“The Lonesome Place” by August Derleth
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Extraterrestrial Places in the Cthulhu Mythos
Extraterrestrial places in the Cthulhu Mythos 1.1 Abbith A planet that revolves around seven stars beyond Xoth. It is inhabited by metallic brains, wise with the ultimate se- crets of the universe. According to Friedrich von Junzt’s Unaussprechlichen Kulten, Nyarlathotep dwells or is im- prisoned on this world (though other legends differ in this regard). 1.2 Aldebaran Aldebaran is the star of the Great Old One Hastur. 1.3 Algol Double star mentioned by H.P. Lovecraft as sidereal The double star Algol. This infrared imagery comes from the place of a demonic shining entity made of light.[1] The CHARA array. same star is also described in other Mythos stories as a planetary system host (See Ymar). The following fictional celestial bodies figure promi- nently in the Cthulhu Mythos stories of H. P. Lovecraft and other writers. Many of these astronomical bodies 1.4 Arcturus have parallels in the real universe, but are often renamed in the mythos and given fictitious characteristics. In ad- Arcturus is the star from which came Zhar and his “twin” dition to the celestial places created by Lovecraft, the Lloigor. Also Nyogtha is related to this star. mythos draws from a number of other sources, includ- ing the works of August Derleth, Ramsey Campbell, Lin Carter, Brian Lumley, and Clark Ashton Smith. 2 B Overview: 2.1 Bel-Yarnak • Name. The name of the celestial body appears first. See Yarnak. • Description. A brief description follows. • References. Lastly, the stories in which the celes- 3 C tial body makes a significant appearance or other- wise receives important mention appear below the description. -
Ye Bc 3Ke of 2358
YE BC 3KE OF 2358 < The Aniolowsk’i Collection. VOLUME II All About Monstres This volume contains dozens of new races and individual creatures for use with the Call of Cthulhu roleplaying game. Included here are the following categories: Outer Gods, Elder Gods, Great Old Ones, Great Ones, Avatars, Servitor Races, Independent Races, Fabulous Creatures, and Unique Entities. These monstrous creations have been collected from over ten years of favorite Call of Cthulhu scenarios; others have been created specifically for this book. The darkly imagi- native work of a diverse group of authors is represented here. Where possible each entry begins with a quote describing the monster or entity. Where much about the creature is known, there may be an additional description. If discussing a god, Great One, or Great Old One, notice of any human cult comes next. Further notes discuss habit, habitat, or attack. An essential aid for players, investigators, and keepers. “I saw the form waver from sex to sex, dividing itself from itself, and then again reunited. Then I saw the body descend to the beastsSample whence file it ascended, and that which was on the heights go down to the depths, even to the abyss of all being... I The principle of life, which makes organism, always Scott David Aniolowski remained, while the outward form changed. ” (after his apprehensio: by -Arthur Machen, “The Great God Pan” minions of the Mythos) CALL OF CTHULHU is a roleplaying game Chaosium publishes many supplements based on the novels and short stories of H.P. and accessories for CALL OF CTHULHU. -
Terror Handouts
TERROR HANDOUTS This supplement is best used with the Call of Cthulhu (7th Edition) roleplaying game, and optionally the Pulp Cthulhu sourcebook, both available separately. Terror Australis © copyright 2018–2020 Chaosium Inc. All rights reserved. Call of Cthulhu © copyright 1981–2020 Chaosium Inc. Pulp Cthulhu © copyright 2016–2020 Chaosium Inc. All rights reserved. Chaosium Arcane Symbol (the Star Elder Sign) © copyright 1983 Chaosium Inc. All rights reserved. Call of Cthulhu, Chaosium Inc., and the Chaosium logo are registered trademarks of Chaosium Inc. Pulp Cthulhu is a trademark of Chaosium Inc. All rights reserved. Ithaqua © copyright 2020 the Estate of August Derleth. Used with permission. Atlach-Nacha and Tsathoggua © copyright 2020 the Estate of Clark Ashton Smith. Used with permission. Chaosium recognizes that credits and copyrights for the Cthulhu Mythos can be difficult to identify, and that some elements of the Mythos may be in the public domain. If you have corrections or additions to any credits given here, please contact us at [email protected]. This is a work of fiction. This book includes descriptions and portrayals of real places, real events, and real people; these may not be presented accurately and with conformity to the real-world nature of these places, people, and events, and are reinterpreted through the lens of the Cthulhu Mythos and the Call of Cthulhu game in general. No offense to anyone living or dead, or to the inhabitants of any of these places, is intended. This material is protected under the copyright laws of the United States of America. Reproduction of this work by any means without written permission of Chaosium Inc., except for the use of short excerpts for the purpose of reviews and the copying of character sheets and handouts for in-game use, is expressly prohibited. -
