News from the Library of Congress MOUG / MLA 2001
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Violin Sonata No. 2 in a Major JOSEPH BOULOGNE, CHEVALIER DE SAINT-GEORGES (1745-1799) Composed in 1781
Page 1 (1/31/20) Violin Sonata No. 2 in A major JOSEPH BOULOGNE, CHEVALIER DE SAINT-GEORGES (1745-1799) Composed in 1781. Joseph Boulogne, Chevalier de Saint-Georges, one of music history’s most fascinating figures, was born on Christmas Day 1745 on the Caribbean island of Guadeloupe, where his father, a French civil servant, was stationed as comptroller-general; his mother was a black islander. The family moved to Paris when the boy was ten. Joseph was enrolled in the academy of Nicolas Texier de La Boëssière, one of France’s most renowned fencing masters, and there received a good general education as well as rigorous training in swimming, boxing, horse riding and other physical and social skills; he became one of the finest fencers in Europe. Saint-Georges’ musical education was less well documented, though he apparently had shown talent as a violinist even before leaving Guadeloupe and seems to have been a student of the celebrated composer François Gossec for several years. sHe joined Gossec’s orchestra at the Concert des Amateurs in 1769, made his debut there as a soloist three years later (in two of his own violin concertos), and became concertmaster and conductor of the group shortly thereafter. In 1777, Saint-Georges entered the employ of the Duke of Orléans, and four years later took on the additional position of concertmaster of the Concert de la Loge Olympique, for which Claude-François-Marie Rigoley, Comte d’Ogny commissioned Haydn’s “Paris” symphonies. Saint-Georges acted as intermediary in finalizing the arrangements with Haydn, and he presumably directed the premieres of the works. -
Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950
FIFTIETH ANNIVERSARY OF SYMPHONY HALL BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HI SIXTY-NINTH SEASON 1949- 1950 Tuesday Evening Series BAYARD TUCKERMAN, Jr. ARTHUR J. ANDERSON ROBERT J. DUNKLE, Jr. ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. Jr. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO. Insurance of Every Description "A Good Reputation Does Not Just Happen It Must Be Earned." Boston, Mass. Los Angeles, California 108 Water Street 3275 Wilshire Blvd. Telephone Lafayette 3-5700 Dunkirk 8-3316 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-NINTH SEASON, 1949-1950 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Ai len M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wtlkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T D. Perry, Jr. N. S. Shirk, Assistant Managers [»] Only you can decide Whether your property is large or small, it rep- resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those you love. To assist you in considering that future, the Shaw- mut Bank has a booklet: "Should I Make a Will?" It outlines facts that everyone with property should know, and explains the many services provided by this Bank as Executor and Trustee. -
Band Responding Unit, Novice Elementary Level
Band Responding Unit, Novice Elementary Level A Curriculum Project of the National Association for Music Education (NAfME) and the Library of Congress of the United States Teaching with Primary Sources ACKNOWLEDGMENTS PERSONNEL, LIBRARY OF CONGRESS GRANT — WRITING RESPONDING UNITS 2017–2019 PROJECT DIRECTOR • Johanna J. Siebert BAND WRITING TEAM • Armalyn De La O, San Bernardino, CA, Team Chair • Jesse D. Espinosa, Houston, TX • Theresa Hulihan, Phoenix, AZ • Jenny Neff, Collegeville, PA • Amanda Tierson, Webster, NY (ret.) ORCHESTRA WRITING TEAM • Susan Davis, Queens, NY, Team Chair • Beth Fortune, Seattle, WA • Rebecca Holmes, Reserve, LA • Patricia Ritchie, Omaha, NE • Laura Smith, San Diego, CA Special thanks to the Library of Congress for the generous grant on Teaching with Primary Sources (TPS), which made this resource possible. BAND RESPONDING UNIT | NOVICE ELEMENTARY LEVEL | NATIONAL ASSOCIATION for MUSIC EDUCATION 2 TABLE OF CONTENTS Overview of NAfME/Library of Congress Responding Units ........... 4 Overview of Band Responding Unit, Novice Elementary Level ......... 4 Instructional Goals/Objectives ................................... 5 Prerequisite Skills for Students for the Unit ......................... 6 Embedded Inquiry Models ....................................... 6 Assessments ................................................... 7 Materials ....................................................... 8 Links: Recordings and Artifacts. 9 National Core Music Standards (2014) ............................. 20 Unit Lessons Lesson -
