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The Dutch Golden Age: a New Aurea Ætas? the Revival of a Myth in the Seventeenth-Century Republic Geneva, 31 May – 2 June 2018
The Dutch Golden Age: a new aurea ætas? The revival of a myth in the seventeenth-century Republic Geneva, 31 May – 2 June 2018 « ’T was in dien tyd de Gulde Eeuw voor de Konst, en de goude appelen (nu door akelige wegen en zweet naauw te vinden) dropen den Konstenaars van zelf in den mond » (‘This time was the Golden Age for Art, and the golden apples (now hardly to be found if by difficult roads and sweat) fell spontaneously in the mouths of Artists.’) Arnold Houbraken, De groote schouburgh der nederlantsche konstschilders en schilderessen, 1718-1721, vol. II, p. 237.1 In 1719, the painter Arnold Houbraken voiced his regret about the end of the prosperity that had reigned in the Dutch Republic around the middle of the seventeenth century. He indicates this period as especially favorable to artists and speaks of a ‘golden age for art’ (Gulde Eeuw voor de Konst). But what exactly was Houbraken talking about? The word eeuw is ambiguous: it could refer to the length of a century as well as to an undetermined period, relatively long and historically undefined. In fact, since the sixteenth century, the expression gulde(n) eeuw or goude(n) eeuw referred to two separate realities as they can be distinguished today:2 the ‘golden century’, that is to say a period that is part of history; and the ‘golden age’, a mythical epoch under the reign of Saturn, during which men and women lived like gods, were loved by them, and enjoyed peace and happiness and harmony with nature. -
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Early Modern Low Countries 4 (2020) 2, pp. 181-204 - eISSN: 2543-1587 181 Discrediting the Dutch: A French Account of the Year of Disaster for Arab Audiences Rosanne Baars and Josephine van den Bent Rosanne Baars is lecturer in History at the University of Amsterdam. Her most recent book, Rumours of Revolt. Civil War and the Emergence of a Transnational News Culture in France and the Netherlands, 1561-1598, will be published by Brill in May 2021. She has also published on maritime history and Dutch-Ottoman diplomacy. Her research interests include the reception of news and media, diplo- matic history, early modern France, and the Ottoman Empire. Josephine van den Bent is postdoctoral researcher at the history department of Radboud Univer- sity Nijmegen, investigating water management in Middle Eastern cities (c. 700-1500) as part of the nwo-funded project ‘Source of Life’. Her PhD thesis (University of Amsterdam, 2020) analysed the representation of the Mongols in the Mamluk sultanate of Egypt and Syria, c. 1250-1350. Her research interests include ethnic stereotyping, urban organisation, and the medieval and early mod- ern Middle East. She is also editor-in-chief of the semi-academic journal ZemZem. Tijdschrift over het Midden-Oosten, Noord-Afrika en islam. Abstract Recent historiography has demonstrated how Istanbul became part of a European media landscape in the seventeenth century. This article argues that European coun- tries not only targeted the Ottoman Porte but also tried to reach Arabic-speaking audiences in other major Ottoman cities, such as Aleppo. It does so through an anal- ysis of a remarkable source, an Arabic manuscript pamphlet written by a Frenchman in Aleppo in January 1673, which tells the story of the exploits of Louis xiv in the Dutch Republic during the Year of Disaster. -
Review1 Maria-Theresia Leuker, University of Cologne Joost Van Den Vondel (1587-1679)
Review1 Maria-Theresia Leuker, University of Cologne Joost van den Vondel (1587-1679). Dutch Playwright in the Golden Age, ed. by J. Bloemendal and F.-W. Korsten (Leiden: Brill, 2011). Keywords: Joost van den Vondel, Vondel Research, Seventeenth-Century Drama and Theatre, Early Modern Dutch Studies, Literary Theory, Literary Analysis, Performativity, Theatricality Befitting its rank, the new series ‘Drama and Theatre in Early Modern Europe’ enters the academic stage with a volume that is dedicated to the Dutch national poet and playwright Joost van den Vondel and his works. Editors are neo-Latinist Jan Bloemendal, who also acts as editor for the whole series, and philologist Frans-Willem Korsten. By relating Vondel to Shakespeare and Rembrandt from the outset in their introduction, they immediately signal to those readers not familiar with Vondel, that as a poet he belongs to the cultural premier league. Traditionally, Dutch literature of the Golden Age takes second place to the world famous Dutch paintings of that period. Riet Schenkeveld-van der Dussen’s 1991 overview on ‘Dutch Literature in the Age of Rembrandt’ had already attempted to draw the international readers’ attention to Dutch seventeenth century literature by recalling the famous painter. The editors of this new volume are well aware that there is still an important task at hand, and with this collection of essays they plan ‘to increase the knowledge of Vondel’s work internationally’.2 The essays seek to enable scholars, students and the public at large alike to benefit from studying Vondel’s plays individually. The volume is not only meant to present the results of current research and to function as a body of reference, it also aims at giving new impulses to literary analysis of Vondel’s plays in national and international settings. -
