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Antonio G. Lauer, Aka Tomislav Gotovac, and the Man
Share Ana Ofak Gentleman Next Door: Antonio G. Lauer, a.k.a. Tomislav Gotovac, and the Man Undressed in Times of Socialism Tenderness, unburdened sentiments, and freedom are rarely found in the cinematographic spectrum of the 1950s. Arne Mattsson’s 1951 film One Summer of Happiness already assures us with its title that we are going to see something perishable. Just as the water of the lake where the two protagonists swim glitters only on the surface, and only when the sun is going down, the moments they share in this fluid and forgiving medium are already doomed. The film’s rather predictable boy-meets-girl story nevertheless presents one trope that was scandalous for the time: nudity. And we are not just talking about contours of naked female and male bodies at play, but a clear view of erect nipples. This came as close to sex on screen as 1950s audiences were likely to see. After receiving a Golden Bear at the second Berlin International Film Festival in 1952, the movie only made it to New York City in 1957. However, it was shown in Zagreb in 1952 at Kino Prosvjeta (Cinema Education), a movie theater on the ground floor of a former military hospital on Krajiška Street. Every fifteen-year-old seeing it must have gleaned enough material for an outburst of romantic or raunchy fantasies—except for one. Antonio G. Lauer, a.k.a. Tomislav Gotovac, decided many years after One Summer of Happiness that “what was implanted in [his] artistic brain [back then] was that nudity was one of the most important things through which you can tell the world your attitude toward it.”1 Tomislav Gotovac, Lying Naked on the Asphalt, Kissing the Asphalt (Zagreb, I love you), 1980. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
2014 Års O´Neill-Pris Går Till Thérèse Brunnander
Pressmeddelande från Dramaten torsdagen 16 oktober 2014 2014 års O´Neill-pris går till Thérèse Brunnander Priset ska enligt Eugene O´Neill tilldelas ”högt förtjänta artister på Dramaten”. Vid en prisutdelning på Dramaten i dag kl 15.45 delades det ut till skådespelaren Thérèse Brunnander, just nu aktuell Jonas Hassen Khemiris nyskrivna ≈ [ungefär lika med] med urpremiär den 23 oktober. Prissumman är 35 000 kr. Motivering ”Märkvärdigt är det att kunna förena en sådan lugn koncentration och närvaro med en sådan oberäknelig snabbhet och rörlighet! Hur går det till? Det vet hon bara själv, längst inne i sitt skådespelarhjärta. Och publiken har lyckan att känna sig både trygg och häpen när hon är på scenen. Hennes skådespeleri är mjukt lyssnande, nyansrikt och uppmärksamt, och samtidigt finns där en fantastisk och egensinnig humor med vassaste udd, och ett ytterst utvecklat sinne för det dråpligt absurda. Hon viskar i vårt öra: - Se upp där du går, allting kan vara på ett helt annat sätt än du tror… Hon påminner oss om de inre sambanden mellan musikalitet och skådespeleri. Om att ett ord inte bara är ett ord, utan en hel värld som håller på att bli till, innan den löses upp igen. Den beständiga flyktigheten vet hon också mycket om, längst inne i sitt skådespelarhjärta. Thérèse Brunnander.” – Marie-Louise Ekman Kort om Thérèse Brunnander Thérèse Brunnander (f. 1963) har sedan 1992 varit knuten till Dramaten. Hon tillhör teaterns fasta ensemble och har nära 50 roller bakom sig. Utbildad vid Teaterhögskolan i Stockholm 1987-1990. Därefter arbetade hon vid Boulevardteatern i Kristianstad samt Folkteatern i Gävleborg. -
Ingmar Bergman Woche Im Abc Kino 12.07
