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Case Studies in Large-Scale Archaeological Site Conservation and Management in China: the Liangzhu, Yin Xu, and Han Yangling Sites
CASE STUDIES IN LARGE-SCALE ARCHAEOLOGICAL SITE CONSERVATION AND MANAGEMENT IN CHINA: THE LIANGZHU, YIN XU, AND HAN YANGLING SITES Estudos de caso sobre conservação e gestão de sítios arqueológicos de grande escala na China: Os sítios Liangzhu, Yin Xu e Han Yangling Dongdong Wang * Shin’ichi Nakamura** ABSTRACT Conservation of what are termed large-scale archaeological sites in China has been undertaken since the turn of the twenty-first century due to increasing threats posed by natural disasters and urbanization, as well as the needs to display and utilize these archaeological sites. Changing administrative structures and new approaches to conserving and utilizing large-scale sites are attempting to address these threats and needs. This paper presents a classification of these large-scale sites, as well as three typical cases for a detailed discussion. Using published literature and field surveys, this study addresses two main issues. The first issue is how governmental agencies adjust current organizations and mechanisms in order to satisfy the social, ecological, and economic requirements of a project. The second issue is how governmental agencies identify the responsibilities of different stakeholders in relation to the conservation of archaeological sites within the context of local development. Keywords: Chinese Large-Scale Archaeological Site; heritage site conservation; site management and mechanisms; stakeholders; local development * Doctoral Student, Kanazawa University, Japan. 920-1192, Kakumamachi, Kanazawa City, Ishikawa Prefecture, Japan. E-mail: [email protected] ** Professor at Faculty of Letters, Institute of Human and Social Sciences. Kanazawa University, Japan. 920-1192, Kakumamachi, Kanazawa City, Ishikawa Prefecture, Japan. História: Questões & Debates, Curitiba, volume 66, n.1, p. -
Li Hongbo Born 1974 in Jilin, China
Li Hongbo Born 1974 in Jilin, China. Lives and works in Beijing and Jilin, China. EDUCATION 2010 M.F.A., Experimental Art Department, Central Academy of Fine Arts, Beijing 2001 M.F.A., Folk Art Department of Central Academy of Fine Arts, Beijing 1996 B.A., Fine Arts Department, Jilin Normal University, Jilin, China SOLO EXHIBITIONS 2021 Li Hongbo: Empathizing, Eli Klein Gallery, New York 2020 Li Hongbo: The Child with Scarf, Asia Society Hong Kong Center × Hong Kong Art Gallery Association, Hong Kong 2019 Li Hongbo: Bloom, Islamic Art Festival, Maraya Art Centre, Sharjah, United Arab Emirates A Tribute to the Classics - Li Hongbo Solo Exhibition, Flora Bigai Arte Contemporanea, Pietrasanta, Italy 2018 Li Hongbo: Rainbow, China Paper Art Research Institute, Jilin Normal University, Jilin, China Li Hongbo: Standing in the Rainbow Skydiving, Metropolis Art Center, Beijing Li Hongbo: I & Thou, Contemporary by Angela Li, Hong Kong Made in China - Li Hongbo Solo Project, Museum of Contemporary Art Yinchuan, China 2017 Li Hongbo: The Plastic Models that We Have Painted, Beijing Normal University Jingshi Art Museum, Beijing Ocean of Flowers: Li Hongbo’s Solo Exhibition, 81 Art Museum, Beijing Li Hongbo: Quand La Sculpture Devient Créature, Musée du Papier, Angoulême, France 2016 Li Hongbo: Textbooks, Klein Sun Gallery, New York 2015 Li Hongbo: Irons for Ages, Flowers for Days, SCAD Museum of Art, Savannah, Georgia 2014 Li Hongbo: Tools of Study, Klein Sun Gallery, New York Li Hongbo: Shadow of Knives, Contemporary by Angela Li, Hong Kong 398 West -
Hsian.G Lectqres on Chinese.Poet
Hsian.g LectQres on Chinese.Poet: Centre for East Asian Research . McGill University Hsiang Lectures on Chinese Poetry Volume 7, 2015 Grace S. Fong Editor Chris Byrne Editorial Assistant Centre for East Asian Research McGill University Copyright © 2015 by Centre for East Asian Research, McGill University 688 Sherbrooke Street West McGill University Montreal, Quebec, Canada H3A 3R1 Calligraphy by: Han Zhenhu For additional copies please send request to: Hsiang Lectures on Chinese Poetry Centre for East Asian Research McGill University 688 Sherbrooke Street West Montreal, Quebec Canada H3A 3R1 A contribution of $5 towards postage and handling will be appreciated. This volume is printed on acid-free paper. Endowed by Professor Paul Stanislaus Hsiang (1915-2000) Contents Editor’s Note vii Nostalgia and Resistance: Gender and the Poetry of 1 Chen Yinke Wai-yee Li History as Leisure Reading for Ming-Qing Women Poets 27 Clara Wing-chung Ho Gold Mountain Dreams: Classical-Style Poetry from 65 San Francisco Chinatown Lap Lam Classical Poetry, Photography, and the Social Life of 107 Emotions in 1910s China Shengqing Wu Editor’s Note For many reasons, Volume 7 has taken much longer than anticipated to appear. One was the decision to wait in order to have four Hsiang Lectures in this volume rather than the customary three. The delay and small increase in the number of lectures bring new horizons in research on Chinese poetry to our readers. Indeed, in terms of the time frame covered, this volume focuses mostly, but not exclusively, on the twentieth century. Three of the four lectures are fascinating studies of the manifold significations of classical verse and their continued vitality in the discursive space of Chinese politics and culture in a century of modernization. -
序号 航协号 公司名称 1 08010026 Shishi Qiaolian Travel & 2017.11.15 2 08010262 Beijing Xingzhongbin Air Agenc 2017
序号 航协号 公司名称 到帐日期 1 08010026 SHISHI QIAOLIAN TRAVEL & 2017.11.15 2 08010262 BEIJING XINGZHONGBIN AIR AGENC 2017.11.20 3 08010564 GUILIN GUIKANG TICKETS CO LTD 2017.11.13 4 08010704 CIXI XUNDA AIR TICKETS CO., LT 2017.11.10 5 08010833 LIAN JIANG AIRLINE 2017.11.30 6 08011290 FUZHOU JINYUN HANGKONG HANGYUN 2017.11.09 7 08011441 LIAONING JIANTONG AIR SERVICE 2017.11.24 8 08011544 BEIJING LANYUXING AIR SERVICE 2017.12.01 9 08011581 SHENZHEN YOUSHI AIR SERVICE CO 2017.11.06 10 08011824 BEIJING ZHAORI AVIATION SERVIC 2017.11.06 11 08011850 SUCCESSFUL AIR AGENCY CO. LTD. 2017.11.03 12 08012115 BEIJING QING YE AIR 2017.11.10 13 08012325 QINHUANGDAO HONGYUAN KONGYUN C 2017.11.30 14 08012336 HANDAN NEW CENTURY AIR TICKET 2017.11.06 15 08012351 BEIJING JINGJIAO AIR 2017.12.19 16 08012384 BEIJINGRUIFENG XINCHENG AIR 2017.11.09 17 08012443 BEIJING GENERALWAY AIR SERVICE 2017.11.29 18 08012572 GUANGZHOU JIAOYIHUI INTL TRAVE 2017.11.09 19 08012583 FUJIAN JINJIANG ANLI TOUR 2017.11.28 20 08012675 GUANGZHOU TIANWANG AIR 2017.11.21 21 08012712 GUANGDONG JINPENG E & T INDUS 2017.12.20 22 08012756 TIANJIN HONGLIAN AIR 2017.11.14 23 08012992 FUJIAN CHANGLE XIANGYU TOUR 2017.11.08 24 08013036 BEIJING ANZHEN AVIATION SERVIC 2017.11.24 25 08013062 HAINAN HAICHENG AIR TOUR SERVI 2017.12.19 26 08013110 BEIJING ZIGUANGGE AIR 2017.11.03 27 08013176 FOSHAN HUAYU AIR 2017.11.14 28 08013375 DALIAN E & T DEVELOPMENT 2017.11.10 29 08013386 NANJING SOUTHERN AVIATION 2017.11.06 30 08013563 TAIYUAN TIANCHENG AIR 2017.11.02 31 08013596 GANSU JINQIAO AIR SERVICE 2017.11.08 32 08013600 SHENYANG YUNTONG AIR SERVICE 2017.11.24 33 08013611 YIWU LANTIAN AVATION SERVICE C 2017.11.07 34 08013736 ZHONGSHAN JIAOTONG YUNSHU 2017.11.09 35 08013913 BEIJING SHUNXIANG AIR SERVICE 2017.11.27 36 08014005 SHENYANG ZHANQIAN AIR SERVICE 2017.11.01 37 08014204 GUILIN JIQI GROUP CO. -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
Marketization of Education and School Choice in Kunming: Parental Usage of Bourdieu’S Three Forms of Capital Under Scrutiny
LUND UNIVERSITY • CENTRE FOR EAST AND SOUTH-EAST ASIAN STUDIES Marketization of Education and School Choice in Kunming: Parental Usage of Bourdieu’s Three Forms of Capital Under Scrutiny Author: Mengyao Han Supervisor: Annika Pissin Master’s Programme in Asian Studies Spring semester 2014 Abstract Education is a significant topic in China. The practice of what is known as “school choice” at compulsory education level (xiaoshengchu) has attracted attention from all government, media, and academic circle. The purpose of this thesis is to explore practices and perceptions of urban middle-class parents with children who have experienced the academic transition from primary to middle school.The ideology of marketization and Bourdieu’s three forms of capital has been applied in this thesis. By using in-depth interviews and participant observation, this study found that both students and parents are facing tremendous pressure to gain advantages in school-choice competition. To realize this, they have to deal with cultural, social and economic capital to varying degrees. 2 Acknowledgment It has been an exciting experience for an Asian girl to study Asia in Sweden. This thesis marks the outcome of two years’ time of learning and sharing with all of my classmates and teachers in Lund University. This would be one of the most beautiful memories in my life. I would like to thank everyone who made this paper possible. First of all, biggest gratitude to my lovely supervisor Annika who supports my idea and always provides me great advice to finish this thesis. I would also like to thank the supervisors at Peking University and all the participants for my fieldwork in Kunming. -
