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Play and No Work? a 'Ludistory' of the Curatorial As Transitional Object at the Early
All Play and No Work? A ‘Ludistory’ of the Curatorial as Transitional Object at the Early ICA Ben Cranfield Tate Papers no.22 Using the idea of play to animate fragments from the archive of the Institute of Contemporary Arts, this paper draws upon notions of ‘ludistory’ and the ‘transitional object’ to argue that play is not just the opposite of adult work, but may instead be understood as a radical act of contemporary and contingent searching. It is impossible to examine changes in culture and its meaning in the post-war period without encountering the idea of play as an ideal mode and level of experience. From the publication in English of historian Johan Huizinga’s Homo Ludens in 1949 to the appearance of writer Richard Neville’s Play Power in 1970, play was used to signify an enduring and repressed part of human life that had the power to unite and oppose, nurture and destroy in equal measure.1 Play, as related by Huizinga to freedom, non- instrumentality and irrationality, resonated with the surrealist roots of the Institute of Contemporary Arts (ICA) in London and its attendant interest in the pre-conscious and unconscious.2 Although Huizinga and Neville did not believe play to be the exclusive preserve of childhood, a concern for child development and for the role of play in childhood grew in the post-war period. As historian Roy Kozlovsky has argued, the idea of play as an intrinsic and vital part of child development and as something that could be enhanced through policy making was enshrined within the 1959 Declaration of the -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
Contem Porary Spring 07 Madcap's Last Laugh
Syd Prog:Nitin Prog 4/5/07 13:05 Page 1 barbican do something different Only Connect Tonight’s concert is part of the only connect series, the Barbican’s innovative series that c brings together the worlds of film, music and art by inviting exceptional musicians, composers, o artists and filmmakers to develop collaborations and present new work. n ‘Give a big hand to Only Connect, a series of events designed to cross borders and break Syd t down barriers, challenge idle preconception and encourage exceptional artists to experiment, e collaborate, provoke, stimulate and entertain.’ Time Out m For more details visit www.barbican.org.uk/onlyconnect p Barrett o The Barbican Centre is r There will be an interval in tonight’s concert. provided by the City of a Madcap’s London Corporation as No smoking in the auditorium. No cameras, part of its contribution to tape recorders or other recording the cultural life of London r equipment may be taken into the hall. and the nation. y Last Laugh s p do something different r i Find out n before they g Thu 10 May 7.30pm sell out! 0 7 E–updates Celebrating the th The easy way to hear about the arts www.barbican.org.uk/contemporary Barbican’s 25 birthday events and offers www.barbican.org.uk/25 Sign up at Free programme The Barbican is 25 in 2007 and to help celebrate we have arranged www.barbican.org.uk/e-updates a wide variety of special events and activities. This year’s Barbican contemporary Visit www.barbican.org.uk/25 music events are on sale now. -
Annual 2017-2018
T H E E H K E T N KENSINGTON S I N G T SOCIETY O N 2017 –2018 S O C I E T Y 2 0 1 7 – 2 0 1 8 £5 for non-members KENSINGTON & CHELSEA The Royal Borough of Kensington & Chelsea was created in 1965 with the merger of the two boroughs. Kensington, the area we watch over on your behalf, is north of Fulham Road and Walton Street, the frontier with Chelsea being marked with a red line on the map. Cover illustrations by Eileen Hogan, © the artist – for more about her see page 16 Editor: Michael Becket [email protected] Designer: Ian Hughes www.mousematdesign.com Printed by KJS Print Services Limited E H T KENSINGTON 23 St James’s Gardens, London W11 4RE www.kensingtonsociety.org SociETy 2017–2018 The objects of the society are to preserve and improve the amenities of Kensington for the public benefit by stimulating interest in its history and records, promoting good architecture and planning in its development, and by protecting, preserving and improving its buildings, open spaces and other features of beauty or historic interest. Patron His Royal Highness The Duke of Gloucester, KG, GcVo President Nick Ross Vice-President General, The Lord Ramsbotham of Kensington, GcB, cBE council Barnabus Brunner Peter De Vere Hunt Susan Lockhart Sir Angus Stirling trustees Amanda Frame, chairman Martin Frame, treasurer and membership secretary Michael Bach, chairman of the planning committee Michael Becket, annual report editor Thomas Blomberg, editor of newsletter and website, member of planning committee Sophia Lambert, member of the planning committee -