Mi-Go 1 Mi-Go
Mi-go 1 Mi-go An interpretation of the Mi-Go by Ruud Dirven Mi-go ("The Abominable Ones") is a Himalayan nickname for a race of extraterrestrials in the Cthulhu Mythos created by H. P. Lovecraft and others. The name was first applied to the creatures in Lovecraft's short story "The Whisperer in Darkness" (1931), elaborating on a reference to 'What fungi sprout in Yuggoth' in his sonnet cycle Fungi from Yuggoth (1929–30) which described the contrasting vegetation on alien dream-worlds. Summary The "Mi-go" are large, pinkish, fungoid, crustacean-like entities the size of a man; where a head would be, they have a "convoluted ellipsoid" composed of pyramided, fleshy rings and covered in antennae. According to two reports in the original short story, their bodies consist of a form of matter that does not occur naturally on Earth; for this reason, they do not register on ordinary photographic film. They are capable of going into suspended animation until softened and reheated by the sun or some other source of heat. They are about five feet (1.5 m) long, and their crustacean-like bodies bear numerous sets of paired appendages. They possess a pair of membranous bat-like wings which are used to fly through the "aether" of outer space (a scientific concept which is now discredited). The wings do not function well on Earth. Several other races in Lovecraft's Mythos also have wings like these. The Mi-go can transport humans from Earth to Pluto (and beyond) and back again by removing the subject's brain and placing it into a "brain cylinder", which can be attached to external devices to allow it to see, hear, and speak. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Catalog 20: Horror from the Eivind Jensen Collection
Catalog No. 20 Horror from the Eivind Jensen Collection 2 Introduction The books listed in this catalog are but a fraction of the material that comprise the Eivind Jensen collection. In addition to books, Mr. Jensen also collected related magazines, booklets and other ephemera. We encourage readers interested in such material to contact us for a complete inventory. TERMS All items are subject to prior sale. All books are returnable within 10 days if returned in the same condition as sent. Please call before returning. Payment should accompany order unless you are known to us. We accept MasterCard, Visa, checks and money orders. Please include $5 for the first item, $3 for each item thereafter for postage. Books are sent vis USPS Media Mail unless otherwise requested. Colorado residents please add 8.81% sales tax. All items are guaranteed as described. Danbom & Son Books has a brick-and-mortar presence at Printed Page Bookshop at 1416 S. Broadway, Denver, CO 80210. Danbom & Son Books is a member of the Antiquarian Booksellers Association of America, the International League of Antiquarian Booksellers, and the Rocky Mountain Antiquarian Booksellers Association. Danbom & Son Books 974 S. Josephine St. Denver, CO 80209 303-880-1217 [email protected] Graphic design by Julie Hutchinson Cover illustration from The Height of the Scream CATALOG NO. 20: HORROR FROM THE EIVIND JENSEN COLLECTION 3 Eivind Jensen HP Lovecraft was an unforgivably racist man. Anyone who endeavors to collect his works will notice also that he was a gifted creator of strange and horrific worlds that we all enjoy consuming. -
AH Archive Catalog NEW 2:27:2021
ARKHAM HOUSE: AN IMPORTANT ARCHIVE FROM THE FILES OF AUGUST DERLETH L.W. Currey, Inc. John W. Knott, Jr., Bookseller I. A Brief History of Arkham House II. The Importance of Arkham House III. The Importance of August Derleth as Editor and Publisher IV. Description and Calendar of the Arkham House Archive I. A BRIEF HISTORY OF ARKHAM HOUSE In 1939 a promising Midwestern mainstream novelist and a popular Midwestern writer of pulp fiction co- founded a small press to publish a hardbound book to preserve the writing and perpetuate the memory of their dearly departed friend and mentor, Howard Phillips Lovecraft. Arkham House was officially in business when August Derleth and Donald Wandrei signed the George Banta Publishing Company's "Proposal for Printing" THE OUTSIDER AND OTHERS by H. P. Lovecraft dated 25 August 1939. 