Layout 1 Copy 3/14/19 1:46 AM Page 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Regional Variation in West and East Coast African-American English Prosody and Rap Flows
LAS0010.1177/0023830919881479Language and SpeechGilbers et al. 881479research-article2019 Language Original Article and Speech Language and Speech 1 –33 Regional Variation in West and © The Author(s) 2019 East Coast African-American Article reuse guidelines: sagepub.com/journals-permissions English Prosody and Rap Flows https://doi.org/10.1177/0023830919881479DOI: 10.1177/0023830919881479 journals.sagepub.com/home/las Steven Gilbers Department of Applied Linguistics, Center for Language and Cognition Groningen, Research School of Behavioural and Cognitive Neurosciences, University of Groningen, the Netherlands Nienke Hoeksema Neurobiology of Language Department, Max Planck Institute for Psycholinguistics, the Netherlands Kees de Bot Wander Lowie Department of Applied Linguistics, Center for Language and Cognition Groningen, Research School of Behavioural and Cognitive Neurosciences, University of Groningen, the Netherlands Abstract Regional variation in African-American English (AAE) is especially salient to its speakers involved with hip-hop culture, as hip-hop assigns great importance to regional identity and regional accents are a key means of expressing regional identity. However, little is known about AAE regional variation regarding prosodic rhythm and melody. In hip-hop music, regional variation can also be observed, with different regions’ rap performances being characterized by distinct “flows” (i.e., rhythmic and melodic delivery), an observation which has not been quantitatively investigated yet. This study concerns regional variation in AAE speech and rap, specifically regarding the United States’ East and West Coasts. It investigates how East Coast and West Coast AAE prosody are distinct, how East Coast and West Coast rap flows differ, and whether the two domains follow a similar pattern: more rhythmic and melodic variation on the West Coast compared to the East Coast for both speech and rap. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Das Line-Up 2010 Ist Komplett
Medienmitteilung Orpund, 22. Juni 2010 ROYAL ARENA FESTIVAL ORPUND (BIEL) 20. – 21. AUGUST 2010 DAS LINE-UP 2010 IST KOMPLETT Nebst den bereits bekannten Acts um US-Superstar Ludacris vervollständigen die nimmermüden Evidence & Alchemist (USA) und die britischen Experimental-Rapper Foreign Beggars das diesjährige Line-Up des Royal Arena Festivals in Orpund bei Biel. Zahlreiche Schweizer Gruppen, die Arena Graffiti Gallery und das Royal B-Boy Battle sorgen für das Sahnehäubchen. LUDACRIS ist DAS Highlight des diesjährigen Jubiläum-Festivals! Rapper, Schauspieler und Entertainer; kaum einer ist so vielseitig und erfolgreich wie Ludacris. Mit dem Aufstieg des Dirty South-Raps erkannte Chris Bridges aka Ludacris seine Chance und setzte sich an die Spitze dieser Bewegung. Der Vorzeige-Entertainer wird am Royal Arena Festival sein neues Album „Battle of Sexes“ vorstellen und ist ein würdiger Abschluss des Festivals 2010. Auch die Auftritte von REFLECTION ETERNAL (Talib Kweli & Hi-Tek), die ihr neues Album „Revolutions per Minute“ im Gepäck haben und SIDO (mit Liveband) gehören zu den meisterwarteten Höhepunkten. Hits wie „Strangers (Paranoid)“, „Midnight Hour“, „Mein Block“, „Schlechtes Vorbild“, „Strassenjunge“ oder „Der Himmel soll warten“ werden das Römerareal zum Erzittern bringen. Dem Auftritt der BOOT CAMP CLIK wird schon heftig entgegen gefiebert. Kein Wunder gehören die Jungs aus Brooklyn trotz Underground-Status doch zu den beliebtesten Live- Acts der Schweiz. Boot Camp wurde 1992 in Brooklyn gegründet und transportiert seither ehrlichen Eastcoast-Rap in die ganze Welt. MASTA ACE & EDO G, CHALI 2NA & BREAKESTRA, PROP DYLAN, EVIDENCE & ALCHEMIST, FREEWAY & JAKE ONE, FOREIGN BEGGARS, SNOWGOONS FEAT. SABAC RED und LORD LHUS vervollständigen das brillant besetzte internationale Line-Up, wobei es auch einiges Neues zu entdecken gibt! Natürlich ist auch die Schweizer Rap-Szene vertreten: GREIS, SAMURAI, RED GEE & KALMOO (TNN), IVORY MC, LA DIXION, ZEDE, MXX, 9MM, DACHS, LO & LEDUC. -
Fats Domino, Early Rock 'N' Roller with a Boogie-Woogie Piano, Is Dead at 89
Fats Domino, Early Rock ’n’ Roller With a Boogie-Woogie Piano, Is Dead at 89 https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html October 25, 2017 By JON PARELES and WILLIAM GRIMES Fats Domino in 1967. Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, died on Tuesday at his home in Harvey, La., across the Mississippi River from New Orleans. He was 89. His death was confirmed by the Jefferson Parish coroner’s office. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue !1 Monday” and “Walkin’ to New Orleans.” Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide. He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. -
Holly Day Marlene Olin Enesa Mahmić
