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STRING PLAYERS by David Milsom of STRING PLAYERS CONTENTS Acknowledgements ...................................................................................................5 CD Track Lists ...................................................................................................................6 Bonus Area Website .................................................................................................18 Preface ..............................................................................................................................20 BIOGRAPHIES ................................................................................................................27 Credits ............................................................................................................................. 664 About the Author .................................................................................................... 665 3 of STRING PLAYERS of STRING PLAYERS ACKNOWLEDGEMENTS Thanks are due to the editorial team at Naxos for their unfailing patience and humour in a lengthy and, at times, frustrating project – my particular gratitude goes to Genevieve Helsby and Pamela Scrayfield. I would also like to thank all those who have given me the benefit of their wisdom and expertise including, notably, George Kennaway, David Patmore, Tully Potter and Jonathan Summers – all of whom have provided elusive missing information and a considerable amount of helpful advice – as well as Robert Webb, who gave me a useful boost in terms of research assistance when the project began. I am also grateful to Paul Baily for engineering a number of restorations for inclusion on these CDs, and indeed Klaus Heymann for authorising the project in the first place. Most particularly, I would like to thank my wife, Ruth. Family members always bear the brunt of the late nights, cancelled social engagements and indeed the whole catalogue of practical inconveniences created when embarking on such a project. Ruth became increasingly important as Research Assistant and Project Manager when I took up a demanding full-time academic post in 2010. I owe her a tremendous debt of gratitude – the project would never have been completed without her dedicated and patient assistance! David Milsom Sheffield, 2013 4 4 5 of STRING PLAYERS CD TRACK LISTS CD TRACK LISTS * Rebecca Clarke viola 6 Mozart: Trio for Clarinet, Viola and Piano in E flat major, K. 498 ‘Kegelstatt’: III. Rondeaux: * Denotes a newly restored track by Paul Baily. Allegretto 3:59 Frederick Thurston, clarinet ∙ Kathleen Long, piano CD 1 The National Gramophonic Society 162; Matrix 5793 * Willi Boskovsky violin * Jelly d’Arányi violin 1 Schubert: Piano Quintet in A major, D. 667 ‘Die Forelle’: III. Scherzo – Presto 4:10 7 Brahms/Joachim: Hungarian Dance No. 8 in A minor 2:21 Members of the Vienna Octet (Willi Boskovsky, violin; Günther Breitenbach, viola; Nikolaus Hübner, cello; Coenraad V. Bos, piano Johann Krump, double-bass) ∙ Clifford Curzon, piano Columbia 5681; Matrix 145620 Decca SXL 2110; Matrix ZAL 3836 Gioconda de Vito violin Pablo Casals cello 8 Mozart: Violin Concerto No. 3 in G major, K. 216: III. Rondeau: Allegro 6:47 2 J.S. Bach: Solo Cello Suite No. 3 in C major, BWV 1009: VI. Gigue 3:00 Royal Philharmonic Orchestra ∙ Thomas Beecham Naxos Historical 8.110915–16 Naxos Historical 8.111349 * Gaspar Cassadó cello Roberto Díaz viola 3 Schubert (arr. Cassadó): Cello Concerto in A minor ‘Arpeggione’: II. Adagio 4:31 9 Beethoven (arr. Primrose): Notturno in D major, Op. 42: III. Allegretto alla polacca 3:06 Bamberg Symphony Orchestra ∙ Jonel Perlea Robert Koenig, piano Vox PL.10,210; Matrix UPV 10211 Naxos 8.557391 Gérard Caussé viola Samuel Dushkin violin 4 R. Fumet: Diptyque Baroque: II. Fuguette 2:25 10 Gershwin: Short Story 2:54 Gabriel Fumet, flute Max Pirani, piano Marco Polo 8.223890 Naxos Nostalgia 8.120664 Roger Chase viola Mischa Elman violin 5 Shore: Scherzo 2:31 11 Drdla: Souvenir 3:30 Michiko Otaki, piano Philip Gordon, piano Naxos 8.572293 Naxos Nostalgia 8.120569 6 7 of STRING PLAYERS CD TRACK LISTS * Toshiya Eto violin Ilya Grubert violin 12 Vivaldi: Violin Sonata in A major, Op. 2 No. 2, RV31: I. Preludio a capriccio 1:31 18 Miaskovsky: Violin Concerto in D minor, Op. 44: III. Allegro molto 8:30 Vladimir Sokoloff, piano Russian Philharmonic Orchestra ∙ Dmitry Yablonsky Decca DL 710014; Matrix 7-6806 Naxos 8.557194 Maxim Fedotov violin Total playing time: 76:40 13 Bruch: Violin Concerto No. 1 in G minor, Op. 26: III. Finale: Allegro energico 7:23 Russian