INGMAR BERGMAN WOCHE IM ABC KINO 12.07. – 18.07.2018 PERSONA – 100 Jahre Ingmar Bergman Do.,12.7.17:15/21:15 ABC SE 1966 – 85 Min – Mit Bibi Andersson, Liv Ullmann Liv Ullmanns Debüt bei Bergman. Sie spielt eine Bühnenschauspielerin, die beschließt, nicht mehr zu sprechen. „PERSONA entspringt einer persönlichen Erfahrung, einer Art von Wahrheitskrise. Ich dachte stets, die einzige Form von Wahrheit ist einfach Schweigen.“ (Ingmar Bergman) DAS SCHWEIGEN – 100 Jahre Ingmar Bergman Fr.,13.7.:17:15/21:15 ABC SE 1963 – 91 Min – Mit Ingrid Thulin, Gunnel Lindblom, Birger Malmstem Unzensiert und mit dem Prädikat „besonders wertvoll“ kam Bergmans freizügiges Drama über die sexuelle Liebe zweier Schwestern 1964 in die Kinos der Bundesrepublik. Der Skandal folgte prompt, aber auch ein unglaublicher Kassenerfolg. WILDE ERDBEEREN – 100 Jahre Ingmar Bergman Sa.,14.7.:17:15/21:15 ABC SE 1957 – 91 Min – Mit Bibi Andersson, Victor Sjöström, Ingrid Thulin Der Professor Isak Borg lebt nach dem Tod seiner Frau allein mit einer mürrischen alten Haushälterin. Nun hat seine Schwiegertochter bei ihm Zuflucht gesucht nach einem Streit mit ihrem Ehemann. In der Nacht träumt Professor Borg, wie er sich in einer geisterhaften Stadt verirrt und seinem eigenen Leichnam begegnet. Doch dann erinnert er sich an seine erste große Liebe: die wilden Erdbeeren HERBSTSONATE – 100 Jahre Ingmar Bergman So.,15.7.:17:15 ABC SE 1978 – 90 Min – Mit Ingrid Bergman, Liv Ullmann, Lena Nyman Jahrelang hat die gefeierte Star-Pianistin Charlotte Andergast (Ingrid Bergman) ihre Kinder für ihre Karriere vernachlässigt. Nun will sie sich mit ihrer ältesten Tochter Eva (Liv Ullmann) versöhnen und stattet ihr und ihrem Ehemann einen Besuch ab, voller Hoffnung, dass sich so etwas wie ein normal-familiäres Verhältnis wiederaufbauen lässt. -
A Collection of Practical Suggestions Reprinted from Issues of Australian
DOCUMENT RESUME ED 101 302 CS 201 048 TITLE Resources I--Ideas for English Lessons; A Collection of Practical Suggestions Reprinted from issues of "English in Australia." INSTITUTION Australian Association for the Teaching of English. PUB DATE 74 NOTE 66p. AVAILABLE PROMThe Publications Secretary, AATE, 163A Greenhill Road, Parkside, South Australia 5063 ($1.20 including postage; Australian money) EDRS PRICE MP-S0 .76 HC$3.32 PLUS ppSTAGE DESCRIPTORS Adult Education; *Class Activities; Classroom Materials; *Educational Resources; Elementary Secondary Education; *English instruction; *instructional Materials; Language Arts; *Lesson Plans; Resource Materials ABSTRACT This monograph contains 47 lesson ideas that elementary and secondary English tectovhers mayfind'useful for classroom activities. Each item dem:L.135es the aim of the lesson and the grade level and provides Suggestions on how to carry out the lesson. Some of the activities suggested include "Advertising a Play'', "Write Your Own Obituary," "Studying the Novel through Poetry," "Recognizing a Speaker's Tone," "Book Display for Reluctant Readers," "Public Speaking," "Creative Writing," and "Man and His Earth." Depending on the aims of the lessons, additional instructional materials and reading materials are recommended. This collection of practical suggestions for class activities is reprinted from past issues of "Resources," which appears regularly inunglish in Australia.m (RB) RESOURCES IDEAS FOR ENGLISH LESSONS A collection of practical suggestions reprinted from issues of "English In Australia". I 0 U.S. DEPARTMENT .., HEALTH, EDUCATION A VULPATIE NATIONAL iNSTITUtelle EDUCATION THIS DOCUMENT HAS SEEN REPRO OuCEb EXACTLY AS ROC, web FROM THE PERSON OR OISCIANIZATIDY ORIGIN MIND It POINTS OF VIEW OR I1INIONS STATED 00 NOT NECESSARIL I REPRE SENT OFFICIAL NATIONAL INSTITutE or EDUCATION POSITION OR POLu AUSTRALIAN ASSOCIATION POP THE TEACHING OP ENGLISH, INC, 1974 RESOURCES I IDEAS FOR ENGLISH LESSONS Copyright © 1974 by The Australian Association for the Teaching of English, Inc. -
The Life and Films of the Last Great European Director
Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress -
1. Eva Dahlbeck - “Pansarskeppet Kvinnligheten”
“Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Department of Media Studies Master’s Thesis 30 ECTS credits Cinema Studies Master’s Programme in Cinema Studies 120 ECTS credits Spring 2018 Supervisor: Maaret Koskinen “Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Abstract Eva Dahlbeck was one of Sweden’s most respected and popular actresses from the 1940s to the 1960s and is now remembered for her work with Ingmar Bergman, who allegedly nicknamed her “Pansarskeppet kvinnligheten” (“H.M.S. Femininity”). However, Dahlbeck had already established herself as a star long before her collaborations with Bergman. The popularity of Bergman’s three comedies (Waiting Women (Kvinnors väntan, 1952), A Lesson in Love (En lektion i kärlek, 1954), and Smiles of a Summer Night (Sommarnattens leende, 1955)) suggests that they catered to the Swedish audience’s desire to see the star Dahlbeck. To explore the interrelation between Swedish post-war popular film culture and the auteur Bergman, this thesis examines the stardom of Dahlbeck, who can, as inter-texts between various films, bridge the gap between popular film and auteur film. Focusing on the decade from 1946 to 1956, the process whereby her star image was created, the aspects that constructed it, and its relation to her characters in three Bergman titles will be analysed. In doing so, this thesis will illustrate how the concept “Pansarskeppet kvinnligheten” was interactively constructed by Bergman’s films, the post-war Swedish film industry, and the media discourses which cultivated the star cult as a part of popular culture. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Ref Or I Resumes
REF OR I RESUMES ED 011 017 UC D02 272 A BEI ER CHANCE, ANC EC',:CATIONAL FRCGRAM SFONSOEC et rARTMOuTH COLLEGE. By- DEy, CHARLES F. JACKSON, CAVIS CARTMCA.TH COLL., HANcrivi:;;, FOB CAIt 65 EDRS PRICE 14F-$0,18 HC-$4 04 101F. DEsCRIFTORS- SUMMER FROC,RAMS, *COLLEGE FREFARATION, FRIVATE SCHOOLS, SCHOLARSHIFS, *CISACvANTAGEC YOUTH, TUTORING, ENGLISH CURRICULUM, REACING PROGRAMS, MATHEMATICS CURRICULUM, *EDUCATIONAL IMPROVEMENT, HANOVER A SUMMER FROGRAM OFFERED INTENSIVE ACACEMIC FREFARATION TO DISADVANTAGED BOYS wHO HAC RECEIvEC SCI -t.ARSHIFS TO INDEPENDENT SCHOOLS. THE FROGRAM'S STRESS ON ENGLISH, READING, AND MATHEMATICS WAS MAINTAINED By CLOSE PERSONAL CONTACT BETWEEN STAFF ANC STUDENTS, SMALL CLASS SECTIONS, ANC INDIVIDUAL TUTORING. THE TUTORS LIVED WITH THE STUCENTS THROuGHOUT THE FRCGRAM ANC WERE THUS ADLE TO SPOTPOTENTIAL DIFFICULTIES ANC TO ACT TO RESOLvE THEM. THROJGH THEIR INSIGHT INTO THE STUDENTS' PERSONALITIES THEY WERE ABLETO BROADEN ANC INTENSIFY THE OVERALL IMF ACT CF THE PROGRAM. wEEKENC ExCuRSIONS 7uLTuRAL ACTIVITIES, ANC ATHLETICS ALSO WERE MACE A FART CF THE FRCGRAM, SEVENTY -FOUR OFTH: 82 PARTICIPATING STUCENTS WERE RECOMMENLEL TO THEFREFARATOy SCHOOLS. A 5 -YEAR FOLLCwUF STUDY CF THE ACADEMIC CAREERSOF THE PARTICIPATING STUCENTS IS PLANNED. (NH) MOM INDEPENDENT SCHOOLS OFFERING AMISS'XI TO 1964alier 1965 ABC STUDENTS Pomfret School Birch Wathen School The Hill Echool Pomfret, Conn. New York, N.Y. Pottstown, Pa. Cheshire Academy Holeerness School St. George's School Newport, R.I. Cheshire, Conn. Plymouth, N.H. The Choate School Hotchkiss School St. Mark's School Wallingford, Conr Lakeville, Conn. Southborough, Mass. The Collegiate School Kimball Union Academy St. Paul's School New York, N.x. -
Programmet Nu Klart För Filmhelgen I Lindesberg
2018-02-08 06:00 CET Programmet nu klart för filmhelgen i Lindesberg Programmet är nu klart för filmhelgen 2-4 mars som arrangeras av Lindesbergs Filmstudio i Folkets Hus Bio i Lindesberg. Åtta långfilmer kommer att visas på temat ”Svenska regissörer och deras filmer”. Johan Mollberg (Bio Roxy i Örebro) föreläser om filmerna och regissörerna ur ett filmhistoriskt perspektiv. Och mellan några långfilmer kommer kortfilmer av unga lokala filmare att visas. Åtta svenska regissörer - kvinnliga och manliga från tidigt 1900-tal fram till idag - presenteras under helgen med varsin långfilm: Fredag 2 mars: • Alf Sjöberg: HETS från 1944 med Stig Järrel, Mai Zetterling och Alf Kjellin m.fl. • Gunnel Lindblom: PARADISTORG från 1977 med Agneta Ekmanner och Sif Ruud m.fl. Lördag 3 mars: • Victor Sjöström: KÖRKARLEN från1921 med Victor Sjöström och Hilda