BOUCICAULT (Boursiquot)
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The Sydney College
The Sydney College 1 3 -18 0 17 August 1992 Key to Abbreviations BC Born Colony F Father CF Came Free PCF Parents Came Free FCF Father Came Free MCF Mother Came Free GS Government Servant FGS Father Government Servant MGS Mother Government Servant TKS The King's School References: ADB Australian Dictionary ofBiography Mw Pioneer Families of Australia (5th ed), by P.C. Mowle G and S, A Biographical Register 1788-1939 (2 volumes), by Gibbney and Smith Religion: E ChUrch of England P Presbyterian W Wesleyan C Congregationalist RC Roman Catholic B Baptist J Jewish * in front of the accession number indicates the boy was also at The King's School * in front of a name indicates sponsored by that person. Explanatory Guide Through the kindness of Mrs lly Benedek, Archivist of Sydney Grammar School, a photostat of the roll of the Sydney College 1835-1850 was supplied to the Archivist of The King's School and has been placed on computer at The King's School Parramatta. The Sydney College Roll sets out bare details of enrolments: viz 1 Allen George 19/1/1835-3/1841 11 George Allen Toxteth Park George Allen 2 Bell Joshua 19/1/1835-8/1836 8 Thomas Bell Carters Bar. Removed to Parramatta Thomas Barker Subsequent research at The King's School involving the use of the New South Wales Births, Deaths and Marriages 1788-1856 has allowed some recording of exact dates of birth, exact dates of parents' marriage and on a few entries the candidate's marriage. The maiden names of many mothers have also been located. -
A Bibliographr of the LIFE - AND:DRAMATIC AET OFDIGH BGUGICAULT5
A bibliography of the life and dramatic art of Dion Boucicault; with a handlist of plays Item Type text; Thesis-Reproduction (electronic) Authors Livieratos, James Nicholas, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 23:28:54 Link to Item http://hdl.handle.net/10150/318894 A BiBLIOGRAPHr OF THE LIFE - AND:DRAMATIC AET OFDIGH BGUGICAULT5 ■w i t h A M i d l i s t of pla ys v :': . y '- v ■ V; - , ■■ : ■ \.." ■ .' , ' ' „ ; James H 0 Livieratos " ###*##* " A Thesis Submitted to the Faculty of the DEPART1#!NT OF DRAMA : ^ : Z; In;Partial Fulfillment of the Requirements ... ■ ' For the Degree : qT :.. y , : ^■ . MASTER OF ARTS : •/ : In the Graduate College ■ / UNIVERSITY OF ARIZONA ; 1 9 6 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with out special permission, provided that accurate acknowledg ment of source is made. Requests for permission for ex tended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. -
The Shaughraun by Dion Boucicault
University of South Florida Scholar Commons The Arts Publications Special & Digital Collection - The Arts 2005 The hS aughraun by Dion Boucicault Nancy Cole Follow this and additional works at: http://scholarcommons.usf.edu/artstud_pub Scholar Commons Citation Cole, Nancy, "The hS aughraun by Dion Boucicault" (2005). The Arts Publications. Paper 6. http://scholarcommons.usf.edu/artstud_pub/6 This Article is brought to you for free and open access by the Special & Digital Collection - The Arts at Scholar Commons. It has been accepted for inclusion in The Arts Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. 1 The Shaughraun by Dion Boucicault Article by Nancy Cole To begin. The title, The Shaughraun, has been a puzzle since the play opened at Wallack’s Theatre in New York November 14, 1874. The author and man-of-the- theatre Dion Boucicault was at midcareer and perhaps past that when he appeared as Conn, the Shaughraun, in a play very much of his own devising. Experienced theatre practitioners including Lester Wallack advised him to change the title. But Boucicault, born Irish in Dublin, persisted. The term shaughraun means wanderer in Gaelic: he who lives as he will. Synopsis of The Shaughraun The scene is the wild coast of County Sligo in the west of Ireland and three of the characters, not including Conn, are suffering declined fortunes-- Claire and Robert Ffolliott and Miss Arte O’Neal, a local belle. She is engaged to Robert, a key point in the play, and she is a descendant of the ancient O’Neal clan--the old blood. -
Irish Playwrights and the Dunedin Stage in 1862: Theatre Patrons Performing Civility