1-5 Frontespizio
UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO UniorPress AdSE III\5 ARCHIVIO DI STUDI EBRAICI DIRETTO DA GIANCARLO LACERENZA REDAZIONE: DIANA JOYCE DE FALCO, DOROTA HARTMAN CENTRO DI STUDI EBRAICI DIPARTIMENTO ASIA, AFRICA E MEDITERRANEO UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” PIAZZA S. DOMENICO MAGGIORE 12, 80134 NAPOLI TEL.+39 0816909675 - FAX.+39 0815517852 E-MAIL: [email protected] In copertina: Solomon Epstein, The Dybbuk: An Opera in Yiddish in Three Acts. Atto III, Scena 7 (Finale dell’opera): la sposa velata; trasfigurazione e morte di Leah. Il soprano Camilla Griehsel nella parte di Leah; regia Rachel Michaeli. Suzanne Dellal Centre for Dance and Theatre, Tel Aviv, 2 maggio 1999. Used by permission. © Rachel Michaeli, [email protected] ISBN 978-88-6719-056-0 Prodotto da IL TORCOLIERE – Officine Grafico-Editoriali di Ateneo © Università degli Studi di Napoli “L’Orientale” 2014 Edizione digitale UniorPress - 2020 UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO Napoli 2014 A Gabriele Boccaccini con gratitudine per quello che mi ha insegnato sull’ebraismo e ancor di più per il suo esempio di studioso AB SOMMARIO PREFAZIONE Il dramma Der Dybuk di S. An-Ski e la musica 11 I. RICERCA ETNOGRAFICA E ORIGINI DELL’INTERESSE MUSICALE 15 An-Ski e la musica del Dibbuk 17 Le musiche di scena di Yoel Engel 22 Le trascrizioni di A.Z. -
News from the Library of Congress
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2012 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2012-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 11 AMERICAN FOLKLIFE CENTER………………….P. 15 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Denise Gallo, Mark Horowitz, Karen Lund, Anne McLean, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We 1 made significant progress on the Collections Analysis Project, which will result in improved physical and intellectual control over all of Music’s holdings. -
Syracuse University Art Galleries
Syracuse University Art Galleries Syracuse University Art Galleries Syracuse University Art Galleries The Syracuse University Art Collection, in association with the including l\1ark Rothko, Barnett It was Louis and Emily Lowe Art is proud to Milton Revisited: Kaufman who introduced to and Kaufman had the Louis and Annette Collection. Milton attended school together in Portland, In New York, met was an artist who helped define American art, often for dinner at tlle where there was a new whose impact on art is still seen in It is pal.nang to see and stimulating conversation to be The Kaufmans that Avery pursued a personal aesthetic at a time when there was enjoyed a lifelong friendship the artist. l-\.s Ted Aiken pressure to create an art that had a nationalistic such as lrrnr.rt='rl during his life, Louis and Annette Kaufinan American Scene painting. \lVhile his the person and the artist." Their relationship with might not have neatly fit into this "''-'.l.JlLLL.I.,('U. figure in American art a collection of art that approach and his commitment to np1~cr\n'll we are very pleased to present. truly 'American.' '-'"'"'-'."'. .1.,.",> to Domenic J. Associate Director of the Louis and Annette Kaufman these and other characteristics University Art Collection, who extensive research on in Milton Avery during their nearly 40 year with the artist and this collection developed the annotated checklist to the exhibition. Since his family. I think Avery recognized NIr. and Mrs. Kaufman's interest in many of these paintings are being seen for the Domenic artistic and creative activities, and certainly their commitment to excel- lllC:lU(leS each object's physical information including slgnat:un~s lence. -
2002-2020 National Recording Registry (By Year)
2002-2020 NATIONAL SOUND REGISTRY (by year) 2002 Arkansaw Traveler/Sallie Gooden—Eck Robertson Bartok, Bela and Joseph Szigeti @ the LOC Bell Labs experiments Blanton-Webster era recordings—Duke Ellington Blue Moon of Kentucky—Bill Monroe Bristol Sessions Casey at the Bat—DeWolf Hopper Cradle Will Rock Crescent City Living Legends Collection Dance Mania—Tito Puente Down-Hearted Blues—Bessie Smith Edison Exhibition cylinders (Around the World on the Phonograph; The Pattison Waltz; Fifth Regiment March) Eisenhower: D-Day radio address Fewkes, Jesse Walter recordings (Passamaquoddy Indians) Fireside Chats—FDR Freewheelin’ Bob Dylan—Bob Dylan God Bless America—Kate Smith Grand Ole Opry Harvard Vocarium Highlander Center Hindenburg (Crash of the Hindenburg) Hot Five and Hot