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Edgar Degas Rzeźbiarskie Atelier EDGAR DEGAS RZEŹBIARSKIE ATELIER AUKCJA 10 LISTOPADA 2020 WARSZAWA Rzeźby koni Edgara Degasa: poz. 65, poz. 66, poz. 17, poz. 20, fot. Marcin Koniak EDGAR DEGAS RZEŹBIARSKIE ATELIER AUKCJA 10 LISTOPADA 2020 CZAS AUKCJI 10 listopada 2020 (wtorek), 19:00 WYSTAWA OBIEKTÓW 28 października – 10 listopada 2020 poniedziałek – piątek, 11:00 – 19:00 sobota, 11:00 – 16:00 MIEJSCE AUKCJI I WYSTAWY Dom Aukcyjny Desa Unicum ul. Piękna 1a, Warszawa KOORDYNATORZY Michał Szarek tel. 22 163 66 53, 787 094 345 [email protected] Aleksandra Łukaszewska tel. 22 163 67 05, 664 981 465 [email protected] ZLECENIA LICYTACJI [email protected], 22 163 67 00 ZARZĄD DESA UNICUM JULIUSZ JAN MAŁGORZATA IZA AGATA WINDORBSKI KOSZUTSKI KULMA RUSINIAK SZKUP Prezes Zarządu Wiceprezes Zarządu Główna Księgowa Dyrektor Departamentu Dyrektor Departamentu Projektów Aukcyjnych Sprzedaży SEKRETARIAT ZARZĄDU tel. 22 163 66 65 [email protected] DZIAŁ MARKETINGU DZIAŁ KSIĘGOWOŚCI DZIAŁ PRAWNY Marta Wiśniewska Małgorzata Kulma Wojciech Dziakowski Marketing Manager Główna Księgowa Radca Prawny tel. 795 122 709, [email protected] [email protected] [email protected] tel. 22 163 66 80 tel. 22 163 67 86 / 664 981 452 PUBLIC RELATIONS Marlena Ulejczyk DZIAŁ LOGISTYCZNY Zastępca Głównej Księgowej Agnieszka Marszał [email protected] Kacper Tomaszkiewicz Business & Culture tel. 506 252 141 Kierownik ds. transportów i logistyki [email protected] [email protected] tel. 793 919 109 Katarzyna Krzyżanowska tel. 795 122 708 Księgowa DZIAŁ HR [email protected] DZIAŁ IT tel. 538 052 090 Małgorzata Basaj Piotr Gołębiowski HR Manager DZIAŁ FINANSOWY Koordynator Projektów IT [email protected] [email protected] tel. 22 163 66 81, 539 196 530 Rafał Czarnocki tel. 502 994 225 Dyrektor Finansowy [email protected] tel. 22 163 67 85, 661 661 703 KONTA BANKOWE DESA UNICUM SA mBank S.A. Swift: BREXPLPWWA3 ul. Piękna 1A, 00-477 Warszawa, tel. 22 163 66 00, [email protected] PLN: 27 1140 2062 0000 2380 1100 1002 NIP: 5272644731 / REGON: 142733824 / KRS: 0000718495 EUR: 43 1140 2062 0000 2380 1100 1005 Spółka zarejestrowana w Sądzie Rejonowym dla m.st. Warszawy USD: 16 1140 2062 0000 2380 1100 1006 XII Wydział Gospodarczy, kapitał zakładowy 85 055 000 zł okładka front, strona 2, okładka tył poz. 4 Edgar Degas, Mała czternastoletnia tancerka okładka II - strona 1 poz. 65 Edgar Degas, “Koń pokonujący przeszkodę” (“Cheval s’enlevant sur l’obstacle”), poz. 66 Edgar Degas, “Biegnący koń” (“Cheval en marche”), poz. 17 Edgar Degas “Koń idący z podniesionymi kopytami” (“Cheval marchant au pas relevé”), poz. 20 Edgar Degas, “Galopujący koń na prawym kopycie” (“Cheval au galop sur le pied droit”) tytuł aukcji Edgar Degas. Rzeźbiarskie Atelier 10 listopada 2020 ISBN 978-83-66734-10-4 kod aukcji 810ARZ016 koncepcja graficzna Monika Wojnarowska opracowanie graficzne Arkadiusz Kowalski zdjęcia Marcin Koniak prenumerata katalogów [email protected] druk ArtDruk Kobyłka DEPARTAMENT PROJEKTÓW AUKCYJNYCH Biuro przyjęć: tel. 22 163 66 10, [email protected], poniedziałek – piątek 11:00 – 19:00, sobota 11:00 – 16:00 wyceny biżuterii: tel. 795 122 718, [email protected], środa 14: 00 - 18:00 IZA ARTUR ANNA TOMASZ JULIA RUSINIAK DUMANOWSKI SZYNKARCZUK DZIEWICKI MATERNA Dyrektor Departamentu Zastępca Dyrektora Kierownik Działu Kierownik Działu Kierownik Działu Projektów Aukcyjnych Departamentu Projektów Sztuka Współczesna Sztuka Dawna Projekty Specjalne [email protected] Aukcyjnych [email protected] [email protected] [email protected] 22 163 66 40 [email protected] 22 163 66 41 22 163 66 46 22 163 66 52 664 981 463 22 163 66 42 664 150 866 735 208 999 538 649 945 795 122 725 JOANNA MAREK MAŁGORZATA KATARZYNA MAGDALENA TARNAWSKA WASILEWICZ SKWAREK ŻEBROWSKA KUŚ Ekspert Komisji Starszy Specjalista Starszy Specjalista Starszy Specjalista Starszy Specjalista Wycen i Ocen Sztuka Dawna Sztuka Dawna Fotografia Kolekcjonerska Sztuka Użytkowa Sztuka polska XIX i XX w. [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 66 47 22 163 66 48 22 163 66 49 22 163 66 44 22 163 66 11 795 122 702 795 121 576 539 546 701 795 122 718 698 111 189 CEZARY AGATA KAROLINA ALICJA MARCIN LISOWSKI MATUSIELAŃSKA KOŁTUNICKA SZNAJDER LEWICKI Starszy Specjalista Specjalista Specjalista Asystent Asystent Sztuka Użytkowa, Design Sztuka Współczesna Sztuka Młoda i Najnowsza Sztuka Współczesna Sztuka Współczesna [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 66 51 22 163 66 50 22 163 66 43 22 163 66 45 22 163 66 15 788 269 908 539 546 699 664 150 864 502 994 177 788 260 055 PAULINA ANNA MICHAŁ OLGA JUDYTA ADAMCZYK KOWALSKA SZAREK WINIARCZYK MAJKOWSKA Asystent Asystent Asystent Asystent Asystent Sztuka Dawna Sztuka Współczesna Sztuka Dawna Komiks i Ilustracja Sztuka Użytkowa [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 66 14 22 163 66 55 22 163 66 53 22 163 66 54 787 923 202 532 759 980 539 196 531 787 094 345 664 150 862 DEPARTAMENT SPRZEDAŻY AGATA SZKUP MAŁGORZATA ALEKSANDRA MICHAŁ BOLKA KAROLINA JADWIGA MAJA Dyrektor Departamentu NITNER ŁUKASZEWSKA Doradca Klienta CIESIELSKA–SOPIŃSKA BECK LIPIEC Sprzedaży Zastępca Dyrektora Doradca Klienta [email protected] Doradca Klienta Doradca Klienta Doradca Klienta [email protected] Departamentu Sprzedaży [email protected] 22 163 67 03 [email protected] [email protected] [email protected] 22 163 67 01 [email protected] 22 163 67 05 664 981 449 22 163 67 12 795 122 720 22 163 67 07 692 138 853 22 163 67 02 664 981 465 668 135 447 538 647 637 514 446 892 MARTA ALEKSANDRA KINGA TOMASZ TERESA KINGA LISIAK KASPRZYŃSKA JAKUBOWSKA WYSOCKI SOLDENHOFF WALKOWIAK Doradca Klienta Doradca Klienta Doradca Klienta Doradca Klienta Doradca Klienta Doradca Klienta [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 67 04 506 252 031 698 668 221 664 981 450 506 251 833 795 121 574 788 265 344 BIURO OBSŁUGI KLIENTA poniedziałek – piątek 11:00 – 19:00, sobota 11:00 – 16:00, tel. (22) 163 66 00, [email protected] URSZULA ANNA KORA MAGDALENA MICHALINA JUSTYNA PRZEPIÓRKA AUGUSTYNOWICZ KULIKOWSKA OŁTARZEWSKA KOMOROWSKA PŁOCIŃSKA Dyrektor Działu Specjalista ds. rozliczeń Specjalista ds. rozliczeń Asystent ds. rozliczeń Asystent Asystent [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 66 01 22 163 66 09 22 163 66 06 22 163 66 03 22 163 66 20 