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Touchpoint: Dynamically Re-Routable Effects Processing As a Multi-Touch Tablet Instrument
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument Nicholas K. Suda Owen S. Vallis, Ph.D California Institute of the Arts California Institute of the Arts 24700 McBean Pkwy. 24700 McBean Pkwy. Valencia, California 91355 Valencia, California 91355 United States United States [email protected] [email protected] ABSTRACT Touchpoint is a multi-touch tablet instrument which pre- sents the chaining-together of non-linear effects processors as its core music synthesis technique. In doing so, it uti- lizes the on-the-fly re-combination of effects processors as the central mechanic of performance. Effects Processing as Synthesis is justified by the fact that that the order in which non-linear systems are arranged re- sults in a diverse range of different output signals. Be- cause the Effects Processor Instrument is a collection of software, the signal processing ecosystem is virtual. This means that processors can be re-defined, re-configured, cre- Figure 1. The sprawl of peripherals used to control IDM ated, and destroyed instantaneously, as a “note-level” mu- artist Tim Exile’s live performance. sical decision within a performance. The software of Touchpoint consists of three compo- nents. The signal processing component, which is address- In time stretching, pitch correcting, sample replacing, no- ed via Open Sound Control (OSC), runs in Reaktor Core. ise reducing, sound file convolving, and transient flagging The touchscreen component runs in the iOS version of Le- their recordings, studio engineers of every style are reg- mur, and the networking component uses ChucK. -
FW-1804 Firewire Audio-MIDI Interface
» D00846700A FW-1804 FireWire Audio-MIDI Interface SETUP GUIDE Contents Introduction ...............................2 About the FW-1804 .......................2 Monitor Mixing ...........................2 The IEEE 1394 Standard ...................2 Before Installing the Software ...............3 Installation (Windows 2000 and Windows XP) .....4 Installation (Mac OS X 10.2.8 and above).........6 Installation (Mac OS 9.2)......................7 Connections ...............................8 MIDI Connections ........................8 Analog Audio Connections .................8 Status Indicators .........................9 Clock Source Setting ......................9 Introduction About the FW-1804 • COMPUTER selects the signals from the DAW passed through the FireWire connection. The level of the signals from the computer is set using the master output control The FW-1804 provides your computer with high-quality of the DAW software and the two analog outputs may be audio facilities: eight channels of analog input and two of selected (using the software Control Panel) for output of output, with two channels of digital audio I/O through these signals. coaxial connections and eight channels of digital I/O through optical connections—at up to 96 kHz 24-bit. There • INPUTS selects the stereo mix of the analog, optical and are also two physical MIDI input and four physical output coaxial signals for monitoring. ports. • BOTH allows the computer signals to be monitored It is connected to the host computer using a single 6-pin to mixed with the input signals. 6-pin IEEE 1394 cable (supplied) that carries audio and Individual channels can be set to unity gain by pressing and MIDI information back and forth between the FW-1804 holding the computer's [Shift] key while clicking on the and the computer. -
United States Patent (19) 11 Patent Number: 6,157,976 Tien Et Al
USOO6157976A United States Patent (19) 11 Patent Number: 6,157,976 Tien et al. (45) Date of Patent: Dec. 5, 2000 54 PCI-PCI BRIDGE AND PCI-BUS AUDIO OTHER PUBLICATIONS ACCELERATOR INTEGRATED CIRCUIT PCI System Architecture, Tom Shanley/Don Anderson, 75 Inventors: Paul Tien, Fremont; Cheng-Yeuan 1995, pp. 381-382. Tsay, Pleasanton; Rsong-Hsiang Shiao, Fremont, all of Calif. Primary Examiner Ayaz R. Sheikh Assistant Examiner Rupal D. Dharia 73 Assignee: ESS Technology, Fremont, Calif. Attorney, Agent, or Firm-Gray Cary Ware & Freidenrich 57 ABSTRACT 21 Appl. No.: 09/074,657 A semiconductor device with an embedded PCI 2.1 com 22 Filed: May 6, 1998 pliant bridge provides expanded functionality as System 51511 Int. Cl. ............................. GO6F13FOO700; GO6F 13/38/ level implementationsp of a PCI-to-PCI bridge,9. and enhances 52 U.S. Cl. ............................ 710/129, 710/127, 710/64; the level of integration possible. The embedded PCI-to-PCI 345/435; 84/604; 84/621; 84/622; 84/647 bridge allows the creation of multi-function, multimedia 58) Field of Search 345/435: 710/127 add-on cards Supporting multiple devices. Multi-function, 710129,6484/602,604 621 622 647. multimedia Subsystems that provide audio, graphics, MPEG, s w is s s 454. 70425s etc., are mapped into a bridged-to PCI-bus that keeps Such s traffic off the main PCI-bus. The advantage for the system or 56) References Cited add-in card Vendor is that the various multimedia chips that are combined can come from different Sources, providing an U.S. PATENT DOCUMENTS optimized and highly customized combination of functions. -
