Knightly Arms — Plebeian Arms
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The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies
Weapon Group Feats for Pathfinder: Class: Weapon Group Proficiencies at 1st Level: Alchemist Basic weapons, Natural, Crossbows, any other 1 Barbarian Basic weapons, Natural, any other 4 Bard Basic weapons, Natural, any other 3 Cavalier Basic weapons, Natural, Spears, any other 3 Cleric Basic weapons, Natural, deity’s weapon group, any other 2(3 groups if not following a deity) Druid Basic weapons, Natural, druid weapons, any other 1 Fighter Basic weapons, Natural, any other 5 Gunslinger Basic weapons, Natural, firearms, any other 3 Monk Basic weapons, and all monk weapons Inquisitor Basic weapons, Natural, deity’s weapon group, Bows or Crossbows, any other 3 (4 groups if not following a deity) Magus Basic weapons, Natural, any other 4 Oracle Basic weapons, Natural, any other 1 (+3 if taking Skill at Arms) Paladin/AntiPaladin Basic weapons, Natural, any other 4 Ranger Basic weapons, Natural, any other 4 Rogue Basic weapons, Natural, any other 3 Sorcerer Basic weapons, Natural, spears, crossbows , any other 1 Summoner Basic weapons, Natural, spears, crossbows , any other 1 Witch Basic weapons, Natural, spears, crossbows , any other 1 Wizard Basic weapons, Natural, spears, crossbows This system doesn’t change Racial Weapon Familiarity. Weapon Group Name: Weapons In Group: Axes bardiche, battleaxe, dwarven waraxe, greataxe, handaxe, heavy pick, hooked axe, knuckle axe, light pick, mattock, orc double axe, pata, and throwing axe Basic club, dagger, quarterstaff, and sling Blades, Heavy bastard sword, chakram, double chicken saber, double -
The Rights of War and Peace Book I
the rights of war and peace book i natural law and enlightenment classics Knud Haakonssen General Editor Hugo Grotius uuuuuuuuuuuuuuuuuuuu ii ii ii iinatural law and iienlightenment classics ii ii ii ii ii iiThe Rights of ii iiWar and Peace ii iibook i ii ii iiHugo Grotius ii ii ii iiEdited and with an Introduction by iiRichard Tuck ii iiFrom the edition by Jean Barbeyrac ii ii iiMajor Legal and Political Works of Hugo Grotius ii ii ii ii ii ii iiliberty fund ii iiIndianapolis ii uuuuuuuuuuuuuuuuuuuu This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. ᭧ 2005 Liberty Fund, Inc. All rights reserved Printed in the United States of America 09 08 07 06 05 c 54321 09 08 07 06 05 p 54321 Frontispiece: Portrait of Hugo de Groot by Michiel van Mierevelt, 1608; oil on panel; collection of Historical Museum Rotterdam, on loan from the Van der Mandele Stichting. Reproduced by permission. Library of Congress Cataloging-in-Publication Data Grotius, Hugo, 1583–1645. [De jure belli ac pacis libri tres. English] The rights of war and peace/Hugo Grotius; edited and with an introduction by Richard Tuck. p. cm.—(Natural law and enlightenment classics) “Major legal and political works of Hugo Grotius”—T.p., v. -
Nicholas Victor Sekunda the SARISSA
ACTA UNI VERSITATIS LODZIENSIS FOLIA ARCHAEOLOGICA 23, 2001 Nicholas Victor Sekunda THE SARISSA INTRODUCTION Recent years have seen renewed interest in Philip and Alexander, not least in the sphere of military affairs. The most complete discussion of the sarissa, or pike, the standard weapon of Macedonian footsoldiers from the reign of Philip onwards, is that of Lammert. Lammert collects the ancient literary evidence and there is little one can disagree with in his discussion of the nature and use of the sarissa. The ancient texts, however, concentrate on the most remarkable feature of the weapon - its great length. Unfor- tunately several details of the weapon remain unclear. More recent discussions o f the weapon have tried to resolve these problems, but I find myself unable to agree with many of the solutions proposed. The purpose of this article is to suggest some alternative possibilities using further ancient literary evidence and also comparisons with pikes used in other periods of history. 1 do not intend to cover those aspects of the sarissa already dealt with satisfactorily by Lammert and his predecessors'. THE PIKE-HEAD Although the length of the pike is the most striking feature of the weapon, it is not the sole distinguishing characteristic. What also distinguishes a pike from a common spear is the nature of the head. Most spears have a relatively broad head designed to open a wide flesh wound and to sever blood vessels. 1 hey are usually used to strike at the unprotected parts of an opponent’s body. The pike, on the other hand, is designed to penetrate body defences such as shields or armour. -
1 IQP-48-JLS-0062 Pikes for the People: an Interactive Pike
