Annual Report 2005-2006: Part 3 – ABC Divisions
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
Re-Thinking Water and Food Security
RE-THINKING WATER AND FOOD SECURITY Re-thinking Water and Food Security Fourth Botín Foundation Water Workshop Editors Luis Martínez-Cortina Spanish Geological Survey (IGME), Spain Alberto Garrido Research Centre for the Management of Agricultural and Environmental Risks (CEIGRAM), Spain; Technical University of Madrid (UPM), Spain; Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain Elena López-Gunn Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain; London School of Economics (LSE), UK Cover photo: Courtesy of M. Campos and M. Rica Izquierdo. CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2010 Taylor & Francis Group, London, UK Typeset by MPS Ltd. (A Macmillan Company), Chennai, India Printed and bound in Poland by Poligrafia Janusz Nowak, Poznán All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publisher. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data Marcelino Botín Water Forum (4th : 2009 : Santander, Spain) Re-thinking water and food security : fourth Marcelino Botín Foundation water workshop / editors, Luis Martínez-Cortina, Alberto Garrido, Elena López-Gunn. p. cm. Includes index. ISBN 978-0-415-58790-7 (hard cover : alk. -
To Read a PDF Version of This Media Release, Click Here
MEDIA RELEASE 29 July 2020 The past isn’t done with us yet… Catherine Văn-Davies leads the ensemble cast of new Australian drama series Hungry Ghosts Four-night special event on SBS Monday 24 August – Thursday 27 August at 9:30pm • INTERVIEWS AVAILABLE • IMAGES AND SCREENERS: HERE • FIRST LOOK TRAILER: HERE Chilling, captivating and utterly compelling, Hungry Ghosts follows four families that find themselves haunted by ghosts from the past. Filmed and set in Melbourne during the month of the Hungry Ghost Festival, when the Vietnamese community venerate their dead, this four-part drama series event from Matchbox Pictures premieres over four consecutive nights, Monday 24 August – Thursday 27 August at 9:30pm on SBS. When a tomb in Vietnam is accidentally opened on the eve of the Hungry Ghost Festival, a vengeful spirit is unleashed, bringing the dead with him. As these spirits wreak havoc across the Vietnamese-Australian community in Melbourne, reclaiming lost loves and exacting revenge, young woman May Le (Văn-Davies) must rediscover her true heritage and accept her destiny to help bring balance to a community still traumatised by war. Hungry Ghosts reflects the extraordinary lived and spiritual stories of the Vietnamese community and explores the inherent trauma passed down from one generation to the next, and how notions of displacement impact human identity – long after the events themselves. With one of the most diverse casts featured in an Australian drama series, Hungry Ghosts comprises more than 30 Asian-Australian actors and 325 -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Bangalow Farewells Frank Scarrabelotti
THE BYRON SHIRE ECHO Advertising & news enquiries: Mullumbimby 02 6684 1777 Byron Bay 02 6685 5222 Fax 02 6684 1719 [email protected] [email protected] Available early Tuesday at: http://www.echo.net.au VOLUME 22 #02 TUESDAY, JUNE 19, 2007 22,300 copies every week REFILLED EVERY WEEK Bangalow farewells Frank Scarrabelotti Left, Frank Scarrabelotti at the age of 108 in his garden shed. Above, the family farewells Frank at St Kevin’s Church, Bangalow. Photos Jeff Dawson Frank Scarrabelotti, one of Banga- nity into his last decade, from dairy meet the team and wish them good low’s much loved identities, died on farming to rugby union to music. luck. Frank clearly remembered the Tuesday last week at the grand age In his 107th year he and his wife Bangalow team that played in the of 109. Around 300 people turned Nell led the parade for the annual fi nal in 1910, and was able to iden- out for the requiem mass last Fri- Bangalow Billycart Derby, albeit in tify most of the players by name day at St Kevin’s Church, Banga- a car. and the positions they played. low. He was widely regarded as one When Bangalow Rugby Union Ballina MP Don Page paid tribute of life’s true gentlemen. Club played in their fi rst grand to Mr Scarrabelotti in a press release: Born near Coraki on August 4, fi nal since the club was reformed in ‘Frank was highly respected and 1897, Frank was enthusiastically 2003, at the age of 108 Frank came very well liked by all who knew involved in the life of the commu- down to the Bangalow Hotel to continued on page 2 Van Haandels take the reins of iconic Beach Hotel Hans Lovejoy According to current owners ‘The Beach Hotel supported John and Lisa van Haandel’s tor’s future plans are and how it The long anticipated sale and John and Delvene Cornell, they many local good causes as a pub other business interests include will affect the community. -
Bye Bye Barons, a Kings Cross Icon Healthy Thinking, Healthy Living at Northcott