Class Wargames Class Class Wargames Ludic Ludic Subversion Against Spectacular Capitalism
class wargames Class Wargames ludic Ludic subversion against spectacular capitalism subversion Why should radicals be interested in playing wargames? Surely the Left can have no interest in such militarist fantasies? Yet, Guy Debord – the leader of the Situationist International – placed such importance on his class invention of The Game of War that he described it as the most significant of against his accomplishments. wargames Intrigued by this claim, a multinational group of artists, activists and spectacular academics formed Class Wargames to investigate the political and strategic lessons that could be learnt from playing his ludic experiment. While the ideas of the Situationists continue to be highly influential in the development of subversive art and politics, relatively little attention has been paid to their strategic orientation. Determined to correct this deficiency, Class Wargames is committed to exploring how Debord used the capitalism metaphor of the Napoleonic battlefield to propagate a Situationist analysis of modern society. Inspired by his example, its members have also hacked other military simulations: H.G. Wells’ Little Wars; Chris Peers’ Reds versus Reds and Richard Borg’s Commands & Colors. Playing wargames is not a diversion from politics: it is the training ground of tomorrow’s cybernetic communist insurgents. Fusing together historical research on avant-garde artists, political revolutionaries and military theorists with narratives of five years of public performances, Class Wargames provides a strategic and tactical manual for overthrowing the economic, political and ideological hierarchies of early- 21st century neoliberal capitalism. The knowledge required to create a truly human civilisation is there to be discovered on the game board! richard ludic subversion against barbrook spectacular capitalism Minor Compositions An imprint of Autonomedia Front cover painting: Kimathi Donkor, Toussaint L’Ouverture at Bedourete (2004). -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
2012 Program
PORTOBELLO FILM FESTIVAL FREE ENTRY 30 AUGUST– 16 SEPTEMBER 2012 www.portobellofilmfestival.com BLEK LE RAT Entry to all events if FREE and open to all over 18. ALTERNATIVE LONDON FILM FESTIVAL PORTOBELLO ALTERNATIVE PORTOBELLO POP UP CINEMA FILM FESTIVAL LONDON FILM INTERNATIONAL 3 ACKLAM ROAD, W10 5TY 30 Aug – 16 Sept 2012 FESTIVAL FILM FESTIVAL POP UP CINEMA WESTBOURNE Thu 30 Aug Welcome to the 17th Portobello Film Act Of Memory – 30 Aug 3 ACKLAM ROAD, W10 5TY STUDIOS GRAND OPENING Art at Festival. This year is non-stop new 30 August page 1 Portobello 242 ACKLAM ROAD, W10 5JJ CEREMONY London and UK films at the Pop Up Grand Opening Ceremony POP UP CINEMA Film Festival with The Spirit Of Portobello, docoBANKSY, 31 August page 9 2012 and a feast of international movies at and a new film from Ricky Grover International Shorts Introduction Westbourne Studios courtyard and Pop Up 1 September 9 6:30pm Cinema throughout the Festival, plus 7–19th at 31 August 2 The Muse Gallery – see page 18 for details. Westbourne Studios. Just For You London German Night What We Call Cookies up and coming directors inc Greg Hall & Wayne G Saunders (Natalie Hobbs) 2 mins It’s all very well watching films on the 2 September 10 Exploring various British stereotypes held by internet but nothing beats the live 1 September 2 International Feature Films Americans played out by motifs that are iconicly Are You Local? 3 September 11 American. Comedy. independent frontline film experience. West London film makers Turkish & Canadian Showcase Big Society (Nick Scott) 7 mins 2 September 3 An officer in the British army questions what it means We look forward to welcoming film 4 September 11 to fight for your country when he sees his hometown London Calling: From The Westway To British & USA State Of The Movie Art rife with antisocial behaviour. -