1 IQP-48-JLS-0062 Pikes for the People: An Interactive Pike Demonstration Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ _____________________________ Jotham Kildea Huan Lai _____________________________ _____________________________ Kevin McManus Matthew Sonntag February 14, 2010 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor 2 Contents Abstract ................................................................................................................................ 4 Introduction .......................................................................................................................... 5 Acknowledgements: .............................................................................................................. 8 The Evolution of Military Organization and the Rise of Military Professionalism ................. 9 By Huan Lai ...................................................................................................................... 9 Technological Development and Its Effects on Warfare .............................................. 12 Medieval Military Strategies and Tactics ..................................................................... 15 Economic and Political Implications of Warfare in Medieval Europe .......................... 18 An overview of the historical context of war in Europe between 1500 and 1650. ................ -
The Downfall of Chivalry
Bucknell University Bucknell Digital Commons Honors Theses Student Theses Spring 2019 The oD wnfall of Chivalry: Tudor Disregard for Medieval Courtly Literature Jessica G. Downie Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the European History Commons, and the Medieval History Commons Recommended Citation Downie, Jessica G., "The oD wnfall of Chivalry: Tudor Disregard for Medieval Courtly Literature" (2019). Honors Theses. 478. https://digitalcommons.bucknell.edu/honors_theses/478 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. iii Acknowledgments I would first like to thank my thesis advisor, Professor Jay Goodale, for guiding me through this process. You have challenged me in many ways to become a better historian and writer, and you have always been one of my biggest fans at Bucknell. Your continuous encouragement, support, and guidance have influenced me to become the student I am today. Thank you for making me love history even more and for sharing a similar taste in music. I promise that one day I will understand how to use a semi-colon properly. Thank you to my family for always supporting me with whatever I choose to do. Without you, I would not have had the courage to pursue my interests and take on the task of writing this thesis. Thank you for your endless love and support and for never allowing me to give up. -
The Lameness of King Philip II and Royal Tomb I at Vergina, Macedonia
The lameness of King Philip II and Royal Tomb I at Vergina, Macedonia Antonis Bartsiokasa,1, Juan-Luis Arsuagab,c,1, Elena Santosb, Milagros Algabab, and Asier Gómez-Olivenciad,e,f,b aLaboratory of Anthropology, Department of History and Ethnology, Democritus University of Thrace, 69100 Komotini, Greece; bCentro Mixto Universidad Complutense de Madrid-Instituto de Salud Carlos III de Evolución y Comportamiento Humanos, 28029 Madrid, Spain; cDepartmento de Paleontología, Universidad Complutense de Madrid, Madrid, Spain; dDepartmento de Estratigrafía y Paleontología, Universidad del País Vasco-Euskal Herriko Unibertsitatea, 48080 Bilbao, Spain; eIKERBASQUE, the Basque Foundation for Science, 48013 Bilbao, Spain; and fÉquipe de Paléontologie Humaine, UMR 7194, CNRS, Département de Préhistoire, Muséum National d’Histoire Naturelle, Musée de l’Homme, 75016 Paris, France Contributed by Juan-Luis Arsuaga, June 9, 2015 (sent for review March 30, 2015) King Philip II was the father of Alexander the Great. He suffered been presented before. Only a brief mention was made of few of a notorious penetrating wound by a lance through his leg that was them in a couple of lines (4, 7), and certainly nothing was reported nearly fatal and left him lame in 339 B.C.E. (i.e., 3 y before his on their lesions. assassination in 336 B.C.E.). In 1977 and 1978 two male skeletons were excavated in the Royal Tombs II and I of Vergina, Greece, Methods respectively. Tomb I also contained another adult (likely a female) We have established the presence of three individuals: two adults (Individuals and a newborn skeleton. The current view is that Philip II was 1 and 2) and one newborn (Individual 3). -
The SPONTOON ISLAND WRITERS GUIDE Version - 1.6 © June 25Th, 2011 C.E
The SPONTOON ISLAND WRITERS GUIDE Version - 1.6 © June 25th, 2011 c.e. THIS IS A WORK IN PROGRESS -Please Help- Spontoon Island was created by Mr. Ken Fletcher With assistance and input by many Spontoon Creators - PLEASE SHARE - This file is copyright 2010-2011, as is all the material within it not specifically marked RELEASED TO PUBLIC DOMAIN. If there is not a specific copyright listed, it should be considered as 2010-2011 until corrected by its writer. Words in -itallics- are quotes from others works. Used only under the FAIR USE law. Where possible, the reference or writer is listed. See notes at the end of this file for Creators. If you find errors, need yourself added as the originator of something or wish to add material please write Mr. Dorrycott at [email protected] and add the subject line SPONTOON. Thank you. About Spontoon Island: Spontoon Island was created and is controlled by Mr. Ken Fletcher. The setting is in an alternate, fictional Anthropomorphic universe set in the 1930's. The emphasis is upon Amphibious aircraft, those who fly them and those who maintain them. Located in an warm current and almost directly West of Vancover, Canada, Spontoon Island and many islets around it have near tropical environments, though they do have cold seasons unlike say, Tahiti. Mr. Ken Fletcher is the person that you approach to enter this world, and who will escort you out (probably with a rusty bent boat hook) should you disobey the rules. 1 Table of Contents Section Contents Page 0 What’s New 3 1 Legal Stuff & General Guidelines -
Jewish Carnality and the Eucharist in Jörg Ratgeb's Herrenberg Altarpiece
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Spring 5-3-2017 Pushing the Bounds of Typology: Jewish Carnality and the Eucharist in Jörg Ratgeb's Herrenberg Altarpiece Genevieve D. Milliken Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Milliken, Genevieve D., "Pushing the Bounds of Typology: Jewish Carnality and the Eucharist in Jörg Ratgeb's Herrenberg Altarpiece." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/art_design_theses/219 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. PUSHING THE BOUNDS OF TYPOLOGY: JEWISH CARNALITY AND THE EUCHARIST IN JÖRG RATGEB’S HERRENBERG ALTARPIECE by GENEVIEVE D. MILLIKEN Under the Direction of John R. Decker, PhD ABSTRACT Jörg Ratgeb’s Herrenberg Altarpiece (1518-1519) depicts well-established examples of Christian iconography, but appears to reconfigure and intensify traditional subjects and subject matter through the inclusion of overt anti-Judaic references. In this paper, my focus is the strong anti-Judaic subject matter of the Herrenberg Altarpiece and the local context in which, and for which, it was created. The anti-Jewish representations are investigated by exploring Christian perceptions of biblical and contemporary Jews, identifying social tensions in Swabia that may have influenced how Jews were depicted, and recognizing the ways in which the trope of Jewish wantonness may have served a politico-religious agenda in the region. -
Pietro Monte
THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE A TRANSLATION OF THE EXERCITIORUM ATQUE ARTIS MILITARIS COLLECTANEA BY MIKE PRENDERGAST AND INGRID SPERBER THE COLLECTION OF RENAISSANCE MILITARY ARTS AND EXERCISES OF PIETRO MONTE Translation © 2018 Mike Prendergast Translation by Mike Prendergast and Dr. Ingrid Sperber. This translation is freely available for non-commercial use. THE TRANSLATORS MIKE PRENDERGAST Mike Prendergast has been researching, practising and teaching historical strategy and martial arts since 1999. His main focus is on the art of fencing of Renaissance Italy. Initially studying Bolognese fencing, he moved to specialise in the system of Fiore dei Liberi (c. 1410) and the rapier style of Nicoletto Giganti (1606), before embarking on his study of Monte. Having initially started with Japanese martial arts, Mike discovered historical European fencing through the international medievalist group, the Society for Creative Anachronism, where he has received the society's highest award for research, the Laurel. In 2015 he was appointed one of the three premier Masters of Defence for the European branch of the society. Mike instructs in rapier and longsword with SCA Dun in Mara and interprets and teaches the martial arts of Pietro Monte, as chief instructor with the Historical Combat Academy, in Dublin, Ireland. He also teaches internationally at Historical European Martial Arts events and hosted the 2015 International Rapier Seminar. Mike competes internationally in tournaments and has taken medals in a variety of weapon forms including gold in rapier and sword & buckler. He also trained for several years in Hyoho Niten Ichi Ryu, the traditional Japanese style of swordsmanship founded by the famous duellist and strategist Miyamoto Musashi. -
Culturally Significant Plants
Culturally Significant Plants Manhattan, KS. Plant Materials Center Presenter’s Name: Name of Meeting: Date: Agency: Job Title: Location: OurOur Mission:Mission: The Natural Resources Conservation Service provides leadership in a partnership effort to help people conserve, maintain, and improve our natural resources and environment. OurOur Vision:Vision: Harmony between people and the land. PlantsPlants MaterialsMaterials Program:Program: We develop plant materials and plant technology for the conservation of our Nation’s natural resources. sideoats grama Bouteloua curtipendula (Michx.) Torr. Other common names; tall grama, avenilla, banderilla, banderita. Culturally: • The grass was bundled, dried and made into brooms or hairbrushes. • Moist grass was laid onto hot stones to prevent steam from escaping while cooking. • Kiowa warriors, who in battle, had killed an enemy with a lance, wore the seed stalk in their hair because the grass stalk resembles a feathered lance. • This is the state grass of Texas. Photo courtesy of: ©Larry Allain. USGS NWRC. This copyrighted image may be freely used for any non- commercial purpose. For commercial use please contact Larry Allain. Please credit the artist, original publication if applicable, and the USDA-NRCS PLANTS Database. The following format is suggested and will be appreciated: Larry Allain @ USDA-NRCS PLANTS Database. Slide developed by Pat Broyles, Soil Conservationist, Manhattan, KS. PMC. USDA is an equal opportunity employer. vanilla grass Hierochloe odorata (L.) Synonyms: Torresia odorata. Other common names; sweetgrass, holy grass. Medicinally: Photo courtesy of: Robert H. Mohlenbrock. USDA NRCS. 1992. Western wetland flora: Field office guide to plant species. West Region, • Smoke from burning leaves was Sacramento, CA.