Resonant Spaces Notes
Andrew McPherson Resonant Spaces for cello and live electronics Performance Notes Overview This piece involves three components: the cello, live electronic processing, and "sequenced" sounds which are predetermined but which render in real time to stay synchronized to the per- former. Each component is notated on a separate staff (or pair of staves) in the score. The cellist needs a bridge contact pickup on his or her instrument. It can be either integrated into the bridge or adhesively attached. A microphone will not work as a substitute, because the live sound plays back over speakers very near to the cello and feedback will inevitably result. The live sound simulates the sound of a resonating string (and, near the end of the piece, ringing bells). This virtual string is driven using audio from the cello. Depending on the fundamental frequency of the string and the note played by the cello, different pitches are produced and played back by speakers placed near the cellist. The sequenced sounds are predetermined, but are synchronized to the cellist by means of a series of cue points in the score. At each cue point, the computer pauses and waits for the press of a footswitch to advance. In some cases, several measures go by without any cue points, and it is up to the cellist to stay synchronized to the sequenced sound. An in-ear monitor with a click track is available in these instances to aid in synchronization. The electronics are designed to be controlled in real-time by the cellist, so no other technician is required in performance. -
Profire Lightbridge User Guide | 2 Introduction 1
34-in/36-out FireWire Lightpipe Interface User Guide English Table of Contents English . 2 Introduction . 2 What’s in the Box . 2 About ProFire Lightbridge . 3 ProFire Lightbridge Features . 4 System Requirements . 5 Controls and Connectors . 6 Front Panel . 6 Rear Panel . 7 Driver Installation . 8 Hardware Connections . 8 Audio . 8 MIDI . 9 Word Clock . 9 Using ProFire Lightbridge . 9 The Software Control Panel . 10 Hardware Page . 10 About Page . 13 Word Clock Synchronization . 14 Understanding Word Clock . 14 Specifications . 18 Warranty . 19 Warranty Terms . 19 Warranty Registration . 19 M-Audio ProFire Lightbridge User Guide | 2 Introduction 1 hank you for purchasing M-Audio’s ProFire Lightbridge interface. ProFire Lightbridge uses the ADAT optical T I/O standard to bring extensive digital connectivity to your studio. With its four ADAT optical inputs, four ADAT optical outputs, S/PDIF coaxial input and output, and stereo analog outputs, ProFire Lightbridge lets you connect a variety of devices to your FireWire-equipped digital audio workstation. Using the high-bandwidth, industry-standard FireWire (IEEE1394) protocol, ProFire Lightbridge gives your DAW up to 34 audio inputs and 36 outputs while connecting to your computer via a single cable. This makes it perfect for multi-channel transfers to and from external multitrack recorders. ProFire Lightbridge is also ideal for linking your DAW to an external digital mixer, or for connecting to another computer hosting soft synths and signal processors. This manual will explain the features and operation of ProFire Lightbridge. Even if you are an experienced recording enthusiast, please take a moment to read this guide and familiarize yourself with all of the unique features of your ProFire Lightbridge. -
User Manual Mellotron V - WELCOME to the MELLOTRON the Company Was Called Mellotronics, and the First Product, the Mellotron Mark 1, Appeared in 1963
USER MANUAL Special Thanks DIRECTION Frédéric BRUN Kévin MOLCARD DEVELOPMENT Pierre-Lin LANEYRIE Benjamin RENARD Marie PAULI Samuel LIMIER Baptiste AUBRY Corentin COMTE Mathieu NOCENTI Simon CONAN Geoffrey GORMOND Florian MARIN Matthieu COUROUBLE Timothée BÉHÉTY Arnaud BARBIER Germain MARZIN Maxime AUDFRAY Yann BURRER Adrien BARDET Kevin ARCAS Pierre PFISTER Alexandre ADAM Loris DE MARCO Raynald DANTIGNY DESIGN Baptiste LE GOFF Morgan PERRIER Shaun ELLWOOD Jonas SELLAMI SOUND DESIGN Victor MORELLO Boele GERKES Ed Ten EYCK Paul SCHILLING SPECIAL THANKS Terry MARDSEN Ben EGGEHORN Jay JANSSEN Paolo NEGRI Andrew CAPON Boele GERKES Jeffrey CECIL Peter TOMLINSON Fernando Manuel Chuck CAPSIS Jose Gerardo RENDON Richard COURTEL RODRIGUES Hans HOLEMA SANTANA JK SWOPES Marco CORREIA Greg COLE Luca LEFÈVRE Dwight DAVIES Gustavo BRAVETTI Ken Flux PIERCE George WARE Tony Flying SQUIRREL Matt PIKE Marc GIJSMAN Mat JONES Ernesto ROMEO Adrien KANTER Jason CHENEVAS-PAULE Neil HESTER MANUAL Fernando M RODRIGUES Vincent LE HEN (editor) Jose RENDON (Author) Minoru KOIKE Holger STEINBRINK Stephan VANKOV Charlotte METAIS Jack VAN © ARTURIA SA – 2019 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. -