A Map for Countercultural Art in the 1960S: Transcultural Mobility and Art History
‘900 Transnazionale 3, 2 (2019) ISSN 2532-1994 doi: 10.13133/2532-1994.14790 Open access article licensed under CC-BY A map for countercultural art in the 1960s: Transcultural mobility and Art History Juliana F. Duque Universidade de Lisboa, Faculdade de Belas Artes _________ Contact: Juliana F. Duque [email protected] ABSTRACT This article discusses the countercultural artistic expressions of the late 1960s as a transcultural phenomenon. These artistic expressions are the result of a network of ideas and trends, with an aesthetic born from the interchange among its participants. Despite its innovative character and the impact at the time, the relation of countercultural artistic practices within Art History is complex, not fitting into any precise artistic category or style. The 1960s, stage of several social and political revolutions around the world, saw the rise of manifestations such as Psychedelia. The decade was also noted for an increment on migrations, with more people being able to travel overseas, leading to the fading of geographical, social, and mental barriers. With more connections and means for traveling, more countercultural artists and young participants, from all social ranges, had the opportunity to go abroad and overseas. That increased the attendance at events, from rallies to psychedelic gatherings, influencing music and other countercultural artistic performances, including graphic design, painting, or light shows. Following the border-crossing tradition of the Beat Generation that got inputs from places such as Mexico, France, and even Russia years before, counterculture’s participants created a multicultural mosaic composed by music, poetry, visual arts, and graphic design. From the analysis of the mobility of prominent counterculture figures such as Allen Ginsberg, Timothy Leary or the Beatles, as well as of the artistic expressions, it is possible to map the countercultural artistic flows during the late 1960s between the United States, Britain, and beyond. -
On the Povery of Student Life Considered in Its Economic
Oxford Left Review 3 cannot simply will a movement like 2010 into being. A renewed theory and praxis is needed; a po- litical synthesis which possesses the humility and incisiveness to critique the past and the present, and one which facilitates a tireless preparation for future action. Yet, this does not relinquish our responsibility to engage in analysis and refresh the move- ment’s memory. In 2010, Britain’s students were the first to break the austerity-consensus. They EDITORIAL also offered a glimpse of what a mass student radicalisation might look like. In the aftermath of the demonstration in November 2012, however, we need to return to basic questions over both the nature and state of the British student movement, as well as how activists relate to the Na- tional Union of Students. Jamie Woodcock (p. 12) provides a compelling political and strategic Student Power argument for why activists still need the National Union. Calls to break from it, he argues, fail to respond to the changing circumstances of a smaller movement. Theory, Critique and Practice Given the state of the British movement, we felt the need for an international cross-pol- lination of ideas, experiences and strategy. Witnessing the international dimensions of student struggle – from Chile to Quebec to Greece to Puerto Rico – can give confidence, as well as les- sons for those in Britain. A tradition of international solidarity is in the process of a much-needed revival. The articles by Charles Carrier-Plante from Québéc (p. 18) and Aquiles Hervas Parra from Ecuador (p.37) are our little contribution towards this goal. -
A Brief for Change Wornington Green – a Brief for Change Produced for Kensington Housing Trust by PRP Architects Ltd, October 2007
