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The River Jordan Pours Its ; with the Nr Water Into Lake Tiberias, Which Is Wholly Within Lsrael
f\o t! .* :: "h*-"F*. l: a $* $ WI 4 .t' THE RIVER * JORDAN {+1 t.{ t* !d. J tl & I J E* It & INTRODIiCTION { it /4 & CI resources is one of tlle Itlost cltrracleristic features o[ the f iSao*a,r" of waler x the. Palestine li{andate entrusted to Britain $ t*rrain that wh to constitute the area of r, rltcr \Vorld War I. Rain falls only in the short winter, leaving a long dry summer when T countries to the north tt qricultuie depends entirely orr irrigation. The neighbouring t :. have abundant resources for irrigation, Syria sharin! the Euplrrates with {*iri} and rhe s pu1.51ins rr/as -€ A"r,* *iti, Lebanbrt, and l.ebanon endole.J, besides, with t]re Litani- I to be dependent 'almost entirel.v on the exigtrcus Jordan. Tiierefo:e, when lhe rt * boundaries of Palestine werc to be setticci aftcr lYarld War l, Britaiu' as the prcspective 5 ll:ndatory Power, and the Zionist Organizati,:n representing'the nascent Jewish * Igfonal Home, demanded that the Jordan and all its iribuiaries be includeC in their Palcstine and tlr-at tl-re Litani demarcate Palestine's northern * iniiiety in the territory of { fruntier. But, at French insistence, Paiestine's no:thern bor:ndary with Lebanon and * Syria, both placed under French l{andate, was set southof the Litani andle.stof {t' 3.: ilennon, sO that three of the four ntain tributaries of the Jordan - the Hasbani' the Baaias and the Yarmuk -. were to originate in French-Mandated territories, and the Urani would become a Lebanese nationai river. -
PAPERS of the NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part Segregation and Discrimination, 15 Complaints and Responses, 1940-1955 Series B: Administrative Files UNIVERSITY PUBLICATIONS OF AMERICA PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier PAPERS OF THE NAACP Part 15. Segregation and Discrimination, Complaints and Responses, 1940-1955 Series B: Administrative Files Edited by John H. Bracey, Jr. and August Meier Project Coordinator Randolph Boehm Guide compiled by Martin Schipper A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway * Bethesda, MD 20814-3389 Library of Congress Cataloglng-ln-Publication Data National Association for the Advancement of Colored People. Papers of the NAACP. [microform] Accompanied by printed reel guides. Contents: pt. 1. Meetings of the Board of Directors, records of annual conferences, major speeches, and special reports, 1909-1950 / editorial adviser, August Meier; edited by Mark Fox--pt. 2. Personal correspondence of selected NAACP officials, 1919-1939 / editorial--[etc.]--pt. 15. Segregation and discrimination, complaints and responses, 1940-1955. 1. National Association for the Advancement of Colored People-Archives. 2. Afro-Americans--Civil Rights--History--20th century-Sources. 3. Afro- Americans--History--1877-1964--Sources. 4. United States--Race relations-Sources. I. Meier, August, 1923- . -
Barcelona Revolt Jolts Fascist Franco Regime
Workers of the World, Unite ! Industry’s Stand Deepens National the MILITANT Labor Crisis PUBLISHED WEEKLY IN THE INTERESTS OF THE WORKING PEOPLE V o l. XV-No. 12 < *® ^ > 287 NEW YORK, N. Y., MONDAY, MARCH 19, 1951 PRICE: FIVE CENTS Eric Johnston Refuses Wage Gains To Packing and Textile Workers Mac Arthur By Joseph Andrews MARCH 14 — All efforts to patch up the break be Presses for tween the labor leaders and the Truman administration Barcelona Revolt Jolts have failed, as industry members of the Wage Stabilization Board refused to accept a peace -------------------------------------------------- All-Asia War formula proposed by Economic Stabilization Director Eric Johnston. Threatens Endless A t the same time, the situation Korea 'Stalemate' was aggravated by Johnston’s re Fascist Franco Regime By Art Preis jection of the proposed wage — — -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- & --------------------------------------------------------------------------- Gen. MacArthur last week sent agreement between the A F L and a new shudder through the world. CIO Packinghouse unions and the He renewed his demand for an meat packing companies. This attack on Manchuria and China 300,000 Workers agreement provided an U-cent proper that would mean war on an hour wage increase. Ralph a scale a hundred-fold greater Helstein, President of the CIO than Korea. As an alternative, he Defy Armed Suppression by Packinghouse Workers Union threatened a “stalemate” in Korea announced his union will strike that would indefinitely drain off March 25. the lives of American youth, as Dictator Ally of Truman well as Chinese and Korean^, in a LOW WAGES, HIGH PROFITS struggle that can come to no By Joseph Keller The packinghouse workers are decision. -
Culture, Power, and Mission to Moscow: Film and Soviet-American Relations During World War II
