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Mission to Jupiter
This book attempts to convey the creativity, Project A History of the Galileo Jupiter: To Mission The Galileo mission to Jupiter explored leadership, and vision that were necessary for the an exciting new frontier, had a major impact mission’s success. It is a book about dedicated people on planetary science, and provided invaluable and their scientific and engineering achievements. lessons for the design of spacecraft. This The Galileo mission faced many significant problems. mission amassed so many scientific firsts and Some of the most brilliant accomplishments and key discoveries that it can truly be called one of “work-arounds” of the Galileo staff occurred the most impressive feats of exploration of the precisely when these challenges arose. Throughout 20th century. In the words of John Casani, the the mission, engineers and scientists found ways to original project manager of the mission, “Galileo keep the spacecraft operational from a distance of was a way of demonstrating . just what U.S. nearly half a billion miles, enabling one of the most technology was capable of doing.” An engineer impressive voyages of scientific discovery. on the Galileo team expressed more personal * * * * * sentiments when she said, “I had never been a Michael Meltzer is an environmental part of something with such great scope . To scientist who has been writing about science know that the whole world was watching and and technology for nearly 30 years. His books hoping with us that this would work. We were and articles have investigated topics that include doing something for all mankind.” designing solar houses, preventing pollution in When Galileo lifted off from Kennedy electroplating shops, catching salmon with sonar and Space Center on 18 October 1989, it began an radar, and developing a sensor for examining Space interplanetary voyage that took it to Venus, to Michael Meltzer Michael Shuttle engines. -
Mars Express Orbiter Radio Science
MaRS: Mars Express Orbiter Radio Science M. Pätzold1, F.M. Neubauer1, L. Carone1, A. Hagermann1, C. Stanzel1, B. Häusler2, S. Remus2, J. Selle2, D. Hagl2, D.P. Hinson3, R.A. Simpson3, G.L. Tyler3, S.W. Asmar4, W.I. Axford5, T. Hagfors5, J.-P. Barriot6, J.-C. Cerisier7, T. Imamura8, K.-I. Oyama8, P. Janle9, G. Kirchengast10 & V. Dehant11 1Institut für Geophysik und Meteorologie, Universität zu Köln, D-50923 Köln, Germany Email: [email protected] 2Institut für Raumfahrttechnik, Universität der Bundeswehr München, D-85577 Neubiberg, Germany 3Space, Telecommunication and Radio Science Laboratory, Dept. of Electrical Engineering, Stanford University, Stanford, CA 95305, USA 4Jet Propulsion Laboratory, 4800 Oak Grove Drive, Pasadena, CA 91009, USA 5Max-Planck-Instuitut für Aeronomie, D-37189 Katlenburg-Lindau, Germany 6Observatoire Midi Pyrenees, F-31401 Toulouse, France 7Centre d’etude des Environnements Terrestre et Planetaires (CETP), F-94107 Saint-Maur, France 8Institute of Space & Astronautical Science (ISAS), Sagamihara, Japan 9Institut für Geowissenschaften, Abteilung Geophysik, Universität zu Kiel, D-24118 Kiel, Germany 10Institut für Meteorologie und Geophysik, Karl-Franzens-Universität Graz, A-8010 Graz, Austria 11Observatoire Royal de Belgique, B-1180 Bruxelles, Belgium The Mars Express Orbiter Radio Science (MaRS) experiment will employ radio occultation to (i) sound the neutral martian atmosphere to derive vertical density, pressure and temperature profiles as functions of height to resolutions better than 100 m, (ii) sound -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
MARS an Overview of the 1985–2006 Mars Orbiter Camera Science
