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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Beat the Heat
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Scottish Eccentrics
SCOTTISH ECCENTRICS by HUGH MacDIARMID SCOTTISH ECCENTRICS The distinguished Scottish poet and literary critic who writes this book recalls how Bernard Shaw in On The Rocks ironically declares that the massacres after the Battle of Culloden were not "mur- der" but simply "liquidation," since the slain Scots in question were "incompatible with British civilization." He then surveys the whole field of Scottish biography, and shows how true this has proved of an amazing number of distinguished Scots, no matter how successfully the bulk of the Scottish people have been assim- ilated to English standards since the Union. The facts are irresist- ible and bring out the "eccen- tricity" of Scottish genius in an extraordinary fashion. The author gives full-length studies often outstanding Scottish eccentrics, including Lord George Gordon of the "Gordon Riots"; Sir Thomas Urquhart, the trans- lator of Rabelais', "Christopher North"; "Ossian" (James Mac- pherson, M.P.); James Hogg, the Ettrick Shepherd; and William McGonagall, perhaps the world's best "bad poet". But he supports these leading cases with apt material drawn from the lives of hundreds of Scots of every period in history and every walk of life, and in this way builds up a bril- liant panoramic picture of Scottish psychology through the ages, singularly at variance with all generally accepted views of the national character. 15 S. net By the Same Author Poetry Sangschaw Penny Wheep To Circumjack Cencrastus First Hymn to Lenin, and other Poems A Drunk Man looks at the Thistle Stony Limits, and other Poems Fiction Annals of the Five Senses Translations The Handmaid of the Lord (novel, from the Spanish of Ramon Maria de Tenreiro) Birlinn Chlann-Rhagnaill (poem, from the Scots Gaelic of Alasdair Mac- Mhaighstir Alasdair) Criticism Contemporary Scottish Studies Albyn: or Scotland and the Future Scottish Scene (in collaboration with Lewis Grassic Gibbon) At the Sign of the Thistle etc. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
The Titles Below Are Being Released Exclusively For
THE TITLES BELOW ARE BEING RELEASED EXCLUSIVELY FOR BLACK FRIDAY (v1.10.4 updated 11-12-15) HOW ARTIST TITLE LABEL FORMAT MANY? ¢ B52s Live 8-24-79 Rhino LP 2500 ¢ Beck "Dreams" Capitol 12" 7,200 ¢ Jeff Beck Performing This Week… Live at Ronnie EagleScott's Records Deluxe 3 LimitedX LP Edition3,000 ¢ Big Star Jesus Christ Omnivore 10" 2000 ¢ David Bowie Earthling Friday Music LP 2000 ¢ Jeff Buckley/Sly and theEveryday Family Stone People Sony Legacy 7" 4000 ¢ Buzzcocks Another Music In A Different Kitchen Rhino LP 4000 ¢ The Cardigans Long Gone Before Daylight Fugitive RecordingsLP 2000 ¢ Johnny Cash Man in Black Live in Denmark 1971 Legacy 2 X LP 4400 ¢ Charlie Parker/Dizzy Gillespie/BudJazz At Massey Powell/Max Hall: The Roach 10" LP CollectionConcord/Debut 3 x 10" box 1,400 ¢ Chip Taylor with John Prine,16 Angels Guy Clark Dancing and 'CrossJon Langford/Carrie The Moon Train Rodriguez Wreck Records10" 2500 ¢ The Clash The Clash Legacy LP 5000 ¢ The Clitboys We Don't Play The Game Beer City 7" 1600 ¢ Coheed and Cambria The Color Before The Sun (Official BandAtlantic Demos) 12" ¢ Phil Collins In the Air Tonight Rhino 7" 2500 ¢ Dave Matthews Band Live Trax Vol 5 Vinyl Box Bama Rags Recordings4 x LP 2000 ¢ Deerhoof Fever 121614 Polyvinyl RecordsLP 3000 ¢ The Dictators The Next Big Thing EP--Andrew W.K. 2015Real RemixesGone Music &10" Studio Outtakes1950 ¢ Earth, Wind & Fire The Best of Earth, Wind & Fire Vol. 1 Legacy LP 2800 ¢ Eazy E Merry Muthaphuckkin' Xmas Priority Records7" 2000 ¢ Egyptian Lover Egypt, Egypt/Girls Stones Throw 7" -