US-16X08 Reference Manual
D01247020B US-16x08USB2.0 Audio Interface/Mic Preamp Reference Manual Before connecting this unit to a computer, you must download and install a dedicated driver. Contents 1 – Introduction ..............................................3 Windows 8 ....................................................................23 Features ..................................................................................3 Windows 7 ....................................................................23 Conventions used in this manual ..................................3 Mac OS X and iTunes ........................................................24 iOS ..........................................................................................24 2 – Names and functions of parts ..................4 Front panel ............................................................................4 9 – MIDI Implementation Chart ...................25 Rear panel ..............................................................................5 10 – Troubleshooting ...................................26 3 – Installation ................................................6 Troubleshooting ................................................................26 System requirements.........................................................6 11 – Specifications ........................................28 Windows ..........................................................................6 Specifications .....................................................................28 Mac OS X..........................................................................6 -
3.4.1 SPI - Serial Peripheral Interface
DIPLOMARBEIT Herr Axel Schneider Entwicklung einer updatefähigen Embedded-Linux-Hardwareplattform zum Einsatz in einer speziellen Gerätesteuerung Mittweida, 2012 Fakultät Elektro- und Informationstechnik DIPLOMARBEIT Entwicklung einer updatefähigen Embedded-Linux-Hardwareplattform zum Einsatz in einer speziellen Gerätesteuerung Autor: Herr Axel Schneider Studiengang: Elektrotechnik Schwerpunkt Energiesystemtechnik Seminargruppe: ET07wE-D Erstprüfer: Prof. Dr.-Ing. Thomas Beierlein Zweitprüfer: Dipl.-Ing. (FH) Jan Färber Einreichung: Mittweida, 17.08.2012 Bibliografische Angaben: Schneider, Axel: Entwicklung einer updatefähigen Embedded-Linux-Hardwareplatt- form für den Einsatz in einer speziellen Gerätesteuerung - 2012 – 74 Seiten, 43 Abbildungen, 13 Tabellen, 3 Anlagen , Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Elektro- und Informationstechnik Diplomarbeit, 2012 Referat: Das Projekt „Pfeifen-Orgel mit dynamischer Stimmung“ ist ein Steuerungssystem zur Verbesserung der Klangqualität einer Orgel. Das System besteht aus dezentralen Elementen und einer zentralen Steuerung. Diese Arbeit befasst sich mit der Entwicklung der zentralen Einheit, der Zentralen Ak- tor-Steuerung. Ihre Aufgabe umfasst grundlegend die Mikrocontroller gestützte Da- tenverarbeitung und Kommunikation über spezielle, im Projekt benötigte Peripherie. Für die an diese Arbeit angrenzende Entwicklung der Steuerungssoftware, verfügt die Hardwareplattform über ein angepasstes Embedded Linux. Inhaltsverzeichnis Inhaltsverzeichnis...............................................................................................I -
USB MIDI CONTROLLER INTRODUCTION This Is an Ultra-Compact MIDI Controller Which Serves to Control Music Software
USB MIDI CONTROLLER INTRODUCTION This is an ultra-compact MIDI controller which serves to control music software. It is equipped with 25/49/61 velocity-sensitive keys as well as 1 fader and 4 rotary controls. The controller connects both PC and Mac(OTG convertor cable is required for connecting to Mobile phone and Pad). You can do without a bulky power adapter as power supply is via the USB bus. It’s also available to download the full user manual and other setting instructions from http://en.worlde.com.cn/. 2 STEPS FOR KS TO WORK 1) Connect your KS to the computer by USB cable. 2) Open your DAW in your computer and select KS as your hardware controller in your DAW. Now you are ready to go. CONNECTING A COMPUTER Use the included USB cable to connect the USB MIDI controller to a USB2.0 port on your computer. The power will turn on. Select the KS as MIDI controller within your music software and you are ready to go. DEVICE SETUP IN SOFTWARE To select KS as a controller for your digital audio workstation (DAW): 1. Connect KS to your computer using a standard USB cable. (If you are connecting KS to a USB hub, make sure it is a powered hub. If another device with USB3.0 is connected to USB hub at the same time, KS will not work properly at this time.) 2. Open your DAW. 3. Open your DAW's Preferences, Options, or Device Setup, select KS as your hardware controller, and then close t hat window. -
USB MIDI CONTROLLER INTRODUCTION This Is an Ultra-Compact and Light-Weight MIDI Controller Which Serves to Control Music Software
