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Is Battleworld! Charles Xavier Is Dead, and to The
THE MULTIVERSE WAS DESTROYED…ALL THAT REMAINS…IS BATTLEWORLD! CHARLES XAVIER IS DEAD, AND TO THE PUBLIC, MAGNETO APPEARS TO CARRY ON HIS FELLOW MUTANT’S LIFEWORK: HEADING BOTH THE ATOM INSTITUTE--A SCHOOL FOR EXCEPTIONAL CHILDREN, HUMANS AND MUTANTS ALIKE--AND THE NEW X-MEN TEAM. BUT MAGNETO HAS BEEN HIDING AN OBJECT OF INCREDIBLE POWER: A PHOENIX EGG CONTAINING UNTOLD AMOUNTS OF PSYCHIC ENERGY. DISTURBED BY THIS NEWS, CYCLOPS, EMMA FROST, XORN AND WOLVERINE RAIDED THE ATOM INSTITUTE. IN THE ENSUING CHAOS, MAGNETO KILLED QUENTIN QUIRE, XORN VANISHED IN A FLASH OF LIGHT, MAGNETO HIMSELF WAS KILLED--AND THEN THINGS GOT WEIRD. AN ARMY OF BEASTS, FROM ALL OVER BATTLEWORLD, ATTACKED THE INSTITUTE UNDER ORDERS THAT SEEMED TO COME FROM THE PHOENIX EGG ITSELF. THE X-MEN, OLD AND NEW, INCLUDING THE REAL HANK McCOY, RALLIED TO FIGHT THE LEGION OF BEASTS. THERE WERE CASUALTIES. STEPFORD CUCKOO ESME WAS KILLED IN THE ALTERCATION. JUST AS ALL HOPE SEEMED LOST, QUENTIN QUIRE’S DEAD BODY ROSE WITH THE MIND OF CHARLES XAVIER AND HE RALLIED HIS X-MEN. AFTER STERILIZING THE SUBLIME INFECTION WITH HIS VAST MENTAL POWER, XAVIER ANNOUNCED THAT THE BATTLE HAD ONLY BEGUN! THE PHOENIX EGG HAS HATCHED! THE X-MEN’S FINAL FOE HAS EMERGED! E IS FOR EXTINCTION No. 4, November 2015. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2015 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Lenovo Legion Tower 5 (26L, 5)Hardware Maintenance Manual About This Manual
Lenovo Legion Tower 5 (26L, 5) Hardware Maintenance Manual First Edition (August 2020) © Copyright Lenovo 2020. LIMITED AND RESTRICTED RIGHTS NOTICE: If data or software is delivered pursuant to a General Services Administration “GSA” contract, use, reproduction, or disclosure is subject to restrictions set forth in Contract No. GS- 35F-05925. Contents About this manual . iii Chapter 6. Troubleshooting, diagnostics, and recovery . 47 Chapter 1. Important safety Basic procedure for resolving computer information. 1 problems . 47 General safety . 1 Troubleshooting . 47 Electrical safety . 2 Startup problems . 48 Safety inspection guide . 3 Audio problems . 49 Handling electrostatic discharge-sensitive Network problems . 50 devices . 4 Performance problems . 52 Grounding requirements . 4 Storage drive problems . 53 Safety notices (multi-lingual translations) . 4 CD or DVD problems . 53 Serial connector problems . 54 Chapter 2. Important service USB device problems . 54 information. 27 Software problems. 55 Strategy for replacing FRUs . 27 Diagnostics . 55 Strategy for replacing a hard disk drive or a solid-state drive . 27 UEFI diagnostic program . 55 Important notice for replacing a system Lenovo Vantage . 56 board . 27 Recovery . 56 How to use error codes . 27 Restore system files and settings to an earlier Strategy for replacing FRUs for CTO, special-bid, point . 56 and standard models. 28 Restore your files from a backup . 56 Product definition . 28 Reset your computer . 56 FRU identification . 28 Use advanced options . 57 Windows automatic recovery. 57 Chapter 3. Product overview . 29 Create and use a recovery USB device . 57 Front . 29 Create and use a recovery USB device . 58 Top . 30 Update the device driver . -
Lethal Legion
Lethal Legion Attuma PL12 Abilities Strength 12, Stamina 12, Agility 4, Dexterity 2, Fighting 9, Intellect 2, Awareness 2, Presence 2 Powers Atlantean Physiology: Immunity 4 (aging, cold, drowning, pressure); Movement 1 (Environmental Adaptation—Aquatic); Senses 1 (Low-Light Vision); Swimming 7 (60mph) • 14 points Invulnerability: Impervious Toughness 12 • 12 points Equipment Sword: Strength-based Damage 3, Improved Critical • 4 points Advantages All-Out Attack, Equipment, Favored Environment (Underwater), Languages (English, base: Atlantean), Leadership, Power Attack Skills Expertise: Atlantean Lore 6 (+8), Expertise: Military 12 (+14), Intimidation 12 (+14), Perception 6 (+8), Ranged Combat: Trident 6 (+8) Offense Initiative +4 Sword +9, Close, Damage 15, Threat 19-20 Unarmed +9, Close, Damage 12 Defense Dodge 10, Parry 12 Toughness 12, Fortitude 12, Will 10 Power Points Abilities 90 + Powers 26 + Advantages 5 + Skills 18 + Defenses 17 = Total 157 Complications Dehydration: Out of water, Attuma becomes impaired and loses his Invulnerability. Extended absence from water reduces him to disabled, and incapacitated. He is only reduced to dying with a complete lack of water. Heat-based attacks can speed this process. Immersion in water - immediately removes all such conditions. Imperius Rex!: Namor is arrogant, overconfident, and an elitist. Obsession: Ruling Atlantis. Real Name: Attuma Black Talon PL10 Abilities Strength 2, Stamina 2, Agility 2, Dexterity 2, Fighting 5, Intellect 2, Awareness 3, Presence 3 Powers Command Undead: Hearing -
Middlebrow Feminism in Classic British Detective Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Emelyne Godfrey MASCULINITY, CRIME AND SELF-DEFENCE IN VICTORIAN LITERATURE Emelyne Godfrey FEMININITY, CRIME AND SELF-DEFENCE -
The American Legion Public Relations Toolkit
The American Legion PUBLIC TheRELATIONS American Legion TOOLKIT Produced by the National Public Relations Commission of The American Legion THE AMERICAN LEGION PUBLIC RELATIONS TOOLKIT Handymen are known for the old adage, “Be sure you use the right tool for the right job.” The text you are now reading is part of a system of public relations tools designed to give you a complete kit of easy to use media products that can be tailored to promote your American Legion post, unit or squadron activities throughout the year. Whether you are reading this in a book, on the Internet or from a compact disk or flash drive in your computer, this toolkit will arm you with the print, PowerPoint, Internet, video and audio products to get the job done with confidence in today’s high-technology media world. Best of all, this all-mode system utilizes the KISS principle for ease of use. It has been designed to give you the tools you need to be successful with the easiest possible methodology. From writing a news release to planning a major community event, this PR Toolkit will help you get the job done. THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT TABLE OF CONTENTS THE AMERICAN LEGION NATIONAL PUBLIC RELATIONS OFFICE ADDRESS | 700 N PENNSYLVANIA STREET INDIANAPOLIS, IN 46204 PHONE NUMBER | 317-630-1253 E-mail | [email protected] THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT SECTION ONE The Changing Media World …and how to engage it with your post public relations plan THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT SECTION ONE | THE CHANGING MEDIA WORLD ust as the invention of the transistor began the space age rush to Developing a communications/public relations plan that addresses microchip processor computers that get smaller and more power- the use of today’s media technologies is the first step in successfully fulJ every day, the explosion of the Internet has had a profound effect on reaching the target audience(s) needed in your community. -
2019 Maverick Graphic Novel Annotated Reading List
2019 Maverick Graphic Novel Annotated Reading List Grades 6-8 Breach, J., & Holgate, D. (2018). Clem Hetherington and the Ironwood race. New York: Graphix, an imprint of Scholastic. ISBN: 9780545814461 Publisher’s Summary: “A dangerous rally race... and archaeology?! Clementine Hetherington and her robot brother, Digory, have run away from the orphanage they've been living in since their parents died. Clem and Dig want to follow in their famous archaeologist mother's footsteps, but no one will take them seriously. Their chance arrives when a man from their past saves Digory's life, and to repay the debt they enter a multi-day rally race... to recover stolen artifacts! Clem and Dig hope to win so they can give them to a museum, but their opponents want to sell them on the black market. The Ironwood Race has no rules, and Clem and Dig might be in over their heads!” Great story about orphaned girl and her robot brother. The siblings must repay a debt by competing in a race for archeological artifacts.” Commentary: Clem Hetherington and the Ironwood race is a fun adventure that will appeal to both middle grade and high school students. 