Trade Liberalization and the Great Labor Reallocation∗
Trade Liberalization and the Great Labor Reallocation∗ Yuan Ziy December 27, 2017 Abstract The extent to which a country can benefit from trade openness crucially depends on its ease of reallocating resources. However, we know little about the role of domestic frictions in shaping the effects of trade policy. I address this question by analyzing the impact of tariff reductions on the spatial allocation of labor in China, and how this impact depends on migration frictions that stem from China's household registration system (hukou). I first provide reduced-form evidence that input trade liberalization has induced significant spatial labor reallocation in China, with a stronger effect in regions with less hukou frictions. Then, I construct and estimate a quantitative spatial model with input-output linkages and hukou frictions to examine the general equilibrium effects of tariff reductions and perform counterfactuals. The quantitative exercise shows that trade liberalization increases China's welfare by 0.71%. Abolishing the hukou system leads to a direct welfare improvement of 1.56%, but it also leads to welfare losses to hukou holders from certain regions. Additionally, it increases gains from tariff reductions by 2% and alleviates its distributional consequences. In this process, I develop a novel measure of migration frictions associated with the hukou system. JEL Classification: F11, F13, F16, R23, O15 Keywords: input trade liberalization, spatial labor reallocation, hukou frictions, migration ∗I am extremely grateful to Richard Baldwin, Nicolas -
Dictionary of Geotourism Anze Chen • Young Ng • Erkuang Zhang Mingzhong Tian Editors
Dictionary of Geotourism Anze Chen • Young Ng • Erkuang Zhang Mingzhong Tian Editors Dictionary of Geotourism With 635 Figures and 12 Tables Editors Anze Chen Young Ng Chinese Academy of Geological Sciences The Geological Society of Australia Beijing, China Sydney, NSW, Australia Erkuang Zhang Mingzhong Tian The Geological Society of China China University of Geosciences Beijing, China Beijing, China ISBN 978-981-13-2537-3 ISBN 978-981-13-2538-0 (eBook) ISBN 978-981-13-2539-7 (print and electronic bundle) https://doi.org/10.1007/978-981-13-2538-0 Jointly published with Science Press, Beijing, China ISBN: 978-7-03-058981-1 Science Press, Beijing, China © Springer Nature Singapore Pte Ltd. 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for gecneral use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Why Rice Farmers Don't Sail: Coastal Subsistence Traditions and Maritime Trends in Early China
Qin, Ling and Dorian Q Fuller (in press) Why Rice Farmers Don’t Sail: Coastal Subsistence Traditions and Maritime Trends in Early China. In: Prehistoric Maritime Culture and Seafaring of East Asia: A Multidisciplinary recognition of the origin of Maritime Silk Road (eds. Chunming Wu, Barry V. Rolett). Springer 1 2 3 Chapter 9 4 Why Rice Farmers Don’t Sail: Coastal Subsistence 5 Traditions and Maritime Trends in Early China 6 7 8 Ling Qin and Dorian Q. Fuller 9 10 11 12 13 9.1 Introduction 14 15 The emergence of agriculture had a profound effect on environments and human 16 populations. Its transformative effect has been explored in global syntheses from 17 Diamond (1997) to Ellis (2015), and in terms of human macro-history farming clearly 18 played a role in increasing the potential rates of demographic growth and the expansion 19 of human populations, language families and genetic lineages (Bellwood 2004, 2005). 