DOCSLIB.ORG

LCMS Black Ministry Spring 2019 Timeline Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LCMS Black Ministry Spring 2019 Timeline Newsletter LCMS BLACK MINISTRY NEWSLETTER SPRING 2019 PLANT SEEDS TODAY… AND SEE WHAT GOD GROWS THROUGH CHRIST AND HIS CHURCH he narrative of the Ascension of Christ ➤ A young Lutheran pastor who saw firsthand tells us a lot about what the disciples the awful consequences of segregation at his REV. DR. ROOSEVELT GRAY, JR. were thinking. “So when they had come first call to Holy Cross Lutheran in Camden, Ttogether, they asked him, “Lord, will you at this Ala., where a horn sounded every Saturday …the power of the Gospel time restore the kingdom to Israel?” at dusk telling blacks to get out of town, went in the lives of God’s people has on to lead churches and schools in Mont- turned the world upside down He said to them, “It is not for you to know times gomery and Chicago, teach in the seminary or seasons that the Father has fixed by his own and universities and serve in civil rights among African-American authority. But you will receive power when the Lutherans. movements to bring justice and freedom to Holy Spirit has come upon you, and you will be African-Americans in his mercy works — my witnesses in Jerusalem and in all Judea and and through His Word; Samaria, and to the end of the earth” (ACTS 1:6–8). ➤ A 15-year-old Lutheran student at Ala- The men who were concerned about the bama Lutheran Academy in Selma, in 1965 kingdom of Israel are the same people who, marched with Dr. Martin Luther King, Jr., with the preaching of the Gospel in the power and whose grandfather Walter Hill started of the Holy Spirit, turned the world upside Zion Evangelical Lutheran Church and down. “These men who have turned the world School in Tait’s Place. Today her work is laud- upside down have come here also” (ACTS 17:6). ed in National Geographic while she serves and sings at Trinity Lutheran and is active From 1877 to 2019, 142 years, with LWML; the power of the Gospel in the lives of God’s people has turned ➤ Young men and women today hearing the the world upside down among Good News of the Gospel and sharing their African-American Lutherans. We faith through High Impact Ministries in will never know the full extent of Hot Springs, Ark. and preparing to attend the impact on the lives of blacks the LCMS National Youth Gathering this and black communities the LCMS summer. has impacted. The full impact of our ministry is only known by We see this in the lives of the indi- God. What will the future hold for the LCMS in viduals in this issue of TimeLine. serving ethnic communities as we show Witness, Mercy, Life Together® in Christ for the Church ➤ A 10-year-old Lutheran and the world? elementary school student in Southern California intro- Only God knows, but we know that God calls TOP: Students of High Impact Ministries in Hot Springs, duced to the drums in 1957, us to carry out the work of the Gospel with Ark. BOTTOM: One of the graduates of Immanuel who at 72, after a successful Seminary and College honored at the LCMS Black witness, mercy and life together through the Family Ministry Convocation. Rev. Dr. James Marshall music career, is back in his Church, Christ’s bride, you and me. to the left and Rev. Dr. Bryant Clancy to the right. home community and church sharing the Good News; TIMELINE NEWSLETTER PAGE 1 PHOTOS: EILEEN ELLARS/REV. MEREDITH JACKSON LUTHERAN DRUMMER COMES FULL CIRCLE: HAROLD RAY BROWN: HIS MUSIC & MISSION Who knew it would lead to a band called WAR and playing with Jimi Hendrix, Bob Marley and Jim Morrison. ust like the shape of his beloved ming to local youth, plays music during around him; he’s even called me up in the drums, Harold Ray Brown’s life has worship and walks through the neigh- middle of the day just to tell me he loves come full circle. A professional borhood of this Long Beach community, me, and he is always offering to pray for J musician, Brown has returned to his sharing his “good vibes” on faith. people. home — southern California — and his childhood church, First Lutheran, now “Harold is a gift to our church and our “I’d say his ‘official’ title is Missionary to called The Gathering, as music teacher, community,” said Pastor Kyle Blake, who the City. Though it’s not on any business church musician and faith-sharing friend was called to the 114-year-old Lutheran card, it certainly describes his life.” of a diverse community. church in 2015 and is now planting a new Lutheran church, The Gathering, to