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Film Distinto: Sinfonía De Una Vida 32 Concurso Film 4

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Film Distinto: Sinfonía De Una Vida 32 Concurso Film 4 CINE t iene el honor de anunciar cali e sus pi n.nmns e-n ¡ <"> e l g r a n PLAZA la obre cumbre de la cinematografía en <-<•//« a LOS S I L TE r ECA l OS CAPITALES Roberto Rossellioi Cloude Autant-Lara Y ves Al legre! «. o- producción franco-italiana, rea tizada -por las figuras más Corlo Rím P'íW?,mimas del eme moderno' Eduardo De Filippo Georges Locombe lean Dreville Mídele Morgan Noel-Noel 1 Gerard Philipe Ándree Debar I Vivían© Romane© Claudin© DupUÍS I buHantemente ínter- Frank Vülard lean Debucourt I pretada por %m elenco Isa Miranda Jocquelítne Plessís* I >,,ultiestelar Henri Vidal Orfeo Tamburi i Francoise Rosay Paolo Sfoppa | Charles Spaalc Aurersebe & Bost Eduardo De Fílíppo Rene Wheeler según libretos y diálogos de los Roberto Rossellim consagrados: Diego Fabbrí Cario Rim . Leo Joannon Lana Ferri Turí Yasile l»8SIW* publicación de dirección H. Ahina Thevenet, Jaime Francisco Botet. consejo de redacción Jorge A, Arfeaga, Gastón Blanco Pengibove, Wolter Dassori Baríhet, Antonio Larrets, Julio L, Moreno, Julio Ponce de León, Hugo Rocho, E. Rodríguez Monegal, Giseldo Zani. corresponsales Nicolás Moncera (Argentina). administrador Martfredo A. Cikato (redactor responsable). ii’?! ííüf© ttuwvra 2 lewis m [lesione 3 el cine en e! mundo 6 post guerra: vivirás tu vida í polémica: directores versus libretistas 20 cine universitario: cartelera de junio 21 una obra excepcional: la señorita Julia 25 el rebelde 26 presentación de norman me taren 29 cine retrospectivo: vanidad 30 un film distinto: sinfonía de una vida 32 concurso film 4 FILM es publicada mensual» ente por CINE todos los dibujos, soivo mención en contraríe UNIVERSITARIO DEL URUGUAY, cine-club son ds .Hermenegildo Sabaf. con sede en Colonia 1176, Montevideo, Uruguay. E"! ■-■.iv.'üjua r ¿i- vi.nd:- a V o 0 a1 vúl.licí., c;: Monu-vídc.-, y :>,i0 or. el t'-1■-;■}"■ r ■■■.■) t■:.)' == ■ el precio para socios de Cine Universitario es de $ 0,20. La suscripción anual cuesta $ 3,50 eii H iif.tiií íl >, v ; 1.0" c-n e! iulerb r y >' ■ ' ■ rior del país. Todo el material publicado ha sido er.c:it:i cinimc ñu i-,".:;; i J T.M. r:.iv.. :■ s_-.u;-' ;> expresa en contrario. Se autoriza su reproduc­ ción, con mención expresa de procedencia. m i 1 e s t o n e «II quiet on fhe western front a wafk in the sun hoUs ©f monfezuma mmmi EN 1927 LEWIS MILESTONE FUE PREMIADO COMO director por la Academia de Artes y Ciencias de Hollywood, por su labor en Dos caballeros árabes (Two Arabian Knights, con L,dVnih, -n Wllliam T¡o;--r<). '¿'n i 9C0 H.;e nm 1 uní. ;..U- VI.iréH 'y L- t* premiado por Sin novedad en el frente (AH Quiet on the Wes­ tern Front). y la película fué distinguida como la mejor del J li ll ilt i d mSiiSitíM& año. Esa jerarquía, conseguida hace tantos años, pudo garan­ (H iM SM H P tizar que Milestone fuera el dueño de su carrera posterior, pero aparentemente Hollywood no se lo permitió, y su mismo asen­ timiento a ser un subordinado cuestiona grandemente su per- i :-l d u l UU . A) sonalid ¡d. ai IZ.:i los últimos v. into años film., prácCcc- Ir xir ¡ r - iooiiiiigiaiiii numU- cual nú-.r cosa, con variedad d-' ambición y do desloó.