Wornington Green a brief for change Wornington Green – a brief for change produced for Kensington Housing Trust by PRP Architects Ltd, October 2007 10 Lindsey Street, Smithfield, London EC1A 9HP t: 020 7653 1200 www.prparchitects.co.uk Contents Preface 1.0 Introduction – The Need for Regeneration 1.1 Wornington Green – a brief for change 1.2 The Purpose of the Brief 1.3 Background to the Estate 1.4 Reasons for Change 2.0 Progress to Date 2.1 Introduction 2.2 KHT Board’s ‘Vision’ 2.3 Socio-Economic Profile 2.4 Consultation Strategy 2.5 The Options Appraisal 2.6 Understanding the Market context 2.7 Retail Strategy 3.0 Site Constraints and Opportunities 3.1 Introduction 3.2 Soil conditions and contaminant environmental issues 3.3 Infrastructure and Services 3.4 Access and Movement 3.5 Open space and Landscape 3.6 Land and Building use 3.7 Urban Grain and Built Form 4.0 Regeneration Objectives and Principles 4.1 Introduction 4.2 Policy Context Overview 4.3 Access and Movement 4.4 Open Space and Landscape 4.5 Land and Building Use 4.6 Urban Grain and Built Form 4.7 Sustainability 4.8 Environmental Sustainability End Note Wornington Green – a brief for change 3 Wornington Green – a brief for change Preface The Vision for Wornington Green 2015 It is 2015 Walking north up Portobello Road, past Golborne Road, the street is alive with local specialist shops, market stalls, restaurants and small enterprises that define North Kensington. Among the shops, with a café frontage is the new landmark building – the Golborne Centre – providing a raft of local facilities including housing office, sustainability centre and community facilities. -
Kensal Green Kensal WALK 10MIN 10MIN
King’s Holt Terrace . King’s Holt Terrace 03 Situated just off Kensal Rise’s Set over four floors, the spacious revered Chamberlayne accommodation has been designed with family life in mind. From the Road, King’s Holt Terrace family focused, open plan kitchen is an immaculately designed dining area to the luxurious escape collection of just 15 four of the master bedroom suite and the bedroom townhouses, relaxing ambience of the roof terrace, each with its own private every space has been carefully designed for its individual purpose. roof terrace and garage. COMPUTER GENERATED IMAGE . Exterior King’s Holt Terrace . 05 King’s Holt Terrace . 04 Exterior Front Exterior COMPUTER GENERATED IMAGE . IMAGE GENERATED COMPUTER COMPUTER GENERATED IMAGE . Living Room King’s Holt Terrace . 07 King’s Holt Terrace . 06 Living Room Living COMPUTER GENERATED IMAGE . IMAGE GENERATED COMPUTER THE CITY THE SHARD SOUTH BANK HYDE PARK TRELLICK TOWER THE WEST END MAYFAIR MOBERLY NOTTING HILL SPORTS CENTRE King’s Holt Terrace . King’s Holt Terrace King’s Holt Terrace . King’s Holt Terrace 08 09 Perfectly located to HOLLOWAY embrace and explore HAMPSTEAD all of London. HEATH Holloway Road Seven Sisters Way NEWINGTON North Circular Road Lea Bridge Way STOKE BRENT East Cross Route PARK Finchley Road STRATFORD QUEEN’S Road Newington Stoke PARK CAMDEN Upper Street A12 KENSAL Park Road RISE Pentonville Road REGENT’S PARK Park Lane City Road King’s Holt Terrace . King’s Holt Terrace King’s Holt Terrace . King’s Holt Terrace Mile End Road Westway NOTTING WEST CITY OF -
Academy Invites 928 to Membership
MEDIA CONTACT [email protected] June 25, 2018 FOR IMMEDIATE RELEASE ACADEMY INVITES 928 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 928 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2018. Ten individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2018 invitees are: Actors Hiam Abbass – “Blade Runner 2049,” “The Visitor” Damián Alcázar – “The Chronicles of Narnia: Prince Caspian,” “El Crimen del Padre Amaro” Naveen Andrews – “Mighty Joe Young,” “The English Patient” Gemma Arterton – “Their Finest,” “Quantum of Solace” Zawe Ashton – “Nocturnal Animals,” “Blitz” Eileen Atkins – “Gosford Park,” “Cold Mountain” Hank Azaria – “Anastasia,” “The Birdcage” Doona Bae – “Cloud Atlas,” “The Host” Christine Baranski – “Miss Sloane,” “Mamma Mia!” Carlos Bardem – “Assassin’s Creed,” “Che” Irene Bedard – “Smoke Signals,” “Pocahontas” Bill Bellamy – “Any Given Sunday,” “love jones” Haley Bennett – “Thank You for Your Service,” “The Girl on the Train” Tammy Blanchard – “Into the Woods,” “Moneyball” Sofia Boutella – “The Mummy,” “Atomic Blonde” Diana Bracho – “A Ti Te Queria Encontrar,” “Y Tu Mamá También” Alice