better Brown was a 10-year-old student at First At 72, Brown, a founding member of the reach the multiethnic community. “His Lutheran School when five minutes 1970s funk band WAR which won several passion for Jesus and people is infectious. changed his life. Principal Alvin J. Hahn gold and platinum awards, teaches drum- He is always encouraging the people brought instruments into the school gym Harold Brown in his studio at The Gathering. TIMELINE NEWSLETTER SPRING 2019 / PAGE 2 PHOTO: RAY BROWN one morning. “The snare drum was sitting A few years after Katrina cut through right in front of the stage,” Brown said. “He the city, Brown felt a tug back home, to handed me the drumsticks and gave me a California and to family. One weekend LOOKING OUT THE WINDOW, 5-minute lesson on how to hold the drum- while visiting the Lutheran church at Long sticks and how to play a quarter note. I SAW THE CROSS THAT STANDS Beach, the pastor came up to him after the OVER FIRST LUTHERAN WHERE service and handed him a book: The 100th “Just five minutes,” he said, his voice Anniversary of First Lutheran Church. choking. “Who knew it would lead to a I GOT THAT FIVE MINUTES THAT band called WAR and playing with Jimi “When I got to page 18, I see my parents’ Hendrix, Bob Marley and Jim Morrison.” SET THE COURSE FOR ME. AND I names: Clyde R Brown Sr., wife Icelo Carter Formed in 1969, WAR was a musical cross- THOUGHT: ‘GIVE GOD PRAISE — Brown and 5 boys and 1 girl. We were the over band which fused elements of rock, first black family to join and attend First Lu- funk, jazz, Latin, rhythm and blues and I AM HOME!’ theran Church in Long Beach [where Brown reggae. Their albumThe World is a Ghetto was baptized and confirmed]. All six of us attended Sunday school. I was the acolyte at Harold Brown’s student identification the the dedication of the new church building in year he attended Lutheran High. He was a track star and awarded a full scholarship to was the bestselling album of 1973. 1959. It brought tears to my eyes.” Valparaiso University but decided to pursue music instead. Brown left the band in the 1980s, got a col- He felt the need to return, but housing is lege degree in computer science and landed expensive and hard to come by. The first in New Orleans, where he formed a new place he looked, an apartment on the 5th band, Low Rider, and gave tours of the city. floor of a local building, was ready to rent. He also worked with the Lutheran church “Looking out the window, I saw the cross through LINC, where he also taught youth, that stands over First Lutheran where I inspiring them to work hard toward real- got that five minutes that set the course izing their dreams. “It is far greater to have for me. And I thought: ‘Give God praise your name written on young people’s hearts — I am HOME!’” than to have it written in stone,” he said. en.wikipedia.org/wiki/Harold_Ray_Brown Harold Brown stands in the auditorium/gym of his former First Lutheran grade school (now The Gathering) holding the trophy he won at age 10 for good citizenship. “It’s a little beat up, just like me, but I treasure it,” he says. TIMELINE NEWSLETTER SPRING 2019 / PAGE 3 PHOTOS: THOMAS R. CORDOVA, LONG BEACH POST/COURTESY OF HAROLD BROWN THE ‘CURTAIN CALL,’ CIVIL RIGHTS FROM ALABAMA TO CHICAGO A LUTHERAN PASTOR REFLECTS hen Rev. Dr. William Griffin and member of Mt. Calvary Lutheran Church IN MY LIVING ROOM AS A CHILD, his family wanted new draperies in Kannapolis, N.C., in the 1890s. His for their home in Montgomery, parents, Willie and Bessie Griffin, also MY PARENTS HAD A PLAQUE ON THE Ala.,W where he served as pastor at Grace Lu- attended Mt. Calvary. Griffin was born in theran Church, they called a highly recom- Kannapolis, N.C., the third of 14 children. WALL WHICH SAID, ‘ORA AND LABORA’ mended seamstress: Rosa Parks. There was no slacking in their household, and church was always attended. – PRAY AND WORK. THEY TRIED TO Not much later, they awoke to a phone call: their quiet, efficient seamstress had refused “In my living room as a child, my parents had INSTILL IN ALL OF US CHILDREN to give up her bus seat to a white man and a plaque on the wall which said, “Ora and had been arrested. A local black pastor, Rev. Labora” – pray and work. They tried to instill THAT WE WERE TO WORK AS THOUGH Martin Luther King, Jr., was calling for a in all of us children that we were to work as bus boycott, and local pastors were asked though everything depended on us and to EVERYTHING DEPENDED ON US AND to announce the plan.
