Katherine Thomson
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Charles Darwin University Screening East Timorese Women and History
Charles Darwin University Screening East Timorese Women and History in Timor-Leste's Beatriz's War Hearman, Vannessa Published in: Gender and History DOI: 10.1111/1468-0424.12380 Published: 01/10/2018 Document Version Early version, also known as pre-print Link to publication Citation for published version (APA): Hearman, V. (2018). Screening East Timorese Women and History in Timor-Leste's Beatriz's War. Gender and History, 30(3), 786-802. https://doi.org/10.1111/1468-0424.12380 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 This is the pre-peer reviewed version of the following article: Hearman, V. (2018), Screening East Timorese Women and History in Timor‐Leste's Beatriz's War. Gender & History, 30: 786-802. doi:10.1111/1468-0424.12380, which has been published in final form at https:// doi.org/10.1111/1468-0424.12380. -
North of 60” How It All Began
“North of 60” How It All Began By Larry Busch S/Sgt. (ret) (All writings and terminology used in this article reflect the terminology of the day.) _____ ___________________________ December, 2017 marked the 25th anniversary of CBC (Canadian Broadcasting Corporation) TV’s “North of 60” . It aired on Thursday nights from 1992 to 1997 with a rating© Larry of 1.2 to 1.4Busch million viewers. It was syndicated around the world and was seen in over 100 countries. North of 60 was a television mini-series which followed the daily policing activities of a white male RCMP officer and a native female RCMP officer set in a th small, predominantly nativeDO community NOT northCOPY of Canada’s 60 parallel. It was comprised of 90 one-hour episodes shown over a period of six years, after which there were five television movies. It was set in the fictional native community of Lynx River in the North West Territories. for posting Tina Keeper played the RCMPon nativegiven constable, John Oliver initially played the Corporal and ToPermissim Jackson played the band chief and the native constable’s brother. on wintertime.com only “Lynx River North West Territories, 150 people, 33 dogs, a great looking nurse and a lousy motel.” North of 60, Episode One, (Pilot) “North of 60”, Dec 1992 Its fan base was not just indigenous peoples and northern communities, it also enjoyed a large police following as well. North of 60’s six seasons garnered 50 Gemini nominations and 5 awards. For a complete list these of nominations and awards, as well as complete list of all episodes, cast and photos, I recommend you visit Patti Winter’s North of 60 website, www.wintertime.com/OH/nof60.html The television series was a joint venture with Alberta Filmworks and Alliance and later Atlantis Alliance. -
Annual Report 2005-2006: Part 3 – ABC Divisions
66 part of everyday life 67 “Virtually all of [Radio National’s] The Health Report with Norman programs you can access via Swan appeals to both specialist and mainstream audiences, setting their website as streaming health and medicine within social, radio or podcasts.” scientific and political contexts. It is broadcast on ABC Radio National Anthony D, Castlemaine, Victoria at 8.30am Mondays and both repeated and podcast. “The key thing is how much As more programs become [triple j has] influenced my life” available for podcasting and David G, Morisset, NSW vodcasting, listeners can catch the ABC programs that cater for their particular interests at times that suit their particular lifestyles. Collectors (8pm Friday ABC Television) Collecting is addictive whether it’s art deco or bottle tops. More than a showcase for collectables, this program offers practical hints and is an extraordinary expose of people’s curious habits and obsessions. At the Movies (10pm Wednesday on ABC Television and repeated) Margaret Pomeranz and David Stratton combine a passion for cinema with decades of movie- going and an encyclopaedic knowledge of film history. Philosopher’s Zone (1.30pm Saturday on ABC Radio National, repeated and podcast) Presented by Alan Saunders, who studied Philosophy in Britain and at the Australian National University, 6:30pm the program looks at the world of philosophy and at walking the dog to the world through philosophy— both the simple questions of life The Health Report podcast and perplexing issues in contemporary society. 68 Sue Howard Director of Radio A passion for the wireless became a career when Sue Howard joined the ABC in 1986. -
Coming Events Year
NATIONAL PRESIDENT’S REPORT – Andrew Kendall 2016 will be a positive year for the Australian Bravery Association, building on the success of last Coming events year. Vic/Tas Bravery Reunion: Mildura th th 10 – 12 June 2016 ABA 2016 National Conference – CanBerra The Australian Bravery Association started the year well with a • Mildura Rural City Council successful National Conference in Canberra from 12 to 15 February. Welcome Reception • Murray River Cruise The highlight of the conference was the Service of Remembrance at • Bravery Assoc. Dinner Government House, Yarralumla on the Sunday morning. It was a • Mildura Markets wonderful time for prayer and reflection in the Bravery Garden. • Farewell Casserole lunch Singing “That Day”, the ABA song, to conclude the service was a • Your RSVPs to Mildura moving experience for all. The presentation of the Geoff Boyce Brave Council & Coralee for Youth of the Year Award to Calyn Hoad BM by Associate Professor catering and bookings ASAP Geoff Boyce (ABA Honorary Surgeon) at the end of the ceremony was • Book your accommodation also very special. We were all very fortunate to share our time For more information check your together in Canberra with Calyn and his family. posted invite or go to the ABA website. It was also a pleasure to award the Dennis Lever BM Perpetual Memorial Trophy to Chaplain Jim Cosgrove, ABA Honorary Chaplain, Queensland: Surfers Paradise for his outstanding service to the Australian Bravery Association 14th – 16th OctoBer 2016 throughout 2015. The padre has a genuine interest in all members of the association and supporting our needs. Mark on your calendar and book your early flights. -
FICÇÕES HISTÓRICAS DE TIMOR-LESTE: TEMPO, VIOLÊNCIA E GÊNERO NA PRODUÇÃO FÍLMICA PÓS-INDEPENDÊNCIA Afro-Ásia, Núm
Afro-Ásia ISSN: 0002-0591 ISSN: 1981-1411 Universidade Federal da Bahia De Lucca, Daniel FICÇÕES HISTÓRICAS DE TIMOR-LESTE: TEMPO, VIOLÊNCIA E GÊNERO NA PRODUÇÃO FÍLMICA PÓS-INDEPENDÊNCIA Afro-Ásia, núm. 61, 2020, Janeiro-Junho, pp. 270-320 Universidade Federal da Bahia DOI: https://doi.org/10.9771/aa.v0i61.27479 Disponível em: https://www.redalyc.org/articulo.oa?id=77065180008 Como citar este artigo Número completo Sistema de Informação Científica Redalyc Mais informações do artigo Rede de Revistas Científicas da América Latina e do Caribe, Espanha e Portugal Site da revista em redalyc.org Sem fins lucrativos acadêmica projeto, desenvolvido no âmbito da iniciativa acesso aberto FICÇÕES HISTÓRICAS DE TIMOR-LESTE: TEMPO, VIOLÊNCIA E GÊNERO NA PRODUÇÃO FÍLMICA PÓS-INDEPENDÊNCIA Daniel De Lucca Universidade da Integração Internacional da Lusofonia Afro-Brasileira o ano de 2017, o seriado norte-americano Madam Secretary iniciou sua quarta temporada com um episódio cujo enredo gravita em Ntorno de Timor-Leste. Ambientada nas questões da política inter- nacional norte-americana, a série conta a história de Elizabeth McCord, loira, esposa, mãe de três filhos e Secretária de Estado dos Estados Unidos. As ações da protagonista articulam os interesses de Washington para conter a presença chinesa na Ásia e no Pacífico, e a série sugere que a paz vivida em casa é garantida graças aos conflitos e negociações que ocorrem no exterior. O capítulo que abriu a quarta temporada retratou Timor-Leste como um país controlado por um cartel de drogas mexicano que usa o território como um centro de distribuição. No episódio, o vice-ministro dos negócios estrangeiros de Timor-Leste busca ajuda da protagonista, mas é assassinado no prédio da assembleia geral da Organização das Nações Unidas (ONU). -
Friends with Benefits a Report on Australia’S International Co-Production Program Australia’S Co-Production Program Has Resulted in 132 Co-Productions to Date
Friends with benefits A report on Australia’s International Co-production Program Australia’s co-production program has resulted in 132 co-productions to date. canada, the UK and france represent the highest level of activity. feature films make up the largest proportion and have been the most consistently produced format. However, children’s programs – animation in particular – have increased since the mid-1990s. © Screen Australia 2012 ISBN: 978-1-920998-18-9 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Friends with benefits: A report on Australia's International Co-production Program. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/by-nc- nd/3.0/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this report. Screen Australia is grateful to all those that contributed data to the compilation of this report. The data provided in this survey has been drawn from a number of sources. Screen Australia has undertaken all reasonable measures to ensure its accuracy and therefore cannot accept responsibility for inaccuracies and omissions. Cover picture: Bright Star (feature, Australia/UK) screened in Competition at Cannes in 2009, and had multiple international festival screenings including Pusan, Telluride and Toronto. -
Women in Confinement by María Morrett
THE TWB INTERNATIONAL PLAY CATALOGUE Women in Confinement by María Morrett Women in Confinement (Mujeres en el encierro) by María Morett, explores the notion of female confinement as a labyrinth formed by social, cultural, and archetypal structures of repression. The play focuses on the particular social contract that exists in the microcosm set off from the society-at-large by prison walls, comprised solely of women living “on the edge.” Inspired by Morett’s work as an acting teacher in the women’s prisons of Mexico City, Women in Confinement reflects its author’s six years of research inside and outside the penal systems of Mexico and Colombia. While speaking to and for all “women in confinement,” Morett’s play directly addresses the ongoing struggle of women living in societies with a strong sexist ethos–societies which, although beginning to grant “space” to women, continue to keep them confined–and illuminates the condition of the Latin American woman who, in the family and workplace, confronts a complex web of social archetypes which shape her personal and professional relationships. María Morret is a playwright and theater director, fFounder and Artistic Director from Me xihc co teatro and Proyecto Ariadna. She studied with Julio Castillo, Juan José Gurrola, Luis de Tavira, Alejandro Luna, Ludwik Margules, Oswaldo Dragún, Hugo Arguelles and Maria Irene Fornés. She has the Bachelor of Communications by the UNUM and a Certificate in Theater Direction and production by the National School of Theater in México . She has been a member of the Lincoln Center Directors’ Lab from New York since 2000. -
East Timorese in Melbourne: Community and Identity in a Time of Political Unrest in Timor-Leste
East Timorese in Melbourne: Community and Identity in a Time of Political Unrest in Timor-Leste HEDDA HAUGEN ASKLAND Cand Mag MSocSc Thesis submitted for the degree of PhD (Sociology and Anthropology) July 2009 School of Humanities and Social Science The University of Newcastle, NSW STATEMENT OF ORIGINALITY This thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. Signed:.................................................................................................................................... Date:....................................................................................................................................... ii ACKNOWLEDGEMENTS Dili, May 2006 —We are driving. I am sitting next to Señór Santos, the father of the family I have been staying with over the past two months. The silence between us echoes the silence of the dusty streets outside the car. For days, we have been watching people passing the compound where we live in cars packed to the brim. Anxious and frightened, they have fled an unknown enemy, an unknown danger. Dili is empty. The silence fuels the tension that has been building. I look at Señór Santos. I wonder what he thinks; how does he feel about his country yet again being marked by violence? How does he feel about his family being forced to flee and once more live with the uncertainty that violence brings? For the past few weeks, we have had our bags packed, ready to flee to the hills if the violence intensifies. -
BEATRIZ's WAR East Timor
East Timor’s first feature film BEATRIZ’S WAR (A GUERRA DA BEATRIZ) PRESS KIT A love story written in blood. www.aguerradabeatriz.com BEATRIZ’S WAR A country’s first film This astonishing first film from East Timor was made guerrilla style by the men and women who fought in the armed resistance and the clandestine movement during the small country’s twenty-four year long war with Indonesia. The film is the story of one woman’s passion for independence and justice, both for her nation and for her soul. Beatriz’s husband Tomas is arrested after the Timorese resistance attacks Indonesian troops in the village of Kraras. In retribution for the attack the Indonesians massacre the entire male population of Kraras. Tomas disappears during the massacre but his body is not found. Beatriz then takes command of the ‘village of widows’ and holds on desperately to the hope that her husband is alive. 2 Press Kit ‘A GUERRA DA BEATRIZ’ (BEATRIZ’S WAR) 2014 FairTrade Films Pty Ltd BEATRIZ’S WAR Beatriz becomes a leader and organises clandestine activities against the Indonesian soldiers that live in the village and run it like a prison camp, forcing Timorese women to live as comfort wives or face brutal retribution against their children or family. Following East Timor’s historic vote for independence Beatriz inspires the other women in the village to move on with their lives, to shed their grief and their mourning clothes. But Beatriz continues to wear black and refuses to let go of the past or to put to rest the horrors of the war and her husband Tomas’ disappearance. -
Causes and Consequences of Australia's
1 Introduction East Timor: an Australian battleground In December 1975, Alarico Fernandes, a Minister in the government of the Democratic Republic of East Timor, broadcast a desperate radio message to Darwin, pleading for international assistance. He reported that Indonesian forces have been landed in Dili by sea… They are flying over Dili dropping out paratroopers… A lot of people have been killed indiscriminately… Women and children are going to be killed by Indonesian forces… we are going to be killed! SOS, we call for your help, this is an urgent call…1 Fernandes’ pleas went unheeded, and perhaps 200,000 of his compatriots would die as a result of the Indonesian occupation. Nearly a quarter of a century later, in September 1999, a distressingly familiar message was delivered by Joao Carrascalao, a representative of the East Timorese independence movement in Australia. He argued that because the East Timorese population had decisively voted for independence from Indonesia, they were now being systematically murdered and that the fascist Indonesian military machine and its civil government collaborators… are well on their way to their target of exterminating 344,580 East Timorese… These people will die, shot, hacked, tortured, raped and starved to death, unless the free, democratic nations of the world confront Indonesia today… please help now. If you don’t, there will be no East Timor tomorrow.2 1 Cited in Jill Jolliffe, East Timor: Nationalism and colonialism, St Lucia, University of Queensland Press, 1978, p. 232. 2 344,580 was the number of ballots cast for independence. Joao Carrascalao, Media release: Indonesia’s ethnic cleansing target: kill 344,580 East Timorese, National Council for Timorese Resistance, 08.09.1999 (accessed 29.05.2006, http://www.labournet.de/internationales/crnt.html). -
Democracy Rules ACTIVITY 1 a Question of Equal Citizenship
Topics and invesTigaTions The voice of a vote in a world of change during the 20th century vast changes occurred in attitudes towards human rights – the right to equality for all citizens and the right of nations to determine their own futures. at the turn of the 20th century australia regarded itself as a ‘white’ society and ignored the rights of aboriginal and Torres strait islanders in the development of its constitution. at the same time in the international arena, many african, pacific and asian nations were ruled by european nations which denied citizens’ rights in their colonial possessions. over the course of the 20th century most of these european colonies gained their independence. an example close to australia was the former portuguese colony of east Timor. after centuries of colonial rule the portuguese government finally left east Timor in 1975. The voice of a vote in a world of change explores the importance of the democratic vote. The topic contains two investigations: How did indigenous australians achieve civic rights? How did east Timor take the first steps to democracy? Introductory activity explain to students that the Universal > What is the purpose of the declaration, as outlined in the declaration of Human Rights was drawn preamble? up after World War II when there was > The preamble introduces the words ‘dignity’, ‘justice’ and international horror at the gross abuses ‘equality’. What do these three words signify in your own lives? of human rights under nazism as well as > What are our responsibilities towards our rights? is this the same concern for the future of former european as our responsibilities towards the rights of others? colonies seeking independence and self- > How can we make sure our rights are respected? determination. -
The Mysteries of Alfred Hedgehog) SRC Radio-Canada France 3 Rai Italy TVE Spain
MUSE DISTRIBUTION INTERNATIONAL Muse Distribution International is the sales arm of Muse Entertainment Enterprises, delivering television programming to broadcasters, cable and pay networks, to theatrical, VOD, SVOD, video, iTunes and to DVD distributors around the world. Muse Distribution has more than 460 hours of top quality entertainment for sale, including primetime event miniseries, captivating series, dramas, thrillers, mysteries, comedies, series for children and families as well as thought-provoking documentaries. Muse Entertainment is a leading, independent film and television production house known internationally for its well crafted and high quality productions. Muse is a foremost expert in international co-productions, having produced television programming and feature films in more than a dozen countries. Since its founding in 1998, Muse has produced, co-produced or provided production services on more than 170 TV movies, miniseries, television series and feature films. Muse-produced programs have won over 100 awards and garnered over 300 award nominations! Muse Entertainment Enterprises USA, the company’s Los Angeles operation, has reached deeply into the U.S. television market since starting up in 2008. It has realized several Muse productions including television series and movies-of-the-week, as well as numerous development deals with American pay, cable and free networks. Muse Entertainment Enterprises Ontario is set in Canada’s media hub, Toronto. Muse Entertainment Ontario helps serve Muse Entertainment’s development, financing and production operations. Muse Entertainment Ontario is also the company’s centre for its new boutique factual division, Muse Factual. Muse Factual is committed to working with Canadian and international broadcasters in creating, financing and delivering high-impact and entertaining non-scripted series and specials.