Feb-Mar. 1969, Vol. 13 No. 05-06
Published bi-monthly by the Daughters of Biiitis, Inc., a non-profit corporation, 1005 Market Street, Room 208, San Francisco, California 94103. THE purpose off the VOLUME XIII, NUMBER V & VI LADDER FEBRUARY— MARCH 1969 “Dtui^^tenA 0^ B i L IT IS NATIONAL OFFl lERS, DAUGHTERS OF BILITIS, INC. President, Rita Laporte A WOMtS’S ORC.\SIZMI0\ FOR THE FlIRPOSE OF PROMOTING Vice President, East, Joan Kent THE INTEGRATION OF THE HOMOSEXUAL INTO SOCIETY BY: Vice President, West, Rinalda Reagan Secretary, Lynd James Treasurer, Lois Williams Chapter Presidents are also included on The Board THE LADDER STAFF Editor, Gene Damon Production Assistant, Lyn Collins Education of the Lesbian, enabling her to understand herself Production Manager, Helen Sanders and to make her adjustment to society in all its social, civic, Secretary to the Editor, Maura McCullough and economic implications - by establishing and maintaining Circulation Manager, Priscilla Cochran a library of both fiction and non-fiction literature on the sex Staff Assistants, Karen Wilson, Sten Russell, Ben Cat deviant theme; by sponsoring public meetings on pertinent THE LADDER is regarded as a sounding board for various points o f view subjects to be conducted by leading members of the legal, on the homophile and related subjects, and does not necessarily reflect the psychiatric, religious and other professions; by providing the Lesbian a forum for the interchange of ideas within her own opinion o f the organization except such opinions as are specifically ac group. knowledged by the -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
Goodbye TV Ads, Hello Sponsormagic Introducing a More Excellent Way to Connect with Your TV Audience and Build Your Brand the Advertiser’S Dilemma
Goodbye TV Ads, Hello SponsorMagic Introducing a more excellent way to connect with your TV audience and build your brand The Advertiser’s Dilemma People hate advertising: “Your ads interrupt me.” “There are too many ads.” “Advertising is irrelevant to me.” “I don’t trust advertising messages.” People avoid advertising: • DVR ad skipping • Subscription video services: Netflix, HBO • Commercial free satellite radio • Web & mobile ad blockers The Advertiser’s Dilemma Connecting with people who: • Don’t want to see advertising • Find advertising to be irrelevant • Resent the intrusion of ads • Have ways to block or avoid advertising You need a whole new strategy … SponsorMagic! What is SponsorMagic? • Creating magic moments for viewers to experience your brand • A way to build brand awareness and affinity that’s NOT advertising • Customized branded entertainment integrated into the program Presenting … • Fresh, new promotions created for each show Your • Product placement and demos in Brand! the form of songs, sketches, parodies, prize giveaways, and other programming techniques SponsorMagic! Why it’s better • Viewers stay engaged with your message because it’s part of the entertainment • Your brand is associated with the good feelings generated by the program • The audience can’t skip over your Presenting … brand message because it’s grafted into the show Your • Fresh, new message every week Brand! • No advertising production costs SponsorMagic on TV Where can I find a program with SponsorMagic opportunities? Innovative TV Programming An innovative brand sponsorship program needs an innovative TV program Coming Early 2018 … Innovative TV Programming • A variety show to bring all generations together • Hosted by show-biz team Stu Newmeyer and Laurie Stillman • Star-studded family entertainment • Live studio audience • Prime time-family time: Sundays at 7:00 p.m. -
Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California. -
Holly Day Marlene Olin Enesa Mahmić
2020 HOLLY DAY MARLENE OLIN ENESA MAHMIĆ TWO THIRDS NORTH 2020 TWO THIRDS NORTH 2020 SENIOR EDITORS Paul Schreiber, Adnan Mahmutović, Thomas Lavelle PUBLISHER Stockholm University ASSISTANT EDITORS Jack Appleton, Eloise Brason, James Burrescia, Alessia Camuffo, Federica Castellini, Margarita Chudnovskaya, Miryam Danielsson, Sterling Figueroa, Wioleta Kwiecien, Delphine Menard, Hagar Jemal, Craig Silvie, Markéta Soukupová, Wen Tang, Geneva May Vuozzo, Minon Weber, Aliya Zaman ISBN 978-1-909077-98-0 ISSN 2001-8452 (PRINT) ISSN 2001-8460 (ONLINE) Cover art by Wen Tang. CONTENTS Editor’s Foreword, Adnan Mahmutović 6 Transformation and Resistance Metamorphosis Points, Yuan Changming 10 Step One, Holly Day 11 Living in a Senior Citizen Apartment, David Lewitzky 12 Glass and Other Glass, Chris Diken 14 American Ninja, Marlene Olin 16 Memories Against Histories She Exists, Enesa Mahmić 24 Dream Job, Clive Donovan 27 Frank the Redeemer, Robert McGuill 27 Let it be Enough, Paul Schreiber 41 Church Big, Timothy Robbins 42 Harold Ray Brown, Kitty Steffan 44 Punto in Aria, Darcy Smith 46 The Ruins of Knossos, William Doreski 48 Careless, Timothy Robbins 50 Carpenters’ Land, John Horváth 52 Insights in Sightlines Bluebirds, Eloise Brason 56 Lights, Dane Hamann 61 On the Bulgarian Hairdresser’s Countertop, Susan E. Gunter 62 Above My Ceiling, David Heidenstam 64 Montparnasse, Iain Twiddy 65 Sexy Blues, Ian C. Smith 66 In Focus: Omar Sabbagh Review of Omar Sabbagh’s But It Was An Important Failure, Rowan Fortune 70 Excerpts from But It Was An Important Failure On Digging 77 White Noise 78 Writing on the Wall 79 Editor’s Foreword e are in Stockholm, the home of the Nobel Prize. -
Impending Doom Bruce Dickinson Devildriver Asg
ASG DEVILDRIVER BRUCE DICKINSON IMPENDING DOOM SURVIVE SUNRISE OUTLAWS ‘TIL THE END, VOL. 1 SCREAM FOR ME SARAJEVO THE SIN AND DOOM VOL. II RELAPSE NAPALM RECORDS SANCTUARY RECORDS EONE North Carolina riff-rockers ASG are back with Survive A monstrous collection of savage and slamming metal Sarajevo in 1994 was a city under siege. Mortars and Impending Doom arise from where they began – their Sunrise, their sixth full length and first new album in five interpretations of Dez Fafara and his comrades in grenades rained down on the city, killing indiscriminately own alpha and omega as a band – crafting a sixth album years. Recorded, mixed and mastered with longtime DevilDriver’s favorite outlaw country songs, Outlaws every day. Amongst the madness, would it be possible as punishing, focused, bottom-heavy, and musically producer Matt Hyde, Survive Sunrise further expands ‘Til The End is both a startling curveball and a ferocious to persuade a global rock star to come and play a blood-soaked as the earliest efforts that first won them upon ASG’s trademark blend of heavy, southern-fried, statement of individuality from a band with cojones to show for local fans? Scream for Me Sarajevo is the notice. For The Sin and Doom Vol. II, they’ve returned alt-rock fury and infectious, hook-centric accessibility. spare. “The blues and outlaw country are what made soundtrack to the astonishing documentary film story to the grassroots, hands-on way they engineered With unabashedly hooky vocals, evocative lyrics rock ‘n’ roll. They were around before rock ‘n’ roll... of the most unlikely of rock concerts, performed by the and produced their earliest recordings, creating their and well-honed musical chops, ASG create soaring, And in my head, I’ve always heard these songs heavy,” ceaselessly fascinating Iron Maiden frontman, Bruce own grimey sonic mysteries.