserving students based on financial need. ACX Teens request this discount, you will also be asked to fill The ACX Student Guide is a complete guide to our _ Mickey McGuire Endowed Scholarship out a Discount Verification Form, available in the ACX policies, procedures and important information. For _ These scholarships are intended for students who Ross Diamond Player and Madelyn Maberly Player office or on our website. a digital copy, please visit the “Need to Know” page have a strong desire to pursue a career in art or Endowed Memorial Scholarship at artcenter.edu/acx. Copies are also available in the design and are preparing to submit portfolios for Teacher Discount ACX office at South Campus (950). admission to ArtCenter’s full-time degree programs. Education Partners Full-time, practicing teachers can receive a tuition Awards are based on the applicant’s financial need, ArtCenter gratefully acknowledges our education discount of 25 percent. Teachers must provide proof Dismissal Policy a written personal statement, samples of artwork partners who host off-site courses: of employment, such as a letter from your school At its sole discretion, ArtCenter Extension (ACX) and available scholarship funds. Scholarships cover district or principal verifying your current teaching reserves the right to dismiss or refuse enrollment to _ tuition for one ACX course, plus a supply stipend of Honda R+D Americas, Torrance status. We must receive proof of employment each any student whose conduct fails to comply with the _ $75. For a scholarship application and guidelines, call Mazda Design North America, Irvine term before we can process your registration or policies, rules and standards of the College. Please _ 626 396-2319 or email [email protected]. Petersen Automotive Museum, Los Angeles approve this discount. see pages 24 – 31 of the 2019 Student Guide for details. Deadline for ACX Scholarships Equal Opportunity K–12 Art Teachers and Arts Providers ArtCenter Extension (ACX) is committed to providing Professional Development: Special 50 Percent ACX also reserves the right to refuse enrollment to Fall deadline: August 15, before 8:30 pm equal opportunity for all, and will not engage in any Discount any student who owes a past due balance to ACX or unlawful discrimination based on race, color, sex, Expand your art teaching capabilities to include ArtCenter College of Design. Spring deadline: December 5, before 8:30 pm gender identity, gender expression, religion, age, disciplines such as graphic design, product and national origin, ancestry, sexual orientation, marital transportation design, photography, web design and Summer deadline: April 16, before 8:30 pm Course Credit status, medical condition, physical or mental disability, more. Challenge your students to think creatively and Course credit is awarded for completion of all ACX military or veteran status, genetic information, or any critically while introducing them to possible careers in courses, with the exception of noncredit workshops. Submit materials in person to the ACX office at 950 other basis prohibited by law. the visual arts and design. ACX is pleased to support S. Raymond Avenue, Pasadena, CA 91105. Scholar- The number of credits given is listed next to each K–12 art teachers and arts providers by offering the course title. Inquiries regarding the transferability of ship submission hours are Monday through Thursday, following introductory courses at 50 percent off 10 a.m. to 8:30 p.m. and Friday, 9 a.m. to 4:30 p.m. Discounts credits to another institution should be directed to ACX is pleased to offer discounts to ArtCenter regular tuition. Please provide proof of employment that institution. alumni, teachers and individuals age 62 and older. with a letter from your school district, principal or If you mail your scholarship materials, please send supervisor verifying your current employment status them to the following address: ArtCenter Extension, as a K–12 art teacher or arts provider. We must receive ArtCenter College of Design, P.O. Box 7197, Pasadena, We also offer professional development discounts on a selection of courses for K–12 art teachers and arts this proof of employment each term before we can CA 91109–7197. Mailed submissions must be received process your registration or approve this discount. in our office by the deadline. providers. Please see details, below. 78 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 79 Transferable Courses Students with visas such as B-1 or B-2 should be Address and Directions Public Transportation Some foundation courses offered through ACX aware that their immigration status may be in jeopardy. South Campus 870 and 950 Metro Gold Line parallel the content of those offered in ArtCenter’s ArtCenter Extension (ACX) is not authorized to issue S. Raymond Avenue The Metro Gold Line links downtown Los Angeles full-time bachelor’s degree program. These courses I-20s, nor are we able to advise students on any visa Pasadena, CA 91105 with the Pasadena area, providing students with are marked as transferable in the course description issues. easy access to ArtCenter’s South Campus. The train and are eligible for transfer to the College’s degree 1111 S. Arroyo Parkway stops at the Fillmore station, just one block from program with a grade of B or better. Students apply- Accommodations in the Pasadena, CA 91105 South Campus. For schedules and a trip planner, ing to the degree program may carry these credits please visit mta.net or call 1.800.COMMUTE. with them, depending upon the major to which they Pasadena Area Hillside Campus 1700 Lida Street are applying, and the transfer policy in effect at the Coming to Pasadena for one of our seminars or Pasadena, CA 91103 ArtCenter Shuttle time of admission. Students should select courses workshops? Below is a brief list of hotels and motels Travelling between the two campuses is easier than based on the appropriateness of the course to in the Pasadena area. Mention that you are visiting For directions to ArtCenter's Hillside Campus and ever with the ArtCenter Shuttle. The shuttle also ArtCenter when you make your reservation; some their chosen goals and not necessarily based on ArtCenterSouth Campus, College visit artcenter.edu/visit.html. of Design Campusstops Locations in Old Pasadena and the METROHillside Del Campus Mar Pasadena area hotels may offer a discount for 1700 Lida St. transferability. Map not to scale Station along the way. You must show a student ID ArtCenter visitors. If you have any questions once you arrive on campus to board. For route, schedule and morePasadena, information, CA For Current ArtCenter Degree-Program Students (e.g., classroom location), call the ACX office at visit artcentershuttle.com. _ Arroyo Vista Inn, South Pasadena South Campus ACX course credits will NOT transfer toward your 626 396-2319 and press "7" to bypass the message. 870–950 S. Raymond Ave. _ degree. Grades, however, will appear on ACX Best Western Pasadena Inn 1111 S. Arroyo Pkwy. _ transcripts. Courtyard Los Angeles Pasadena/Old Town For automated phone directions, call 626 396-2246. Pasadena, CA _ Doubletree by Hilton _ Econolodge Grades _ Hilton Pasadena Grades are posted online at artcenter.edu/acx to _ Holiday Inn Express Hotel and Suites your ArtCenter student account. To access your _ Hotel Le Rêve grades via the website, login to your account using _ The Langham Huntington BERKSHIRE your username and password, then go to “My _ Pasadena Inn Account” and select “My Grades.” _ Saga Motor Hotel LINDA VISTA _ Sheraton Pasadena Hotel Letter grades (A–F) are assigned to classes with _ Super 8 Motel units listed. A grade of "N" may be given to students _ The Westin Pasadena who fail a course due to non-attendance (Non- _ Travelodge Pasadena Attendance Failure). The N grade has the same GPA _ Vagabond Inn Pasadena impact as an F grade, but specifically indicates that non-attendance was the cause of the failure. As Visit usalodging.com for a complete listing of hotels

