1 Management's Discussion and Analysis Altice
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Mergers & Acquisitions
Mergers & Acquisitions: The Case Grupo Media Capital and PT Portugal Pedro Barreto Goulão Crespo Student Number – 152114216 Advisor: Professor Henrique Bonfim June 2016 Dissertation submitted in partial fulfillment of requirements for the degree Master in Management with Major in Corporate Finance, at the Universidade Católica Portuguesa 2016 Abstract Over the last 2 years, Altice Group has been one of the most active telecommunication companies, making acquisitions in different countries, not only in the telecommunication sector but also in the media sector. According to the multinational company, the expansion into the media industry, in the countries where they have already telecommunication operations, brings many and important synergies to their overall operation. After Altice have bought PT Portugal, some rumors came up about the possibility of Altice also entering in the media market in Portugal. Taking up these rumors I decided to study the potential acquisition of Grupo Media Capital by Grupo Altice, through PT Portugal. Along the thesis, I explain relevant M&A literature, make a review on both sectors (media and telecommunication) and companies, and at the end also calculate the standalone valuation of both companies and the synergies that may arise from this deal. After all these procedures, I conclude that this is the perfect moment for PT Portugal to make an offer to Group Prisa (Grupo Media Capital major shareholder). Grupo Prisa should be willing to disinvest in their Portuguese position and taking into account my calculations, Grupo Media Capital share price is undervalued. PT Portugal should make an offer of €4.84 per share, if considering a premium composed by 75% of the cost reduction synergy and 25% of the advertising revenue synergy. -
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe. -
Interim Report January – March 2015
Q1 2015 INTERIM REPORT JANUARy – MARCH 2015 HIGHLIGHTS With the acquisition of kids content producer and publisher YoBoHo, BroadbandTV became one of the leaders in kids and family entertainment on Youtube. YoBoHo owns and operates Hoopla Kidz, one of the largest Youtube kids and family networks, as well as 27 owned and operated channels in the vertical. YoBoHo maintains a proprietary library of content, comprised of over 8,000 videos in PROGRAMMATIC TV the kids vertical, mainly produced by the company. It generates RTL Group led the most recent financing round a total of three billion views for Clypd, a US-based platform for programmatic per year. Under this deal, advertising sales on linear TV, and now holds a the 55 YoBoHo employees will join 17.4 per cent minority stake in the company (on BroadbandTV, including: producers, a fully diluted basis). The Clypd platform, founded writers, marketers, technology in 2012, is comprised of innovative components and mobile experts, and a that automate workflows between buyers and strong business development team. sellers of TV airtime. It gives TV advertising sales RTL Group provided funding houses in the United States the ability to allow for BroadbandTV’s acquisition media planners to discover TV inventory of YoBoHo. opportunities in a unique data driven and efficient manner. Clypd is a pioneer on the programmatic TV front, focusing solely on offering linear TV inventory sales. Clypd operates the market- places on behalf of the broadcasters. Key clients KIDS include, Discovery Communications, Univision and Cox. Following the acquisition of a 65 per RULE cent stake in SpotXchange in summer 2014, the investment in Clypd underlines RTL Group’s strategy to become a leading player in all video segments. -
Chapter 7. Portugal: Impoverished Media Struggling for Survival