2020 HOLLY DAY MARLENE OLIN ENESA MAHMIĆ TWO THIRDS NORTH 2020 TWO THIRDS NORTH 2020 SENIOR EDITORS Paul Schreiber, Adnan Mahmutović, Thomas Lavelle PUBLISHER Stockholm University ASSISTANT EDITORS Jack Appleton, Eloise Brason, James Burrescia, Alessia Camuffo, Federica Castellini, Margarita Chudnovskaya, Miryam Danielsson, Sterling Figueroa, Wioleta Kwiecien, Delphine Menard, Hagar Jemal, Craig Silvie, Markéta Soukupová, Wen Tang, Geneva May Vuozzo, Minon Weber, Aliya Zaman ISBN 978-1-909077-98-0 ISSN 2001-8452 (PRINT) ISSN 2001-8460 (ONLINE) Cover art by Wen Tang. CONTENTS Editor’s Foreword, Adnan Mahmutović 6 Transformation and Resistance Metamorphosis Points, Yuan Changming 10 Step One, Holly Day 11 Living in a Senior Citizen Apartment, David Lewitzky 12 Glass and Other Glass, Chris Diken 14 American Ninja, Marlene Olin 16 Memories Against Histories She Exists, Enesa Mahmić 24 Dream Job, Clive Donovan 27 Frank the Redeemer, Robert McGuill 27 Let it be Enough, Paul Schreiber 41 Church Big, Timothy Robbins 42 Harold Ray Brown, Kitty Steffan 44 Punto in Aria, Darcy Smith 46 The Ruins of Knossos, William Doreski 48 Careless, Timothy Robbins 50 Carpenters’ Land, John Horváth 52 Insights in Sightlines Bluebirds, Eloise Brason 56 Lights, Dane Hamann 61 On the Bulgarian Hairdresser’s Countertop, Susan E. Gunter 62 Above My Ceiling, David Heidenstam 64 Montparnasse, Iain Twiddy 65 Sexy Blues, Ian C. Smith 66 In Focus: Omar Sabbagh Review of Omar Sabbagh’s But It Was An Important Failure, Rowan Fortune 70 Excerpts from But It Was An Important Failure On Digging 77 White Noise 78 Writing on the Wall 79 Editor’s Foreword e are in Stockholm, the home of the Nobel Prize. -
2014 NFL Diversity and Inclusion Report
OCCUPATIONAL MOBILITY PATTERNS VOLUME III EXAMINING OCCUPATIONAL MOBILITY PATTERNS: Access, Opportunity, Social Capital and Leadership in the NFL Principal Investigator and Lead Researcher: Dr. C. Keith Harrison, Associate Professor, College of Business Administration at University of Central Florida A report presented by the National Football League. NFL OCCUPATIONAL MOBILITY PATTERNS Examining Occupational Mobility Patterns: Access, Opportunity, Social Capital and Leadership in the NFL Principal Investigator and Lead Researcher: Dr. C. Keith Harrison, Associate Professor, College of Business Administration at University of Central Florida A report presented by the National Football League. Image: The Bill Walsh Coaching Tree Source: HubSpot, Inc. (marketing software company) Recommended citation for report: Harrison, C.K. & Bukstein, S. (2014). NFL Occupational Mobility Patterns (Volume III). A report for the NFL Diversity and Inclusion “Good Business” Series. This report is available online at coachingmobilityreport.com and also at nflplayerengagement.com DIVERSITY & INCLUSION 2 TABLE OF CONTENTS Message from NFL Commissioner Roger Goodell 4 Message from Robert Gulliver, NFL Executive Vice President 4 for Human Resources and Chief Diversity Officer Message from Troy Vincent, NFL Senior Vice President Player Engagement 4 Message from Dr. C. Keith Harrison, Author of the Report 4 Background of Report 5 Executive Summary 7 Review of Literature on Occupational Mobility Patterns 11 Methodology and Approach 12 Findings and Results: NFL Coaching Mobility Patterns (1963-2014) 13 Discussion and Conclusions: Practical Recommendations and Implications 22 References 26 Quotes from Scholars and Practitioners on Volume I and Volume III of Good Business Reports 28 Bios of Research Team 29 DIVERSITY & INCLUSION 3 MESSAGE FROM NFL COMMISSIONER ROGER GOODELL Our diversity policy has focused on the Rooney rule over the past decade. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Carolyn Packer Bush Fire Fund Raiser JAZZ CONCERT
Anglican Diocese of Wangaratta Bush fire fund raiser JAZZ CONCERT Wangaratta Cathedral Thursday 16 April 2020 7 - 9.30 pm Tickets: $15 - adults $10 - Students under 16 and pensioners. Donations in addition to the tickets could be made at the door FEATURING: Carolyn Packer Jazz singer & pianist Locally supported by: • Sing Australia • Jazzaratta Carolyn Packer will put you on a high and have your foot tapping to her New Orleans Honky Tonk up beat music. She will be working with local singers and jazz musicians to bring a local as well as international flavour to the evening. • Carolyn is donating her time to this fund raiser • 100% of ticket sales and cash donations will go towards Bush Fire recovery Tickets available from : Edgars Books and News & The Cathedral office and shop CAROLYN PACKER BIOGRAPHY Growing up in Sydney, Carolyn started formal piano lessons as a child and played in all genres, from classical to folk to pop. She was es- pecially influenced, though; by Chicago blues and early boogie woogie, and by her early twenties she was playing around town in a va- riety of jazz and blues outfits. In the early 90s, she was one of the main drivers behind the band Lonesome Boogie, playing pubs and clubs and the festival circuit, including the East Coast Blues & Roots Festival in Byron Bay, Woodford Folk Festival, Lithgow Blues Festival, Thredbo Blues Festival, Southern Cross Festival in Narooma, Goulburn Blues Festival and the Manly Jazz Festival. Lonesome Boogie made two recordings – Grinnin’ and Pickin’ (1995) and Hey This is Our Town (1998), on which Carolyn’s famous pi- ano boogie The Pines Stomp was first recorded. -
Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten. -
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites