DOCSLIB.ORG

1970S-1980S Apartment Neighborhoods: Opportunities And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1970S-1980S Apartment Neighborhoods: Opportunities And 1970s-1980s apartment neighborhoods Opportunities & threats for sustainable suburban transformation Rolf Pendall Director, Metropolitan Housing & Communities Policy Center The Urban Institute, Washington, DC Overview of presentation • Why 1970s-1980s apartments? • Characteristics – How many? – Where? – Neighborhood conditions? • Threats: Austin and Houston case studies – Austin: Gentrification – Houston: Abandonment • Lessons for Montgomery & Prince George’s Why 1970s-1980s apartments? • There are a lot of them. • Vulnerable people live there. • 2011 minus 1981 equals 30. – All tax advantages have accrued to initial builders – Subsidies expiring to private owners – Major infrastructure needs reinvestment – Neighborhoods becoming more central • Consequences: – In worst locations, neglect and concentration of vulnerable populations – Susceptibility to private-sector urban renewal Two big spikes Multifamily construction, 1968-2010 900 800 700 600 500 400 300 Thousands of units Thousands 200 100 0 1960 1970 1980 1990 2000 2010 2020 Source: U.S. Census Bureau, New Privately Owned Housing Units Completed, http://www.census.gov/const/compann.pdf , accessed 4- 11-11. Sunbelt metros have the most ¨§¦90 ¨§¦94 ¨§¦25 ¨§¦80 ¨§¦35 ¨§¦70 ¨§¦5 ¨§¦15 ¨§¦40 ¨§¦20 ¨§¦10 1970s-80s apartments as percent of 2000 housing stock ¨§¦95 4 - 6 ¨§¦75 6 - 10 10 - 15 16 - 22 Source: U.S. Census Bureau, 2000 Census of Population and Housing, SF3 25 Vulnerable people concentrate in neighborhoods with high concentrationsSigns of stressof these apartments 20 % of Y2K housing units that are 15 multi-family built in the 1970s-1980s <20 10 >= 20 5 0 Poverty rate Vacancy Pct foreign Poverty rate Vacancy Pct foreign rate born rate born 2000 Change, 2000-2005/09 Source: U.S. Census Bureau, 2000 Census of Population and Housing, SF3; 2005-09 American Community Survey, tract-level data Trends, 1: Redevelopment and gentrification (Austin example) L ittle ittle Beee Crreek k eek rree l l CC aa oo hh SS UV111 T 35 T a ¨¦§ n n e h iil lll B rr aa k k nn e e cc 1 e h UV re h r C rr C ee llll aa l WW 360 uuldi UV oo in BB C Barton Creek Greenbelt t t rre Barton Creek Greenbelt kk s eek ee s k ee aa rr E E CC inin ldld uu BBoo sstt B ee kk 111 a 343 UV a e r UV WW e r e tto e on r n r Cr re CC ek k nn nn uu l l BB eekk rree CC bb lluu CC 1970s-80s apartments trryy unnt CCoou as percent of 2000 290 ¤£ 35 housing stock ¨¦§ W 20 - 30 i illl l ia am ms so 30 - 50 n 275 Cr UV reeekk 183 CCrreeeekk £ 50 - 100 0 0.5 1 2 soonn 3 Miles¤ UV71 CCaarrs Plans: Mixed use TOD Source: Elizabeth J. Mueller and Sarah Dooling, Sustainability and Vulnerability: Integrating equity into plans for central city redevelopment, forthcoming in Journal of Urbanism 2011. Trends 2: Disinvestment + subsidized ¤£69 stabilization (Houston example)BigBig ThicketThicket NationalNational PreservePreserve 290 ¤£ ¤£290 290 ¤£ 45 ¨¦§ ¤£90 £59 ¤£290 ¤ ¨¦§10 ¤£59 ¤£90 ¤£90 ¤£90 ¨¦§610 ¤£59 ¤£90 ¤£90 1970s-80s apartments as percent of 2000 housing stock ¨¦§45 4 - 6 20 - 30 6 - 10¤£59 30 - 50 10 - 15 50 - 100 16 - 22 Booms, busts, and oversupply in the Houston housing market 1-unit Houston’s building-permit booms, 1980s and 2000s 2-unit 60 3-4 unit 5+ unit 50 40 30 20 10 Building permits issued (000) issuedpermits Building 0 1988 1980 1982 1984 1986 1990 1992 1996 1998 2000 2002 2006 2008 2010 1994* 2004^ Glut indicator 1: Long term high 20 vacancy rates 18 16 14 Houston 12 10 8 All metros Rental vacancy rate vacancy Rental 6 4 2 0 1980 1985 1990 1995 2000 2005 2010 2015 