Philharmonic Orchestra ∙ Dmitry Yablonsky CD 2 Naxos 8.557689 * Arthur Grumiaux violin 1 Emanuel Feuermann cello J.S. Bach: Double Concerto in D minor, BWV 1043: I. Vivace 4:03 14 Haydn: Cello Concerto No. 2 in D major, Hob. VIIb/2: III. Rondo: Allegro 5:14 Jean Pougnet, violin II ∙ Philharmonia String Orchestra ∙ Boris Ord, Harpsichord ∙ Walter Süsskind London Philharmonic Orchestra ∙ Malcolm Sargent Columbia D.X.1276-7; Matrix CAX 9503 Naxos Historical 8.110908 Augustin Hadelich violin 2 Joseph Fuchs violin Telemann: Fantasy No. 2 in G major, TWV 40:15 6:02 15 Beethoven: Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo: Allegro 2:55 Naxos 8.570563 Artur Balsam, piano Chloë Hanslip violin Naxos Historical 8.111252 3 Bazzini: La Ronde des lutins, Op. 25 4:54 * Lillian Fuchs viola Caspar Frantz, piano 16 Martinů: 3 Madrigals for Violin and Viola: I. Poco allegro 3:59 Naxos 8.570800 Joseph Fuchs, violin Jascha Heifetz violin Decca DL 8510; Matrix MG 1832 4 Franck: Violin Sonata in A major: I. Allegretto ben moderato 5:25 * Maurice Gendron cello Arthur Rubinstein, piano 17 Boccherini: Cello Concerto No. 9 in B flat major, G. 482: III. Rondo (Allegro) 6:52 Naxos Historical 8.110990 Orchestre des Lamoureux ∙ Pablo Casals Bronisław Huberman violin Philips ABL.3355 / A02067 L; Matrix 02067 2L [?] 5 Beethoven: Violin Concerto in D major, Op. 61: III. Finale: Allegro vivacissimo 8:23 Berlin Staatskapelle ∙ William Steinberg Naxos Historical 8.110903 8 9 of STRING PLAYERS CD TRACK LISTS Tim Hugh cello Miriam Kramer violin 6 Britten: Cello Suite No. 2, Op. 80: I. Declamato: Largo 2:43 13 Bloch: Suite hébraïque: II. ‘Processional’ 2:10 Naxos 8.553663 Simon Over, piano Naxos 8.554460 Ilya Kaler violin 7 Paganini: 24 Caprices, Op. 1: No. 16 in G minor ‘Presto’ 1:34 Fritz Kreisler violin Naxos 8.550717 14 J.S. Bach (arr. Wilhelmj): Suite No. 3 in D major, BWV 1068: II. Air ‘on a G-string’ 2:33 Unknown pianist Dong-Suk Kang violin Naxos Historical 8.112053 8 Fauré: Violin Sonata No. 2 in E minor, Op. 108: III. Finale: Allegro non troppo 6:01 Pascal Devoyon, piano Jan Kubelík violin Naxos 8.550906 15 J.S. Bach / Gounod: Ave Maria 4:28 Nellie Melba, soprano ∙ Gabriel Lapierre, piano Louis Kaufman violin Naxos Historical 8.110336 9 Vivaldi: Violin Concerto in C major, Op. 8 No. 6 RV180 ‘Il piacere’: III. Allegro 2:55 Winterthur Symphony Orchestra ∙ Clemens Dahinden Cho-Liang Lin violin Naxos Historical 8.110297–98 16 Chin: Formosa Seasons: IV. ‘Spring’ 3:06 Kansas City Symphony ∙ Michael Stern Maria Kliegel cello Naxos 8.570221 10 Brahms: Cello Sonata No. 2 in F major, Op. 99: IV. Allegro molto 4:35 Kristin Merscher, piano Julian Lloyd Webber cello Naxos 8.550656 17 Ireland (arr. Lloyd Webber): Sea Fever 3:06 John Lenehan, piano * Serge Koussevitzky double-bass Naxos 8.572902 11 Koussevitzky: Valse Miniature, Op. 1 No. 2 2:38 Pierre Luboshutz, piano Mark Lubostsky violin Victrola 1476-A; Matrix BE-46178 18 Schnittke: Fuga for Solo Violin 4:35 Naxos 8.554728 Henning Kraggerud violin 12 Sinding: Three Elegiac Pieces, Op. 106: I. ‘Elegy’ 2:46 Total playing time: 72:57 Christian Ihle Hadland, piano Naxos 8.572254 10 11 of STRING PLAYERS CD TRACK LISTS CD 3 Takako Nishizaki violin 7 Mozart: Violin Concerto No. 1 in B flat major, K. 207: III. Presto 7:36 Lorraine McAslan violin Capella Istopolitana ∙ Johannes Wildner 1 Hofmann: Violin Concerto in B flat major, Badley Bb1: III. Vivace 5:12 Naxos 8.550414 Northern Chamber Orchestra ∙ Nicholas Ward Naxos 8.554233 David Oistrakh violin 8 J.S. Bach: Violin Concerto in E major, BWV 1042: III. Allegro assai 2:47 Yehudi Menuhin violin Philadelphia Orchestra ∙ Eugene Ormandy 2 Enescu: Violin Sonata No. 3 in A minor, Op. 25: III. Allegro con brio, ma non troppo mosso 7:22 Naxos Historical 8.111246 Hephzibah Menuhin, piano Naxos Historical 8.111127 * Theo Olof violin 9 Mozart: Violin Concerto No. 5 in A major, K. 219: III. Rondo – Tempo di Minuetto 8:40 Frank Miller cello Classics Club Symphony Orchestra ∙ Walter Goehr 3 Villa-Lobos: Bachianas brasileiras No. 5 for Soprano and Cello Ensemble: I. Aria: Cantilena 7:10 The Classics Club 67B; Matrix [not present] Licia Albanese, soprano ∙ studio orchestra ∙ Leopold Stokowski Naxos Historical 8.111030–31 * Aldo Parisot cello 10 Vivaldi (arr. Dallapiccola): Cello Concerto (Sonata) in E minor, Op. 14 No. 5, RV40: I. Largo 2:34 Nathan Milstein violin Baltimore Conservatory Orchestra ∙ Reginald Stewart 4 Brahms: Violin Sonata No. 3 in D minor, Op. 108: III. Un poco presto e con sentimento 2:56 Saga XID 5258; Matrix [not present] Vladimir Horowitz, piano Naxos Historical 8.111051 György Pauk violin 11 