Load more

Recommended publications
  • Holly Day Marlene Olin Enesa Mahmić
    2020 HOLLY DAY MARLENE OLIN ENESA MAHMIĆ TWO THIRDS NORTH 2020 TWO THIRDS NORTH 2020 SENIOR EDITORS Paul Schreiber, Adnan Mahmutović, Thomas Lavelle PUBLISHER Stockholm University ASSISTANT EDITORS Jack Appleton, Eloise Brason, James Burrescia, Alessia Camuffo, Federica Castellini, Margarita Chudnovskaya, Miryam Danielsson, Sterling Figueroa, Wioleta Kwiecien, Delphine Menard, Hagar Jemal, Craig Silvie, Markéta Soukupová, Wen Tang, Geneva May Vuozzo, Minon Weber, Aliya Zaman ISBN 978-1-909077-98-0 ISSN 2001-8452 (PRINT) ISSN 2001-8460 (ONLINE) Cover art by Wen Tang. CONTENTS Editor’s Foreword, Adnan Mahmutović 6 Transformation and Resistance Metamorphosis Points, Yuan Changming 10 Step One, Holly Day 11 Living in a Senior Citizen Apartment, David Lewitzky 12 Glass and Other Glass, Chris Diken 14 American Ninja, Marlene Olin 16 Memories Against Histories She Exists, Enesa Mahmić 24 Dream Job, Clive Donovan 27 Frank the Redeemer, Robert McGuill 27 Let it be Enough, Paul Schreiber 41 Church Big, Timothy Robbins 42 Harold Ray Brown, Kitty Steffan 44 Punto in Aria, Darcy Smith 46 The Ruins of Knossos, William Doreski 48 Careless, Timothy Robbins 50 Carpenters’ Land, John Horváth 52 Insights in Sightlines Bluebirds, Eloise Brason 56 Lights, Dane Hamann 61 On the Bulgarian Hairdresser’s Countertop, Susan E. Gunter 62 Above My Ceiling, David Heidenstam 64 Montparnasse, Iain Twiddy 65 Sexy Blues, Ian C. Smith 66 In Focus: Omar Sabbagh Review of Omar Sabbagh’s But It Was An Important Failure, Rowan Fortune 70 Excerpts from But It Was An Important Failure On Digging 77 White Noise 78 Writing on the Wall 79 Editor’s Foreword e are in Stockholm, the home of the Nobel Prize.
    [Show full text]
  • Washington, Friday, August 27, 1948
    VOLUME 13 ^ OyirrEO ^ NUMBER 168 Washington, Friday, August 27, 1948 TITLE 6— AGRICULTURAL CREDIT committees, and county agricultural CONTENTS conservation committees under the Chapter II— Production and Mar­ general supervision and direction of the Air Force Department Pa8® keting Administration (Commodity Manager, CCC. Forms will be distrib­ Rules and regulations: Credit) uted through the offices of State and Note regarding regulations____ 5007 county committees. County commit­ [1948 C. C. C. Bye B ulletin 1] tees will determine or cause to be deter­ Alien Property, Office of mined the quantity and grade of the Notices: P a rt 266- —R y e L o a n s a n d P u r c h a s e rye, the amount of the loan or purchase, Vesting orders,* etc.: A g r e e m e n t s and the value of the rye delivered under Bahnsen, Emma, et al______ 5015 1848 RYE PRICE SUPPORT PROGRAM the program. All loan and purchase Compagnie Electro - Mécan­ BULLETIN documents will be completed and ap­ ique— _— c------------------- 5016 proved by the county committee, which Del Drago, Marcel__________ 5015 This bulletin states the requirements Garibaldi, Hope MacMichael- 5016 with respect to the 1948 Rye Loan and will retain copies of airsuch documents. The county committee may designate Heiler, Joseph W___________ 5016 Purchase Agreement Program formu­ Heyman, Hella Hilde________ 5016 lated by Commodity Credit Corporation in writing certain employees of the coun­ ty agricultural conservation association Hirschberg, Alex___________ 5016 (hereinafter referred to as CCC) and Rothschild, Kurt___________ 5016 the Production and Marketing Adminis­ to approve forms on behalf of the com­ tration (hereinafter referred to as mittee.