Source: US Census Bureau, Housing Vacancies & Homeownership survey, tables 6 and 6a, Rental Vacancy Rates for the 75 Largest Metropolitan Statistical Areas Glut indicator 2: Long-term low rents $2,000 (current dollars) $1,800 San Francisco Oakland $1,600 Boston $1,400 Miami $1,200 Houston $1,000 Dallas $800 Detroit $600 $400 HUD Fair Market Rent, 2BR 2BR apartment Rent, Market Fair HUD $200 $0 1980 1985 1990 1995 2000 2005 2010 2015 Source: HUD Fair Market Rents, 2 bedroom; percentiles vary Solutions for Houston? • Code violations, abandonment – Especially acute, with vacancy, at locations just beyond the I-610 loop • Addressing with federal subsidies – 2006: “Apartments to Standard” program. HOME, CDBG funds spent to rehab units in two or three targeted disinvestment areas – 2008-11: HUD NSP and NSP3 funds targeted in part to same/similar areas – Even the admin costs borne by federal taxpayers What about the DC area? • About 3 million housing units in 2000 – 300,000 of these are 1970s-1980s apartments • Most are in Virginia and Maryland suburbs – 82,000 in Prince George’s and Montgomery Counties alone – Around 13% of the Y2K stock in the two counties is apartments built in the 1970s and 1980s DC suburbs: More neighborhood choices for low-income, immigrants Austin Houston DC's MD suburbs DC's VA suburbs DC 40% DC suburbs’ housing, people DC suburbs’ low-income 09) in 09) - 35% about as concentrated in these people, immigrants much neighborhoods as Austin’s less so than Austin’s 30% 80s apartments 80s - 25% area total (2005 total area 20% - 15% 10% 5% tracts with >20% 1970s with tracts Percent of metro Percent 0% Housing Population Poverty Foreign-born Source: U.S. Census Bureau, 2000 Census of Population and Housing, SF3; 2005-09 American Community Survey, tract-level data Elkridge PatuxentPatuxent RiverRiver StateState ParkPark Columbia Montgomery Village Germantown Ashton-Sandy Spring Gaithersburg Olney Savage-Guilford North Laurel Jessup Redland Burtonsville Darnestown Cloverly Fort Meade Rossmoor West Laurel North Potomac Laurel Fairland Maryland City Rockville Aspen Hill Colesville South Laurel Calverton Travilah Wheaton-Glenmont North Bethesda Kemp Mill White Oak North Kensington Beltsville Hillandale Forest Glen Potomac South Kensington Silver Spring Adelphi Chevy Chase Greenbelt Goddard Great Falls Chesapeake and Ohio Canal NHP Langley Park Berwyn Heights Bethesda College Park Takoma Park Glenn Dale Bowie 1970s-80s apartments Chillum New Carrollton Lanham-Seabrook Friendship Village East Riverdale as percent of 2000 Hyattsville Brookmont Riverdale Park housing stock Brentwood Woodlawn Mount Rainier Bladensburg McLean Springdale Wolf Trap 20 - 30 Mitchellville Woodmore Washington Glenarden Tysons Corner Cheverly Greater Landover 30 - 50 Pimmit Hills 50 - 100 Lake Arbor Vienna Arlington Carmody Hills-Pepper Mill Village Idylwood Seat Pleasant Oakton Dunn Loring Largo Kettering Opportunities and challenges in Montgomery and Prince George’s • Both: How to address exposure to CO, O3, VOCs? • Montgomery – Acquisition for long-term affordability, especially in “green zone” – Protection from condo conversion (not an issue now) – Eventual plans for renewal, densification (some areas) • Prince George’s – Acquisition for deeper affordability and housing quality in selected locations – Code enforcement, rehab support everywhere Conclusions • This part of the housing portfolio has aged and may be in transition – Aging fastest in loose housing markets • An especially important source of affordable housing and neighborhoods in the suburbs – Often pretty lousy conditions • Prepare to respond with new housing/land use planning models – Beyond inclusionary zoning.