Culture, Power, and Mission to Moscow: Film and Soviet-American Relations during World War II Todd Bennett For suggestions on how to use this article in the United States history survey course, see our “Teaching the JAH” Web site supplement at ,http://www.indiana. edu/~jah/teaching.. Following a sumptuous feast (and copious amounts of vodka), the guests, gathered around a banquet table deep within the Kremlin’s walls in May 1943, toasted Soviet- American friendship. Premier Joseph V. Stalin and Foreign Minister Vyacheslav M. Molotov praised the Grand Alliance. Anastas I. Mikoyan, the Soviet commissar for foreign trade, Lavrenty P. Beria, the head of the People’s Commissariat of Internal Affairs (Narodnyi Kommissariat Vnutrennykh Del, nkvd), and Maxim Litvinov, the Soviet ambassador to the United States, offered toasts, and the Anglo-Americans present—including the British ambassador to Moscow, Adm. William H. Standley, the reigning United States representative, and Joseph E. Davies, Washington’s former ambassador—reciprocated. The American emissary from 1936 to 1938, Davies was there because President Franklin D. Roosevelt had sent him to arrange an introductory summit with Stalin, a meeting at which Roosevelt was sure all out- standing Soviet-American differences could be ironed out. Although Davies’ pres- ence was unusual, thus far the evening had been little different from similar receptions held by Soviet leaders for their Allied comrades during World War II. On this occasion, however, the former ambassador had brought with him a movie that both he and Roosevelt hoped would convince the Soviet dictator to eschew separate peace negotiations with Adolf Hitler and to remain within the tenuous Big Three Todd Bennett is visiting assistant professor of history at the University of Nevada, Reno. -
Red Paradise: a Long Life in the San Diego Communist Movement
Red Paradise: A Long Life in the San Diego Communist Movement By Toby Terrar In December 2013, San Diego resident Milton Lessner, who has been a dues- paying member of the Communist Party, USA, since 1931, celebrated his 100th birthday. Like most of his comrades, he never held a leadership position in or publicly identified himself as a party member. He sees no purpose in using his last name now, but is otherwise happy with sharing an account of his life in the party’s San Diego branch. For much of the twentieth century San Diego had a small community consisting of Communist Party members and their non- party friends. Milt comments that they lacked both the glamorous Hollywood connections enjoyed in Los Angeles and the large numbers of party members in New York and Chicago. They were practically invisible when compared to San Diego’s local military-industrial complex.1 But in an earlier period their work on behalf of the city’s trade unions, civil rights, peace movement, consumer empowerment, and housing contributed positively to the city’s history and should not be totally forgotten. Milt was born on December 11, 1913, in New Haven, Connecticut, where his 24-year-old father Henry worked in a watch factory.2 Henry and his wife Bessie were of Jewish heritage.3 His father, although not political, was a member of Workmen’s Circle, which was a Yiddish language, American Jewish fraternal organization.4 Soon after Milt’s birth, they settled at Scienceville near Youngstown, Ohio, and started a mom-and-pop grocery store.5 Milt had an older brother Herbert, born in 1912, and a younger brother Eugene, born in 1920.6 Toby Terrar, a native San Diegan, attended UCLA where he studied Catholic church history with Gary Nash. -
The Communist
' r - Have you read your copy of E~rl ~rowd er 's · t~test b ~o k , . I . n;E WAY OUT, yet? , l This book is .a magnificent 1guide , to the present events ·· which are r ~ha ping: the· world. It co'ntdins the articles ~ " . and utterances whiCh ~B r owder ·placed before the Amari.- '- can people durin g tne p a st~ ye ar. It i~ THE book of 'the 'a nti- w<~r movement in the Uhited States: ' I ' • I . j t --. J There is no better· wa y to ~d u eate the pe.,ople of Amer i c~ 0. l I ~ - fo ii; realization of tne path, they must t a:k~ to keep war fr om America than to get this ke en ana eloquent book b tr,cl·' , I -t ~ ') the Ge,erai, Secretary of tile Com~tmist Party into the hanas pf i~e puDiic. - - Browder IS ., Atlanta prison. But I his message to his fellow-Americans ~burns b rig~t.er ·t han, ever ip the pages· of THE WAY O~T. , Ans er the persecution of Ea r1 ·. Br.owder py buyin~ .his book 4nd sprel!dtpg iHa.r and wide ' ' through the factories, offices,' and home~ of the country. / ~ '( , } j • 256. pages. Price $I .00 • .Or der from LIBRARY PUB LISHERS P. 0. Box 148, Station D, New York, N". Y. VOL. XX, No. 6 JUNE, 1941 THE COMMUNIST A MAGAZINE OF THE THEORY AND PRACTICE OF MARXISM-LENINISM PUBLISHED MONTHLY BY THE COMMUNIST PARTY OF THE U.S.A. -
The House Un-American Activities Committee —