2018 Maverick Graphic Novel Annotated Reading List 1 Brosgol, V. B. (2018). Be Prepared. Place of publication not identified: First Second. ISBN: 9781626724457 Publisher’s Summary: "In Be Prepared, all Vera wants to do is fit in—but that’s not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. -
The Rise of the Anti-Hero: Pushing Network Boundaries in the Contemporary U.S
The Rise of The Anti-Hero: Pushing Network Boundaries in The Contemporary U.S. Television YİĞİT TOKGÖZ Submitted to the Graduate School of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in CINEMA AND TELEVISION KADIR HAS UNIVERSITY June, 2016 I II ABSTRACT THE RISE OF THE ANTI-HERO: PUSHING NETWORK BOUNDARIES IN THE CONTEMPORARY U.S. TELEVISION Yiğit Tokgöz Master of Arts in Cinema and Television Advisor: Dr. Elif Akçalı June, 2016 The proliferation of networks using narrowcasting for their original drama serials in the United States proved that protagonist types different from conventional heroes can appeal to their target audiences. While this success of anti-hero narratives in television serials starting from late 1990s raises the question of “quality television”, developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. This thesis examines the development of the anti-hero on the U.S. television by focusing on the protagonists of pay-cable serials The Sopranos (1999-2007) and Dexter (2006-2013), basic cable serials The Shield (2002-2008) and Mad Men (2007-2015), and video-on-demand serials House of Cards (2013- ) and Hand of God (2014- ). In brief, this thesis argues that the use of anti-hero narratives in television is directly related to the narrowcasting strategy of networks and their target audience groups, shaping a template for growing networks and newly formed distribution services to enhance the brand of their corporations. In return, the anti-hero narratives push the boundaries of conventional hero in television with the protagonists becoming morally less tolerable and more complex, introducing diversity to television serials and paving the way even for mainstream broadcast networks to develop serials based on such protagonists. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
FOX Sets Premiere Date for Final Season of Legion
FOX sets premiere date for final season of Legion The third and final season of Legion will have a same-day-as-US debut in Hong Kong and South East Asia. HONG KONG, MAY 31, 2019 – Asia’s premier entertainment channel, FOX, today, announces the return of Legion for its third and final season. The mind-bending drama from Noah Hawley is premiering on Tuesday, June 25 at 9.50 PM (Hong Kong), 8.50 PM (Jakarta/Vietnam) – a same-day-as-US debut, which viewers in Asia can catch on FOX and video-streaming service FOX+. Based on the Marvel Comics by Chris Claremont and Bill Sienkiewicz, Legion follows the story of “David Haller” (Dan Stevens), a man who believed himself to be schizophrenic only to discover that he is the most powerful mutant the world has ever seen. From childhood, David shuffled from one psychiatric institution to the next until, in his early 30s, he met and fell in love with a beautiful and troubled fellow patient named “Syd Barrett” (Rachel Keller). After Syd and David shared a startling encounter, he was forced to confront the shocking reality that the voices he hears and the visions he sees are actually real. With the help of Syd and a team of specialists who also possess unique and extraordinary gifts – “Ptonomy Wallace” (Jeremie Harris), “Kerry Loudermilk” (Amber Midthunder) and “Cary Loudermilk” (Bill Irwin) – David unlocked a deeply suppressed truth: he had been haunted his entire life by a malicious parasite of unimaginable power. Known as “The Shadow King,” this malevolent creature appeared in the form of David’s friend “Lenny Busker” (Aubrey Plaza), but was actually an ancient being named “Amahl Farouk” (Navid Negahban). -
Dragon Magazine
DRAGON 1 Publisher: Mike Cook Editor-in-Chief: Kim Mohan Shorter and stronger Editorial staff: Marilyn Favaro Roger Raupp If this isnt one of the first places you Patrick L. Price turn to when a new issue comes out, you Mary Kirchoff may have already noticed that TSR, Inc. Roger Moore Vol. VIII, No. 2 August 1983 Business manager: Mary Parkinson has a new name shorter and more Office staff: Sharon Walton accurate, since TSR is more than a SPECIAL ATTRACTION Mary Cossman hobby-gaming company. The name Layout designer: Kristine L. Bartyzel change is the most immediately visible The DRAGON® magazine index . 45 Contributing editor: Ed Greenwood effect of several changes the company has Covering more than seven years National advertising representative: undergone lately. in the space of six pages Robert Dewey To the limit of this space, heres some 1409 Pebblecreek Glenview IL 60025 information about the changes, mostly Phone (312)998-6237 expressed in terms of how I think they OTHER FEATURES will affect the audience we reach. For a This issues contributing artists: specific answer to that, see the notice Clyde Caldwell Phil Foglio across the bottom of page 4: Ares maga- The ecology of the beholder . 6 Roger Raupp Mary Hanson- Jeff Easley Roberts zine and DRAGON® magazine are going The Nine Hells, Part II . 22 Dave Trampier Edward B. Wagner to stay out of each others turf from now From Malbolge through Nessus Larry Elmore on, giving the readers of each magazine more of what they read it for. Saved by the cavalry! . 56 DRAGON Magazine (ISSN 0279-6848) is pub- I mention that change here as an lished monthly for a subscription price of $24 per example of what has happened, some- Army in BOOT HILL® game terms year by Dragon Publishing, a division of TSR, Inc. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
Narrative Structure and Purpose in Arnold Schoenberg's Pierrot
Portrait of the Artist as a Young Clown: Narrative Structure and Purpose in Arnold Schoenberg’s Pierrot Lunaire Mike Fabio Introduction In September of 1912, a 37-year-old Arnold Schoenberg sat in a Berlin concert hall awaiting the premier of his 21st opus, Pierrot Lunaire. A frail man, as rash in his temperament as he was docile when listening to his music, Schoenberg watched as the lights dimmed and a fully costumed Pierrot took to the stage, a spotlight illuminating him against a semitransparent black screen through which a small instrumental ensemble could be seen. But as Pierrot began singing, the audience quickly grew uneasy, noting that Pierrot was in fact a woman singing in the most awkward of styles against a backdrop of pointillist atonal brilliance. Certainly this was not Beethoven. In a review of the concert, music critic James Huneker wrote: The very ecstasy of the hideous!…Schoenberg is…the cruelest of all composers, for he mingles with his music sharp daggers at white heat, with which he pares away tiny slices of his victim’s flesh. Anon he twists the knife in the fresh wound and you receive another thrill…. There is no melodic or harmonic line, only a series of points, dots, dashes or phrases that sob and scream, despair, explode, exalt and blaspheme.1 Schoenberg was no stranger to criticism of this nature. He had grown increasingly contemptuous of critics, many of whom dismissed his music outright, even in his early years. When Schoenberg entered his atonal period after 1908, the criticism became far more outrageous, and audiences were noted to have rioted and left the theater in the middle of pieces.