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Que Le Style Soit Avec Vous !
VOUS REPRENDREZ BIEN GACHET SOPHIE UN PEU DE STYLE ? Se concocter un look sans passer par la case shopping est le ! concept de ce livre : les tenues des icônes de style sont décryptées pour donner les clés d’une allure qui va faire impression. EN QUATRE CHAPITRES, ON APPREND : Toutes les astuces des VIP qu’on peut copier Les gimmicks qui permettent de rendre son style inoubliable Les différentes possibilités de pimenter nos basiques QUE Les « fashion faux pas » qu’il faut oser Un livre très illustré (350 photographies) qui se lit comme un CARNET D’INSPIRATION. LE STYLE Journaliste de mode, SOPHIE GACHET a couru les fashion SOIT AVEC weeks dans le monde pour le magazine ELLE de 1998 à 2019. Coauteure avec Ines de la Fressange du best-seller La Parisienne, elle a écrit avec la créatrice et mannequin quatre autres ouvrages aux éditions Flammarion. Grâce à son décryptage du style VOUS ! des célébrités, elle nous aide à adopter les bons looks. SOPHIE GACHET QUE LE STYLE SOIT AVEC VOUS STYLE AVEC LE QUE SOIT / Prix France : 24,90 ISBN : 978-2-0815-2020-2 Getty Images Plus / 20-IX iStock -:HSMASB=ZWUWUW: © Studio Light and Shade Flammarion Flammarion Flammarion cover.indd 1-3 26/06/2020 11:17 QUE LE STYLE SOIT AVEC VOUS ! FICHIER_IMP_OK2.indd 1 16/06/2020 14:28 Julie Rouart Directrice éditoriale Delphine Montagne Responsable de l’administration éditoriale Gaëlle Lassée Directrice littéraire Tiphaine Bréguë Conception graphique Nathalie Sawmy Relecture sur épreuves Titouan Roland Fabrication Bussière Photogravure © Flammarion, Paris, 2020 Dépôt -
Victoria's Secret Fashion Show: Consumo, Mídia E Construção De
Victoria’s Secret Fashion Show: consumo, mídia e construção de subjetividades. Lara Virgínia Saraiva Palmeira UFPE/Brasil Resumo Para Charles e Lipovetsky (2004), vivemos na era do hiperconsumo na qual o consumo absorve e integra cada vez mais diferentes parcelas da vida social, guiado por uma lógica emotiva e hedonista baseada em critérios individuais. Nesse sentido, analisar o papel da mídia e dos seus meios de comunicação de massa é essencial na medida em que desempenham, enquanto construções discursivas, a atividade de provocar desejos e vontades individuais não somente no plano material, mas nas esferas do moral e do simbólico. Seguindo a proposta, este trabalho objetiva analisar como um desfile de moda, o Victoria’s Secret Fashion Show , e sua divulgação na mídia pretendem atuar na produção de novas subjetividades a partir do discurso elaborado pelos produtores do evento. As ideias acerca do produto que desejam transmitir, o ideal de mulher sexy que eles veiculam, o conceito de beleza feminina ali proposto: todos esses questionamentos fazem parte da análise em momento inicial. Dessa forma, o material analisado trata-se do documentário, elaborado pela própria produção da marca e veiculado no Brasil pelo SBT. O vídeo retrata o último desfile da marca de lingerie Victoria’s Secret ocorrido em novembro de 2011 em Nova York. Como recurso metodológico, além da análise interpretativa das falas e das imagens, a teoria sobre rituais foi utilizada por compartilhar a ideia de que o ritual permite tomar consciência das cristalizações sociais mais profundas, constituindo um domínio privilegiado de estudo antropológico. Palavras-chave: consumo, mídia, Victoria’s Secret Introdução Os estudos sobre moda, beleza e feminilidade sempre despertaram minha atenção devido a sua presença constante nos meios midiáticos e pelo potencial analítico que eles oferecem. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
Amfar Gala Hong Kong Amfar Gala Hong Kong
Jackie Chan at amfAR Gala Hong Kong amfAR Gala Hong Kong March 26, 2018 Shaw Studios, Hong Kong Event produced by Andy Boose/AAB Productions and Josh Wood/Josh Wood Productions A Golden Opportunity With amfAR’s TREAT Asia program improving HIV treatment and care throughout the Asia-Pacic region for the past 16 years, Hong Kong is a natural venue for the Foundation’s newest international fundraising gala. In its rst three years, the amfAR Gala Hong Kong has established itself as one of the city’s premier charity events and has raised more than $11.5 million. Memorable Moments Jackie Chan surprised guests at the 2017 event and auctioned an opportunity