Irish Playwrights and the Dunedin Stage in 1862: Theatre Patrons Performing Civility PETER KUCH Irish Plays on the Dunedin Stage in 1862 A first-rate actor of Irish characters is indispensible on a London Stage. Cumberland’s British Theatre, 1828. Between 1862 and 1869 there were some 300 performances of Irish plays in Dunedin‘s theatres. Kuch, Irish Society for Theatre Research, 2010. A mere 14 years after it was founded by Presbyterians as a distinctly Scottish city that was ―in the world but not of the world,‖ Dunedin possessed two splendid theatres that during their first decade of operation staged some 300 performances of Irish plays and plays by Irish playwrights. How did this happen? Why Irish plays? Why Irish playwrights? And why were two theatres, with capacities of 1500 and 1330 persons, opened in Dunedin a year before Otago Boys High School was founded, five years before the foundations of First Church were laid, and seven years before the Provincial Council turned its attentions to establishing a University?1 Initially, it was the theatres that were a source of civic pride. According to an 1862 issue of the Otago Witness, Dunedin possessed ―two of the handsomest theatres in the Australian colonies.‖ 2 While there are doubtless many explanations for this rush to build theatres, the short answer is that the city was overtaken by the very world it had sought to isolate itself from. But this is an answer that invites explanation. First, it has to do with what was on offer on stage. It has been well established by theatre historians that Irish playwrights (particularly Dion Boucicault) and Irish plays (particularly comedy and melodrama) dominated the nineteenth-century stage—whether in Dublin or London or New York.3 It is also well known that, by the time the Theatre Royal and The Princess Theatre were opened in Dunedin, the ―legitimate drama‖4 had become widely if not firmly established as the secular vehicle for social and cultural improvement. -
Replaying and Rediscovering the Octoroon
Article Replaying and Rediscovering The Octoroon Merrill, Lisa and Saxon, Theresa Available at http://clok.uclan.ac.uk/17558/ Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2017) Replaying and Rediscovering The Octoroon. Theatre Journal, 69 (2). ISSN 0192-2882 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1353/tj.2017.0021 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk 1 Replaying and Rediscovering The Octoroon Lisa Merrill and Theresa Saxon "[W]hen one is considering the crimes of slavery, the popular theater is as central as the courthouse."1 Saidiya Hartman For over one hundred and fifty years, productions and adaptations of Irish playwright Dion Boucicault's explosive 1859 melodrama, The Octoroon, have reflected differing and sometimes contentious meanings and messages about race and enslavement in a range of geographic locations and historical moments. In this melodrama, set on a plantation in Louisiana, audiences witness the drama of Zoe Peyton, a mixed-race white-appearing heroine who learns after the sudden death of her owner/father, that she is relegated to the condition of "chattel property" belonging to the estate, since she was born of a mother who had herself been enslaved.2 Rather than submit to a new master, having been sold at auction, Zoe poisons herself and dies, graphically, on stage. -
Dśğ Admission Document Perivan Financial Print (247278) THIS ADMISSION DOCUMENT IS IMPORTANT and REQUIRES YOUR IMMEDIATE ATTENTION
dŚĞ Admission Document Perivan Financial Print (247278) THIS ADMISSION DOCUMENT IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION. If you are in any doubt about the contents of this document, or the action you should take, you are recommended to seek your own independent financial advice from your stockbroker, bank manager, solicitor, accountant or other independent professional adviser authorised under the FSMA who specialises in advising on the acquisition of shares and other securities. This document, which is an AIM admission document and has been prepared in accordance with the AIM Rules for Companies, has been issued in connection with an application for admission to trading on AIM of the entire issued, and to be issued, share capital of the Company. This document does not constitute an offer or any part of an offer of transferrable securities to the public within the meaning of section 102B of the FSMA. Accordingly, this document does not constitute a prospectus for the purposes of section 85 of the FSMA or otherwise, and it has not been drawn up in accordance with the Prospectus Rules published by the