    [Show full text]
  • I'm Your Biggest Fan (Iâ•Žll Follow
    Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 "I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT Meghan R. Francis Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Francis, Meghan R., ""I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT" (2011). Digitized Theses. 3233. https://ir.lib.uwo.ca/digitizedtheses/3233 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. “I’M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)” SOCIAL NETWORKING SITES, FANS, AND AFFECT (Spine title: Social Networking Sites, Fans, and Affect) (Thesis Format: Monograph) by Meghan Francis Graduate Program in Popular Music and Culture 9 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Meghan Francis 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners Dr. Norma Coates Dr. Susan Knabe 1 Supervisory Committee Dr. Keir Keightley Dr. Susan Knabe Dr. Jonathan Burston The thesis by Meghan Ruth Francis entitled: “I'm Your Biggest Fan (I'll Follow You Until You Love Me)”: Social Networking Sites, Fans and Affect is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date _______________________ _____ ____________ ■ __________ Chair of the Thesis Examination Board 11 L Abstract: This thesis explores the way that music fandom has changed on sites like Twitter.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Audio Feature | WAR – Latin Funk
    Audio Feature | WAR – Latin Funk In der Blog-Kategorie Audio ersetzen wir ab sofort die wöchentlichen Mixed Tapes durch die neugeschaffene Unter- Kategorie „Audio Feature“, in der wir sporadisch bestimmte Künstler oder Stilrichtungen dauerhaft vorstellen. Die Mixed Tapes des vergangenen Jahres sind unverändert hörbar, die Reihe wird aber nicht fortgesetzt. Damit gliedert sich die Kategorie Audio wie folgend: 1. Album der Woche – Wechsel jeden Sonntag 2. Album des Monats – Wechsel zum jeweiligen Monatsende 3. Audio Feature – sporadisch 4. Schellack Souvenirs – sporadisch 5. Musik & Technik – sporadisch Das erste Audio Feature behandelt die in den Jahren 1970 bis 1977 sehr erfolgreiche kalifornische Latin-Funk Formation WAR. In der populären Musik gibt es immer wieder Musiker, die einzigartig sind. Repertoire, Performance, künstlerisches Können sind die herausragenden Merkmale. Je nach Gattung unter vielen anderen zu nennen Oregon, Al DiMeola, Supertramp, Santana, Little Feat, Knopfler, Clapton, Beck und Peter Green und ….. die kalifornische Latin-Funk Combo WAR. Ihre in den Jahren 1971 bis 1977 veröffentlichten 6 Alben sind Paradebeispiele für eine in der Zeit exemplarische Hochleistung einer Band mit der Stilbreite von Latin Jazz/Funk/Rock, die bis heute unerreicht ist, auch wenn es mit ähnlicher Fusion-Ausrichtung Gruppen wie Blood, Sweeat & Tears, Return to Forever oder Wheather Report gab. Und Soft Machine, Brand X, Gong oder Nova mit Phil Collins in Europa. WAR – die Music Band. Dieses Prädikat haben sich die Musiker durch legendäre Konzerte verdient. Es waren musikalische Happenings mit erstaunlicher, durchgängiger Rhythmusbasis. Auf- und abschwellend auf der Zeitschiene des jeweiligen Stückes. WAR sind bis auf den stilweisenden (dänischen) Mundharmonikaspieler Lee Oskar (Oskar Levetin Hansen) weniger Solisten als unfassbar gut harmonierende Teamplayer.