MARS MARS INFORMATICS The International Journal of Mars Science and Exploration Open Access Journals Science An overview of the 1985–2006 Mars Orbiter Camera science investigation Michael C. Malin1, Kenneth S. Edgett1, Bruce A. Cantor1, Michael A. Caplinger1, G. Edward Danielson2, Elsa H. Jensen1, Michael A. Ravine1, Jennifer L. Sandoval1, and Kimberley D. Supulver1 1Malin Space Science Systems, P.O. Box 910148, San Diego, CA, 92191-0148, USA; 2Deceased, 10 December 2005 Citation: Mars 5, 1-60, 2010; doi:10.1555/mars.2010.0001 History: Submitted: August 5, 2009; Reviewed: October 18, 2009; Accepted: November 15, 2009; Published: January 6, 2010 Editor: Jeffrey B. Plescia, Applied Physics Laboratory, Johns Hopkins University Reviewers: Jeffrey B. Plescia, Applied Physics Laboratory, Johns Hopkins University; R. Aileen Yingst, University of Wisconsin Green Bay Open Access: Copyright 2010 Malin Space Science Systems. This is an open-access paper distributed under the terms of a Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Abstract Background: NASA selected the Mars Orbiter Camera (MOC) investigation in 1986 for the Mars Observer mission. The MOC consisted of three elements which shared a common package: a narrow angle camera designed to obtain images with a spatial resolution as high as 1.4 m per pixel from orbit, and two wide angle cameras (one with a red filter, the other blue) for daily global imaging to observe meteorological events, geodesy, and provide context for the narrow angle images. Following the loss of Mars Observer in August 1993, a second MOC was built from flight spare hardware and launched aboard Mars Global Surveyor (MGS) in November 1996. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Advisory Panel and Staff
annual report to the nasa administrator by the aerosoaceI safetv advisoryn 0 panel I - 4km-A volume II the apollo soyuz test project and the space shuttle program march 1974 ’ / / .- AEROSPACE SAFETY ADVISORY PANEL AND STAFF Howard K. Nason (Chairman) President Monsanto Research Corporation St. Louis, Missouri Dr. Harold M. Agnew Dr. Henry Reining Director Dean Fmeritus and Special Assis- Los Alamos Scientific Laboratory tant to the President University of California University of Southern California Los Alamos, New Mexico Los Angeles:, California Hon. Frank C. Di Luzio Dr. Ian M. Ross Science Advisor to the Vice President, Network Planning Governor of New Mexico and Consumer Services State House Bell Laboratories Santa Fe, New Mexico Holmdel, New Jersey Mr. Herbert E. Grier Lt. Gen. Warren D. Johnson, USAF Senior Vice Present Director EG&G, Inc. Defense Nuc:Lear Agency Las Vegas, Nevada Washington, D.C. Mr. Lee R. Sherer Director NASA Flight Research Center Edwards, California CONSULTANTSAND STAFF Mr. Bruce T. Lundin (Consultant) Dr. William A. Mrazek (Consultant) Director Former Director of Engineering NASA Lewis Research Center NASA Marshall Space Flight Center Cleveland, Ohio Huntsville, Alabama Mr. Gilbert L. Roth Mr. Carl R. Praktish Special Assistant Executive Secretary NASA Headquarters NASA Headquarters Washington, D.C. Washington, D.C. Mrs. V. Eileen Evans Administrative Specialist NASA Headquarters Washington, D.C. D B = 0 - rr .- ANNUAL REPORT TO THE NASA ADMINISTRATOR by the AEROSPACE SAFETY ADVISORY PANEL VOLUME II - THE APOLLO SOYUZ TEST PROJECT AND THE SPACE SHUTTLE PROGRAM March 1974 PREFACE This volume (II) recognizes the need for specific background information and supporting details to round out and extend the data provided in vol- ume I of this report by the Aerospace Safety Advisory Panel. -
Post-Anarchism in Grant Morrison's the Invisibles
4. “A Thought Thinking Itself:” Post-anarchism in Grant Morrison’s The Invisibles Lewis Call* Grant Morrison’s The Invisibles (1994-2000) tells the tale of a diverse band of anarchist freedom fighters. Morrison’s narrative follows the adventures of a cell within a centuries-old revolutionary organization called the Invisible College. The leader of this cell is King Mob, a bald, pierced fetishist, who resembles Morrison more than a little. Three of King Mob’s fellow “Invisibles” present as women: the cross-dressing Brazilian shaman Lord Fanny, a slightly insane time-travelling redhead called Ragged Robin, and an African-American former cop who calls herself Boy. The cell’s newest recruit is Jack Frost, a foul-mouthed working-class punk from Liverpool. Together these Invisible revolutionaries fight against an interdimensional authoritarian conspiracy called the “Outer Church.” This Outer Church works towards a world in which political, economic and