Enemy, Rival, Frog
Enemy, Rival, Frog The influence of history on the portrayal of the Dutch in late seventeenth- century English literature BA Thesis Anna Zweers Supervisor: Dr. M. Corporaal Date: 15 June, 2017 Zweers - 1 Abstract: This thesis will look at the way the Dutch are represented in English literature from the Restoration in 1660, taking 1672 as a turning point and looking at texts up to 1685. The focus will be on war, trade and gender, and how Dutch people are portrayed with regards to these three areas. It argues that trade is a theme that is present in all texts written about the Dutch, while the other two themes depend on the subject of the texts. Keywords: seventeenth century, Anglo-Dutch relations, English literature, war, trade, gender Zweers - 2 Contents Introduction ............................................................................................................................................. 3 Chapter 1 – Historical background .......................................................................................................... 7 1.1 – Introduction ................................................................................................................................ 7 1.2 – War & Trade since Restoration .................................................................................................. 7 1.3 – 1672 – 1674 ................................................................................................................................ 9 1.4 – After 1672: War & Trade ........................................................................................................ -
Alleen Bestemd Voor Docenten
INLEIDING VAN DE LES EEN LL B A E S N T E E T M N D E C V O O O D R Gebruik de tekst Achtergrondinformatie. Mogelijkheid 1: Deel de tekst uit aan de leerlingen. Lees het met elkaar door. Mogelijkheid 2: Vertel de leerlingen over de zes deelonderwerpen. De volgende zes deelonderwerpen worden behandeld in Achtergrondinformatie: • De Stelling van Amsterdam • Inundatie • Dreiging • Reduit • Amsterdam • Situatie 1880 Opdracht: teken de Stelling van Amsterdam op de kaart Leerlingen krijgen: • de topografische kaart en de lijst met plaatsnamen • de tekst De bouw van De Stelling Vertel leerlingen wat er al te zien is op de kaart. Er zijn al vóór de bouw van De Stelling linies en forten gebouwd: • in 1672 de Oude Hollandsche Waterlinie • in 1799 de linie van Noord-Holland • tussen 1840-1852 forten in de buurt van het Haarlemmermeer, omdat het werd drooggelegd. Voor meer info hierover zie de tekst Oudere linies en forten. De leerlingen kunnen nu met behulp van de tekst proberen te tekenen waar de Stelling van Amsterdam gelegen heeft. Opdracht: laat leerlingen in tweetallen de quiz maken Wissel de antwoorden met andere tweetallen om het te laten nakijken. Voor de juiste antwoorden, gebruik deze strook: De juiste antwoorden op de vragen van de quiz zijn: 1. c 2. a 3. a 4. b 5. b 6. b en c 7. c 8. b 9. c 10. b 11. b 12. a en c 13. b 14. d 15. a en d Spion in de Stelling ACHTERGRONDINFORMATIE De Stelling van Amsterdam is verdedigingskring rondom Amsterdam. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Righteous Citizens: The Lynching of Johan and Cornelis DeWitt,The Hague, Collective Violens, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 Permalink https://escholarship.org/uc/item/2636q95m Author DeSanto, Ingrid Frederika Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Ingrid Frederika DeSanto 2018 ABSTRACT OF DISSERTATION Righteous Citizens: The Lynching of Johan and Cornelis DeWitt, The Hague, Collective Violence, and the Myth of Tolerance in the Dutch Golden Age, 1650-1672 by Ingrid Frederika DeSanto Doctor of Philosophy in History University of California, Los Angeles Professor Margaret C Jacob, Chair In The Hague, on August 20 th , 1672, the Grand Pensionary of Holland, Johan DeWitt and his brother Cornelis DeWitt were publicly killed, their bodies mutilated and hanged by the populace of the city. This dissertation argues that this massacre remains such an unique event in Dutch history, that it needs thorough investigation. Historians have focused on short-term political causes for the eruption of violence on the brothers’ fatal day. This work contributes to the existing historiography by uncovering more long-term political and social undercurrents in Dutch society. In doing so, issues that may have been overlooked previously are taken into consideration as well. -
