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Connecticut College News Vol. 16 No. 6

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Connecticut College News Vol. 16 No. 6 Connecticut College Digital Commons @ Connecticut College 1930-1931 Student Newspapers 11-8-1930 Connecticut College News Vol. 16 No. 6 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1930_1931 Recommended Citation Connecticut College, "Connecticut College News Vol. 16 No. 6" (1930). 1930-1931. 18. https://digitalcommons.conncoll.edu/ccnews_1930_1931/18 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1930-1931 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College News PRICE FIVE CENTS VOL. 16, '0. 6 .\'EW LO 'DOl\". CONNECTICUT, NOVEMBER 8, 1930 "FIFTY PRINTS OF THE MEDIEVAL FARCE THE YEAR 1930" "P ATHELIN" DISCUSSED AT CONVOCATION BY Unique Exhibition M. LOUIS CONS Now in Library Gives Background For Chosen By John Sloan Presentation Here Famous Art Critic The greatest comedy from the time The Fifth Annual Exhibition of the of Aristophanes in ancient Greece to American Institute of Graphic Arts is the plays of Moliere in the 17th cen- now on display in the College Li- tury in France was the subject of t.he bt-a.r-y.. This exhibition, entitled "Fifty fascinating address of Monsieur Cons Prints of the Year 1930," will be shown from November 3-19. at Convocation on Tuesday. ba Foree To "maintain numerical equality de Mail,'c Patuelin has been the object between works of the new and old of great admiration and the subject schools," the choice of prints was left of great controversy ot opinion. This to one man, John Sloan, who is an artist of leading ran'k, respected in first masterpiece of French comedy art ctrctes, both academic and mod- appeared in 1740 with no indication ernistic. The exhibition might be of the identity of its gifted author. called "John Sloan's Choice," because It has been attributed to ViIJon, to a we see in it a certain satirical note that is characteristic of his own certain Pierre Blanchet who lived prints. However, there is nothing from 1459 to 1519, and to Antoine de sentimental or trivial about the prints Ia Salle who wrote Petit ./('lIa'll de of' his choice. They reveal "mental Sa'in/re but none of these suppositions pressure and individuality, humor, in- are based on authentic proof. Mon- tegrity of form, good craftsmanship, clarity of design and variety of sub- sieur Louis Cons, Professor of French at Swarthmore College, has devoted a ject." Mr. Sloan, in accepting the posi- large part of his life to the task of tion as juror, had to include one of ascertaining the true author of this his own prints in the exhibition. He famous medieval comedy. submitted his impression of Agnes Monsieur Cons devoted the ru-st Enters in "Antique a la Francaise," part of his address to t.he story of showing a dancer movln.g away from Dr. Dederer On "Fem- PIERROTS TONIGHT Pathelin and the second to its the eye, with a tossing ribbon ac- author. Maitre Pa.t he lln, a lawyer in rather straightened circumstances, centuating' a curious rhythm and inism and the New Candles sputtering in the reflections promised his wife Guillemette a piece action. n-om old bottles-toe teasing eyn co- of fine cloth from the fair. He se- Among the other "prints there is Woman" natton-c-cotor en lights playing over lected the material at the shop of "Goth'ic GIOTY"which reveane marvel- Tux and Formal foxtrotting on the Guillaume, the cloth merchant and ous architectural lacework of old gym-floor-b1ack and white Pier-ro t'a As Published in "Eugenics" paid a very small deposit. He invited French cathedrals. "North Dakota," bowing over the hands of shy Pier- Guillaume to his home for dinner and a wood-cut by Pauline Blake, has A denmte crend is n ota'ble in the rettes-c-Connte and Kay at t.he little movement and a naturalness untouch- promised to- pay him in gold at that educatton of women, which should eel piano-a Broadway chorus tap- ed by stylistic convention. A litho- ing to rhythmic jazz-Iaughter-ex- time. w nen Guillaume arrived for dinner Pat.hettn assumed a delirious graph by Thomas H. Benton, entitled hol d' out ho-pe to eu~enicists, long dis- cttement-c-the dim, thrill-charged at- fever and Guillemette assured the be- "Oklahoma," haS stmpttcttv and beau- cou rug.ed over the statistics of mae- mosphere of a cabaret-c-dc you re- wildered cloth-merchant that her hus- ty in handling forms of trees and riage and moth er'hood of graduates or member