Structures of Representation: Metaphor and Mimesis in Jacques Derrida's Glas Hubble, Rebecca Louise The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/1836 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact
[email protected] Structures of Representation: Metaphor and Mimesis in Jacques Derrida's Glas Rebecca Louise Hubble June, 2003 Queen Mary College, University of London Research Degree Abstract This thesis is an explication of Glas, a text which reflects Derrida's profound respect for the Hegelian dialectic, a structure in which each part has and knows its place. But Glas also works to expose a fundamental contamination between Hegelian conceptuality and those elements of textuality which the dialectic seeks to subordinate to, or expel from, itself. One such area of contamination is that of representation. For while Hegel determines representation as (the) outside of truth, Derrida demonstrates that this very determination is in fact structured and instituted by those `outsides.' One such `outside' is that of family relations, which Hegel utilises as a metaphor for the relations of the dialectic in general. The question Derrida raises is whether this recourse to the family metaphor is a matter of pedagogy and exemplarity, or whether it conforms to a more fundamental necessity? This question forms the focus of Chapters One and Two of this thesis, which explore Derrida's reading of the Hegelian family as both a moment on the path to absolute knowledge and as a metaphor whose capacities disrupt and re-write the concept of metaphoricity.