22 163 66 03 795 121 569 664 150 867 788 262 366 506 252 044 882 350 575 538 977 515 DZIAŁ ADMINISTROWANIA OBIEKTAMI DZIAŁ FOTOGRAFICZNY Punkt wydań obiektów: poniedziałek – piątek 11:00 – 19:00, sobota 11:00 – 16:00 tel. 22 163 66 20, [email protected] KAROLINA PAWEŁ PAWEŁ MARCIN MARLENA PAWEŁ ŚLIWIŃSKA WĄTROBA WOŁYNIAK KONIAK TALUNAS BOBROWSKI Kierownik Działu Specjalista ds. obiektów Asystent ds. obiektów Kierownik Działu Fotoedytor Fotograf [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] 22 163 66 21 22 163 66 21 22 163 66 21 22 163 66 74 22 163 66 75 22 163 66 75 795 121 575 514 446 849 506 251 934 664 981 456 795 122 717 „Nieruchomy zapis ruchu…” Rzeźbiarskie œuvre Edgara Degasa „Brąz jest odpowiedni dla tych, którzy tworzą dla wieczności. Moja przyjem- ponownego wystawiania swych rzeźb. „La Petite Danseuse de 14 ans” jest ność polega na tym, że wciąż i wciąż zaczynam od nowa”. Te zdania miał zatem jedyną rzeźbą Edgara Degasa eksponowaną publicznie za życia wypowiedzieć Degas podczas którejś z rozmów ze swoim marszandem. twórcy. Wszystkie inne kompozycje artysty spotkał ten sam los. Aż do jego Ambroise Vollard, jeden z najbardziej prominentnych marszandów i publi- śmierci nie zostały pokazane szerokiej publiczności i nie opuściły murów cystów francuskich przełomu XIX i XX wieku, był związany z artystą nie jego pracowni. Szalona machina związana z brązowymi odlewami Degasa tylko na płaszczyźnie zawodowej, ale też prywatnej. Obaj byli równymi ruszyła zatem dopiero po 1917. sobie indywidualistami i dobrymi przyjaciółmi znakomicie rozumiejącymi swoje wewnętrzne pragnienia. Historyczne fakty zdają się tylko potwier- Trudno precyzyjnie ustalić, kiedy dokładnie artysta rozpoczął rzeźbiar- dzać to stwierdzenie samego twórcy, bowiem ani jeden brąz nie został skie eksperymenty. Najbardziej prawdopodobną datą staje się rok 1860, odlany za życia Edgara Degasa. Czyż zatem artysta nie chciał, by jego a powstanie większości form sytuuje się na lata 80. i 90. XIX stulecia. dzieła przetrwały wieki i stały się obiektem czci i pożądania potomnych? W znanym nam dzisiaj œuvre twórcy wyróżnić możemy kilka grup. Być może postawa ta podyktowana była zamysłami samego kierunku, Najliczniej reprezentowana jest bez wątpienia sekcja tancerek – zarówno z którym pośrednio związany był twórca. Efemeryczność i zmienność od tych ukazanych w tańcu, jak i tych pochłoniętych ćwiczeniami. zawsze zachwycała impresjonistów. Zainteresowanie ową ulotnością i prze- Kolejną stanowią zróżnicowane wizerunki i sylwetki kobiet. mijalnością zjawisk świetlnych przekładać mogła się również na samo Jeszcze inną galopujące czy spoczywające konie. Bez względu na temat podejście do dzieła, które było wynikiem pewnej koncepcji, niekończącego i odlew, powierzchnia rzeźb Edgara Degasa zawsze nosi specyficzny się procesu plastycznego, który od czasu zainicjowania trwał i żył własnym „ślad ręki” twórcy. Nieregularne przestrzenie wibrują i pulsują niczym życiem. Degas swoją przygodę z rzeźbą rozpoczął stosunkowo wcześnie, impresjonistyczne płótna samego Degasa, Renoira czy Moneta. Te silnie bo już około 1860 roku.
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