is the case with F grades, students may retake a and motels in Pasadena and the surrounding area. LIDA ROSE BOWL course in which they received an N to replace it in the cumulative GPA. The original N grade must still appear on the transcript, but it will be denoted with Housing Information Visit offcampus.housing.artcenter.edu to connect HILLSIDE CAMPUS ROVE

an asterisk (*) to show that it has been repeated in ES a subsequent term, and the GPA will be adjusted to with other students looking for a roommate. Sign up reflect the repeated course’s grade. as “Guest” (temporary password: accdhousing) to OAKS

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create a roommate profile. T AIR OS ROBL

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Note: ACX students are required to register and A Universal Student Housing Services D N pay the full course tuition (and any required lab or I ArtCenter also partners with Universal Student L materials fees) in order to retake a course. GOLD LINE Housing Services (ushstudent.com), which offers D HOLLY international and out-of-state students affordable ON Transcripts housing in the homes of approved local families and RAYM

Official transcripts may be requested from individuals. OYO ArtCenter’s Enrollment Services office at Hillside ARR Campus. Call 626 396-2314 for details. Transcript Bulletin Board/Facebook Group COLORADO fees are as follows: There are physical advertisements posted on the “Housing Resources” bulletin board at Hillside

Official $5 per copy Campus, as well as an Off-Campus Housing DEL MAR Unofficial $2 per copy Facebook group that advertises room/house shares COLORADO Rush $20 per copy and apartments for rent. For access, visit: facebook.