The House Un-American Activities Committee — http://edsitement.neh.gov/view_lesson_plan.asp?id=691 The House Un-American Activities Committee Student Name ___________________________________________________ Date ________________ Activity #1: “Un-American”? Directions: Read the following excerpt from House Resolution 282, the legislation that established the House Un-American Activities Committee in May 1938. When you have finished, make a list of activities that you think might qualify as “un-American.” Be prepared to share your answers with the class. “Resolved, that the Speaker of the House of Representatives be, and he is hereby, authorized to appoint a special committee to be composed of seven members for the purpose of conducting an investigation of (1) the extent, character, and object of un-American propaganda activities in the United States, (2) the diffusion within the United States of subversives and un-American propaganda that is instigated from foreign countries or of a domestic origin and attacks the principle of the form of government as guaranteed by the Constitution, and (3) all other questions in relation thereto that would aid Congress in any necessary remedial legislation.”* What sort of activities do you consider “un-American”? * Source: Walter Goodman, The Committee: The extraordinary career of the House Committee on Un-American Activities (New York: Farrar, Straus and Giroux, 1968). Permission is granted to educators to reproduce this worksheet for classroom use 1 The House Un-American Activities Committee — http://edsitement.neh.gov/view_lesson_plan.asp?id=691 The House Un-American Activities Committee Student Name ___________________________________________________ Date ________________ Activity #2: HUAC vs. Hollywood Directions (Group #1): Your group has been assigned to play the part of Walt Disney, one of the individuals involved in the 1947 HUAC investigation of the motion picture industry. -
U588o55 1948.Pdf
100 Things You Should Know About Communism in the U. S. A. Forty years ago, Communism was just a plot in the minds of a very few peculiar people. Today, Communism is a world force governing millions of the human race and threatening to govern all of it. Who are the Communists? How do they work? What do they want? What would they do to you? For the past IO years your committee has studied these and other questions and now some positive answers can be made. Some answers will shock the citizen who has not examined Com- munism closely. Most answers will infuriate the Communists. These answers are given in five booklets, as follows: 1. One Hundred Things You Should Know About Commu- nism in the U. S. A. 2. One Hundred Things You Should Know About .Commu- nism in Religion. 3. One Hundred Things You Should Know About Commu- nism in Education. 4. One Hundred Things You Should Know About Commu- nism in Labor. 5. One Hundred Things You Should Know About Commu- nism in Government. These booklets are intended to help you know a Communist when you hear him speak and when you see him work. If you ever find yourself in open debate with a Communist the facts here given can be used to destroy his arguments completely and expose him as he is for all to see. Every citizen owes himself and his family the truth about Com- munism because the world today is faced with a single choice: To go Communist or not to go Communist. -
CALIFORNIA RED a Life in the American Communist Party
alifornia e California Red CALIFORNIA RED A Life in the American Communist Party Dorothy Ray Healey and Maurice Isserman UNIVERSITY OF ILLINOIS PRESS Urbana and Chicago Illini Books edition, 1993 © 1990 by Oxford University Press, Inc., under the title Dorothy Healey Remembers: A Life in the American Communist Party Reprinted by arrangement with Oxford University Press, Inc., New York, New York Manufactured in the United States of America P54321 This book is printed on acidjree paper. Library of Congress Cataloging-in-Publication Data Healey, Dorothy. California Red : a life in the American Communist Party I Dorothy Ray Healey, Maurice Isserman. p. em. Originally published: Dorothy Healey remembers: a life in the American Communist Party: New York: Oxford University Press, 1990. Includes index. ISBN 0-252-06278-7 (pbk.) 1. Healey, Dorothy. 2. Communists-United States-Biography. I. Isserman, Maurice. II. Title. HX84.H43A3 1993 324.273'75'092-dc20 [B] 92-38430 CIP For Dorothy's mother, Barbara Nestor and for her son, Richard Healey And for Maurice's uncle, Abraham Isserman ACKNOWLEDGMENTS This work is based substantially on a series of interviews conducted by the UCLA Oral History Program from 1972 to 1974. These interviews appear in a three-volume work titled Tradition's Chains Have Bound Us(© 1982 The Regents of The University of California. All Rights Reserved. Used with Permission). Less formally, let me say that I am grateful to Joel Gardner, whom I never met but whose skillful interviewing of Dorothy for Tradition's Chains Have Bound Us inspired this work and saved me endless hours of duplicated effort a decade later, and to Dale E. -
Articles Illusionary Spoils