Pier-rot's of' last year? Then band had been ill for six weeks and clouds. A railway engine indicates women's colleges. Its assenttaa reanure be sure to come to Pierr ot'a tonight! movement and two telegr-aph poles To dance, to laugh, and to enjoy. that he could not possibly have ex- is indicated in the rnauxue-at. addr-ess tended any dinner invitation or con- have important places in the design. The cabaret is entirely under the oLDr. Kachar-ine Blunt, preeidesrt of tracted to .pur-chase any cloth. Guil- Hai-ry Sternberg's "Circus" is in supervision of the Senior class. Flavia oonnecttcut College, iro.m which the laume, in confusion, was obliged to direct contrast to most of the other Gorton is in charge. Under her are Ioll o.wi ng scatemenes are. taken: "The accept the evidence and depart with- prints, where a. feeling for mass has Jane Haines, Business Manager; Jane right of women to a h-ig her- education out his gold. In the meantime. Agne- been carried out well. Here two great Williams, Chairman of Entertainment; aod their ability to profit by it having let. a shepherd ill Guillaume's service, hoops, containing well-muscled ath- Dorothy Johnson, Chairman of the been proved, we are now lin the midst was accused by trts master of stealing letes, 1'011 along an aerial runway. Refresh ment Committee; Jeannette of a third period which has something sheep and hired Pathelin as his law- "Three Generations" by Jose C. Shtdle in charge of the costumes, and more to contrroute. We are. now free yer. Pathelin advised Ag netat to act the Orozco, consists of three bright spots Harriet Bahney, Chairman of Decor- to experiment . We can attempt part of an idiot and to answer "bee. against a dark background. 'I'h ey ations. The music is to be furnished to adapt the cu rr-iculum to the spectaa bee" to any questtcn put to him at represent a grandmother, daughter, by the Yale gerenaders. A chorus, toterests of women, where ,01' 5'0 far as the trial so that he may be ac- and daughter's child-all pictured in consisting of Josephine Lincoln, Mar- such exist. It is my experience that quitted as irresponsible. 'l'his idea the three spots. garet Fitzmaurice, Dorothy Rose, .. courses in mental and physiC3JI was successful and Guillaume was "PurdY'S Meadow," by Fiske Boyd, Virginia David, Gretchen Shidle, and d'eve]opment of children are enthusias- cheated for the second time. When is a wood-cut very much abov.e the Marguerite !o'ishburne, is to give an tically received by young wo,men stu- Path.elin tried to collect his fee, average in intellectual order. "Small eccentric number to "vVhat's the d'entfl . More .eleborate ... are however, Agnelet' replied only "b~e, House--;-CaJgTIes" bY,Clement Haupers Use?", and a Tiller number to "I the nursery S'Choo~srecently organized bee" and Pathelin was obliged to is a "fine demons·tration of how little Owe You". Caroline Bradley and in many universiUes ami col~ rea:i?;e that he had met his master. is needed to turn the simplest build- Constance Ganoe will entertain with leges. The point is thail the study of It was by a long and intensive study ing into architecture." In Eugene a singing and dancing act. The epe- child development offers the young of the oldest text of the farce that Higgins' "Resting Along the VlTay," cialty number of the evening will be \yoman in cole.ge an extraordLnarily il- Monsieur Cons finally determined its the world of inanimate things is a 'l'oe-strutt to "Puttin' on the Ritz" (Oontinued on page 4, COl'UmJII) luminating bran,ch of psychology, an- author. He is Guillaume Alecis, a thropo-Iogy, physiol'Ogy and nutriti.on (Oon/inned OIl page 2, COlU11Ul .1,) NOI'man monk and poet, whom Mon- which gives a basis for inltelligent ac- sieur Cons finally selected as the only Who's Who In Fall Play tion in the most iinportant job she is man to whom the farce could be as- likely to have after college, the care of QUE FAIRE? cribed. It was through a detailed in- Play-"The Amazons", by Arthur her own children." Such 'OOlillege vestigation of the date, origin, lan- guage, and allusions of the play that Pinero. cour-ses in child study of~e.r specific I have a man, Coach-Anne Heilper'n '30. €lV'idence that the inter.ests of cdl.Iege He haB a car, this decision was reached. The date Cast-i.\largaret. Hazelwood '32, Jean women incroostngly inclucLe marriage He doesn't live of the original production wa'S de- Neal '33, Esther Barlow '33, Dorothy and motherhood.
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