VOLUME ONE NUMBER FIFTY-SIX NOVEMBER’07 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE KINGS CROSS NEWTOWN PADDINGTON REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND AUSTRALIA ErskinEvIllE Kristin VOTES PuBlIc ScHool Hersh FEDERAL ELECTION ’07 celebrating its history PAGE 13 Her performance ✫✫✫✫✫✫✫✫✫ The Information at the Basement You Need To Know. The Review Election Special on PAGE 10 pages 4 & 5. Bye bye Barons, a Kings Cross icon Healthy thinking, healthy living at Northcott Andrew Collis The Surry Hills Public Tenants Association co-ordinated a celebration for Mental Health Week 2007 with a Mental Health Day which included a community lunch, Tai Chi and art activities – all of which contribute to building relationships – the theme of this year’s Mental Health Week in NSW (“Relationships in community”). The inaugural celebration was held on October 11 at the Northcott Community Centre. Those gathered included tenants, representatives of the Department of Housing, St Vincent’s Mental Health Service, the Surry Hills Neighbourhood Centre and Centacare, Surry Hills Police and various NGOs. The event, officially opened by City of Sydney Councillors Robyn Kemmis and Marcelle Hoff, was an occasion to reflect on some of the serious issues associated Annette Nevin ponders life after Café Pralinka Photo: Ali Blogg with mental health. One in five people has a mental illness – 20% of the population – so most of us Simon Nichols a smoking area balcony which should into our community and tell us what down architecture of the original are affected in some way, either work in the bar’s favour. Previously, to do? The owners bought the building proposal. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -
Mr David Stratton
Mr David Stratton The degree of Doctor of Letters (honoris causa) was conferred upon David Stratton at the Arts ceremony held at 2.00pm on 9 June 2006. The Chancellor the Hon Justice Kim Santow with Mr Stratton at the conferring ceremony, photo, copyright Memento Photography. Citation Chancellor, I have the honour to present David Stratton for admission to the degree of Doctor of Letters, honoris causa. David Stratton was born in the United Kingdom in 1939 and left school at age sixteen, and from a very early age, he was actively involved in local film societies. In 1963, he migrated to Australia and he has been contributing to the richness of our cultural and intellectual community since his arrival. By 1966, David had already established himself as a prominent figure in the arts community in Australia and he served as the Director of the Sydney Film Festival from 1966 - 1983. During this period, many new Australian feature and short films were premiered at the Festival, and by the time David finished his tenure as Director, the Australian film industry had experienced a revival and he had been at the forefront of the renaissance, stimulating debate and challenging the Australian censors. In 1980, David began his 23-year association with SBS broadcasting. From 1981-2004 he presented films on SBS Television for ‘Movie of the Week’ and ‘Cinema Classics’ and was, with Margaret Pomeranz, co-host of The Movie Show from 1986-2004. In July 2004, Margaret and David moved to ABC television with their show At The Movies. Many thousands of Australians have been informed and entertained about cinema culture by ‘Margaret and David’ and the iconic duo continue to be a dominant force in cinema culture and both continue to stimulate debate about film censorship. -
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. -
Katherine Thomson
What I Wrote: Katherine Thomson A STUDY GUIDE by KATY MARRINER Snodger Media and Ronin Films http://www.theeducationshop.com.au Introduction the screenplay for the film Unfolding Florence – The Many Lives of Florence This study guide to accompany What Broadhurst. She has been Vice-Pres- I Wrote: Katherine Thomson has been ident of the Australian Writers’ Guild written for senior secondary students. and President of Sydney PEN. It provides information and sugges- tions for learning activities in English, About the filmmakers Literature, Theatre Studies and Drama. Dr Tess Brady – Presenter What I Wrote: Katherine Thomson is a Dr Tess Brady is a highly respected short film about Australian playwright editor, researcher and teacher of writ- Katherine Thomson. Dr Tess Brady in- ing at university level. She was the terviews Thomson and provides a criti- co-founding editor of the international cal introduction to Harbour, Answered online scholarly journal TEXT and has by Fire, Mavis Goes to Timor and published children’s picture books, Wonderlands. What I Wrote: Katherine adult radio drama, crime fiction, short Thomson also includes a discussion of stories and popular non-fiction. Her some of Thomson’s other plays and an most recent publication is Creative investigation of her approach to writing Writing: Theory beyond practice, with for the stage. Nigel Krauth. What I Wrote: Katherine Thomson Catherine Gough-Brady – is one title from a four-part series Director spotlighting Australian playwrights. Catherine Gough-Brady is a documen- The series offers students information tary filmmaker. She has made works about the ideas and processes of the for a variety of media.