■; és; 'ti - * é /•« -.1: diemno p--c mí i armen e a m.ngvhj géo. j o . rao dejas1 entre­ herí ?d->.í sobre m ¡ ver algo más que meras pistas de un estilo. Como William A. ««iililSiili Wellman, Frank Borzage, William Dieterle, Michael Curtiz y ®l®iSBl¡i®¡ iM fcltlilSi* tanto otro, Milestone parece acatar a Hollywood, y está mera­ mente ‘o. urik-n ¡; "¡oda su artí -.saaia y todo su prestigio. Mil- Para delinear su personalidad, no servirá la lista de sus come­ na A r d r M¡KBbS$Í9BSi dias: Cantonado se van las penas (Hallelujah, I’m a Bum, 1933, i; . di ; con Ai ».,i < ápúíi¡<. odia u«rn i 7n- Capium Hales the o o fío / ■' f ilé d y -tí:. Sea, 1934, con John Gilbert, Walter Connolly, Helen Vinson), Par>--. P' i rae - ere ? Parir in Snru.ig, 1935 cor: Tullio Carm; vo Ñor 'rtlrfíBiilSlliii natti, Ida Lupino), Todo vale (Anything Goes, 1935, con Bing Crosby), Luna de miel para tres (Lucky Partners, 1940. con Ronald Colman, Ginger Rogers), Mi vida con Carolina (My I s lfc lil fié Life with Caroline, 1941, con Ronald Colman, Anna Lee), liliililliig La verdad desnuda (No Minor Vices, 1948, con Dana Andrews, • j H 'lfc í-A-r í avie i. 'iC'i.i M i Lbu P-lov.r Loj.m~ Jourdan ¡ Jin la- ín.s úllimas. y aun con r- .-.i, ■>. Ja guerra cu el medio, ¡.miso emular el género de rom1'de; p;ua ,1 -Vfrn:t*K¡ lÉSlBIllilSSiili ;?:;í.;tc. crecido. con cobrevótendicio y td¡!dó:"; vu adulterio mi:- l l l l l l l l 1:-: Ubrrtmi íra-icm.a se ha permitido ¡.nevo habito. i qc- HolK- éü Fr * V.? lÜIBil®ll!¡i!¡i i M S ^ M É wood mantiene en severa cuarentena. Pero sería un exceso ^ K S I li ll® ver en el promedio de esos títulos la afirmación de una rebel­ iiifilS® í r n i'- m él.i: NC'O ona en c? ¡n = :jov ca.-y i la una m-.iii-; hábil pava ninreu1 «i f r r La lista de sus dramas, entretejida con la primera, incluye tam­ | | | ¡ i | p Oar~ i« };-•"> - Jio?»<’n Vvrrjrn r. Kan í bién íj trabajó m- ■■nc.-.u ¿o 1 v¿¡ Vio!);." >,-od. [curda (P.ain i 933, Flhltürá íiyllo m m s m m m con Joan Crawford y Walter Huston, sobre la obra de W. So- yr-; VF-:¡; Ho-> merset Maugham) o El extraño amor de Martha Ivers (Strange w 9 s ^ ^ ¡ Love of M. I., 1946. con Bárbara Stanw yck, Kirk Douglas) o, peor, Arco de triunfo (Arch of Triumph, 1947, con Charles Foyer lograd l. ■■■imán Charles Laughiun. sobre nov¡ la dy Erich M?- Remarque). Pero en los dramas se nota en cambio film 4 / 3 una característica común: la de preferir ambientes duros, per­ sonajes bien defirados. Con un buen asunto Milestone parece un mejor director, una personalidad más nítida; Clífford Odets se lo dió en El general murió al amanecer (The General Díed at Dawn, 1938, con Gary Cooper, Madeleíne Carroll, Akim Tamiroff); John Steinbeck se lo dio en La fuerza bruta (Oí ei cine en el mundo Mice and Men, 1939, con Burgess Meredith, Lon Chaney, J r.): no es casual que Milestone y Steinbeck hayan ■.