Overnight $30 per copy com/ACCDHousing. RTH

CALIFORNIA NO International Students Note: ArtCenter does not investigate the quality or safety of the housing options available, nor does International students whose native language is SOUTH CAMPUS one other than English must score at least 173 on it involve itself in disputes between landlords and GLENARM the computer-based Test of English as a Foreign students. Language (TOEFL) or 61 on the Internet-based TOEFL (iBT) before registering for ArtCenter at Night studio art courses. A score of 213 (CBT) or 80 (iBT) is required for Humanities and Sciences | | |

| |INE | | | courses. A copy of your score report should | | accompany your registration form. GOLD L 80 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 81 ABOUT ARTCENTER ABOUT ACX

A leader in art and design Our students challenge boundaries and take In addition to ACX, ArtCenter Extension Teens risks, preparing them to realize success and ACX Teens gives high school students (grades education for nearly 90 fulfillment in the world of art and design— ArtCenter offers the 9–12) an opportunity to explore their creativity, and beyond. learn about art and design disciplines and years, ArtCenter College following programs: career opportunities, and study with a faculty Operating out of two campuses in Pasadena, that introduces them to professional practices of Design offers a rigorous ArtCenter ofers 11 undergraduate degrees and standards. Scholarships are available. and transdisciplinary and seven graduate degrees, as well as an For more information, call 626 396-2319, email extension program that serves the larger [email protected] or visit artcenter.edu/ curriculum, an expert Southern California community. teens.

faculty of practicing artists Hillside Campus ArtCenter Extension Kids and designers, strong Located on 175 wooded acres in the foothills In ACX Kids, students in grades above the Rose Bowl, ArtCenter’s Hillside 4–8 spend Sunday afternoons engaged in art ties to industry and a Campus has been home to ArtCenter since and design activities that develop creativity, 1976. The main building, designated a local innovation and visual literacy. Scholarships commitment to socially historic monument by the City of Pasadena, are available. For more information, call is a dramatic steel-and-glass bridge structure 626 396-2319, email [email protected] or responsible design. designed by Craig Ellwood Associates. visit artcenter.edu/kids.

Hillside Campus houses many of the College’s ArtCenter Extension Teachers undergraduate programs, as well as its gradu- (Summer Institute for Teachers) ate Environmental Design, Film, Industrial Led by experts in Design-Based Learning Design and Transportation Systems and (DBL) education, Summer Institute for Design programs. Teachers is a week-long workshop that teaches K–12 educators practical and efective South Campus design-based techniques and activities that Conveniently located near the METRO Gold they can use in their classrooms to improve Line Fillmore station in Pasadena, ArtCenter's student performance. Participants receive South Campus encompasses three sustainably state Professional Growth Credits. For more renovated facilities: the 950 building, a information, visit artcenter.edu/teachers. 100,000-square-foot former supersonic wind tunnel redesigned by architect Kevin Daly, is home to the College’s extension program, Archetype Press letterpress printing facility, and its graduate Art, Graphic Design and Media Design Practices programs; the 870 building, a former U.S. Postal Service facility redesigned by Darin Johnstone Architecture, is home to the College’s Fine Art and Illustration programs; and the 1111 building, a former ofce building, is home to the College's Advertising and Graphic Design programs, and continues to transform into a hub of modern classrooms and adminis- trative ofces located at the terminus of the historic Arroyo Seco Parkway, the symbolic gateway to Pasadena. 82 artcenter.edu/acx Fall 2019 — Spring / Summer 2020 83 COURSE INDEX