1268 copies of this "landmark in the history of weird fiction and American publishing" (Joshi) were printed and most were sold for $5.00 each (then a high list price for a book of fiction). THE OUTSIDER AND OTHERS was the first of three projected volumes of Lovecraft's works Arkham House planned to publish. Derleth and Wandrei (with the considerable assistance of Robert H. Barlow) compiled a second omnibus volume, BEYOND THE WALL OF SLEEP, published in 1943, which was followed by MARGINALIA a lesser so-called "stop-gap" volume published in 1944 to satisfy readers until Lovecraft's letters could be located, transcribed and edited (the envisioned single volume of letters was ultimately expanded to five). In the beginning neither Derleth nor Wandrei intended to publish books by any writer except Lovecraft, but at the suggestion of William C. -
Clark Ashton Smith's Cthulhu Mythos Fiction
Call of Cthulhu® Fiction Clark Ashton Smith’s Cthulhu Mythos Fiction Sample file Edited and Introduced by Robert Price Cover Art by Stephen Gilberts A Chaosium Book 2008 More Titles from Chaosium Call of Cthulhu® Fiction The Antarktos Cycle The Book of Eibon The Disciples of Cthulhu, 2nd Ed. Disciples of Cthulhu II The Ithaqua Cycle The Necronomicon Singers of Strange Songs Song of Cthulhu Tales Out of Innsmouth The Tsathoggua Cycle Lin Carter’s The Xothic Legend Cycle R. W. Chambers’ The Yellow Sign (his complete weird fiction) Arthur Machen’s The Three Impostors & Other Stories Arthur Machen’sSample The White People file & Other Tales ® Miskatonic University Archives The Book of Dzyan Contents The Smythos . ................................................. v THE STORIES The Ghoul ...................................................... 1 A Rendering from the Arabic ........................ 8 The Hunters from Beyond .......................... 25 The Vaults of Abomi .................................... 44 The Nameless Offspring .............................. 67 Ubbo-Sathla ................................................. 88 Sample file The Werewolf of Averoigne ......................... 98 The Eidolon of the Blind ........................... 115 Vulthoom .................................................... 133 The Treader of the Dust ............................ 162 The Infernal Star ....................................... 172 STORY INTRODUCTIONS Notes On Each Tale ................................... 203 The Klarkash-Ton Cycle is published by Chaosium Inc. This book is copyright ©2008 as a whole by Chaosium Inc.; all rights reserved. Cover art ©2008 by Stephen Gilberts; all rights reserved. Cover and interior layout by Charlie Krank. Editor-in-ChiefSample Lynn Willis. file Similarities between characters in this book and persons living or dead are strictly coincidental. Reproduction of material from within this book for the purposes of personal or cor- porate profit, by photographic, digital, or other means of storage and retrieval is pro- hibited. -
Lovecraft in Popular Culture
Tor Watten Melvær Imagining the Unimaginable - Lovecraft in Popular Culture Master’s thesis in MLSPRÅK Supervisor: Eli Løfaldli Trondheim, June 2018 Norwegian University of Science and Technology Faculty of Humanities Department of Language and Literature Acknowledgments First and foremost, I would like to thank my supervisor Eli Løfaldli for her insight and support since the day I knocked on her door and asked if it was possible to write this thesis. I would also like to thank my two closest classmates Anders Bjelland Buer and Eirik Ofstad for all the help and support, over the course of writing this thesis, and the years of studying leading up to it. Lastly, I want to express my gratitude to Aaron Delaney for all the time he has contributed by reading and rereading my sections for quality assurance. i Table of contents Introduction 2 Opening up the terrifying vistas of Lovecraft 6 Defining Lovecraftian Horror 6 The Cthulhu Mythos - A legacy of appropriation 12 Lovecraft in visual texts 16 Animated television shows 16 Rick and Morty 16 South Park and the Self-Inflicted Apocalypse 22 Post-analysis discussion of South Park and Rick and Morty 28 Video games 31 Darkest Dungeon 31 Comic books and graphic novels 37 Batman: The Doom That Came to Gotham 37 Providence 41 Conclusion 49 Works cited 53 Figures 57 Abstract 59 Appendix: Thesis relevance for teaching 61 1 Introduction Howard Phillips Lovecraft was an author who mainly published short stories during the 1930s and 1940s for various pulp magazines. Lovecraft did not enjoy any commercial success during his lifetime and died impoverished and relatively unknown. -