•elaborado nue­ vam ente en The Red Pony (1949, con Ivlyrna Loy) no estre­ J gJíií Ilusión proyecta realizar v.r, nada aún en Montevideo. film sobre ia ida de) pititer francés Toulcuse-Lautrec: José Ferrer s-eria E ntre la abundancia y la irregularidad de tan extensa pro­ el intérprete. ducción, a veces despunta la cajídad de un artesano, de un E lia Kazan, que ya abordara oon técnico, pero ninguna característica de Milestone es más rica éxito una obra de Tennessee WiHiams que la aparente variación de su ideología, llevada desde el (A Streelear Named Deaire), ad ap ta­ rá o tra : Mississippi Woman; la filma­ pacifismo de Sin novedad en el frente, 1930, al belicismo de ción. será casi toda en exteriores, en Hasta el último hombre (Halís of Montezuma, 1950). Esos ex­ el delta dei gran río. tremos, y sus pasos intermedios, dicen más sobre el director, The Snov,s s í Kilimanja?*». basada en un relato de Ernest Heming'way, sobre Hollywood, sobre la mentalidad occidental, que el difi- es ei nuevo film del director Henar ulíovo a.'-áim s do una lista ck King. Relata la historia de un escri­ •Se ha apuntado que el pacifismo de Sin novedad, en el tor, herido merteiraente d u ran te una cacería en los desiertos africanos, que frente, contra todo otro ulterior, era explícito y directo. La recuerda momentos de su existencia en Primera Guerra Mundial aparece planteada como una conse­ los <iu* había afrontado la muerte. Es cuencia de la mentalidad prusiana, ante la que es ajeno el sol­ una producción de Darryl F. Zanuck, cou Gregory Peek y ¿usan Hayv?avd dado que sufre en las trincheras. El film descansaba en algu­ de intérpretes. no:.-. ehiijíVLidoa contraste'.', los cuscui-.m..-; vv;lru:í_:w d-, i vi geno- Las producciones más recientes de racicn anterior contra la sordidez del frente, el lustre de la Hollywood incluyen : vicio, i... prometicía cuntí".; í,=. iv.c.h.i -uv:. ■ . =.,.¡... ;■ o no ¡jv u- Plymouth Adventure, era technicolor. producida por D ore Sefcary p a ra Me­ drugo de pan, el odio que se pregona al enemigo contra el tro Goldwyn Mayer, con Cíarenes ácoro Gr¡o <;!■■ que un azar la U..:. , -i" ín-;.v..:- nAus ■ Brown 'de director y Spencer- Tracy. nidud ¡ u c i :. i moldado Ira o-.:, es oca! cuyo vedó ves conWc.y': Gene Xierney, Van Johnson y Leo Genn, como intérpretes, .a¡ hoyo de: ü í 'ii.La gran fuerza ckl i'iJn'j v -a - j. sensaci-n Letier írom the Presiden!, también tic qiie toda, la guerra supon;a ix m,;- o d d a iic;vájü. ■ de M etro, del realizador V illia m A. de felicidad, de riqueza, sin más pretexto que cubrir de gloria Weltanan. En el reparto aparecen a una errónea generacmr. do viejos pompo.-os Cuando ¡Vlikov Shelley Winters, 'Ricardo M entaibar, tone realizó el ium, r.c le era n-aec.-;-i io i;o o-pavita pensamiento C laire Trevor, Wendcli Core}-.
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