A-Chronicle-Of-Modern-Crafts-Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation. -
Sailor 1911 KOP Ad Out
Superlatives BY BARRY GABAY Appropriate Here Writing instruments from AP Limited Editions are a blend of influences and techniques, reflecting our multicultural world. Top two rows—examples of AP Limited Editions urushi and maki-e writing instruments. Bottom two rows—the company’s work in Russian lacquer art. >>>>>>>>>>>>>>>>>>>> 46 e must reserve the use of adjectives for them to have any meaning or substance. WWe hear “amazing” countless times—so often, in fact, that it has entirely lost its original meaning of “being overwhelmed by sudden surprise.” Today, the word merely signifies “very good.” I hesitate to make the claim that follows, but from a long lifetime of usage, I have encountered a fair number of fountain pens. So here goes: the pens offered for the eyes of all and the hands of a fortunate few by AP Limited Editions are among the most beautiful and functional pens in the world. Period. Approaching an AP Limited Editions pen is entirely different from grabbing a favorite daily writer; but these gallery-quality art pens are meant to be used. Anuj and Smita Poddar, founders and owners of AP, are serious pen users and collectors and want to share both those aspects of writing culture. Why should a luxury model intended for writing sit unused on a shelf? The fountain pens and rollerballs produced by AP Limited Editions are among the greatest in their category, a realm that merges fine art and utility. These pens are exquisite but are also meant for writing. The fountain pens are eyedropper or cartridge/converter fillers (with new bulk fillers recently released) fitted with 18 karat gold nibs in a wide range of grades from Bock, the famed German nib maker. -
Urushi Selection of Shikki from Various Regions of Japan Clockwise, from Top Left: Set of Vessels for No
Discovering Japan no. 25 Special Feature Japan’s Decorative Art of Urushi Selection of shikki from various regions of Japan Clockwise, from top left: set of vessels for no. pouring and sipping toso (medicinal sake) during New Year celebrations, with Aizu-nuri; 25 stacked boxes for special occasion food items, with Wajima-nuri; tray with Yamanaka-nuri; set of five lidded bowls with Echizen-nuri. Photo: KATSUMI AOSHIMA contents niponica is published in Japanese and six other languages (Arabic, Chinese, English, French, Russian and Spanish) to introduce to the world the people and culture of Japan today. The title niponica is derived from “Nippon,” the Japanese word for Japan. 04 Special Feature Beauty Created From Strength and Delicacy Japan’s Decorative Art 10 Various Shikki From Different of Urushi Regions 12 Japanese Handicrafts- Craftsmen Who Create Shikki 16 The Japanese Spirit Has Been Inherited - Urushi Restorers 18 Tradition and Innovation- New Forms of the Decorative Art of Urushi Cover: Bowl with Echizen-nuri 20 Photo: KATSUMI AOSHIMA Incorporating Urushi-nuri Into Everyday Life 22 Tasty Japan:Time to Eat! Zoni Special Feature 24 Japan’s Decorative Art of Urushi Strolling Japan Hirosaki Shikki - representative of Japan’s decorative arts. no.25 H-310318 These decorative items of art full of Japanese charm are known as “japan” Published by: Ministry of Foreign Affairs of Japan 28 throughout the world. Full of nature's bounty they surpass the boundaries of 2-2-1 Kasumigaseki, Souvenirs of Japan Chiyoda-ku, Tokyo 100-8919, Japan time to encompass everyday life. https://www.mofa.go.jp/ Koshu Inden Beauty Created From Writing box - a box for writing implements. -
Program 1St Day June 25, 2016
Program 1st day June 25, 2016 9:30~ Open 10:25~10:35 Opening Address (◎ Principal investigator, Presenter ○ Presenter) Session Ⅰ The chairman: AKIYAMA Junko (Kyushu National Museum), WADA Hiroshi (Tokyo National Museum) 10:40~11:00 A gas-phase conservation process of acidic papers using ethanolamines ◎ OKAYAMA Takayuki (Tokyo University of Agriculture and Technology), IWABUCHI Masayuki (Tokyo University of Agriculture and Technology) 11:00~11:20 Research on Gaseous Ammonia in an Exhibition Room of Museum Measured by Gas Detector Tube ◎ SUGIZAKI Sahoe (Fukushima Museum), YAMAZAKI Masahiko (Komyo Rikagaku Kogyo K.K.), MATSUDA Takatsugu (Tohoku Gakuin University) 11:20~11:40 Deformation of packing foam under carbon dioxide treatment ◎ FUTAMATA Satoshi (NIPPON EKITAN Corporation), HIDAKA Shingo (National Museum of Ethnology), SUEMORI Kaoru (National Museum of Ethnology), WADAKA Tomomi (LLC Bunkasozokougei), KAWAMURA Yukako (Gangoji Institute for Research of Cultural Property), HASHIMOTO Sachi (Gangoji Institute for Research of Cultural Property), YOSHIMURA Kenji (NIPPON EKITAN Corporation) 11:40~12:00 Investigation of pest control for medical inheritance: The research of Koan Ogata's medicine chest ◎ TAKAURA-SHIMADA Kayoko (The Museum of Osaka University), TAKAHASHI Kyoko (The Museum of Osaka University), OGURI Kazuki (Graduate School of Pharmaceutical Sciences, Osaka University), MURATA Michihito (Graduate School of Letters, Osaka University) 12:00~13:00 Lunch break 13:00~14:00 Poster session Session Ⅱ The chairman: ARAI Kei (Tokyo University -