Load more

Recommended publications
  • The Forgotten Revolution of Female Punk Musicians in the 1970S
    Peace Review 16:4, December (2004), 439-444 The Forgotten Revolution of Female Punk Musicians in the 1970s Helen Reddington Perhaps it was naive of us to expect a revolution from our subculture, but it's rare for a young person to possess knowledge before the fact. The thing about youth subcultures is that regardless how many of their elders claim that the young person's subculture is "just like the hippies" or "just like the mods," to the committed subculturee nothing before could possibly have had the same inten- sity, importance, or all-absorbing life commitment as the subculture they belong to. Punk in the late 1970s captured the essence of unemployed, bored youth; the older generation had no comprehension of our lack of job prospects and lack of hope. We were a restless generation, and the young women among us had been led to believe that a wonderful Land of Equality lay before us (the 1975 Equal Opportunities Act had raised our expectations), only to find that if we did enter the workplace, it was often to a deep-seated resentment that we were taking men's jobs and depriving them of their birthright as the family breadwinner. Few young people were unaware of the angry sound of the Sex Pistols at this time—by 1977, a rash of punk bands was spreading across the U.K., whose aspirations covered every shade of the spectrum, from commercial success to political activism. The sheer volume of bands caused a skills shortage, which led to the cooption of young women as instrumentalists into punk rock bands, even in the absence of playing experience.
    [Show full text]
  • POPULAR MUSIC from the 1970S
    POPULAR MUSIC FROM THE 1970s Week of May 18 1. Watch the video “Elders React to Top Ten Songs of 1970s” Video - Elders React to 1970s 2. MUSIC OF THE 1970s: A few trends The 1970s saw many styles of popular music and countless numbers of recording artists. This week you will experience a mere taste of three types of music from this diverse decade. ● HARD ROCK - These artists turned up the volume. ● COUNTRY ROCK/SOUTHERN ROCK - Country music sensibilities + rock instruments ● DISCO - It was all about providing music so people could “boogie” (1970s slang for “dance.”) Your task: Choose one song in each of the three categories below (for a total of three songs.) ​ ​ ​ Find and listen to all three. Come back to them a day or two later and listen to them again so you become especially familiar with them. (Note: If you don’t like one of the songs you first choose, choose a different one) HARD ROCK (choose one) ​ Led Zeppelin - Stairway To Heaven Queen - Bohemian Rhapsody Aerosmith - Walk This Way COUNTRY ROCK / SOUTHERN ROCK (choose one) ​ Linda Ronstadt - You’re No Good The Eagles - Hotel California Lynyrd Skynyrd - Sweet Home Alabama DISCO (choose one) ​ The Bee Gees - Stayin’ Alive Donna Summer - Last Dance KC and the Sunshine Band - That’s the Way I Like It Earth, Wind and Fire - Boogie Wonderland You will not submit anything this week; just enjoy the music! Week of May 25 Music of the 1970s: Become an Expert (Take two weeks to complete this assignment) Select one musical act from the 1970s.
    [Show full text]
  • Robert De Niro Sr
    June 27, 2014 12:44 pm Portrait of an artist: Robert De Niro Sr By Liz Jobey Robert De Niro does not star in his latest film but he did make and narrate it – a documentary about his artist father, whose work remains little known despite great early success Robert De Niro and his father, New York, c 1983 There are two entries for Robert De Niro in the online collection of the Museum of Modern Art in New York. One is for Taxi Driver, the film directed by Martin Scorsese, for which De Niro was nominated for an Oscar as best actor in 1976; the other is for Raging Bull, also directed by Scorsese and for which De Niro won the award for best actor in 1980. At the Metropolitan Museum, however, the name Robert De Niro tells a different story. Four entries are listed – two drawings in crayon from 1976, a charcoal drawing from 1941 and a self-portrait in oil dated 1951. These are works by Robert De Niro Sr, the actor’s father, a relatively unknown American painter, who died in 1993. He had early success in the 1940s and 1950s, part of a group that included Jackson Pollock, Willem de Kooning, Mark Rothko and Franz Kline, the core of American Abstract Expressionism, and his portrait came to the museum in 2006, part of the bequest of Muriel Kallis Steinberg Newman, a leading collector. The image is not on view but is accompanied by the following caption: The critic Clement Greenberg pronounced De Niro “an important young abstract painter” upon seeing his 1946 show at Peggy Guggenheim’s gallery, Art of This Century.
    [Show full text]
  • The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
    The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism.