Chapter 7 Portugal Impoverished media struggling for survival Joaquim Fidalgo Introduction The Portuguese media landscape has been strongly influenced by its political, economic, cultural, and social evolution during the last decades of the twentieth century and the first decades of the twenty-first century. Five main factors should be considered. First, the small size of the country (with a population of 10.3 million), associated with a very low rate of news media consumption, makes it difficult for media outlets to achieve enough scale to be viable. Second, the economic weakness of the country (an annual gross domestic product per capita of EUR 18,550 compared with the EUR 28,630 average for EU/28 countries; Eurostat, 2019) leads to low purchasing power for media consumers and little advertising for the media industry. Third, there has been a rather brief experi- ence of life in a democracy, after almost half a century (1926–1974) of political dictatorship where basic rights – freedom of expression, freedom of the press, freedom of association – were either forbidden or strictly controlled. Fourth, the long-standing tradition of a centralised society is very dependent on the state and has low levels of autonomous social dynamism and tends towards solving problems at the macro-level of the law, but not necessarily at the micro-level of actual practices. And fifth, economic, cultural, and technological development in the country has been quick in more recent years, particularly after joining the EU in 1986. The legal and regulatory framework for the media still bears marks of the revolutionary period in the country between 1974 and 1975, when democracy was reinstated and important changes occurred. -
ICN Merger Workshop BOS 6 - Economic Theory and Evidence in Analysis of Vertical Mergers
ICN Merger Workshop BOS 6 - Economic theory and evidence in analysis of vertical mergers Tokyo, Japan November 2018 BOS 6 - Economic theory and evidence in analysis of vertical mergers Your speakers today ALEX BAKER Director Fingleton Associates JAEWON KIM Economic Advisor, Office of the Chief Economist Konkurrensverket NOAM DAN Senior Economist Israel Antitrust Authority ALÍPIO CODINHA Deputy Director of Merger Department Autoridade da Concorrência fingletonassociates.com 2 BOS 6 - Economic theory and evidence in analysis of vertical mergers A primer on vertical mergers PRESUMPTIVELY PRO-COMPETITIVE •No direct loss of rivalry (in pure cases) •Efficiencies / elimination of double marginalization •Reduced contracting/transactions costs •Mitigation of hold-up problem •Elimination of free-riding •Improved information flow/co-ordination POTENTIAL ANTI-COMPETITIVE EFFECTS •Input foreclosure (refusal to supply/supplying on worse terms) •Customer foreclosure (refusal to purchase/supplying on better terms) •Increased likelihood of coordination •Access to confidential information fingletonassociates.com 3 BOS 6 - Economic theory and evidence in analysis of vertical mergers Common theories of harm in vertical mergers INPUT FORECLOSURE CUSTOMER FORECLOSURE fingletonassociates.com 4 BOS 6 - Economic theory and evidence in analysis of vertical mergers Framework for assessing vertical mergers ABILITY INCENTIVE EFFECT ECONOMIC ANALYSES fingletonassociates.com 5 BOS 6 - Economic theory and evidence in analysis of vertical mergers Potential vertical merger -
Cofina, Sgps, Sa Sociedade Aberta Sede Social