Ruth Duckworth Resume
RUTH DUCKWORTH RESUME 1919 - 2009 • List of works • Biography • CV • Exhibitions Solo Exhibitions 2012 Erskine, Hall & Coe Gallery, London, UK 2010 Bellas Artes, Santa Fe, New Mexico, USA 2009 Ruthin Craft Centre, Wales, UK 2006 Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C., USA Long Beach Museum of Art, Long Beach, California, USA The Minneapolis Institute of Arts, Minneapolis, Minnesota, USA 2005 Museum of Arts and Design, New York, USA Cultural Center of Chicago, Chicago, Illinois, USA Daum Museum of Contemporary Art, Sedalia, Missouri, USA Cranbrook Art Museum, Bloomfield Hills, Michigan, USA Garth Clark Gallery, New York, USA 2004 Bellas Artes, Santa Fe, New Mexico, USA 2003 Union League Club of Chicago, Chicago, Illinois, USA 2002 Garth Clark Gallery, New York, USA 2000 Bellas Artes, Santa Fe, New Mexico, USA Galerie b15, Munich, Germany 1999 Garth Clark Gallery, New York, USA 1996 Garth Clark Gallery, New York, USA Bellas Artes Gallery, Santa Fe, New Mexico, USA 1994 Dorothy Weiss Gallery, San Francisco, California, USA Schleswig-Holsteinische Landesmuseum, Rendsburg, Germany 1993 Bellas Artes Gallery, Santa Fe, New Mexico, USA Keramik-Galerie Bowig, Hannover, Germany 1992 Dorothy Weiss Gallery, San Francisco, California, USA Pewabic Gallery, Detroit, Michigan, USA 1991 Garth Clark Gallery, New York, USA Bellas Artes Gallery, Santa Fe, New Mexico, USA 1990 Garth Clark Gallery, New York, USA 1989 Dorothy Weiss Gallery, San Francisco, California, USA 1987 Society of Art and Crafts, Pittsburgh, Pennsylvania, -
Craft Horizons AUGUST 1973
craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad. -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
Artifacts of Diplomacy: Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854) CHANG-SU HOUCHINS SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 37 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through trie years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review. -
The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016
YA L E U N I V E R S I T Y A R T PRESS For Immediate Release GALLERY RELEASE August 12, 2015 EXHIBITION RE-EXAMINES THE ROLE THAT CLAY HAS PLAYED IN ART MAKING DURING THE SECOND HALF OF THE 20TH CENTURY The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery September 4, 2015–January 3, 2016 August 12, 2015, New Haven, Conn.—Over the last 25 years, Linda Leonard Schlenger has amassed one of the most important collec- tions of contemporary ceramics in the country. The Ceramic Presence in Modern Art features more than 80 carefully selected objects from the Schlenger collection by leading 20th-century artists who have engaged clay as an expressive medium—including Robert Arneson, Hans Coper, Ruth Duckworth, John Mason, Kenneth Price, Lucie Rie, and Peter Voulkos—alongside a broad array of artworks created in clay and other media from the Yale University Art Gallery’s perma- nent collection. Although critically lauded within the studio-craft movement, many ceramic pieces by artists who have continuously or periodically worked in clay are only now coming to be recognized as important John Mason, X-Pot, 1958. Glazed stoneware. Linda Leonard Schlenger Collection. © John Mason and integral contributions to the broader history of modern and contemporary art. By juxtaposing exceptional examples of ceramics with great paintings, sculptures, and works on paper and highlighting the formal, historical, and theoreti- cal affinities among the works on view, this exhibition aims to re-examine the contributions of ceramic artists to 20th- and 21st-century art. -
Focus Self Critique
CERAMICS MONTHLY focus MONTHLY self critique August/September 2006 h $ 7 . 5 0 ( C an$ 9 , 6 . 5 0 ) w w w . ceramicsmonthly . org focus self critique AUGUST/SEPTEMBER 2006 $ 7 . 5 0 ( C an$ 9 , E6 . 5 0 ) w w w . ceramicsmonthly . org AS 06 Front_Cover.indd 2 7/14/06 11:07:42 AM AS 06 Covers.indd 2 7/13/06 8:14:45 PM Ceramics Monthly August/September 2006 1 AS 06 001_017.indd 1 7/13/06 6:35:03 PM MONTHLY Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Renée Fairchild assistant editor Jennifer Poellot technical editor Dave Finkelnburg publisher Charles Spahr Advertising/Classifi eds [email protected] (614) 794-5809 fax: (614) 891-8960 classifi[email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production design Paula John Editorial and advertising offices 735 Ceramic Place, Suite 100 Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Tom Coleman; Studio Potter, Nevada Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Don Pilcher; Potter and Author, Illinois Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and September, by The American Ceramic Society, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081; www. ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
OSSI ~ but GAS KILNS from 2 Cu
I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but .