Advertising 16 Business of Art and Design 40 D – E M—O Q—S Entertainment Design 46 DAM! Digital Asset Management for Photographers * 24 Make It Great: Drawing and Design Concepts * 17, 28 Race and Racism 61 Environmental Design 53 Design 1 for Graphic Design / Illustration /Advertising 21, 37 Making Objects 33 Relationship Goals 17 Film 22 Design 1 for Photo/Fine Art 25 Manufacturing Techniques * 43 Rhino 3D, Introduction to 48, 55 Fine Art 27 Design 360 17 Materials + Modeling * 33, 55 Science and Sustainability 59 Graphic Design 16 Design with Technology: Build * 45, 55 Materials of Art and Design 33 Screenwriting 101 25 Humanities and Sciences 57 Design with Technology: Code * 45, 55 Mathematics and Creativity, Exploring 58 Seeing through Photographs 23, 32 Illustration 27 Digital Design 1 19, 35 Maya and 3D Animation, Introduction to 48 Sewing Lab 52 Industrial Design 50 Digital Illustration 35 Meditation for the Creative Mind Workshops * 31 Sketching for Designers 20, 53 Industrial Design Modeling 55 Digital Painting for Entertainment 36, 47 Mixed Media: Figure 29 Social Media for Creatives * 41 Interaction Design 44 Digital Photography and Adobe Lightroom, 23 Model Making Basics * 54 Sound Design for Media 26 Letterpress 16 Basics of * Modernism, Introduction to 59 Storyboarding 26, 48 Off-Campus Courses 56 Digital Sketching using Adobe Photoshop 36, 48 Molding and Casting with Silicone RTV + Polyurethane * 55 Studio Lighting, Exploring 24 Photography and Imaging 22 Direct Painting: Figure * 30 Motion Design 1 19 Surface Design, Introduction to 39 Product Design 51 Direct Painting: Still-life * 30 Motion Design 2 19 Surface Design, Advanced 39 Apparel, Surface + Textile Design 38 DIY Like an Architect * 54 Movie Trailer, The Art of the 17, 26 Sustainability, Design for 59 Transportation Design 51 Dream, The 60 Nanotechnology + Design: Now to the Future 60 Embroidery Arts Workshop * 39 Narrative Painting, Introduction to 29 T Entertainment Design, Introduction to 35, 47 Narrative Sketching 20 Theme Park Design 48 # Entrepreneurial Spirit, The 59 Next Great Idea, The: Creativity and Problem 32, 43 3D Motion Graphics 19 Transportation Design, Introduction to, 51, 56 Entrepreneurship, Intro to 60 Solving Workshop * 3D Design, Introduction to 36, 53 Los Angeles Environmental Design, Intermediate 54 Neuroscience of Imagination 59 Transportation Design, Introduction to, 51, 56 Environmental Issues 59 Oil Painting, Best Practices for * 30 Orange County A—B Studio Lighting, Exploring 24 Transportation Design, Introduction to, Torrance 51, 56 Abstract Painting and Composition 30 Transportation Design, Intermediate 51 Advertising, Introduction to 17 P Package Design, Introduction to 18 Transpor-Tainment 48, 51, 56 American Politics & Media 60 F Fashion and Costume Drawing * 35 Painting, Introduction to 29 Type as Image * 21 Anatomy and Psychology of Perception 58 Fiber Arts, Intro to 32, 39 Painting, Introduction to: Summer Intensive * 29 Typography 1 18 Art Directing Multidisciplinary Teams 17, 41 Figure Drawing, Introduction to 28 Painting: Figure, Basics of * 29 Typography, Essential 18 Art for Change: Social Practices 32 Figure Drawing: Summer Intensive, Introduction to 28 Painting: Still-life, Basics of * 28 Blender, Introduction to * 36, 49 Filmmaking, Introduction to 25 Perspective 36 Branded Environments 54 U—Z Fine Art Projects 32 Photo 101: Analog to Digital * 25 Brand Experience Design 20, 45 UI, The Art of 45 Footwear Design 1 52 Photo 102: Taking it to the Streets * 25 Business of Art: Getting Started 31 Urban Studies, Introduction to 60 Furniture Design 54 Photo Book: From Start to Finish 24 Valentine Card Letterpress Workshop * 21 Future of Science & Technology 61 Photo for Non-Majors, Basics of 24 Vehicle Design, Advanced 52 C Photo Methods, Intermediate 23 Visual Communication and Form Development 53 Ceramics 32 Photographic Projects: Delivering Your Big Ideas 25 Visual Storytelling, Art of 26, 47 Character Design for Animation 35, 47 G—H Gelatin Printmaking Workshop * 34 Photographing People 23 Waterborne Paints, Best Practices for * 30 Children’s Book Illustration 34 Graphic Design 18 Photoshop, Mastering 23 Collage and Mixed Media 33 Graphic Design, Introduction to 18 Photoshop Rendering for Industrial Design 55 Color for Artists and Designers, Mastering * 20, 37 Head and Hands 28 Plein Air Painting * 30 Color and Light in Painting 31 Head Painting 31 Pop-up Books Workshop, Designing 19, 34 Color in Painting: 3-day Intensive * 31 Human Rights Movements in the U.S. 61 Portraiture in Painting 29 Color in Photography * 24 Powerful Presentations * 20, 41 Comic Book Illustration + Graphic Novels 35 Printmaking Studio 33 Communication Sketching, Introduction to 53 I—L Printmaking Studio —Additional Lab Time (optional) 33 Composition and Design, Mastering * 20, 37 IIllustration, Introduction to 34 Product and Transportation Design, Introduction to 51 Composition and Drawing 28 Interaction Design, Introduction to 20, 45, 53 Product Design 1 52 Conscientious Photography: Social and Cultural Interplanetary Flight, Basics of* 36 Product Design: Basics * 52 Investigations in Photography 23 Invention Innovation: Manufacturing and 42 Product Design: Process * 52 Contemporary Illustration Concepts 34 Licensing Products* Properties of Artistic Materials 58 Costume and Fashion Design 35, 39 Launching a Startup 41 Protect, Sell and License Your Work! The Legal Side Crafting a Meaningful Career 1 42 Law + Business for Designers: In a Nutshell 41 of What To Do and How To Do It * 42 Crafting a Meaningful Career 2, 42 Letterpress Holiday Card Workshop* 21 Oil Painting, Best Practices for * 30 Forming the Dream:* Letterpress Printing, Introduction to* 21 Crafting a Meaningful Career 3, 42 Light Fundamentals, Exploring * 24 Fulfilling the Dream:* Lighting Design 54 Crafting Your Creative Brand 20, 41 Creature Design, Introduction to 47 Creative Letterform 18 Creative Process Demystified * 31 Creative Sketchbook * 34 Critical Practice 1 60