    [Show full text]
  • 1970S 1990S 1980S
    ©2003 Hale and Dorr LLP 013-VF1909 Boston 617 526 6000 Hale and Dorr LLP London* 44 20 7645 2400 Munich* 49 89 24213 0 New York 212 937 7200 Oxford* 44 1235 823 000 Princeton 609 750 7600 Reston venturefinancings 703 654 7000 Waltham Emerging companies turn to Hale and Dorr for legal 781 966 2000 Washington advice and business advantage. In 2002, we served 202 942 8400 as company counsel in more than 150 venture financings *an independent joint venture law firm raising more than $1.5 billion, including some of the largest and most prominent deals of the year. In the past three www.InternetAlerts.net Enroll here to receive Hale and Dorr’s brief and useful email alerts on a wide range of topics of years, we have served as company counsel in more than interest to businesses and technology companies. 500 venture financings raising over $10 billion. We are counsel to more venture-backed companies in the eastern half of the U.S. than any other law firm in the country. 1970s >>1980s 1990s >2002 > > COMPUTERS TELECOM WIRELESS SOFTWARE INTERNET MEDICAL DEVICES Hale and Dorr. When Success Matters. BIOTECH LIFE SCIENCES Hale and Dorr LLP Counselors at Law <haledorr.com> Hale and Dorr LLP $22,000,000 $26,000,000 $26,000,000 $25,000,000 $14,000,000 $25,000,000 $35,800,000 $40,000,000 $70,000,000 Second Round Second Round Third Round Second Round First Round Third Round Second Round Third Round Second Round March 2002 May 2002 March 2002 January 2002 March 2002 March 2002 February 2002 March 2002 June 2002 acopia NETWORKS $10,000,000 $10,500,000 $15,500,000
    [Show full text]
  • America's Peacetime Inflation: the 1970S
    This PDF is a selection from an out-of-print volume from the National Bureau of Economic Research Volume Title: Reducing Inflation: Motivation and Strategy Volume Author/Editor: Christina D. Romer and David H. Romer, Editors Volume Publisher: University of Chicago Press Volume ISBN: 0-226-72484-0 Volume URL: http://www.nber.org/books/rome97-1 Conference Date: January 11-13, 1996 Publication Date: January 1997 Chapter Title: America’s Peacetime Inflation: The 1970s Chapter Author: J. Bradford DeLong Chapter URL: http://www.nber.org/chapters/c8886 Chapter pages in book: (p. 247 - 280) 6 America’s Peacetime Inflation: The 1970s J. Bradford De Long In a world organized in accordance with Keynes’ specifications, there would be a constant race between the printing press and the business agents of the trade unions, with the problem of unemploy- ment largely solved if the printing press could maintain a constant lead. Jacob Viner, “Mr. Keynes on the Causes of Unemployment” 6.1 Introduction Examine the price level in the United States over the past century. Wars see prices rise sharply, by more than 15% per year at the peaks of wartime and postwar decontrol inflation. The National Industrial Recovery Act and the abandonment of the gold standard at the nadir of the Great Depression gener- ated a year of nearly 10% inflation. But aside from wars and Great Depres- sions, at other times inflation is almost always less than 5% and usually 2-3% per year-save for the decade of the 1970s. The 1970s are America’s only peacetime outburst of inflation.
    [Show full text]
  • Frank's World
    Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output.
    [Show full text]
  • On the 12Th of October 1943, Frank Sinatra Opened His Third Sea- the Fan Is Central to the Momentum of Youth Culture
    HEDI SLIMANE: FANS JON SAVAGE “I’m afraid to wake up each morning. I can’t believe all this has happened to me. I just hope it all lasts.” Elvis Presley, New Musical Express—September 7, 1956 On the 12th of October 1943, Frank Sinatra opened his third sea- The fan is central to the momentum of youth culture. She or he This can take many forms, but at its heart is an exquisite contra- profane, they’re vulgar, and they’ve taken over the world. It’s as imagined or otherwise, that the fan can become, in this case in like yesterday’s scraps. At the same time, once the performer son at New York’s Paramount Theatre. It was Columbus Day, a provides the raw energy that, fixed upon one point, gives the diction: the fan exalts the star because she or he is at once both if they’d founded a new religion. They’re completely anti-Christ. his own twisted way, a star himself—emblazoned on newsstands becomes abstracted into celebrity, then his or her life becomes a school holiday, and the fans were out in force. Weegee was performer the power that is then radiated back at the fan. Both divine—if not superhuman—and extremely ordinary: the boy or I mean, I’m anti-Christ as well, but they’re so anti-Christ they worldwide. (This particular notoriety, of the thrill-killing criminal, public soap opera, with every aspect of appearance, drug con- there, capturing the scene for the New York Daily News: “Oh! Oh! performers and fans then act as a kind of mirror for each other’s girl next door.