COFINA, SGPS, S.A SOCIEDADE ABERTA SEDE SOCIAL: RUA MANUEL PINTO DE AZEVEDO, 818, PORTO CAPITAL SOCIAL: 25.641.459 EUROS MATRICULADA NA CONSERVATÓRIA DO REGISTO COMERCIAL DO PORTO SOB O NÚMERO ÚNICO DE MATRÍCULA E IDENTIFICAÇÃO FISCAL 502 293 225 PROSPETO DE OFERTA PÚBLICA DE SUBSCRIÇÃO DE 188 888 889 AÇÕES ORDINÁRIAS, ESCRITURAIS E NOMINATIVAS, SEM VALOR NOMINAL, REPRESENTATIVAS DE 64,81% DO CAPITAL SOCIAL DA COFINA SGPS, S.A. APÓS REALIZAÇÃO DO AUMENTO, COM SUBSCRIÇÃO RESERVADA A ACIONISTAS NO EXERCÍCIO DO DIREITO DE PREFERÊNCIA E DEMAIS INVESTIDORES QUE ADQUIRAM DIREITOS DE SUBSCRIÇÃO E DE ADMISSÃO À NEGOCIAÇÃO EM MERCADO REGULAMENTADO EURONEXT LISBON DE 188 888 889 AÇÕES ORDINÁRIAS, ESCRITURAIS E NOMINATIVAS, SEM VALOR NOMINAL, REPRESENTATIVAS DE 64,81% DO CAPITAL SOCIAL DA COFINA SGPS, S.A. APÓS REALIZAÇÃO DO AUMENTO O presente Prospeto deverá ser lido em conjunto com os documentos inseridos por remissão, os quais fazem parte integrante do mesmo. 17 de fevereiro de 2020 1 ÍNDICE AVISO IMPORTANTE 5 ADVERTÊNCIAS 6 DECLARAÇÕES RELATIVAS AO FUTURO 9 PREVISÕES OU ESTIMATIVAS DE LUCROS 11 DEFINIÇÕES 14 CAPÍTULO 1. – SUMÁRIO 19 CAPÍTULO 2. – FATORES DE RISCO 26 2.1. Riscos relacionados com a Oferta, com as ações da Cofina e com o mercado ....... 26 2.2. Riscos relacionados com a atividade e o setor do Emitente ................................ 34 2.3. Riscos legais e regulatórios ............................................................................ 44 2.4. Riscos relacionados com a projetada aquisição da Grupo Media Capital .............. 47 2.5. Riscos relacionados com a natureza e a estrutura acionista do Emitente .............. 51 CAPÍTULO 3. – RESPONSÁVEIS PELA INFORMAÇÃO 53 3.1. -
TVI: O Turnaround Até À Liderança De Audiências
TVI: O turnaround até à liderança de audiências Manuel Portugal Ferreira (ESTG, IPL) [email protected] Nuno Rosa Reis (ESTG, IPL) [email protected] João Carvalho Santos (ESTG, IPL) [email protected] globADVANTAGE – Center of Research in International Business & Strategy 2 globADVANTAGE Center of Research in International Business & Strategy INDEA - Campus 5 Rua das Olhalvas Instituto Politécnico de Leiria 2414 - 016 Leiria PORTUGAL Tel. (+351) 244 845 051 Fax. (+351) 244 845 059 E-mail: [email protected] Webpage: www.globadvantage.ipleiria.pt Como citar este trabalho: Ferreira, Manuel P., Reis, Nuno R. & Santos, João C. TVI: O turnaround até à liderança de audiências . Caso de estudo nº 7, globADVANTAGE - Center of Research in International Business & Strategy, 2011. Mais casos em http://www.globadvantage.ipleiria.pt/academy/casos-disponiveis/ Caso desenvolvido para inclusão no livro: Ferreira, Manuel P., Santos, João C., Reis, Nuno R. & Marques, T. Gestão empresarial , 2ª edição, Lidel, Ed. Técnicas, Lisboa. 3 TVI : O turnaround até à liderança de audiências Caso elaborado por Manuel Portugal Ferreira, Nuno Rosa Reis e João Carvalho Santos*. Introdução A televisão em Portugal surgiu em meados do século XX, por iniciativa estatal, que cria a RTP – Radiotelevisão Portuguesa. As primeiras emissões experimentais de televisão ocorrem em 1956, e as emissões regulares em 1957. Ao longo de mais de 50 anos de história, a televisão teve várias evoluções, umas mais técnicas e outras mais substanciais, como o surgimento de novos canais privados generalistas e de sinal aberto. Só após a entrada de Portugal na União Europeia foi promovida a emergência de novos canais, que surgem no início da década de 1990 (Figura 1). -
A Televisão Em Portugal Análise Das Audiências E Dinâmicas Concorrenciais Do Mercado Televisivo Português Entre 1999 E 2016
A Televisão em Portugal Análise das audiências e dinâmicas concorrenciais do mercado televisivo português entre 1999 e 2016 RELATÓRIOS OBERCOM SETEMBRO 2017 ISSN 2182-6722 / www.obercom.pt / [email protected] Observatório da Comunicação Palácio Foz - Praça dos Restauradores 1250-187 Lisboa Portugal www.obercom.pt [email protected] Tel.: +351 213 221 319 Fax.: +351 213 221 320 FICHA TÉCNICA TÍTULO A Televisão em Portugal. Análise das audiências e dinâmicas concorrenciais do mercado televisivo português entre 1999 e 2016 DATA DA EDIÇÃO Setembro de 2017 COORDENAÇÃO CIENTÍFICA Gustavo Cardoso Sandro Mendonça AUTORIA Gustavo Cardoso Sandro Mendonça Miguel Paisana Tiago Lima Pedro Caldeira Pais Este trabalho está licenciado para Creative Commons Atribution 4.0 ISSN International (CC BY 4.0). 