* Denotes shorter courses and workshops (1 day to 8 weeks). artcenter.edu/acx FOR OFFICIAL USE ONLY IN PERSON MAIL OC LATE 84 PROGRAMMED CS MP ACX CALT/OCC TEA/SR FAC/STAFF ATPD ALUM NALM REGISTRATION REGISTRATION MILA To register for Pasadena, Online registration Priority registration is given to students who FORM Los Angeles, and register online through ArtCenter Extension’s For priority registration, register online: secure online registration process at artcenter.edu/acx Person to contact in an emergency Orange County courses: artcenter.edu/acx. This is the fastest way to Please complete survey on reverse side Phone register and pay for courses. Visa, Master- Card, American Express and Discover are

accepted for online payments (see page 71 Student ID # (continuing students only) for more details). Last name First Middle

In-person registration Address Apt # Please complete the registration form at right, including your signature. City State ZIP

Attach a check or money order for the exact Daytime phone Evening phone

amount made payable to: ArtCenter College Email Social Security Number Birth date of Design or supply the necessary credit card information on the form. Cash cannot be Information accepted. Male Female Are you Hispanic or Latino? Select one or more from the following categories: Yes No American Indian /Alaska Native Asian Submit the completed registration form and Decline to state Black / African American Native Hawaiian / Other Pacific Islander payment to: White Decline to state ArtCenter Extension South Campus Course Registration Fall 2019 Spring 2020 Summer 2020 950 S. Raymond Avenue Pasadena, CA 91105 Course # Title Instructor Day(s) $ – $ + $ = $ Registering by mail Tuition Discount* Lab fee Total

Please mail the completed registration form Course # Title Instructor Day(s) and payment to: $ – $ + $ = $ ArtCenter Extension Tuition Discount* Lab fee Total P.O. Box 7197 Course # Title Instructor Day(s) Pasadena, CA 91109-7197 $ – $ + $ = $ * See page 74 for details. Tuition Discount* Lab fee Total Registering by fax or email Fax your registration form with credit card Add a $50 non-refundable late fee per course, beginning the first day of the term Total

information to 626 396-4219. Or email your Prerequisites completed registration form with credit card information to [email protected]. Please call 626 396- Name of school where prerequisites were completed 2319 to confirm receipt of your fax or email. Have you previously enrolled in ArtCenter at Night or ACX? In the ArtCenter bachelor’s degree program?