Bartók: Rhapsody No. 1, Sz86: I. Prima parte ‘lassu’: Moderato 4:38 Zara Nelsova cello Jenő Jandó, piano 5 Barber: Cello Concerto, Op. 22: II. Andante sostenuto 6:47 Naxos 8.550886 New Symphony Orchestra of London ∙ Samuel Barber Naxos Historical 8.111358 Gregor Piatigorsky cello 12 Beethoven: Cello Sonata No. 2 in G minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivo 5:32 Paul Neubauer viola Artur Schnabel, piano 6 Biscardi: The Viola Had Suddenly Become a Voice 4:30 Naxos Historical 8.110640 James Goldsworthy, piano Naxos 8.559639 12 13 of STRING PLAYERS CD TRACK LISTS Maud Powell violin * Wolfgang Schneiderhan violin 13 Elgar: Salut d’amour, Op. 12 2:58 4 Beethoven: String Quartet No. 11 in F minor, Op. 95 ‘Serioso’: I. Allegro con brio 4:20 George Falkenstein, piano Schneiderhan Quartet (Wolfgang Schneiderhan, violin I; Otto Strasser, violin II; Ernst Moravetz, viola; Richard Naxos Historical 8.110961 Krotschak, cello) Columbia L.X.
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    James Dick Press Kit Information and Booking – Jan Lehman – 512.478.1131 TABLE OF CONTENTS Cover….................................................…......................................................... 1 Table of Contents....................................…........................................................ 2 Biography................................................…........................................................ 3 Grey-Scale Photo...................................…........................................................ 4 References and Reviews........................…........................................................ 5 Concerto and Solo Repertoires …............…........................................................ 6 Chamber Music and Recordings............…........................................................ 7 Information and Booking – Jan Lehman – 512.478.1131 BIOGRAPHY Recognized as one of the truly important pianists of his generation, internationally renowned concert pianist and Steinway artist James Dick brings keyboard sonorities of captivation, opulence and brilliance to performances that radiate intellectual insight and emotional authenticity. Raised in Hutchinson Kansas, his talent moved him from the farm to the University of Texas Music Building and out to the world's great concert halls. He received a scholarship to the University of Texas in Austin, studying with Dalies Frantz. Later, he was a Fulbright Scholar and studied with Sir Clifford Curzon in England. Dick's early triumphs as a major
  • Sardinian Composers of Contemporary Music

    Sardinian Composers of Contemporary Music

    Interdisciplinary Studies in Musicology 12,2012 © PTPN & Wydawnictwo Naukowe UAM, Poznań 2012 CONSUELO GIGLIO Music Conservatory, Trapani Sardinian composers of contemporary music ABSTRACT: The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of tra­ ditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed dis­ ciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002).
  • Vivanti Ensemble

    Vivanti Ensemble

    Vivanti Ensemble Wednesday Lunchtime Concert providing lunchtime music in the heart of the city since 1974 St Andrew’s on The Terrace WELLINGTON 29 11 17 12.15pm Welcome It is wonderful that you have come. Thank you. We want your experience today to be the best that it can be and would appreciate you taking a moment to read the following before the concert commences. Keep safe by locating the exit nearest to your seat. In the event of an earthquake, our recommendation is to Drop, Cover and Hold. Bon appetit! You are welcome to have your lunch during the performance. Switching your cell phone to silent is important to the performers and other members of the audience. Your support by way of a donation and telling others about the concerts would be fantastic and very much appreciated. It does make a difference. If you wish to photograph or video today’s concert, please ask for permission from the performer(s) before the concert begins. This is important. We invite you now to sit back, relax and enjoy the concert. Our Mission is to create a lively, open Christian faith community, to act for a just and peaceful world, and to be catalysts for discovery, compassion and celebration in the capital. These lunchtime concerts are advertised through Radio New Zealand Concert’s Live Diary at around 8.10 am on the day of the concert, and listed on St Andrew’s website. To be placed on the email circulation list for concert information, please email Marjan on [email protected] Check out the noticeboards in the foyer each time you come.