    [Show full text]
  • 1950S 1960S 1980S 1970S 1990S 2000S 2010S
    History of the Tokai Rika Group The founding spirit, “Do what other people don’t do.” History of the Tokai Rika Group “With a switch I picked up...” In 1948, three years after the end of the War, our founder Kato came up with the idea of expanding business into the automobile industry on the basis of the belief: “The We have been developing and manufacturing a variety of user-friendly products for over 70 years. recovery of Japan depends on the development of industry.” When he visited a parts We have been and are still are working to develop manufacturing that will turn new delights between people warehouse belonging to Toyota Motor Company（ currently Toyota Motor Corporation） through an introduction by an acquaintance, he found an automotive part abandoned and their vehicles into reality. in a corner. He asked, “What is this?” and got the reply, “It’s a switch.” It was explained to Kato that manufacturing switches took a lot of trouble and Founder nobody wanted to do it. He thought, “Even if nobody wants to do it, somebody has to. This is just the field that we should expand into.” He decided to produce switches and Yoshio Kato Domestic plants & Overseas associated companies established “Tokai Rika Co., Ltd.” in Nishibiwajima Town. 1950 s 1960 s 1970 s 1980 s 1990 s 2000 s 2010 s The post-war reconstruction period The high economic growth period The oil crisis The bubble economy The collapse of the bubble economy The Heisei depression 2010s to the present ●1948 ●1964 ●1980 ●1991 ●2001 ●2011 The company was established in Began operations
    [Show full text]
  • Changes Over the 1970S in the Employment Patterns of Black and White Young Men
    Upjohn Institute Press Changes Over the 1970s in the Employment Patterns of Black and White Young Men Tom K. Pollard Chapter 3 (pp. 57-80) in: Youth and the Labor Market: Analyses of the National Longitudinal Survey Michael E. Borus, ed. Kalamazoo, MI: W.E. Upjohn Institute for Employment Research, 1984 DOI: 10.17848/9780880996273.ch3 Copyright ©1984. W.E. Upjohn Institute for Employment Research. All rights reserved. Chapter 3 Changes Over the 1970s in the Employment Patterns of Black and White Young Men by Tom K. Pollard Over the decade of the 1970s, the labor market clearly slackened more for young black men than for young white men. This deterioration is most often illustrated by the relative fall in the black employment-to-population ratio and the relative increase in the black unemployment rate. 1 The divergence in the black and white employment-to- population ratios has been associated with radical change in the distribution of unemployment among the black youth population. In the early 1970s, employment was distributed fairly evenly over both the black and white youth popula tions, with the vast majority of youths only briefly unemployed during the year. By the end of the decade, however, blacks had become overrepresented among those experiencing high total unemployment during any given year, and whites tended toward less annual unemployment.2 The gravity of this situation is debatable, however. The private and social costs of the increase in the black-white dif ferential in aggregate employment are dependent on the specific underlying individual patterns of employment. Two broad opposing views of the individual patterns emerge from 57 58 Changes in Employment Patterns a study of the literature.
    [Show full text]
  • Sinatra's Little Brown Book
    SINATRA’S LITTLE BROWN BOOK An address book said to have been Frank Sinatra’s reveals the extent of his influence and connections—and why his first attempted retirement was so short-lived. BY WILL FRIEDWALD PHOTOGRAPHY BY HENRY LEUTWYLER HINK OF THE MOST legendary, exclusive parties of the the doldrums.” Once he started performing again, he was primarily past century: Truman Capote’s Black and White Ball or a stage artist and, following a trend started by top rock acts, played Vanity Fair’s Oscar party. Imagine the guest list. Now sports stadiums and other huge venues with a combination of classic think of the man comedian Alan King once described songs and newer material. as an event unto himself. The only thing Frank Sinatra Sinatra’s little book, dating from several years into his comeback, had to do to set a room buzzing was walk into it. What illustrates how his return seems almost inevitable in hindsight. Tdid his guest list look like? We no longer have to wonder. Photographer Midway through, four incongruous names sum up the eclectic range of Henry Leutwyler has documented a personal phone book said to be his social circle: Tony Mottola, Sinatra’s preferred guitarist for most Sinatra’s—every entry from his personal assistant to two U.S. presi- of this period; Ed McMahon, Johnny Carson’s Tonight Show sidekick; dents—in a collection of still-life images to be published as Hi There!, a Wayne Newton, a Vegas mainstay; and, notably, “Nixon, Pres.” Sinatra monograph out in June from Steidl.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]