HP Lovecraft & the French Connection
University of South Carolina Scholar Commons Theses and Dissertations 2015 H.P. Lovecraft & Ther F ench Connection: Translation, Pulps and Literary History Todd David Spaulding University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Spaulding, T. D.(2015). H.P. Lovecraft & eTh French Connection: Translation, Pulps and Literary History. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3152 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. H. P. Lovecraft & The French Connection: Translation, Pulps and Literary History by Todd David Spaulding Bachelor of Arts State University of New York at Geneseo, 2006 Master of Arts University of South Carolina, 2010 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2015 Accepted by: Jeanne Garane, Major Professor Alexander Beecroft, Committee Member Michael Hill, Committee Member Meili Steele, Committee Member S. T. Joshi, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies ©Copyright by Todd David Spaulding, 2015. All Rights Reserved. ii Dedication To my best friend, my wife and everything in between, Nathacha. iii Acknowledgements I would like to thank Dr. Jeanne Garane whose guidance, suggestions and editing has helped me beyond belief. Thank you for your patience and willingness to help me pursue my interests. I would like to personally thank the following French experts on H. -
Sample File Sample File
t r345 VOLUME I + All About Monstres This volume contains dozens of new races and individual creatures for use with the Call of Cfhulhu roleplaying game. Included here are the following categories: Outer Gods, Elder Gods, Great Old Ones, Great Ones, Avatars, Servitor Races, Independent Races, Fabulous Creatures, and Unique Entities. These monstrous creations have been collected from fiction spanning over seventy years and from over ten years of favorite Call of Cfhulhu scenarios. The darkly imaginative work of a diverse group of authors is represented here. Where possible each entry begins with a quote describing the monster or entity. Where much about the creature is known, there may be an additional description. If discussing a god, Great One, or Great Old One, notice of any human cult comes next. Further notes discuss habit, habitat, or attack. An essential aid for players, investigators, and keepers. "They walk unseen and foul in lonely places where the 'I Words have been spoken and the RitesSample howled through file their Seasons. The wind gibbers with Their uoices and I the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not the forest or Scott David Aniolowski (prior to his apprehension by city behold the hand that smites." - HT Lovecraft minions of the Mythos) 3ALL OF CTHULHU is a roleplaying game based on GALL- OF CTHULHL 3haosium publishes many supplements and the novels and short stories of H. P. Lovecraft, the and its supp'ements have won accessories for CALL OF CTHULHU. About 30 founder of modern horror. -
Sample File Fiction Across Time and Space from Chaosium
The Hastur Cycle Tales of Hastur, the King in Yellow, and Carcosa Sample file Fiction Across Time and Space from Chaosium: The Antarktos Cycle Arkham Tales Atomic-Age Cthulhu (UPCOMING) The Book of Eibon The Complete Pegana Eldritch Chrome Extreme Planets Frontier Cthulhu The Hastur Cycle The Ithaqua Cycle A Long Way Home Madness on the Orient Express (UPCOMING) The Necronomicon Once Upon an Apocalypse (UPCOMING) Singers of Strange Songs Song of Cthulhu Steampunk Cthulhu (UPCOMING) The Strange Cases of Rudolph Pearson TalesSample Out of Innsmouth file The Tsathoggua Cycle Undead & Unbound R. W. Chambers’ The Yellow Sign (his complete weird fiction) Arthur Machen’s The Three Impostors & Other Tales Arthur Machen’s The White People & Other Tales Arthur Machen’s The Terror & Other Tales These, and more, can be found on our catalog at www.chaosium.com Chaosium Fiction The Hastur Cycle Second Revised Edition Tales That Created and Defined Dread Hastur, the King in Yellow, Nighted Yuggoth, and Dire Carcosa H. P. LOVECRAFT AMBROSE BIERCE JAMES BLISH JOSEPH PAYNE BRENNAN RAMSEY CAMPBELL LIN CARTER ROBERT W. CHAMBERS AUGUST DERLETH RICHARD A. LUPOFF ARTHUR MACHEN JAMES WADE SampleKARL EDWARD WfileAGNER SELECTED AND EDITED BY ROBERT M. PRICE COVER ART BY VICTOR MANUEL LEZA MORENO INTERIOR ART BY EARL GEIER A Chaosium Book 2014 The Hastur Cycle is published by Chaosium Inc. This book is copyrighted as a whole by Chaosium, Inc., ©1997, 2006, 2014; all rights reserved. “Carcosa” ©1981 by Richard L. Tierney; appers by permisison of the author. “The River of Night’s Dreaming” ©1981 by Stuart David Schiff for Whispers III; appears by permission of the author.