religious institutions unite to create a system of total authority. Meanwhile, the Invisible College works towards the opposite end: a left- libertarian world based upon individual freedom, inclusive diversity, and universal access to the means of happiness (including sex, drugs, and magic). The Invisibles can thus be read as an inspirational story of anti-authoritarian rebellion: a strange, beautiful, anarchist fairy tale. Yet, The Invisibles is much more than that. Morrison’s comic is also a post-anarchist cultural artifact. Post-anarchism is a radical form of anarchist theory that first emerged in the 1980s. It draws on twentieth century post-structuralism and post- modernism to extend anarchism’s critical power beyond its traditional targets, capitalism and the state. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Imagining Earth
Solvejg Nitzke, Nicolas Pethes (eds.) Imagining Earth Solvejg Nitzke, Nicolas Pethes (eds.) Imagining Earth Concepts of Wholeness in Cultural Constructions of Our Home Planet The publication of this volume was supported by the Ruhr-University Research School Plus program funded by Germany's Excellence Initiative. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3956-2. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commer- cial use, further permission is required and can be obtained by contacting rights@ transcript-verlag.de Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. © 2017 transcript Verlag, Bielefeld Bibliographic -
Impossible Worlds, Impossible Things
Impossible Worlds, Impossible Things Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures Edited by Ross P. Garner, Melissa Beattie and Una McCormack Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures, edited by Ross P. Garner, Melissa Beattie and Una McCormack This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Ross P. Garner, Melissa Beattie and Una McCormack and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1960-3, ISBN (13): 978-1-4438-1960-2 This work is lovingly dedicated to Alexandra Smith, who passed away suddenly in April 2009, and without whom none of this would be possible. Ars Longa Vita Brevis Amicitia Aeterna. TABLE OF CONTENTS Editors’ Acknowledgements....................................................................... ix Foreword .................................................................................................... xi Andrew Pixley Introduction Fifty Not Out: The Doctor’s Enduring Appeal........................................ xvii Ross -
GRANT MORRISON Great Comics Artists Series M
GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images. -
Bulletin of the Center for Children's Books
ILLI NI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. University of Illinois Graduate School of Library and Information Science University of Illinois Press :rl r .. :· .CI· i 5~1 ~··"1~:-; ; ;: ·:1~·· .-r· - i -i ?, s~; r *A light, breezy, feel-good book.* A1terand trBad Witen andlklstmted by Lese Tryn ; '·· ginative and charming gouache I· ons complement the froliking verse t rtstspring training without it d review. School Lbray Journal i · I as the i offer- ng should have a life on the shelvs us · ; I:· Reviews "I : I · 1·, I. The fine-line drawings brightened with colorful washes make the most i I- of the comic possibitles inthe ; .i . · lilting, rhymed verses...' I 1.. ; -Booklhst I, Alberts Ballgrne 0-689-80874- $16.00 1U/21.50 CAN ATHENEUM BOOKS FOR YOUNG READERS An imprint of Simon & Schuster Children's Publishing Division 1230 Avenue of the Americs * New York, NY 10020 THE B UL LE T IN OF THE CENTER FOR CHILDREN'S BOOKS July/August 1996 Vol.49 No. 11 A LOOK INSIDE 363 THE BIG PICTURE Grandmother Bryant's Pocket written by Jacqueline Briggs Martin; illus. by Petra Mathers 364 NEW BOOKS FOR CHILDREN AND YOUNG PEOPLE Reviewed titles include: 370 * BuriedAlive: The Elements ofLove written by Ralph Fletcher; illus. with photographs by Andrew Moore 372 * The Life and Death of Crazy Horse written by Russell Freedman; illus. by Amos Bad Heart Bull 378 * Sam and the Tigers: A New Telling ofLittle Black Sambo written by Julius Lester; illus.