    [Show full text]
  • The Ingham County News, Wednesday, August 26, 1964 - Page A-2
    -~:) I WARMER. lo Warmer Thuruclay; a bit coo/~r. · (') ,\! Friday ar Saturday; warming trunci ~! j l".l Sunday or Monrlay. Showor# Friday ;( ! J .,.J .,. :·.r / or Saturday. r:J .;-!J ·" :,., ' ..,r. I ., I !,.\ I• ' ~ .. ' ,, ,. I r.,' .. I ( UJ UJ Volume 105, No. 35 . 5 Sections- 32 Pages Including Special Back-to-School Section 1~ per copy Mason Voters Approve Swi,mm,ing Pool Bond Issue Mason will have Its swimming to design the pool and the bull­ that there was a relatively high pool. ding to house It, That may com~ turnout for the election, While * * '* By a thumping vote of nearly up at a meeting Septem~er 9, the votes In some elections on Yeggs Hit 2 to 1 voters In the school dis­ It will require 6 or a weeks money Issues in the past several trict went to the polls Monday and to obtain the approval of the years have been larger, 1,167 cast the majority of their ballots Municipal Finance commission voters Is a good turnout and is Restaurants In favor of building the $200 000 1 for the project, representative of the feelings of faclllty, Another 2 or 3 weeks will be Mason police are Investigating the school district, Secondly, the required for advertising and sale size of the majority of •yes' 2 breakins which occurred here The vote was 770 for the pool of the $200 1000 bond issue. votes reflects a strong feeling In on 2 consecutive nights during issue and 413 against it, Mter the bonds are sold It the past V"'lek, wtn the district In favor of the facil­ The Issue of a pool for the use require another 3 weeks before Ity," Burglars broke into the Fami­ of children and adults In Mason the money is made available.
    [Show full text]
  • OUR FAMILY TREE and Its Many Branches November 1988
    OUR FAMILY TREE and its many branches november 1988 TABLE OF CONTENTS Families: Brown 1 Markel 7 Parker 15 Blaine 42 Meyer 62 Segerstrom 90 McMurray 102 Sutfin 131 Kohlmeier 142 Beale - 151 Hite Family 167 Armstrong - Lyon 193 Mead - Bateson 212 Washington 226 Ord - Cresap families aft 256 Mead - Parker 289 index —j ' BATE MICROF/LMED I ///Vf/ / ITEM *_Z£L PROJECT"?/id G RGi L ?r M-L # FAMILY M'STORY LIBRARY \fL/07<-/4P ^^>«r, 35 NOR •>i WFST TEMPLE r< SALT LAlxE CITY, UTAH 84150 HERITAGE We speak of our forbears in old and worn cliches, As stalwart, silent men whose numbered days Were spent in ceaseless, unremitting toil Eking a living from New England soil. We think of them waiting for the call to arms, Fighting to save their families and farms; We picture the furrow where the dropped plough lies, The women watching them go with quiet eyes. Is it because they died so many springs Ago that we forget the other things They did from day to day? They must have wept, Laughed, talked of the future. I think they kept Their dreams tended as gently as their corn, And planned great things for children yet unborn. And as I watch the spring unfold each year, I think that they held beauty almost as dear As freedom. The battle won, they heeded her command, And planted dogwood in their promised land. DOROTHY JOSLIN ©1976 Introduction Our Family and its Many Branches is genealogy of an entire family, admittedly as yet incomplete. It is the genealogy of the various branches, also incomplete.
    [Show full text]
  • GTA SA 360 MANUAL ENG.Pdf
    LOCAL BUSINESS ADVERTISER’S GUIDE WARNING Before playing this game, read the Xbox 360® console, Xbox 360 Kinect® Sensor, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning: Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to WELCOME TO certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any CONTENTS relatives have a history of seizures or epilepsy, consult a doctor before playing. 02 MOST WANTED 03 CONTROLS 05 TRAVEL SERVICES 07 FACTS + ACCOMMODATION 10 HOSPITAL + PERSONAL SAFETY SERVICES 13 MONEY + SHOPPING 14 GAMBLING 16 SPORT + EATING OUT 17 PERSONAL GROOMING SERVICES 18 PERSONALS Local
    [Show full text]
  • La Nueva Voz the New Voice, a Bilingual (English/Spanish) Publication Issue No
    www.lanuevavoz.net La Nueva Voz The New Voice, a Bilingual (English/Spanish) Publication Issue No. 111 Pomona’s only community newspaper! Thursday, October 25, 2018 Pomona joins cities nationwide recognizing ‘Indigenous People’s Day’ Several hundred – some from Americans. woman of Rumsen lived here for many, many throughout Southern Califor- Locally, the solemn yet joyful Am:A Tur:Ataj Ohlone years,” she added. “And so to- nia and beyond – turned out for REVHUYDQFH KDV EHHQ RIÀFLDOO\ and a resident of Hes- day we’re here, united for the 3RPRQD·V ÀUVWHYHU ,QGLJHQRXV recognized by the Los Angeles peria, was introduced to Gabrieleno Band of Mission People’s Day in Ganesha Park County Board of Supervisors (on offer the opening prayer ,QGLDQVWKH.L]K1DWLRQµ this month, an international ob- a motion last year by Los Ange- on this “special day” to “We want to educate people servance that began as far back les County Supervisor Hilda So- the sound of cheers, ap- and we want them to know the as 1977 as a counter-celebration lis), the Pomona City Council plause and traditional real history of our land, not held the same day as Columbus and others. Native American chants. what’s written in the school Day in honor of the true Native Dee Dee Ybarra, tribal chair- ´,W·V WDNHQ RYHU books, not what we’ve been years for us to be ac- taught, we want them to know Pomona ‘royalty’ Phil and Nell Soto honored at NQRZOHGJHG DQG ,·P VR our story and that’s why we’re groundbreaking for new park named in their memory thankful and honored to here today,” Ybarra said.