USB MIDI CONTROLLER INTRODUCTION This is an ultra-compact and light-weight MIDI controller which serves to control music software. It is equipped with 25 velocity-sensitive keys, and 8 velocity-sensitive drum pads as well as 4 faders and 4 rotary controls. The controller connects both PC and Mac(OTG convertor cable is required for connecting to Mobile phone and Pad). You can do without a bulky power adapter as power supply is via the USB bus. The unit is supplied with a software editor which you can download from WORLDE website. The software editor will let you customize this USB MIDI controller to your own requirements. It’s also available to download the full user manual and other setting instructions from http://en.worlde.com.cn/. 3 STEPS FOR PANDAMINI TO WORK 1) Connect your PANDAMINI to the computer by USB cable. 2) Download the software editor from the download page of WORLDE website and customize all editable controllers, and create, save and load presets. 3) Open your DAW in your computer and select PANDAMINI as your hardware controller in your DAW. Now you are ready to go. CONNECTING A COMPUTER Use the included USB cable to connect the USB MIDI controller to a USB2.0 port on your computer. The power will turn on and the scene LED will light up. Select the PANDAMINI as MIDI controller within your music software and you are ready to go. FIRST STEPS WITH THE EDITOR The editor will let you customize all editable controllers, and create, save and load presets. -
Apogee Ensemble Thunderbolt Audio Interface
Apogee Ensemble Thunderbolt Audio Interface User’s Guide Fall 2014 Contents Overview!...........................................................................................................5 Introduction!................................................................................................................5 Features!.......................................................................................................................5 Package Contents!......................................................................................................6 Ensemble Thunderbolt Panel Tour!...........................................................................7 Front Panel!.................................................................................................................7 Rear Panel!..................................................................................................................8 Display!........................................................................................................................9 Input Settings Display Screen!..................................................................................9 Getting Started!...............................................................................................10 Precautions when powering Ensemble On/Off!......................................................10 Thunderbolt Notes!....................................................................................................10 Ensemble Software!..................................................................................................11 -
User's Guide M-Audio Ozone
M-Audio Ozone version: MA-Ozone_052803 User’s Guide Introduction . .2 M-Audio Ozone Features . .2 M-Audio Ozone Overview . .2 What’s in the Box . .3 Guide to Getting Started . .4 M-Audio Ozone Panel Features . .4 Top Panel . .4 Rear Panel . .6 M-Audio Ozone Driver Installation . .7 Driver Installation for Windows . .7 Windows XP: . .8 Windows 2000: . .12 Windows ME: . .16 Windows 98SE: . .18 M-Audio Ozone and the Windows Sound System . .23 Macintosh Driver Installation . .23 OMS Installation . .24 M-Audio Ozone Driver Installation . .24 OMS Configuration (Mac OS9 only) . .25 M-Audio Ozone and the Mac OS 9 Sound Manager . .27 M-Audio Ozone and Mac OS X . .27 The M-Audio Ozone Control Panel . .28 Application Software Setup . .30 M-Audio Ozone Hardware Installation . .31 M-Audio Ozone Audio Setup and Control . .31 Using the Mic and Instrument Inputs . .33 Setting Input Gain . .34 Phantom Power . .34 Using the Aux Inputs . .35 Using Direct Monitor . .36 M-Audio Ozone MIDI Setup and Control . .37 MIDI Functions In Standalone Mode . .39 Utilizing the Programming Assignment Keys . .39 Technical Support & Contact Information . .44 M-Audio Ozone Warranty Information . .45 M-Audio Ozone Technical Specifications . .46 Appendix A - MIDI Controller Information . .47 Appendix B - M-Audio Ozone Block Diagram . .48 Introduction Congratulations on your purchase of the M-Audio Ozone. The M-Audio Ozone is an innovative product—a powerful combination of MIDI controller and audio interface with microphone and instrument preamps that will turn your computer into a virtual music production studio. You may use your M-Audio Ozone in conjunction with a USB-equipped PC or Macintosh computer and appropriate music software to enter a full range of MIDI note and controller information, as well as record and play back your voice, guitar, or external sound modules.