Borgström m.fl. • Ingmar Bergman: SMULTRONSTÄLLET från 1957 med Bibbi Andersson, Ingrid Thulin, Victor Sjöström och Max von Sydow m.fl. • Tage Danielsson: SLÄPP FÅNGARNA LOSS DET ÄR VÅR från 1975 med Tage Danielsson, Lena Nyman, Hans Alfredsson, Gösta Ekman och Margareta Krook m.fl. • Mai Zetterling: AMOROSA från 1986 med Stina Ekblad och Erland Josephson m.fl. Söndag 4 mars: • Jan Troell: MARIA LARSSONS EVIGA ÖGONBLICK från 2008 med Mikael Persbrandt, Maria Heiskanen, Jesper Christensen m.fl. • Suzanne Osten: BRÖDERNA MOZART från 1986 med Amanda Ooms, Etienne Glaser, Philip Zandén m.fl. Biljetter: • Filmfestkort för alla filmer fredag-lördag-söndag: Ordinarie 250 kronor. Ungdom 20-26 år/vuxenstuderande 150 kronor. Förköp genom bankgiro 174-4580 - ange namn och e-postadress. • Dagbiljett för alla filmer på lördag: 200 kronor (köps i biografen) • Dagbiljett för alla filmer på fredag respektive söndag: 100 kronor (köps i biografen) • Gymnasieungdom: GRATIS hela helgen. -
Itatfe's Budget Totals $1.78 Billion by DAVID M
CgUfge Stpientf to Get State Lottery Windfall SEE STORY BELOW y and Cold and cold today. Clear cold tonight. Fair, milder ttW and Thursday. (See Details, Page 2) EDITION Monmouth County9? Home Newspaper for 92, Years 9$ IM). 160 RED BANK, N. j, TUESDAY, FEBRUARY 16,1971 18 PAGES TEN CENTS itatfe's Budget Totals $1.78 Billion By DAVID M. GOLDBERG admission of 17,000 more stu- lion in supplemental appropri- vetoes are rare. was sufficient because only $6 TRENTON (AP) - Gov. dents to the state college and ations has already been made. The main method of balanc- million a year of that money William T. CahDl presented university system to be fi- If that figure were repeated ing the budget was through was spent and the $23 million the legislature today with a nanced with the heavier than this year, the state would go the use of what was called jjeed only last for two years $1.78 billion budget that uses a anticipated lottery receipts. over the limit, but' Cahill said "lapses," which added an ad- more. series of bookkeeping trans- But Cahill conceded the he expects to hold the figure ditional $65 million in revenue, "No municipality could pos- fers to avoid new taxes. But budget is largely an austerity down. •compared to $21 million added sibly be hurt by this," he said Cahill warned that the finan- budget which holds the line in The governor's recommen- for this year through the same at the news conference at cial maneuverings can last the face of numerous depart- dations.now go to the legisla- methods. -
Téléchargez Le Dossier De Presse
GRANDEUR DE LA PETITE FORME L’image de Bergman que je préfère, c’est celle des films 16 mm documentant ses tour- nages des années 1960, il fait beau, il est souriant, enfantin même, il est alors directeur du théâtre de Malmö où toute la saison durant il enchaîne les productions, puis quand l’été vient, que c’est relâche, il mobilise sa troupe pour tourner un film où cinéma, vacances, amours semblent se mêler en une utopie qui est peut-être la clé de cette dualité qui définit son œuvre. L’envers étant la dépression qui, plus tard, sera la source de certains de ses chefs-d’œuvre. La singularité de Bergman tient à ce qu’avant tout, la parole s’incarne. Le rapport à l’in- terprète n’est pas la vérification de l’écriture mais sa transcendance. Cette alchimie est ce qui est à l’œuvre de plus profond et de plus mystérieux dans le cinéma, son essence BERGMAN INGMAR même. Et c’est la découverte de cette vérité particulière, fragile et éphémère, sur le visage de ses acteurs, de ses actrices, qui définit l’espace le plus intime, le plus secret du cinéma et que Bergman n’a eu de cesse d’explorer, au-delà des mots. Mais que s’est-il passé en 1982 ? Quand Bergman annonce, il a soixante-quatre ans, qu’il ne fera plus de films après Fanny et Alexandre. On peut considérer que ce der- Les Fraises sauvages nier film, plus long, plus ambitieux, plus romanesque que tous les autres devait être le couronnement de son œuvre.