20 The so-called Language-Farming dispersal model suggests that the demographic 21 transition triggered by the emergence of agriculture led to population growth and 22 outward migration of farming populations and accounts for most of the geographical 23 spread of major modern language families (Bellwood and Renfrew 2003; Diamond and 24 Bellwood 2003). In the context of both mainland and island Southeast Asia, most of the 25 distribution of different language families has been attributed to this process, either 26 directly or indirectly. Thus mainland Southeast Asian languages like Austroasiatic can 27 be traced back to the spread of rice farmers southwards out of China (e.g., Higham ________________________ Ling Qin () School of Archaeology and Museology, Peking University Beijing, China e-mail: [email protected] Dorian Q. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Warlord Era” in Early Republican Chinese History
Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History By Jonathan Tang A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Wen-hsin Yeh, Chair Professor Peter Zinoman Professor You-tien Hsing Summer 2019 Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History Copyright 2019 By Jonathan Tang Abstract Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History By Jonathan Tang Doctor of Philosophy in History University of California, Berkeley Professor Wen-hsin Yeh, Chair This dissertation examines a 1920 mutiny in Pingjiang County, Hunan Province, as a way of challenging the dominant narrative of the early republican period of Chinese history, often called the “Warlord Era.” The mutiny precipitated a change of power from Tan Yankai, a classically trained elite of the pre-imperial era, to Zhao Hengti, who had undergone military training in Japan. Conventional histories interpret this transition as Zhao having betrayed his erstwhile superior Tan, epitomizing the rise of warlordism and the disintegration of traditional civilian administration; this dissertation challenges these claims by showing that Tan and Zhao were not enemies in 1920, and that no such betrayal occurred. These same histories also claim that local governance during this period was fundamentally broken, necessitating the revolutionary party-state of the KMT and CCP to centralize power and restore order. Though this was undeniably a period of political turmoil, with endemic low-level armed conflict, this dissertation juxtaposes unpublished material with two of the more influential histories of the era to show how this narrative has been exaggerated to serve political aims. -
Communication, Empire, and Authority in the Qing Gazette
COMMUNICATION, EMPIRE, AND AUTHORITY IN THE QING GAZETTE by Emily Carr Mokros A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland June, 2016 © 2016 Emily Carr Mokros All rights Reserved Abstract This dissertation studies the political and cultural roles of official information and political news in late imperial China. Using a wide-ranging selection of archival, library, and digitized sources from libraries and archives in East Asia, Europe, and the United States, this project investigates the production, regulation, and reading of the Peking Gazette (dibao, jingbao), a distinctive communications channel and news publication of the Qing Empire (1644-1912). Although court gazettes were composed of official documents and communications, the Qing state frequently contracted with commercial copyists and printers in publishing and distributing them. As this dissertation shows, even as the Qing state viewed information control and dissemination as a strategic concern, it also permitted the free circulation of a huge variety of timely political news. Readers including both officials and non-officials used the gazette in order to compare judicial rulings, assess military campaigns, and follow court politics and scandals. As the first full-length study of the Qing gazette, this project shows concretely that the gazette was a powerful factor in late imperial Chinese politics and culture, and analyzes the close relationship between information and imperial practice in the Qing Empire. By arguing that the ubiquitous gazette was the most important link between the Qing state and the densely connected information society of late imperial China, this project overturns assumptions that underestimate the importance of court gazettes and the extent of popular interest in political news in Chinese history.