Financial Conduct Authority and it has not been approved by or filed with the FCA or any other competent authority. The Company, whose registered office appears on page 10 and the Directors, whose names appear on page 10, accept responsibility for the information contained in this document, including individual and collective responsibility for the Company’s compliance with the AIM Rules for Companies. To the best of the knowledge and belief of the Company, the Directors (each of whom has taken all reasonable care to ensure that such is the case), the information contained in this document is in accordance with the facts and does not omit anything likely to affect the import of such information. -
Aragon House Brochure
Aragon House New Kings Road, Fulham SW6 Aragon House New Kings Road, Fulham SW6 One of the most iconic buildings in Parsons Green, a Peterborough Road. One of the features of the house is substantial property arranged over 10,000 sq ft with the a most amazing first floor room with huge floor to potential for conversion either into a unique house or ceiling windows overlooking the Parsons Green. possibly into multiple units subject to local Authority permissions. The site offers numerous possibilities including as a large private residence in one of the most recognised Aragon House is an imposing and eye catching Grade 2 buildings in Fulham. Listed Georgian house which overlooks Parsons Green Terms on New Kings Road. The main house was built in 1796 on the site of a dowager house that was occupied by Tenure: Freehold Catherine of Aragon, hence the name. During its history Local Authority: Hammersmith and Fulham the house has been, amongst other things, a private Guide Price: £11,000,000 residence, a school and a private members' club. It was Viewing purchased by the Royal British Legion in 1914 and more By appointment with Knight Frank Fulham 020 7751 2400 recently has been in private ownership and used as a bar. The house is arranged over approximately 10,000sq ft with a south facing garden of around 2000 sq ft and an area of nearly 3200 sq ft which is currently used as a car park with access from a mews from These plans are for guidance only and must not be relied upon as a statement of fact. -
Australian Women, Past and Present
Diversity in Leadership Australian women, past and present Diversity in Leadership Australian women, past and present Edited by Joy Damousi, Kim Rubenstein and Mary Tomsic Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Diversity in leadership : Australian women, past and present / Joy Damousi, Kim Rubenstein, Mary Tomsic, editors. ISBN: 9781925021707 (paperback) 9781925021714 (ebook) Subjects: Leadership in women--Australia. Women--Political activity--Australia. Businesswomen--Australia. Women--Social conditions--Australia Other Authors/Contributors: Damousi, Joy, 1961- editor. Rubenstein, Kim, editor. Tomsic, Mary, editor. Dewey Number: 305.420994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Introduction . 1 Part I. Feminist perspectives and leadership 1 . A feminist case for leadership . 17 Amanda Sinclair Part II. Indigenous women’s leadership 2 . Guthadjaka and Garŋgulkpuy: Indigenous women leaders in Yolngu, Australia-wide and international contexts . 39 Gwenda Baker, Joanne Garŋgulkpuy and Kathy Guthadjaka 3 . Aunty Pearl Gibbs: Leading for Aboriginal rights . 53 Rachel Standfield, Ray Peckham and John Nolan Part III. Local and global politics 4 . Women’s International leadership . 71 Marilyn Lake 5 . The big stage: Australian women leading global change . 91 Susan Harris Rimmer 6 . ‘All our strength, all our kindness and our love’: Bertha McNamara, bookseller, socialist, feminist and parliamentary aspirant . -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7. -
The Invention of Common Law Play Righa26