for one lucky guest to appear in his upcoming lm with Sylvester Stallone and to attend the movie’s premiere in Beijing. This once-in-a-lifetime role sold for the highest amount of the evening, $300,000. Event Chair Pansy Ho, a driving force behind the Charlize Theron success of amfAR Gala Hong Kong, summoned all of the Event Co-Chairs in attendance at the 2016 event to the stage for a spectacular group photograph. Uma Thurman presented UN Goodwill Ambassador Victoria Beckham with amfAR’s Award of Courage at the second annual gala in March 2016. Academy Award-winning actor Adrien Brody was in attendance at the 2016 event and donated one of his original artworks, which sold for $100,000 in the live auction. Robin Thicke rounded out the 2015 event, getting the audience on their feet with his chart- topping hits “Blurred Lines,” “Give It To You,” and “Magic,” and a rendition of Michael Jackson’s -
Victoria's Secret Fashion Show Heads to London
ET's Kevin Frazier Flies With the Angels as Victoria's Secret Fashion Show Heads to London 4:09 PM PST, December 01, 2014 Forty-seven Victoria's Secret Angels headed to London for the VS Fashion Show and ET's Kevin Frazier flew in style with the models. Angels Alessandra Ambrosio and Adriana Lima, both 33, will be hanging up their wings this year, and we were there for Adriana's lingerie fitting in New York before heading across the pond. "The outfit itself is like a corset dress with details for lace and leather -- like shiny leather and it's something that I love," said Adriana. Adriana's outfit is just one of 81 that viewers will see on the runway for the Dec. 2 show. The event will also include a return performance by Taylor Swift with Ariana Grande, Ed Sheeran and Hozier also on the bill. After the fitting it was on to the U.K. via a special Victoria's Secrret flight. "Everywhere you turn there are models," Kevin observed. "That's just how it works on this flight." Before boarding, Kevin and the Angels took plenty of selfies forr the old scrapbook. "Usually I see you holding a microphone," Adriana told Kevin. "This is the first time I've seen you holding a camera." Once on the plane, Kevin was tucked in by Alessandra and Adriana. "You all need to take a nap," Alessandra advised before the six-hour flight. "Here you go," Alessandra said, placing a blindfold over Kevin's eyes. The tricky part came when they touched down in London and had to get 47 models and their entourage through customs. -
Dr. Sana Mahmoud Abbasi ABSTRACT KEYWORDS
ORIGINAL RESEARCH PAPER Volume-7 | Issue-3 | March-2018 | PRINT ISSN No 2277 - 8179 INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH “THE MAKING OF THE VICTORIA'S SECRET FANTASY BRA 2017 BY: MOUAWAD JEWELRY HOUSE” “A STUDY OF THE RELATIONSHIP BETWEEN FASHION AND JEWELRY DESIGN, AND THE MAKING OF THE MOST EXPENSIVE BRA IN HISTORY, AND REACHING FIVE GUINNESS'S WORLD RECORDS” Fashion Design Dr. Sana Mahmoud Dar Al Hekma University, Jeddah, Saudi Arabia Chair of the Fashion Design Department Abbasi (College of Design & Architecture) ABSTRACT Mouwad jewelry House has a proven record that emphasize the strong relationship between Fashion and Jewelry Design. Since 2011, Mouwad Jewelry has collaborated with Victoria's Secret to create the final high jewelry- meets-lingerie pieces. The maison has produced 10 different Fantasy Bras since the start of the collaboration, and the dynamic between the two brands is clearly very strong and innovative. The 2003 Very sexy Fantasy Bra made the Guinness World Record as the most expensive bra ever at US $ 11 Million Dollars. This is five times the jewelry house has sent a world record by producing the most expensive jewelry box, named “The Eternity Jewelry Coffer” for the amount US $ 3.5 million Dollars. The price tag on the 2017 Champagne Nights bra comes in at US $ 2 million Dollars. This study will look into the history of the jewelry house Mouwad and the collaboration between the maison and Victoria's Secret High Fashionable Bras made out of precious stones and diamonds. The company has collaborated on jewelry designs with celebrities including the fashion model Heidi Klum and has accessorized actresses including Nicole Kidman and Angelina Jolie. -
Dur 14/03/2013