Articles Illusionary Spoils Soviet Attitudes toward American Cinema during the Early Cold War SERGEI KAPTEREV At any stage of the Cold War, Soviet film culture was inevitably influenced by the political and ideological content of the conflict and by fluctuations in its course. Soviet films represented confrontation with the West with various degrees of directness, dealing with such issues as ideological struggle, espionage, the fear of global hostilities (influenced by traumatic memories of the past world war), and ostentatious or genuine attempts at rapprochement with the other side. Soviet ideologues and commentators from different cultural fields were mobi- lized to defend Soviet filmmakers and film audiences from possible contamina- tion. Western cinema was condemned as a source and emblem of bourgeois decadence and regarded as a tool of enemy propaganda. Films produced in the United States were the main targets of this condemnation: in stark contrast to the general friendliness which had characterized Soviet attitudes toward American filmmaking during World War II, with the advent of the Cold War they were commonly described as a “filthy torrent of slander against humanity produced by Hollywood’s conveyor-belts.”1 Against considerable odds, however, during the Cold War American cin- ema remained an important presence within Soviet culture and generated a significant effect on its Soviet counterpart even during the conflict’s most dif- ficult periods, when most American cultural products were rejected as unfit for Soviet consumption.2 Even in the conditions of growing ideological repression and thorough filtration of anything that was perceived as a product of Ameri- can capitalism and a tool of imperialist subversion, American films reached the 1 Sergei Gerasimov, “Iskusstvo peredovykh idei,” in 30 let sovetskoi kinematografii, ed. -
Popular Media and the Framing of a Cold War Enemy, 1949-1962
American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Meredith K. Hohe November 2010 © 2010 Meredith K. Hohe. All rights reserved. 1 This thesis titled American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 by MEREDITH K. HOHE has been approved for the Department of History and the College of Arts and Sciences by _______________________________________________ Katherine Jellison Professor of History ________________________________________________ Benjamin M. Ogles Dean, College of Arts and Sciences 2 Abstract HOHE, MEREDITH K., M.A., November 2010, History American Dreams and Red Nightmares: Popular Media and the Framing of a Cold War Enemy, 1949-1962 (131 pp.) Director of Thesis: Katherine Jellison The visual image of the Soviet Union during the early Cold War period played a significant role in contributing to average Americans‟ understanding of their new national nemesis. However, while films, television, and popular magazines all helped to frame understanding of the Soviet threat, the portrait of the enemy they displayed was not a simplistic narrative of enemy demonization. Popular media both warned against and mocked the Soviet communist leadership. They portrayed the Soviet military and forces of scientific and technological production as both a leviathan of epic proportions and a lie built upon thievery and espionage. In focusing on the threat posed by Soviet agents working undercover within the United States, visual media outlined the danger posed but also mitigated the threat with images of the covert agents rounded up time after time by a triumphant F.B.I. -
Testimony of Jack L. Warner
Testimony of Jack L. Warner Jack Warner (1892-1978) entered the motion picture industry at the age of eleven, when he and his three older brothers opened a movie theater in New Castle, Pennsylvania. By the 1940s Jack Warner was one of the most powerful men in Hollywood, with his studios producing popular cartoons as well as blockbuster films. Below he answers questions about the 1943 film, Mission to Moscow, in which the U.S. ambassador travels to Russia and comes back a supporter of Stalinism _________________________________________________________________ Mr. WARNER: Ideological termites have burrowed into many American industries, organizations, and societies. Wherever they may be, I say let us dig them out and get rid of them. My brothers and I will be happy to subscribe generously to a pest-removal fund. We are willing to establish such a fund to ship to Russia the people who don’t like our American system of government and prefer the communistic system to ours. That’s how strongly we feel about the subversives who want to overthrow our free American system. If there are Communists in our industry, or any other industry, organization, or society who seek to undermine our free institutions, let’s find out about it and know who they are. Let the record be spread clear, for all to read and judge. The public is entitled to know the facts. And the motion- picture industry is entitled to have the public know the facts. Our company is keenly aware of its responsibilities to keep its product free from subversive poisons.