Forthcoming in Berkeley Technology Law Journal The Invention of Common Law Play Right -- Jessica Litman∗ A dramatic composition is capable of two distinct public uses. It may be printed as a book and represented as a drama. … The exclusive right of multiplying copies is called copyright. But this does not embrace the right of representation. … The sole liberty of publicly performing a dramatic composition might more properly be called dramatic right or acting right. … I have adopted playright as being, in my judgment, the best name for the purpose. It is a convenient euphonious word, and its formation is analogous to that of copyright. As the latter word literally means the right to copy a work, or the right to the copy, so playright means the right to play a drama, or the right to the play. --Eaton Sylvester Drone1 American copyright law nominally vests exclusive rights in “authors.” “Authors” in America, as often as not, are the employers of the individuals who actually create copyrightable works.2 Even when the law vests copyright in creators, the architecture of the system encourages them to assign their copyrights to intermediaries, who are motivated by potential profits to disseminate the works to ∗ John F. Nickoll Professor of Law, University of Michigan. I’m grateful to Pam Samuelson for thinking up this conference and inviting me to do this research, and to Jon Weinberg, Jody Kraus, Jane Ginsburg, and Becky Eisenberg for their helpful comments on earlier drafts. 1 EATON S. DRONE, TREATISE ON THE LAW OF PROPERTY IN INTELLECTUAL PRODUCTIONS IN GREAT BRITAIN AND THE UNITED STATES EMBRACING COPYRIGHT IN WORKS OF LITERATURE AND ART, AND PLAYRIGHT IN DRAMATIC AND MUSICAL COMPOSITIONS 553 (1879). -
REGISTER of MEMBERS' FINANCIAL INTERESTS As at 27
REGISTER OF MEMBERS’ FINANCIAL INTERESTS as at 27 November 2017 _________________ Abbott, Ms Diane (Hackney North and Stoke Newington) 1. Employment and earnings Fees received for articles written for The Guardian. Address: Guardian News & Media, Kings Place, 90 York Way, London N1 9GU: 3 November 2016, received £60. Hours: 30 mins. (Registered 10 April 2017) 10 November 2016, received £100. Hours: 1 hr. (Registered 10 April 2017) 22 December 2016, received £285. Hours: 2.5 hrs. (Registered 10 April 2017) 23 February 2017, received £410. Hours: 6.5 hrs. (Registered 10 April 2017) 16 March 2017, received £100. Hours: 1 hr. (Registered 10 April 2017) 9 October 2017, received £1,500 from Avalon Television, 4A Exmoor St, London W10 6BD, for an appearance on the Russell Howard Hour television show. Hours: 3 hrs. (Registered 07 November 2017) 2. (a) Support linked to an MP but received by a local party organisation or indirectly via a central party organisation Name of donor: Mahir Kilic Address of donor: private Amount of donation or nature and value if donation in kind: £2,723 Donor status: individual (Registered 07 July 2017) Name of donor: RMT Address of donor: Unity House, 39 Chalton Street, London NW1 1JD Amount of donation or nature and value if donation in kind: £2,500 Donor status: trade union (Registered 07 July 2017) Name of donor: Unite Address of donor: 128 Theobalds Road, London WC1X 8TN Amount of donation or nature and value if donation in kind: £2,000 Donor status: trade union (Registered 07 July 2017) 8. Miscellaneous Since December 2015, a trustee of the Diane Abbott Foundation, which works to excel and improve education. -
F Roast Sunday Lunch; (3.15) Eagle Ale House ; (4.15) Draft House Northcote
FREE Vol 35 Oct/Nov No 5 2013 The Bell, Walthamstow – see page 44 23-25 NEW END • HAMPSTEAD VILLAGE • NW3 1JD We show live Premiership Football Best Tel: 020 7794 0258 London Pub of the Year 2011 twitter: @dukeofhamilton Fancy a Pint Reviewers www.thedukeofhamilton.com Awards www.thedukenewendtheatre.comAll ales £2.70 a pint Mondays and for Tuesdays. live jazz, See plays website and accousticfor ales on music tap. Editorial London Drinker is published certainly not bad or failing. It just has the on behalf of the misfortUne to be located on a corner site London Branches of CAMRA, the opposite a tube station in an ideal location Campaign for Real Ale Limited, for a supermarket and is owned by a pubco and edited by Tony Hedger. that has vast debts to service. Material for publication should preferably be We have covered the scope and Use of sent by e-mail to [email protected]. ACVs and Article 4 Directions in some Correspondents unable to send letters to the PUBS – THE DEBATE CONTINUES detail in recent editions so I will not repeat editors electronically may post them to think that it is fair to say that CAMRA is that information here but, in cases like the Brian Sheridan at 4, Arundel House, Heathfield cUrrently doing more than it has ever Wheatsheaf, we must maintain our efforts. Road, Croydon CR0 1EZ. I done to save pUbs from closUre. Many of Sadly, despite genUine sUccesses like the Ivy Press releases should be sent by email to these are community pubs – what we once HoUse in Peckham, we are fighting with one [email protected] woUld have called ‘locals’.