4 JUEVES 14 DE MARZO DE 2013 VIVIR BIEN TRADICIÓN Y VERDAD Tercer lugar, Kate Moss. Poco podemos decir Quinto lugar, Doutzen Kroes. Es una supermo- de ella que aún no se haya dicho, pero es justo reco- delo neerlandesa y una de los famosos Ángeles de Vic- nocer su capacidad de reinventarse -sorteando ade- toria’s Secret.Es uno de los rostros de cosméticos más más algún que otro escándalo-. Además de sus múl- conocidos internacionalmente y es una de las mujeres tiples campañas publicitarias, Moss aún sigue ob- más deseadas,por su belleza holandesa y sus labios teniendo jugosos ingresos de su alianza con carnosos rosados. Su paga es de 6 millones de dólares. Topshop.Su paga es de 13.5 millones de dólares. Segundo lugar, Heidi Klum. Se dio a conocer por desfilar para Victoria’s Secret donde se convir- tió en uno de los primeros “Ángeles” y por posar pa- ra las revistas Elle, Sports Illustrated Swimsuit Cuarto lugar, Adriana Lima. Es una Super- Issue o para las ediciones alemana y francesa de la modelo internacional de fotografía, pasarela, spots revista Vogue.A pesar de haber abandonado a los publicitarios y uno de los rostros de Victoria’s Se- ángeles de Victoria´s Secret, Klum ha sabido rein- cret. Lima ha sabido demostrar su versatilidad en ventarse como empresaria. Sus ingresos provienen, las recientes colaboraciones que ha protagonizado en su mayoría, de sus proyectos televisivos.Actual- para Loewe y Givenchy.Su paga actualmente es de mente su paga es de 20 millones de dólares. 8 millones de dólares. -
Introducción a La Investigación Proyecto Integrador
Introducción a la investigación Proyecto integrador Zoe Michanie Diseño de indumentaria y textil 0112186 Introducción a la investigación Prof. Silvina Sotera 2020- Primer cuatrimestre 1 2 3 Síntesis del trabajo: Cada uno de nosotros componemos y formamos parte de la sociedad, esta sociedad en la que vivimos está estrictamente bajo los estándares de belleza que fuimos creando día a día nosotros gracias a los prejuicios y críticas con los que fuimos criados. Aunque existen hace varios años y fueron cambiando a lo largo de ellos, hay uno que predomina hace bastante tiempo que son los estándares físicos considerados “normales” (mas allá de que hoy en día fueron modificándose). El rol de los medios de comunicación consolida gran parte de estos estándares ya que vivimos observando imágenes de cosas ideales o perfectas creyendo que son las cuales deberíamos seguir y quienes no cumplan con ellos, no serán aceptados por gran parte de la sociedad. Es por ello que el tema de investigación que escogí para investigar es la denominación de los cuerpos que no cumplen los cánones de belleza denominados “plus size” El enfoque se realizará en la modelo Barbara Palvin, como ícono de lo “plus size” 4 Curriculum: 5 Declaración jurada de autoría: 6 7 8 Índice Abstract……………………………………………………………………………....p.10 Introducción………………………………………………………………………….p.11 Desarrollo…………………………………………………………………………….p.13 Conclusión…………………………………………………………………………...p.19 Bibliografía…………………………………………………………………………...p.21 9 Abstract: Tìtulo: Los estereotipos: cómo la sociedad reacciona ente el término “plus size” Autor: Zoe Michanie Abstract: Hace muchos años que la sociedad convive con los estereotipos e ideales de belleza, los cuales fueron cambiando y modificándose a lo largo del tiempo. -
A Year in Review Our Work
2016 A YEAR IN REVIEW OUR WORK One good idea holds enormous power. When supported and nurtured, it can become the solution that transforms a community. PAGE 2 BRAZILFOUNDATION ANNUAL REPORT 2016 OUR WORK BrazilFoundation is dedicated to identifying and supporting the promising ideas of community leaders across Brazil that will enable a future of equal access, social justice and opportunity for every Brazilian. PAGE 3 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS Program Highlights PAGE 4 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT Together, we accomplished a lot in 2016. We invested US$2,097,440 in 259 initiatives Through 154 grantee partners Across 74 cities in 21 states PAGE 5 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT North / 3.02% You helped us fund projects 14 Initiatives in every region of Brazil US$63,312 through our Donor Advised Central-West / 3.07% program, discretionary grants, 16 Initiatives and partnerships. US$64,381 Northeast / 12.80% 65 Initiatives US$268,492 Southeast / 7 7. 51 % 150 Initiatives US$1,625,698 South / 3.60% 21 Initiatives US$75,557 PAGE 6 BRAZILFOUNDATION ANNUAL REPORT 2016 PROGRAM HIGHLIGHTS IMPACT Education and Culture We funded projects 11,826 people impacted within 5 thematic areas US$287,849 through Discretionary and Socioeconomic Development Partnership Grants. 9,020 people impacted US$234,170 Human Rights and Civic Engagement 43,235 people impacted US$205,130 Health 10,119 people impacted US$72,768 Social Enterprise 8,085 people impacted US$70,836 PAGE -