Anneke Jans' Maternal Grandfather and Great Grandfather
Anneke Jans’ Maternal Grandfather and Great Grandfather By RICIGS member, Gene Eiklor I have been writing a book about my father’s ancestors. Anneke Jans is my 10th Great Grandmother, the “Matriarch of New Amsterdam.” I am including part of her story as an Appendix to my book. If it proves out, Anneke Jans would be the granddaughter of Willem I “The Silent” who started the process of making the Netherlands into a republic. Since the records and info about Willem I are in the hands of the royals and government (the Royals are buried at Delft under the tomb of Willem I) I took it upon myself to send the Appendix to Leiden University at Leiden. Leiden University was started by Willem I. An interesting fact is that descendants of Anneke have initiated a number of unsuccessful attempts to recapture Anneke’s land on which Trinity Church in New York is located. In Chapter 2 – Dutch Settlement, page 29, Anneke Jans’ mother was listed as Tryntje (Catherine) Jonas. Each were identified as my father’s ninth and tenth Great Grandmothers, respectively. Since completion of that and succeeding chapters I learned from material shared by cousin Betty Jean Leatherwood that Tryntje’s husband had been identified. From this there is a tentative identification of Anneke’s Grandfather and Great Grandfather. The analysis, the compilation and the writings on these finds were done by John Reynolds Totten. They were reported in The New York Genealogical and Biographical Record, Volume LVI, No. 3, July 1925i and Volume LVII, No. 1, January 1926ii Anneke is often named as the Matriarch of New Amsterdam. -
Franciscus Junius, Joost Van Den Vondel and Petrus Wittewrongel
History of European Ideas ISSN: 0191-6599 (Print) 1873-541X (Online) Journal homepage: https://www.tandfonline.com/loi/rhei20 Theories of the Sublime in the Dutch Golden Age: Franciscus Junius, Joost van den Vondel and Petrus Wittewrongel Stijn Bussels To cite this article: Stijn Bussels (2016) Theories of the Sublime in the Dutch Golden Age: Franciscus Junius, Joost van den Vondel and Petrus Wittewrongel, History of European Ideas, 42:7, 882-892, DOI: 10.1080/01916599.2016.1161532 To link to this article: https://doi.org/10.1080/01916599.2016.1161532 © 2016 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 17 May 2016. Submit your article to this journal Article views: 602 View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rhei20 HISTORY OF EUROPEAN IDEAS, 2016 VOL. 42, NO. 7, 882–892 http://dx.doi.org/10.1080/01916599.2016.1161532 Theories of the Sublime in the Dutch Golden Age: Franciscus Junius, Joost van den Vondel and Petrus Wittewrongel Stijn Bussels Centre for the Arts in Society (LUCAS), Leiden University, Leiden, The Netherlands SUMMARY KEYWORDS This article explores how writers from the Dutch Golden Age thought Longinus; Ovid; literary about human contact with that which is elevated far above everyday criticism; art theory; life. The Dutch Republic offers an interesting context because of the Calvinism strikingly early use there by seventeenth-century humanists of the Greek concept u῞ψος, from (pseudo-)Longinus, to discuss how writers, artists and their audiences were able to surpass human limitations thanks to an intense imagination which transported them to supreme heights. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/161471 Please be advised that this information was generated on 2021-09-28 and may be subject to change. 1 Pre- modern Dutch identity and the peace celebrations of 1748 Lotte Jensen The history of the Dutch Republic is characterised by ongoing conflicts between the Orangists, who supported the stadtholder, and the anti- Orangists – or Staatsgezinden – who opposed the hereditary succession of the stadtholder and, consequently, sought to gain more democratic rights. Several times these conflicts became severe, which led to regime changes. This chapter focuses on the conflict between the Orangists and the Staatsgezinden in 1748. The then recent installation of William IV as the general hereditary stadtholder of the United Provinces had marked the end of the stadtholderless period. William IV was cele- brated by many, but despised by others, and his opponents expressed their discontent in satirical writings. It is argued that the nation’s his- tory was a key theme in the heated debates: to support their political views, both groups essentially created their own version of the nation’s glorious past. Introduction In general, we can distinguish two different views on the history of the Dutch Republic in the early modern period. The first group of historians lays emphasis on consensus and claims that consensus was the driving force behind the Republic’s rise in the seventeenth century. They use key words such as concord, harmony, tolerance and even ‘polder model’ to characterise the liberal climate of the Dutch Republic and argue that these characteristics can explain its economic and artistic greatness in the seventeenth century. -
The Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics
Volume 3, Issue 2 (Summer 2011) Never to Coincide: the Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics Els Stronks Recommended Citation: Els Stronks, “Never to Coincide: the Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics,” JHNA 3:2 (Winter 2011), DOI: 10.5092/jhna.2011.3.2.1 Available at https://jhna.org/articles/never-to-coincide-identities-dutch-protestants-dutch-catho- lics-religious-emblematics/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 3:2 (Summer 2011) 1 NEVER TO COINCIDE: THE IDENTITIES OF DUTCH PROTESTANTS AND DUTCH CATHOLICS IN RELIGIOUS EMBLEMATICS Els Stronks This essay presents observations on the distinctiveness of Protestant and Catholic literary practices and identities in the seventeenth-century Dutch Republic. Inspired by Catholic emblematists from the Southern Netherlands, Dutch Catholics as well as Protestants employed the religious emblem as a means of bolstering their faith and shaping their identity – but never at the same time, and never in the same manner. The religious emblem was at first claimed by Protestants such as Jacob Cats. After 1635, it was appropriated by Catholic authors such as Jan Harmensz. Krul and Everard Meyster. As the genre was reappropriated by Protestants such as Jan Luyken in the 1680s, Dutch Catholics moved away from the emblem to express their identity in new and exclusively Catholic genres such as soberly illustrated prayer books. -
The Example of the Dutch Republic for American Federalism
The Example of the Dutch Republic for American Federalism J.W.SCHULTENORDHOLT We may derive from Holland lessons very beneficial to ourselves. John Marshall in the Convention of Virginia 1788. I History is philosophy teaching by examples. That famous saying expresses the eighteenth-century approach to the past better than long explanations. The philosophers and political scientists of the Enlightenment were eager to find examples to justify their actual deeds and opinions. Perhaps the deepest reason for this quest for an imitable past is to be found in their belief in the unity of Western civilization. There was a great chain of being, not only in space, as has been so magnificently described by Arthur Lovejoy, but also in time. The presupposition of such a belief in the cohesive patterns of the past was the conception that there had been, through the ages, a certain uniformity in human behaviour. Man had never changed, that is why history could be used as a model. As David Hume put it: Mankind are so much the same, in all times and places, that history informs us of no thing new or strange in this particular. Its chief use is only to discover the constant and universal principles of human nature. The task of the historian was not in the first place to understand the past for its own sake, but, as Carl Becker remarks, to choose between good and evil, 'be- tween the customs that were suited and those that were unsuited to man's nature'.1That is exactly what men like James Madison and his friends were to do during that long summer of 1787 when they drafted the Constitution. -
Discord & Consensus
c Discor Global Dutch: Studies in Low Countries Culture and History onsensus Series Editor: ulrich tiedau DiscorD & Discord and Consensus in the Low Countries, 1700–2000 explores the themes D & of discord and consensus in the Low Countries in the last three centuries. consensus All countries, regions and institutions are ultimately built on a degree of consensus, on a collective commitment to a concept, belief or value system, 1700–2000 TH IN IN THE LOW COUNTRIES, 1700–2000 which is continuously rephrased and reinvented through a narrative of cohesion, and challenged by expressions of discontent and discord. The E history of the Low Countries is characterised by both a striving for consensus L and eruptions of discord, both internally and from external challenges. This OW volume studies the dynamics of this tension through various genres. Based C th on selected papers from the 10 Biennial Conference of the Association OUNTRI for Low Countries Studies at UCL, this interdisciplinary work traces the themes of discord and consensus along broad cultural, linguistic, political and historical lines. This is an expansive collection written by experts from E a range of disciplines including early-modern and contemporary history, art S, history, film, literature and translation from the Low Countries. U G EDIT E JANE FENOULHET LRICH is Professor of Dutch Studies at UCL. Her research RDI QUIST AND QUIST RDI E interests include women’s writing, literary history and disciplinary history. BY D JAN T I GERDI QUIST E is Lecturer in Dutch and Head of Department at UCL’s E DAU F Department of Dutch.