Seven Recordings—Louis Armstrong How High the Moon—Les Paul and Mary Ford I Have a Dream—Martin Luther King, Jr. Kind of Blue—Miles Davis, et.al. Ko Ko—Charlie Parker, et.al. Lomax, John and Ruby Southern States tour Lovey’s Trinidad String Band Mapleson, Lionel recordings of Met Opera Message, The—Grandmaster Flash and the Furious Five New Music Quarterly recordings Philomel—Bethany Bear, et.al. Precious Lord Ragtime compositions—Scott Joplin Respect—Aretha Franklin Rhapsody in Blue—George Gershwin/Paul Whiteman Orchestra Rite of Spring Songs for Young Lovers—Frank Sinatra Stars and Stripes Forever—Military Band Strange Fruit—Billie Holiday Sun Records Sessions—Elvis Presley Swing Low, Sweet Chariot—Fisk Jubilee Singers This Land Is Your Land—Woody Guthrie Tiger Rag—Original Dixieland Jazz Band Vesti la guibba—Enrico Caruso War of the Worlds (Orson Welles) Washington, Booker T. -
WILLIAM GRANT STILL's VIOLIN MUSIC TRANSCRIBED for SAXOPHONE by ANDY AUSTIN PEEKS (Under the Direction of Connie Frigo) ABSTRA
WILLIAM GRANT STILL’S VIOLIN MUSIC TRANSCRIBED FOR SAXOPHONE by ANDY AUSTIN PEEKS (Under the Direction of Connie Frigo) ABSTRACT William Grant Still (1895-1978) was the first African-American composer to write a concert piece for saxophone and piano. Mr. Still’s Romance for E-flat alto saxophone and piano (commissioned by Sigurd Rascher in 1954) was the last of only four original works that he composed for solo instrument and piano. The earlier works included a piece for oboe and piano, and two works for violin and piano. The violin works were written for Louis Kaufman, who is best known for his violin work in Hollywood between the 1920s and the 1950s. However, finding underappreciated composers of substantial music was also a significant aspect of Kaufman’s mission. Mr. Still’s violin music was championed by Kaufman through concerts in both the United States and around the world. This document serves as a resource for the concert saxophone community. It provides performance edition saxophone transcriptions of the available works for violin and piano. It assists saxophonists seeking to include more of Mr. Still’s compositions in their performance and pedagogical repertoire. In addition, the historical information about the works, the composer, and the performers is a valuable resource for program notes. INDEX WORDS: Transcription, Arrangement, Saxophone, Violin, Sigurd Rascher, Louis Kaufman, Woodwind, William Grant Still WILLIAM GRANT STILL’S VIOLIN MUSIC TRANSCRIBED FOR SAXOPHONE by ANDY AUSTIN PEEKS B.M.E., Ouachita Baptist University, 2001 M.M., University of Wyoming, 2009 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2017 © 2017 Andy Austin Peeks All Rights Reserved WILLIAM GRANT STILL’S VIOLIN MUSIC TRANSCRIBED FOR SAXOPHONE by ANDY AUSTIN PEEKS Major Professor: Connie Frigo Committee: Leonard V. -
Discovering the Rediscovery of Antonio Vivaldi
DDISCOVERINGISCOVERING TTHEHE RREDISCOVERYEDISCOVERY OOFF AANTONIONTONIO VVIVALDIIVALDI MILES DAYTO N FISH Miles Dayton Fish Professor of Music Northwest Arkansas Community College Director NWACC Chamber Singers milesfi [email protected] ith more than two thousand recordings1 and myriad W conductors programing his music worldwide, Antonio Vivaldi (1678-1741) is one of the most performed composers in music history. A violinist, concertmaster, and teacher himself, Vivaldi composed many instrumental works, most notably The Four Seasons, and was a major contributor to the development of the concerto. His many sacred and secular works include the Stabat Mater, Magnifi cat, and Gloria,2 arguably his most famous choral work. It is hard to believe that until the 1950s, Vivaldi and his music were virtually unknown to the concert-going public. This article recounts the true story of the rediscovery of Vivaldi—from the uncovering of hundreds of compositions once thought lost to the quest to bring those compositions to the forefront of classical repertoire. Contained in the following pages are the author’s personal photographs, including images from the Italian National University Library in Turin where the Vivaldi Turin manuscripts are located and images from the library archives of the Accademia Musicale Chigiana in Siena. It is the author’s hope that scholars of choral music will enjoy rediscovering Vivaldi in this unique narrative format that begins with an accidental discovery that was two hundred years in the making. CHORAL JOURNAL Volume 55 Number 10 19 DDISCOVERINGISCOVERING TTHEHE RREDISCOVERYEDISCOVERY OOFF AANTONIONTONIO VVIVALDIIVALDI AAnn AAccidentalccidental DisDisccovery—overy— sixteenth, seventeenth, and eighteenth decline, and Venetian musical tastes centuries. -