Universidade De Brasília Faculdade De Comunicação Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO TRANS TÁ NA MODA? REPRESENTAÇÃO DE IDENTIDADES E PESSOAS TRANS NO JORNALISMO DE MODA Taya Carneiro Silva de Queiroz Brasília Março de 2019 UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO TRANS TÁ NA MODA? REPRESENTAÇÃO DE IDENTIDADES E PESSOAS TRANS NO JORNALISMO DE MODA Taya Carneiro Silva de Queiroz Trabalho apresentado à Banca Examinadora de Exame de Dissertação, como requisito para obtenção do grau de Mestre em Comunicação. Orientadora: Prof.ª Dr.ª Fernanda Martinelli Brasília Março de 2019 Taya Carneiro Silva De Queiroz Trans Tá Na Moda?: representação de identidades e pessoas trans no jornalismo de moda Brasília, março de 2019 Exame de dissertação de mestrado avaliado pela seguinte Banca Examinadora: ________________________________ Prof.ª. Drª Fernanda Casagrande Martinelli Lima Granja Xavier da Silva (Orientadora) (Universidade de Brasília) ________________________________ Prof.ª. Drª Fabíola Calazans Examinadora (Universidade de Brasília) ________________________________ Prof.ª. Drª Tatiana Lionço Examinadora (Universidade de Brasília) ________________________________ Prof.ª. Msª Priscila Borges Suplente (IBRAM) Para todas as travestis ridicularizadas pelo jornalismo. Para todas as pessoas trans que disputam diariamente sua verdade. Para Lea T, uma pioneira corajosa. AGRADECIMENTOS Agradeço à Lua Stabile, por ter me acompanhado e debatido comigo durante todo o processo de construção desta pesquisa, e por ter dado suporte emocional nos momentos mais difíceis. À Maria Léo Araruna, por não ter me deixado desistir. Ao Bernardo Mota, que me ajudou a nomear importantes processos de violência simbólica percebidos na representação. À CAPES, por ter me fornecido uma bolsa de estudos essencial. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
World Dog Show Leipzig 2017
WORLD DOG SHOW LEIPZIG 2017 09.-12. November 2017, Tag 2 in der Leipziger Messe Schirmherrin: Staatsministerin für Soziales und Verbraucherschutz Barbara Klepsch Patron: Minister of State for Social Affairs and Consumer Protection Barbara Klepsch IMPRESSUM / FLAG Veranstalter / Promoter: Verband für das Deutsche Hundewesen (VDH) e.V. Westfalendamm 174, 44141 Dortmund Telefon: (02 31) 5 65 00-0 Mo – Do 9.00 – 12.30/13.00 – 16.00 Uhr, Fr 9.00 – 12.30 Uhr Telefax: (02 31) 59 24 40 E-Mail: [email protected], Internet: www.vdh.de Chairmann/ Prof. Dr. Peter Friedrich Präsident der World Dog Show Secretary / Leif Kopernik Ausstellungsleitung Organization Commitee / VDH Service GmbH, Westfalendamm 174, 44141 Dortmund Organisation USt.-IdNr. DE 814257237 Amtsgericht Dortmund HRB 18593 Geschäftsführer: Leif Kopernik, Jörg Bartscherer TAGESEINTEILUNG / DAILY SCHEDULE FREITAG, 10.11.2017: Gruppe 5/ Group 5: Nordische Schlitten-, Jagd-, Wach- und Hütehunde, europäische und asiatische Spitze, Urtyp / Spitz and primitive types Gruppe 9 / Group 9: Gesellschafts- und Begleithunde / Companion and Toy Dogs TAGESABLAUF / DAILY ROUTINE 7.00 – 9.00 Uhr Einlass der Hunde / Entry for the Dogs 9.00 – 15.15 Uhr Bewertung der Hunde / Evaluation of the Dogs NOTICE: The World Winner 2017, World Junior Winner 2017 and the World Veteran Winner will get a Trophy. A Redelivery is not possible. HINWEIS: Die World Winner 2017, World Junior Winner 2017 und der World Veteranen Winner 2017 erhal- ten einen Pokal. Eine Nachlieferung ist nach der Veranstaltung nicht möglich. WETTBEWERBSRICHTER / JUDGES MAIN RING (WORLD DOG SHOW TAG 2) FREITAG, 10. NOVEMBER 2017 / FRIDAY, 10. NOVEMBER 2017 Junior Handling: Gerald Jipping (NLD) Zuchtgruppen / Best Breeders Group: Vija Klucniece (LVA) Paarklassen / Best Brace / Couple: Ramune Kazlauskaite (LTU) Veteranen / Best Veteran: Chan Weng Woh (MYS) Nachzuchtgruppen / Best Progeny Group: Dr.