2182-6722 Índice Sumário Executivo ............................................................................................................................................................ 5 Análise de Indicadores ..................................................................................................................................................... 8 A expansão das marcas clássicas da televisão portuguesa .......................................................................... 8 Dinâmicas de mercado das Marcas Clássicas ............................................................................................ 13 As Marcas televisivas versus Cabo - Audiências ....................................................................................... -
A Televisão Em Portugal, Medida Para Prime-Time E Share Global Entre 1999 E 2014
A Televisão em Portugal Análise das audiências e dinâmicas concorrenciais do mercado televisivo português entre 1999 e 2014 Publicações OberCom ISSN 2182-6722 1 Índice Sumário Executivo ........................................................................................................................................... 5 Análise de Indicadores ..................................................................................................................................... 7 A expansão das marcas clássicas da televisão portuguesa ................................................................................ 7 As Marcas televisivas versus cabo - Audiências .............................................................................................. 12 Os canais generalistas versus cabo - Audiências ............................................................................................ 17 Indicadores de concentração e concorrência no mercado ............................................................................... 22 As audiências por tematização de conteúdos televisivos ................................................................................. 24 Performance e audiências ........................................................................................................................... 30 Audiências de Internet vs. Audiências das marcas televisivas .......................................................................... 37 Notas Metodológicas ..................................................................................................................................... -
ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
ID name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY 10 ENTERTAINMENT 119140 100.000VOLTS.TV 119962 101ST STREET ENTERTAINMENT 114635 101ST STREET PRODUCTIONS 118840 101ST STREET TELEVISION 113543 11TH STREET PRODUCTIONS 119499 127 WALL PRODUCTIONS 115680 13 PRODUCTION 106472 1492 PICTURES 100008 1492 PRODUCTIONS 106474 18 HUSKY 119951 1895 FILMS 117848 18TH STREET FILM 106475 19 ENTERTAINMENT 100010 19 TELEVISION 110681 1OP1 TV EN VIDEO PRODUCTIES BV 113969 2 ROOSTERS MEDIA 112499 21 LAPS ENTERTAINMENT 119887 211 PRODUCTIONS 118463 22 PLATES 117840 24 DOC 104567 24FPS FEAUTURES 108082 24FPS PRODUCTIONS 110683 26 FILMS 118974 2LE MEDIA 109600 2MEDIA PRODUCTIONS 109601 3 ART ENTERTAINMENT 100018 3 ARTS ENTERTAINMENT 119967 3 BALL ENTERTAINMENT 110687 3 BALL PRODUCTIONS 113973 3 DOGS AND A PONY 113947 3 IN THE BOX 100022 3 SISTERS ENTERTAINMENT 119621 333 PRODUCTIONS 117690 343 INDUSTRIES 117595 360 PICTURES 119197 3DD ENTERTAINMENT LIMITED 112504 3J S ENTERTAINMENT 112505 4 BY 2 119495 4 EVER CHRISTMAS PRODUCTIONS 100026 4 TO 6 FOOT 106483 40 ACRES AND A MULE FILMWORKS Videma: unknown rightsholders as per June 30, 2020 1 118263 43 FILMS 113199 44 BLUE PRODUCTIONS 119462 5STAR BROADCASTING LTD 118045 72 PRODUCTIONS 106485 777 FILMS CORPORATION 114377 7ATE9 ENTERTAINMENT 118343 8:38 PRODUCTIONS 119790 87ELEVEN 118206 8816522 CANADA INC. 117620 9 STORY MEDIA GROUP 119415 9.14 PICTURES 119682 93 METROS 118591 9STORIES 100050 A BAND APART 119060 A BETTY PRODUCTION 116506 A GRAND ELEPHANT 118201 A PLUS IMAGE 3 119777 A RED ARROW STUDIOS COMPANY 104576 A S PANORAMA FILM INT 115151 A SCHOOL PRODUCTIONS 119436 A SINGLE SHOT PRODUCTIONS 104581 A SMITH AND CO 112509 A SON OF NATE AND JILL PRODUCTIONS 104578 A TEAM PRODUCTIONS 110698 A VERY GOOD PRODUCTION INC 117624 A&E INDIEFILMS 119788 A&E NETWORK 119722 A+E NETWORKS 116416 A. -