    [Show full text]
  • Santana IV | Nostalgie Modern Und Perfekt
    Santana IV | Nostalgie modern und perfekt Carlos Santana und seine Weggefährten aus den vergangenen über 50 Jahren (!) haben die Welt verändert, die musikalische auf jeden Fall. Vier Jahre nach der Bandgründung erschien 1969 das erste Album, das nur den Bandnamen trug. Den entgültigen Durchbruch allerdings brachte das zweite Album Abraxas mit den heutigen Evergreens Black Magic Woman (im Original von Fleetwood Mac), Oye Como Va und Samba Pa Ti . 5,7 Millionen Mal verkauft. Das bis heute 23 Alben mit großer Stilvielfalt gefolgt sind, spricht für die außergewöhnliche Klasse des Gitarristen. Viel mehr muß nicht über Santana gesagt werden, er ist wohl schon Allgemeingut geworden. Und nun überrascht er ein weiteres Mal. Denn mit der Santana IV benannten aktuellen Formation spielen die Musiker wieder zusammen, die schon auf den ersten 3 Alben den Santana Sound mitgeprägt haben und nach dem Santana 3 betiteltem 1971er Album teilweise eigene Wege gingen: Sänger/Keyboarder Gregg Rolie und Guitarist Neal Schon gründeten Journey, Bassist Dave Brown ist 2000 verstorben. Line up der ersten 3 Alben Gregg Rolie – lead vocals, Hammond B3 organ, keyboards Carlos Santana – guitar, vocals Neal Schon – guitar, vocals Michael Shrieve – drums Michael Carabello – congas, percussion, vocals Alle Songs des im April 2016 veröffentlichten Albums sind neu und von den Bandmitgliedern geschrieben und klingen so, als wäre dieses Album tatsächlich der direkte Nachfolger der Santana 3. Kraftvoll, ideenreich und die gewohnte präzise Beherrschung der Instrumente auf die
    [Show full text]
  • Why Does Country & Western Music
    NEW ENGLAND COUNTRY & WESTERN MUSIC: SELF-RELIANCE, COMMUNITY EXPRESSION, AND REGIONAL RESISTANCE ON THE NEW ENGLAND FRONTIER BY CLIFFORD R. MURPHY B.A. GETTYSBURG COLLEGE, 1994 M.A. BROWN UNIVERSITY, 2005 SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE PROGRAM IN MUSIC: ETHNOMUSICOLOGY AT BROWN UNIVERSITY. PROVIDENCE, RHODE ISLAND MAY 2008 © 2008 CLIFFORD R. MURPHY This dissertation by Clifford R. Murphy is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. (signed and dated copy on file at Brown University) Date_______________ _________________________ Jeff Todd Titon, Advisor Recommended to the Graduate Council Date_______________ __________________________ Jennifer Post, Reader Date_______________ __________________________ Paul Buhle, Reader Date_______________ __________________________ Rose Subotnik, Reader Approved by the Graduate Council Date_______________ __________________________ Sheila Bonde, Dean of the Graduate School iii CURRICULUM VITAE Clifford R. Murphy was born in Ridgewood, New Jersey in 1972 and was raised in New Hampshire in the towns of Durham and Newmarket. Cliff learned to play guitar at age 16, graduated from Newmarket High School in 1990, and attended Gettysburg College where he majored in History and English. Following graduation in 1994, Cliff returned to New Hampshire and spent the next nine years working as a singer, songwriter, and rhythm guitarist in the internationally
    [Show full text]