Ruth Duckworth Resume
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College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation. -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016
YA L E U N I V E R S I T Y A R T PRESS For Immediate Release GALLERY RELEASE August 12, 2015 EXHIBITION RE-EXAMINES THE ROLE THAT CLAY HAS PLAYED IN ART MAKING DURING THE SECOND HALF OF THE 20TH CENTURY The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016 August 12, 2015, New Haven, Conn.—Over the last 25 years, Linda Leonard Schlenger has amassed one of the most important collec- tions of contemporary ceramics in the country. The Ceramic Presence in Modern Art features more than 80 carefully selected objects from the Schlenger collection by leading 20th-century artists who have engaged clay as an expressive medium—including Robert Arneson, Hans Coper, Ruth Duckworth, John Mason, Kenneth Price, Lucie Rie, and Peter Voulkos—alongside a broad array of artworks created in clay and other media from the Yale University Art Gallery’s perma- nent collection. Although critically lauded within the studio-craft movement, many ceramic pieces by artists who have continuously or periodically worked in clay are only now coming to be recognized as important John Mason, X-Pot, 1958. Glazed stoneware. Linda Leonard Schlenger Collection. © John Mason and integral contributions to the broader history of modern and contemporary art. By juxtaposing exceptional examples of ceramics with great paintings, sculptures, and works on paper and highlighting the formal, historical, and theoreti- cal affinities among the works on view, this exhibition aims to re-examine the contributions of ceramic artists to 20th- and 21st-century art. -
Focus Self Critique
CERAMICS MONTHLY focus MONTHLY self critique August/September 2006 h $ 7 . 5 0 ( C an$ 9 , 6 . 5 0 ) w w w . ceramicsmonthly . org focus self critique AUGUST/SEPTEMBER 2006 $ 7 . 5 0 ( C an$ 9 , E6 . 5 0 ) w w w . ceramicsmonthly . org AS 06 Front_Cover.indd 2 7/14/06 11:07:42 AM AS 06 Covers.indd 2 7/13/06 8:14:45 PM Ceramics Monthly August/September 2006 1 AS 06 001_017.indd 1 7/13/06 6:35:03 PM MONTHLY Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Renée Fairchild assistant editor Jennifer Poellot technical editor Dave Finkelnburg publisher Charles Spahr Advertising/Classifi eds [email protected] (614) 794-5809 fax: (614) 891-8960 classifi[email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production design Paula John Editorial and advertising offices 735 Ceramic Place, Suite 100 Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Tom Coleman; Studio Potter, Nevada Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Don Pilcher; Potter and Author, Illinois Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and September, by The American Ceramic Society, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081; www. ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
OSSI ~ but GAS KILNS from 2 Cu
I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but . -
Dodo Anda 2019.Pdf (2.296Mb)
Contemplations in the natural landscape: Unearthing the surface in the ceramic vessels of Anda Dodo. Anda Dodo 211547819 Supervisor: Mrs Michelle Rall 838290 Dissertation submitted in partial fulfilment of the requirements for the degree of Master of Art in Fine Art, Centre for Visual Art, University of KwaZulu-Natal; Pietermaritzburg (October 2019) i Contemplations in the natural landscape: Unearthing the surface in the ceramic vessels of Anda Dodo. Anda Dodo ii iii Acknowledgements and thanks Firstly, I would like to specifically acknowledge the invaluable financial support offered to me through the Rita Strong Scholarship and the GC Weightman-Smith Scholarship. I would like to convey my sincere thanks to the following people: • My supervisor, Michelle Rall, I am eternally grateful for your patience and guidance through this entire journey • Professor Ian Calder whose advice has never led me astray • I would like to thank staff and colleagues at the CVA for their support and guidance • Close friends and confidants; Natasha Hawley, Jessica Steytler, Georgina Calder, Anita Dlamini, Noxolo Ngidi, Ayanda Mthethwa-Siwila, Alicia Madondo, Siziphiwe Shoba, Dexter Sagar and Sinenhlanhla Memela your friendship means everything • My siblings and parents who continue to support me, I thank you for being a positive presence in my life iv This dissertation is dedicated to my late khulu Mrs Zandile Mvusi, may your presence forever guide me. v Abstract This Practice-Based Masters research project comprises this written dissertation together with the creative studio practice of Anda Dodo. The focus of this qualitative research is non- utilitarian nature-inspired ceramic vessels. The theoretical framework of PBR and heuristic inquiry, which positions Dodo at the centre of her research and foreground her insights as a research practitioner, are used together with interrelated theories. -
National Endowment for the Arts Annual Report 1979
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac of access for all Araericans to the best in art- tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles. -
Oral History Interview with Norma Minkowitz
Oral history interview with Norma Minkowitz Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Norma Minkowitz AAA.minkow01 -
Robert Winokur - Philadelphia Ceramic Artist - Resume
12/27/2014 Robert Winokur - Philadelphia Ceramic Artist - Resume P O R T F O L I O S T A T E M E N T R E S U M E C O N T A C T View Abbreviated Resume Born December 24, 1933. Brooklyn, New York. Education Graduate 1958 M.F.A., S.U.N.Y. College of Ceramics Alfred University, Alfred, NY Undergraduate 1956 B.F.A., Tyler School of Art of Temple University Teaching Experience 1966-2005 Tyler School of Art, Temple University 1988-91 Crafts Department Chairman, Tyler School of Art, Temple University, Philadelphia, PA 1979-82 Crafts Department Chairman, Tyler School of Art, Temple University, Philadelphia, PA 1975-present Ceramics Area Coordinator 1958-63 North Texas State University, Denton, TX. Ceramics, Design, Art History. Business Experience 1964-66 Owned and operated Cape Street Pottery in Ashfield, MA. Paula Winokur and I produced handmade, one-of-a-kind, utilitarian, functional stoneware pottery for a living. Professional Organizations 1990-1992 Co-Chair, The Philadelphia Ceramic Consortium and executive officer of Clay in Philadelphia '92. Funded by a grant from the Pew Charitable Trusts. On-site program chair for The National Council on Education in the Ceramic Arts for their 26th national conference held at the Franklin Plaza Hotel, March 4 to 7. Theme: "Old Worlds/New Worlds." 1985-present The Clay Studio. Advisory board of a non-profit organization dedicated to the promotion and encouragement of excellence in the ceramic arts, Philadelphia. 1976-present Philadelphia Ceramic Speakers Consortium, Chairman and Director 1975 Program Chairman, annual national meeting N.C.E.C.A. -
Museum of Arts and Design to Present Annual Visionaries! Awards at Its Mad Ball on November 11, 2014
MUSEUM OF ARTS AND DESIGN TO PRESENT ANNUAL VISIONARIES! AWARDS AT ITS MAD BALL ON NOVEMBER 11, 2014 The Evening Will Honor Artist Michael Aram, Artist Richard Dupont, Gallerist and Collector Barry Friedman and Design House Ligne Roset NEW YORK, NY (October 29, 2014) – On Tuesday, November 11, 2014, the Museum of Arts and Design will host the 2014 MAD Ball, celebrating four influential creators and leaders in the art, craft and design industries, whose work personifies the Museum’s mission to explore and celebrate contemporary making and skilled craftsmanship across all media: Michael Aram, artist and founder of Michael Aram, Inc., which is celebrating its 25th anniversary in 2014. Artist Richard Dupont, in recognition of his remarkable innovations in the arts and the field of digital design. Barry Friedman, who for the last 50 years as gallerist and collector has dealt with art and artists from the late 19th century to the present. Ligne Roset in honor of the more than 150 years of the company’s rich design heritage and dedication to craftsmanship. This year’s Visionaries! Awards will celebrate a year of exciting leadership with new Director Glenn Adamson. Reflecting MAD’s mission to celebrate innovation and excellence across all creative disciplines, MAD is honoring a range of artists, designers and artisans, as well as the enterprises and patrons who support them. “It’s an honor for the museum to award such leaders and creators, who epitomize MAD’s commitment to contemporary craftsmanship, innovation and creativity,” said Lewis Kruger, Chairman of the Board of the Museum. “The outstanding achievements of this year's honorees have influenced the creative world at large and will continue to reverberate in our everyday lives.” The Museum commissioned artist Miriam Ellner to create the awards this year.