In-person, faxed, emailed or mailed registration Payment Check enclosed Visa MasterCard American Express Discover forms received after 5 p.m. will be processed

the next business day. Your space in class is Credit card number Exp. date Security code Name on card not guaranteed until your registration has been processed. Billing address (as shown on credit card statement, if diferent from address above)

City State ZIP Cardholder signature

As a student of ArtCenter, I agree to abide by all policies and regulations of the College.

Signature Date ArtCenter Extension (ACX) is the non- ArtCenter Extension degree extension program of ArtCenter College ACX SURVEY of Design. ACX courses are held at: Cecilia Ybarra Outreach Program Manager South Campus—950 Required 950 S. Raymond Avenue Steven Worley What is your primary Pasadena, CA 91105 Counselor Creative outlet ACX and ACX Teens reason for taking an South Campus—870 Personal enrichment 870 S. Raymond Avenue Amber Alzate Pasadena, CA 91105 Coordinator ACX course? Career enhancement ArtCenter Extension Career change South Campus—1111 1111 S. Arroyo Parkway Tina Petrossian Developing a portfolio for submis- Pasadena, CA 91105 Administrative Assistant, ArtCenter Extension sion to ArtCenter’s full-time degree Hillside Campus program 1700 Lida Street Nineli Khachikian Pasadena, CA 91103 Administrative Assistant, ArtCenter Extension ACX’s administrative office is located at South Campus (950), on the ground level. How did you learn Please check all that apply Typeface by Matt Adams (BFA 2018) Poster / flyer at school Contact Information about ACX? 626 396-2319 Teacher (not from ArtCenter) [email protected] Campus visit ACX Office Hours Monday –Thursday, 10 am – 9 pm ACX counselor or instructor Friday, 9 am – 5 pm ACX brochure / catalog To Enroll ArtCenter website Register online at artcenter.edu/acx (see page 71) or mail the registration form on page 83. ArtCenter student or alumni Online registration and schedule changes Friend are accepted seven days a week. Registration Ad in L.A. Weekly and/or changes made in person or via fax must be submitted during office hours. Ad in Pasadena Weekly Portfolio presentation is required only to waive Ad on KPCC a prerequisite or to apply for a scholarship. The ACX counselor is available in the evenings Article in newspaper or magazine by appointment to assist you. To schedule an L.A. Auto Show appointment, contact the ACX office at 626 396- 2319. Poster on L.A. Metro ArtCenter College of Design is accredited by the Facebook Western Association of Schools and Colleges and by the National Association of Schools for I’m an ArtCenter alumnus / alumna Art and Design. I’ve previously taken ACN/ACX courses Dana L. Walker-Juick Managing Director

Other (please specify): ArtCenter Extension

Faviola Nuñez del Arco Manager © ArtCenter College of Design / 4950 22.5M 0719 College of © ArtCenter ArtCenter Extension 950 S. Raymond Avenue Pasadena, CA 91105

Address Service Requested

DON’T THROW STAY ME OUT! CURRENT To reduce waste and pursue a more Throughout the year, get information sustainable approach, the ACX catalog about new courses and workshops, is produced and mailed out only once registration, news and updates via: per year. Please save this catalog to refer to through the Summer 2020 term. Our website artcenter.edu/acx Please note: In this issue, Fall 2019 dates are listed; we will mail you a flier Email to remind you when it’s time to register Send an email to [email protected] for Spring and Summer 2020, with (don’t worry, we’ll keep your info those course dates and times included. private).

Facebook Courses and program information are “Like” and “share” us with a friend! also available on our website: Search for ArtCenter Extension (ACX). artcenter.edu/acx