Grupo Média Capital, SGPS, S.A. INDÍCE
Grupo Média Capital, SGPS, S.A. INDÍCE Relatório de Gestão 4 Televisão 13 Produção Audiovisual 26 Música e Entretenimento 33 Cinema e Video 36 Rádio 38 Internet 42 Responsabilidade Social 46 Disposições Legais 57 Governo da Sociedade 61 Contas Consolidadas 114 Contas Individuais 170 Certificação Legal de Contas Relatório da Comissão de Auditoria GRUPO MÉDIA CAPITAL, SGPS, S.A. Senhores Accionistas, O Conselho de Administração do Grupo Média Capital, SGPS, S.A. no cumprimento dos preceitos legais e estatutários instituídos, apresenta o Relatório e Contas relativos ao exercício de 2010. Ao abrigo do número 6 do art. 508.º – C do Código das Sociedades Comerciais, o Conselho de Administração decidiu apresentar um Relatório de Gestão único, sendo aqui cumpridos todos os preceitos legais exigidos. RELATÓRIO DE GESTÃO ÚNICO DO CONSELHO DE ADMINISTRAÇÃO CONTAS DO ANO: 2010 Grupo Média Capital, SGPS, SA Contribuinte Nº 502 816 481 Matriculada na Conservatória do Registo Capital Social: € 89.583.970,80 Comercial de Cascais sob o Nº 17831 Sociedade Aberta Sede: Tel: 21 434 59 04/ 07 Rua Mário Castelhano, Nº 40 Fax: 21 434 59 01 Queluz de Baixo 2734-502 Barcarena INTRODUÇÃO A sociedade Grupo Média Capital, SGPS, S. A. (“Empresa” ou “Sociedade” ou “Media Capital” ou “Grupo Média Capital” ou “Grupo”) tem como único investimento, uma participação de 100% na MEGLO – Media Global, SGPS, S.A. (“MEDIA GLOBAL”). Através desta participação a Empresa detém, indirectamente, participações nas empresas indicadas nas Notas 4 e 5 do anexo às demonstrações financeiras consolidadas em 31 de Dezembro de 2010. As designações completas das empresas incluídas neste relatório têm a devida correspondência no referido anexo às demonstrações financeiras consolidadas, que são parte integrante do Relatório e Contas da Empresa. -
Portuguese Media Media
BPI EQUITY RESEARCH Portuguese Media Media Ready to grow 5th March 2014 4 Advertising market already growing: We believe the ad market in Portugal has Portugal touched bottom and will close 2013 well below its historical average (0.24% of GDP vs. 0.38% on average since 2001). Comparing to other Southern European peers Portugal has the most depressed ad market and is one of the markets Media Capital vs. Impresa vs. with the biggest fall since 2008. We believe that Portuguese ad market has the PSI20 ingredients for a sharper recovery without the need of a very enticing macro 511 outlook. For 2014 we expect a 6% growth and reaching 0.3% of GDP by 2020, Jnqsftb well below the historical average. 411 4 TV and Radio leading and Press to follow: TV advertising has been gaining share in last years and given the pattern of TV consumption we believe there is still 311 room to grow. However, we estimate marginal increase from the 56% weight QTJ31 expected for 2013 up to 57% in 2020. Printed press advertising share should fall slightly during the following years though Cofina and Impresa could be able 211 to explore sale of merchandising and the bolstering of their digital sites as a NfejbDbqjubm means to reach growth in the future. Radio has gained presence within the 1 total Portuguese ad market, with Media Capital reporting yoy growth in ad Gfc-23 Gfc-24 Gfc-25 revenues since 2009. Still, conventional radio advertising should lose market share in favour of online advertising. Source: Bloomberg.