Get This Week's Gazette
LIBRARY OF CONGRESS Volume 14, No. 27 A Weekly Newspaper for the Library Staff July 25, 2003 AT&T Gift Boosts National Book Festival Shelter-in-Place Plan Tested in Adams Building By DEBORAH DURHAM-VICHR he Library tested its emergency pre- paredness on July 10 in “Exercise T Adams Shield,” the largest shelter- in-place exercise attempted on Capitol Hill to date and the fi rst time an entire building was locked down for a drill. As the Adams Building shut its doors at 10 a.m.—no one was allowed in or out of the building during the exercise—police and security staff, Evacuation Team mem- bers, and personnel from the House Offi ce Michaela McNichol of Emergency Preparedness, Planning and Jim Cicconi, left, AT&T general counsel, presented a $250,000 check to the Operations, observed and evaluated how Librarian on July 10 to support the 2003 National Book Festival on Oct. 4. With its gift, AT&T became the fi rst charter sponsor of this year’s book festival, the third to well Library staff respond to a call to shel- be organized and sponsored by the Library, hosted by fi rst lady Laura Bush, and ter in place. supported by AT&T. ‘The National Book Festival highlights literacy as a power- The event was a learning experience ful national resource,’ Cicconi said. This year’s festival will bring more than 80 of for all, from the fi rst Library-wide e-mail America’s best-known authors, illustrators and storytellers to the National Mall for a day-long celebration of books and reading. -
Boston Symphony Orchestra Concert Programs, Season 69
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-NINTH SEASON, 1949-1950 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burr COPYRIGHT, 195O, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [841] ^^^i"... -nS to erv/n,y going ourPrro PCrty ghat's AT L °W coST J! to happen ,iiiim,i "••Hit Property?! Your &.. ShawrnC'"u tBank his booklet shows how the Personal Trust Department of the Shawmut Bank can help you in the management of your property during your own lifetime, as well as providing for its future conser- vation. One important section explains the "When and Why" of the "Living Trust", and other Shawmut aids in property management and super- vision are also reviewed. Whether your resources are large or small, you should know the facts set forth in this booklet. Call at any of our 28 conve?iient offices, write or telephone LA 3-6800 for our booklet: ^Conserving Your Property at Low Cost" The Rational Shawmut Bank 40 Water Street, Boston Member Federal Deposit Insurance Corporation Capital and Surplus $30,000,000 "Outstanding Strength" for 114 Years **& [842] SYMPHONIANA The Berkshire Festival CJiandlanaier s Tremont and West Streets The St. -
Rawson Duo Concert Series, 2010-11 Showcasing Violin and Piano Works by Scandinavian Composers from the Twilight of the Romantic Era
What’s Next? DECEMBER: On Friday, December 17 and Sunday, December 19, 2 pm the Rawson Duo will present at their Chimacum home their fourth annual Nordlys (Northern Lights) concert Rawson Duo Concert Series, 2010-11 showcasing violin and piano works by Scandinavian composers from the twilight of the Romantic era. This year the Rawsons will present works celebrating country hearth and home of the northlands with Danse Champêtre, Op. 106 (5 Country Dances) and Novelette, Op. 102, by Finland’s national treasure, Jean Sibelius. Then their attention turns once more toward Norway with Johan Halvorsen’s introspective and serenely beautiful, 6 Stimmungsbulder (Mood Pieces) conjuring the warmth of glowing embers and a fresh snow covered, low sunlit afternoon. An almost forgotten virtuoso violinist of the romantic era, Emile Sauret provides a doorway to the Nordic soul of Edvard Grieg through selected song arrangements and a stunning transcription of Grieg’s rustic and fiery Scenes of the Country Life, Op. 19. Complimentary to the wonderful music, Sandy turns once again to Scandinavia for a sumptuous reception to follow. Turn off the cell phones, the computers, the cable and satellite TV, take your mind back to the warm comforts of an elegant 1900s’ parlor, and savor the rich melodies of northern lands in wintertime; enjoy this great music in a setting of comfort and intimacy as no other! Reservations: Seating is limited and arranged through advanced paid reservation, $22. Contact Alan or Sandy Rawson, email [email protected] or call 379-3449. Notice of event details, dates and times when scheduled will be sent via email or ground mail upon request.